Anthony James Movies

Dedicated to his mentors Sergio Leone and Don Siegel, Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name. ~ Lucia Bozzola, All Movie Guide

While working as a janitor in a private detective's office, Al is mistaken for a "P.I." by a beautiful client named Vanessa Van Pelt (played by the formidable Traci Lords). Donning trench-coat and snap-brim, Al goes "noir" to help Vanessa claim a valuable gem which is in dangered of being pilfered by her greedy family--and for his troubles ends up accused of murder. This episode takes into account the recent real-life miscarriage of series star Katey Sagal by setting up a Dallas-like "explanation" as to why suddenly two of the characters are no longer pregnant, neatly negating EVERYTHING that has happened since the beginning of Season Six. ~ Hal Erickson, All Movie Guide

When two rival criminal organizations threaten to stage an all-out war, it is up to a dedicated police officer to attempt to bring them to a truce. ~ Iotis Erlewine, All Movie Guide

Soap opera queen Susan Lucci stars as an orphan adopted by a mobster family who grows up to be a star attorney, but still dreams of getting revenge on the killers who murdered her parents. ~ Jason Ankeny, All Movie Guide

In this post-apocalyptic film, a lack of rain has made water the most valuable thing in existence, and when an evil gang led by Derek Abernathy (Adam Ant) threatens to take over the spring-fed community of Lost Wells, the peaceful residents must find the means to protect themselves and their resource. ~ Iotis Erlewine, All Movie Guide

The A-Team is mistaken for a group of vicious mercenaries, with Murdock (Dwight Schultz) being incorrectly identified as the notorious "Insane" Wayne (Jesse Vint). Hired by evil rancher Kincaid (Barry Corbin) to force young Bobby Sherman (Moosie Dryer) off his oil-rich land, the Team instead offers its services to Bobby, teaming with the boy to fend off the villains. All goes smoothly--until the real "Insane" Wayne shows up! ~ Hal Erickson, All Movie Guide

Sisters Cathy and Maryann Rogers (Claudia Christian, Suzanne Barnes) are the owners of a bottling plant which turns out an all-natural beverage called Hi-Bright soda. Evil beer magnate Jason Webb (Louis Giambalvo) uses strongarm tactics to pressure the sisters into converting their plant into a brewery, part of a larger scheme involving crooked banker-realtor Barrington (Jack Hogan). Figuring that the world doesn't need any more alcoholics, the A-Team comes to the rescue of the sisters, posing as the representatives of a phony ad agency in order to expose the villains' machinations. ~ Hal Erickson, All Movie Guide

Divided into four separate independent films originally made as a television pilot, Nightmares begins with "Terror in Topanga," a story about a young woman who goes out one night to buy a pack of cigarettes, knowing full well that the infamous "canyon killer" is on the loose -- and sure enough, a subtly menacing store clerk (Anthony James) begins to loom large in the woman's journey. The second story, "Bishop of Battle" is a sequence with animation that details the saga of a video games champion who comes up against a supernatural opponent. The next vignette, "The Benediction" is about a priest who gives up on his faith and takes off down the highway, only to be confronted with a demonic minivan and good reasons for remaining a believer. The last story, "Night of the Rat" has the rodent that ate Manhattan looming large over the home of a young couple, but never fear, the husband is blasé enough to handle anything, or so he thinks. As might be expected, the low-budget production and facetious scripting of a few of these sequences work against the intended scary effect of the stories. ~ Eleanor Mannikka, All Movie Guide

Inasmuch as Mark Twain thoughtlessly neglected to mention all the "secret adventures" of Tom Sawyer and Huck Finn in his own books on these colorful characters, this CBS TV movie performed a public service by taking up the slack. According to Rascals and Robbers, Hannibal's own Tom (Patrick Creadon) and Huck (Anthony Michael Hall in his first important role) enabled a slave to purchase his sister's freedom, saved an entire town from a confidence scam, came to the rescue of a failing circus, and foiled a particularly scurrilous villain, "in between" their more familiar exploits up and down the Mississippi. A strong supporting cast helps to make this film palatable for Twain purists. Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huck Finn originally aired on February 27, 1982. ~ Hal Erickson, All Movie Guide

With a cast sure to please cult and horror fans alike, this pseudo-women's-prison film from director Hikmet Avedis is a good bet for genre followers. Pretty Dianne Hull plays Kelly McIntire, a disco bartender who is poisoned as part of a botched murder scheme and sent to a mental hospital. Once there, she is raped by evil orderly Carl (Bo Hopkins), witnesses murders and suicides, and eventually escapes only to be dragged screaming back to the horrors of the fifth floor. Cathey Paine, who played Leslie Van Houten in Helter Skelter, is among the many familiar faces, which also include such horror icons as Robert Englund and Michael Berryman. But the film belongs to Bo Hopkins, who is all smiling menace and who turns in a scary performance and gives the film what force it has, as screenwriter Meyer Dolinsky puts Hull through some rather unconvincing maneuvers in the lead. Still, although there are a number of lapses in logic, they don't detract from the frightening premise that almost any statement or action could be construed as a sign of dementia in the proper circumstances. ~ Robert Firsching, All Movie Guide

When a woman being treated for an ulcer by Dr. Barri Stoddard (Frances Lee McCain), a practitioner of holistic medicine, suddenly dies, an outraged Quincy (Jack Klugman) prepares to expose and denounce Stoddard as a quack. He changes his mind when he meets Barri and falls in love with her, though he is still skeptical of the woman's "all-natural" medical methods. Ultimately, Quincy ends up crusading to keep Dr. Stoddard's clinic open despite mounting public pressure to close her down--and this requires him to expose the person who was actually responsible for the ulcer patient's death. This is the final episode of Quincy, M.E.'s fourth season. ~ Hal Erickson, All Movie Guide

In this exciting adventure, three California kids are traveling cross country when their van is stolen. They ask a small-town sheriff for help, but he refuses, so they decide to bring the thief to justice themselves. ~ Sandra Brennan, All Movie Guide

Dan Curtis, director of TV's Dark Shadows series, directed this eerie haunted-house thriller about a house which draws energy from its inhabitants and selects its own "keeper" from the family of Ben and Marian Rolf (Oliver Reed & Karen Black), who rent the strangely-affordable house one fateful summer then find themselves slowly succumbing to its creepy powers. The photography is suitably moody, and many of the standard haunted-house cliches are used to decent effect -- particularly a violent scene in which the surrounding woods form a barrier to prevent the family station wagon from escaping the area -- but the pace is too leisurely overall, climaxing with the type of grim ending employed by nearly every mainstream horror film in the late 70's. Black's spooky looks are used to maximum effect, but are never quite as chilling as the final shot of Curtis's TV movie Trilogy of Terror from the previous year. ~ Cavett Binion, All Movie Guide