Mick Jagger Movies

Kenneth Anger's short avant-garde film Invocation of My Demon Brother includes a Moog synthesizer soundtrack by Mick Jagger. ~ Brian Gusse, All Movie Guide

Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a gangster on the lam hides out in the home of a reclusive rock star -- especially since that musician was being played by Mick Jagger of the Rolling Stones. But co-directors Nicolas Roeg (who also photographed) and Donald Cammell (who wrote the screenplay) had much more in mind than a walk on the wild side of swinging London. Chas (James Fox) is a sadistic thug who gains our sympathies only because men even crueler than he are out to kill him. After Chas arrives at the mansion occupied by Turner (Jagger) and his female companions Pherber (Anita Pallenberg) and Lucy (Michele Breton), what looks like a decadent idyll fueled by drugs and group sex turns into a series of mind games in which Turner challenges Chas' sexual preference and core identity. Even the film's one musical number, "Memo From Turner," is a William Burroughs-like monologue in which Turner fantasizes taking over Chas' role as a mobster, spewing insults to his colleagues. The film's cult status has been fueled by subsequent films of its co-directors (for Roeg, Walkabout, The Man Who Fell to Earth, and Don't Look Now; for Cammell, White of the Eye), which explored similar themes employing the same kind of jagged editing and striking visuals. ~ Tom Wiener, All Movie Guide

This 1978 episode of Saturday Night Live is hosted by Elliott Gould and features musical guest Peter Tosh with Mick Jagger. ~ Skyler Miller, All Movie Guide

In a careful, step-by-step manner, this documentary traces the lives and careers of the Beatles from childhood to breakup. The post-Beatle lives of John, Paul, George and Ringo are gingerly touched upon in the film's closing sequences, with emphasis given the senseless 1980 murder of John Lennon. Through rare family photos, early home movies and TV kinescopes we are shown the matriculation of the Beatles from a bedraggled punk group to a well-tailored, mop-topped foursome under the aegis of Brian Epstein. We are also briefly introduced to might-have-been Beatles Stu Sutcliffe and Pete Best. George Martin, the producer who oversaw such late-1960s Beatles projects as Sgt. Pepper's Lonely Hearts Club Band, reveals several intriguing trade secrets and wonderful bits of backstage gossip. By incorporating shots of Beatles merchandising, imitation groups, and the ear-piercing reactions of the Fab Four's fans (as well as several shots of disillusioned young ladies during the team's waning years), the amazing impact of the foursome on the 1960s music industry is forcefully brought home. Malcolm McDowell narrates this priceless pop-culture montage. The Complete Beatles was originally produced for home video by MGM/United Artists, the company which in 1982 held the video rights for the Beatles flicks A Hard Day's Night and Help. ~ Hal Erickson, All Movie Guide

The July 3, 1973 concert by David Bowie at London's Hammersmith Odeon Theatre is the subject of this documentary by director D.A. Pennebaker, best known for the earlier rock films Don't Look Back and Monterey Pop. Framed by a smattering of behind-the-scenes footage, the bulk of the film concerns the actual concert, notable as the final time that Bowie would perform under the Ziggy Stardust persona -- an announcement that, at the time, led many fans to mistakenly believe Bowie was retiring altogether. This "final" performance features numerous songs from Ziggy Stardust, Hunky Dory, Aladdin Sane and other Bowie albums, including "Ziggy Stardust," "Moonage Daydream," "Changes," and "Space Oddity," as well as a cover of the Velvet Underground's "White Light/White Heat." Though a shortened version of the film was broadcast on television in 1974, the film did not receive a full theatrical release until 1983. ~ Judd Blaise, All Movie Guide

In this standard, slightly maudlin drama developed by Mick Jagger and director Gene Taft, Charles (Nick Mancuso) is a rock 'n roll star forced to take on his 13-year-old son Job (Byron Thames) when the boy's mother dies, and a clash of cultures, generations, and backgrounds results. Job was the result of a one-night stand and had never really known his father. That fact coupled with his training in the military academy he attends leaves him unprepared for the world of touring rock musicians. He and his father have a lot to work out together -- and they do so quite predictably, in-between music sets and concerts. ~ Eleanor Mannikka, All Movie Guide

In a story powered by the songs on an LP by Mick Jagger, this film is really one long video clip advertising Jagger's album. The plot takes the music from one number to the next, and begins with the rock star and his wife having an argument in Rio which leads to his being mugged and taken to the interior of Brazil to work on a plantation. Once there, the lady of the manor chases him around, but he manages to escape back to Rio only to find that someone else has been impersonating him and making off with the big bucks. ~ Eleanor Mannikka, All Movie Guide

This 1993 episode of Saturday Night Live is hosted by Luke Perry and features musical guest Mick Jagger. ~ Skyler Miller, All Movie Guide

Sean Mathias directed this screen adaptation of Martin Sherman's award-winning play about the persecution of homosexuals by Nazis during World War II. In Germany, the Nazi party's program of genocide against any and all perceived "enemies" is coming into full swing when the party begins a violent purge of homosexuals in its membership. Max (Clive Owen), a bisexual playboy, is attending an orgy thrown by drag queen "Greta" (Mick Jagger) and featuring a number of party members when the festivities are raided by the police; Max and his lover Rudy (Brian Webber) escape, but they are later arrested and sentenced to a concentration camp. En route to the camp, Max betrays Rudy and arranges to be given a yellow identification star, marking him as a Jew, instead of a pink triangle, which would signify him as gay; while the Jews are destined to be executed, gay prisoners receive even more brutal treatment from the guards. While incarcerated, Max meets Horst (Lothaire Bluteau), an inmate who proudly wears the pink triangle. Max and Horst fall in love with each other, and Horst's bravery leads Max to accept his sexual identity. Bent was released in two versions; the original cut was rated NC-17 for a sequence featuring strong sexual content, while a trimmed version was granted an R. ~ Mark Deming, All Movie Guide

George Hickenlooper directs this psychological drama about an impoverished writer lost in a world of money, power, and male escorts. Though happily married with a young child, Byron Tiller (Andy Garcia) is struggling to make ends meet as a novelist. His last work, called "Hitler's Child," had an ignoble run in the bookstore bargain bins and his editor is not interested in his latest work about migrant workers. One day, he is approached by a dapper Brit named Luther Fox (Mick Jagger) who actually read Tiller's last opus. Luther explains that he runs an escort agency named Elysian Fields, which caters to rich women looking for intelligent companionship. Desperate for any kind of income source, Tiller takes the job while keeping the whole thing a secret from his loving wife (Julianna Margulies). He soon is rubbing elbows with the beautiful wife (Olivia Williams) of an aging Pulitzer Prize-winning writer. Gradually, Tiller finds himself immersed in this strange new world that he cannot quite understand, much less explain to his spouse. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Originally aired on ABC television, this hour-long documentary offers a glimpse into the personal life of the inimitable, always outspoken frontman of the Rolling Stones, Mick Jagger. Oscar-winning documentarian Kevin Macdonald (One Day in September) took cameras behind closed doors with the rock star for nearly a year -- sometimes turning over the camera to the man himself -- culling the footage into an intimate, economical portrait that encompasses both his personal and professional life, both in the studio and with his family. Among the rock luminaries who make guest appearances are Bono, Lenny Kravitz, and Pete Townshend. Released by Jagger's movie and TV production shingle Jagged Films, Being Mick first ran on TV on November 22, 2001, not coincidentally the same week that Jagger's solo record Goddess in the Doorway was released. ~ Michael Hastings, All Movie Guide

This 2001 episode of Saturday Night Live is hosted by Hugh Jackman and features musical guest Mick Jagger. ~ Skyler Miller, All Movie Guide

Originally scheduled to debut on October 17, 2006, but ultimately unveiled on January 3, 2007, the ABC comedy series The Knights of Prosperity was a diverting exploration of that fitfully popular TV subgenre, "the lovable-loser-criminal show." The series was designed as a vehicle for Donal Logue, who topped the cast as Manhattan janitor Eugene Gurkin. A hapless, hopeless dreamer, Gurkin one day decided to make a name for himself as a "new age Robin Hood," assembling a group of fellow blue-collar goof-offs to pull off the robbery of the century (or at least, the robbery of the week). Our hero's band of merry men (plus one woman) included Eugene's fellow janitor, Squatch (Lenny Venito); lawyer-turned-cabbie Gary (Maz Jobrani); nerdy liberal-arts grad and aspiring show-biz intern Louis (Josh Grisetti); sexy waitress Esperanza (Sofía Vergara); and hulking security guard Rockefeller Butts (Kevin Michael Richardson), who was so anxious to be in on Eugene's scheme that he was literally willing to "work for cookies." The gang's target was singer Mick Jagger, who never appeared on-camera but whose lavish lifestyle was mercilessly parodied and exaggerated (indeed, the series' working title was Let's Rob Mick Jagger, which had been decided upon only after "Let's Rob Jeff Goldblum" and "Let's Rob Howard Stern" had proved undoable). Unfortunately, in their efforts to finance their heist of Jagger's valuables, Eugene and his pals were forced to spend almost as much money as they hoped to steal, leading to the formation of innumerable bird-brained moneymaking schemes -- including, at one point, the kidnapping of one of the would-be robbers' uncles! Rife with slapstick and gloriously unsubtle "inside" jokes, The Knights of Prosperity was created by Rob Burnett and Jon Beckerman, whose previous credits included The Late Show with David Letterman (Letterman was among the executive producers) and Ed. ~ Hal Erickson, All Movie Guide