Sam Jaffe Movies

Essentially a tale of romance mixed in with a dash of politics, this engrossing story involves Engracia (Victoria Abril), a young Mexican prostitute working just south of the border with the U.S., and two American border guards who are among her clients: Mitch (Scott Wilson), a tough, go-by-the-book Anglo who has no deep affection for Mexicans, and Chuck (Jeff Delgar), an idealistic new border guard who has yet to learn the ropes. In a few instances, the film exposes the prejudice against Mexicans, but otherwise, politics is secondary to what happens next. Chuck falls in love with Engracia, and the two get married in Mexico -- and then he smuggles her across the border that he himself has been hired to guard. Sure enough, the vile Mitch gets into the act and quite clearly, both Chuck and Engracia are heading for trouble. ~ Eleanor Mannikka, Rovi

The man who assembled the remarkable documentary George Stevens: A Filmaker's Journey had the benefit of knowing the subject intimately: the film was written, produced and directed by George Stevens Jr. Utilizing pristine-quality filmclips and interviews, Stevens Jr. details Stevens Sr.'s rise from silent-film cameraman to one of the top producer/directors in Hollywood. We are treated to snippets of Stevens' camerawork on the Laurel and Hardy films at Hal Roach Studios, then we are transported to his salad days as a feature director at RKO. Among the films highlighted from this first chapter of Stevens' directorial life are Alice Adams (1935), Swing Time (1936) and Gunga Din (1939) (one would like to have heard a bit more background info concerning Stevens' Wheeler and Woolsey comedies). Next we find Stevens as an autonomous entity at Columbia Pictures, producing and directing such classics as The More the Merrier (1943). The war years are thoroughly covered via Stevens' vivid color footage of the invasion of Europe. The last stages of Stevens' Hollywood career is traced through generous portions of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). The many interviewees include Katharine Hepburn, Cary Grant, Fred Astaire, Ginger Rogers and Warren Beatty. As an added filip, A Filmmaker's Journey includes rare home-movie sequences showing George Stevens at home and at work--all filmed with as much care and professionalism as Stevens' "mainstream" pictures. ~ Hal Erickson, Rovi

Produced by Roger Corman and scripted by John Sayles, Battle Beyond the Stars is a cheerfully blatant imitation of The Seven Samurai (or at least the American remake The Magnificent Seven). A peaceloving planet is attacked by malevolent aliens. The powers-that-be hire a group of mercenaries, headed by George Peppard, to protect the planet from harm. Peppard's contingent includes squeaky-clean Richard Thomas Jr. and statuesque Sybil Danning. John Saxon goes through his usual paces as the villain, while the supporting players include such dependables as Sam Jaffe, Jeff Corey, and, from Magnificent Seven itself, Robert Vaughn. Keep an eye out for Julia Duffy as "Mol". A deft blend of standard sci-fi action and knowing "inside" humor, Battle Beyond the Stars was one of Corman's biggest hits of the 1980s-not to mention an endless supply of stock footage for future New World Productions. ~ Hal Erickson, Rovi

Crocker (Kevin Dobson) is assigned to investigate the murder of mob boss Robert Austin (Fred Beir). In the course of events, the detective finds himself falling in love with Austin's beautiful widow Carol (Jennifer Warren). What he doesn't know is that Carol herself is the murderer--and is determined to use Crocker in any way she can to hide her guilt from her husband's bloodthirsty associates. ~ Hal Erickson, Rovi

This 2-hour TV movie stars Janet Leigh as a onetime musical star who dreams of a comeback. Leigh's autocratic and much-older husband Sam Jaffe refuses to finance her re-entry into show business. Leigh responds by killing Jaffe and placing the blame elsewhere. The plan almost works....and then Lieutenant Columbo (Peter Falk) comes waddling in. The Forgotten Lady was originally telecast September 14, 1975, as the first Columbo episode of The NBC Mystery Movie's fifth season. Watch for the closing clip from the early-1950s Universal musical Walking My Baby Back Home--starring Janet Leigh. ~ Hal Erickson, Rovi

Steve Carver directs Sam Jaffe in Edgar Allan Poe's classic tale of man who kills his torturous boss and stores the body within the bowels of his own house. Once the deed is done, the young man is driven into madness by his crime, and imagines -- or does he? -- the persistent beating of his victim's heart. ~ Tracie Cooper, Rovi

Ernest Borgnine plays alcoholic vagabond Sam Hill in this pilot film for a potential western detective series. Sam Hill is appointed sheriff of a one-horse town, then promptly becomes mixed up in a murder case. The victim was a preacher who was collecting $10,000 to build a new church; the money of course disappeared the moment the preacher turned up dead. Hill investigates and learns that the mysterious Bible-thumper was not all he claimed to be. The sheriff must get to the bottom of the case before he's ousted by a special election. Sam Hill: Who Killed Mr. Foster? lost out in the "Disheveled Frontier Detective" sweepstakes to another TV pilot film, Richard Boone's Hec Ramsey. ~ Hal Erickson, Rovi

With a style and tone that wreaks of the late '60s, this cheap-looking adaptation of an H.P. Lovecraft story plays like an obvious reference to the battle between the establishment and the counterculture. The film stars Dean Stockwell as Wilbur Whateley, a brooding young man who makes a connection with a pretty librarian named Nancy (a very out-of-place Sandra Dee). Whateley wants to get his hands on the Necronomicon, a diabolical book that he believes will help him to open a doorway to a dimension inhabited by unspeakable creatures known as the "Old Ones." Hypnotized by Whateley's spell, Nancy accompanies the man back to his cursed home where he lives with his nutty grandfather (Sam Jaffe) and an unseen "thing" that is kept in an upstairs room. Meanwhile, the Necronomicon's owner, Dr. Armitage (Ed Begley), does some detective work on Whateley when he begins to fear for Nancy's safety. He quickly realizes that Whateley means to sacrifice Nancy in order to accomplish his diabolical plan. Whateley manages to steal the Necronomicon and begins the ritual to resurrect the Old Ones. As Armitage races to stop him, the thing from the upstairs room breaks out and beats a murderous path towards Whateley as well, leading to a final confrontation that leaves a lot to be desired. ~ Patrick Legare, Rovi

Quarantined is set in a clinic maintained by a famous family of physicians. Dr. John Dehner and his son Dr. Gary Collins struggle to control a widespread cholera epidemic. One plot complication involves a testy movie star (Sharon Farrell), who refuses treatment when she exhibits the symptoms of cholera. Another problem involves a kidney transplant: Where to find a suitable organ donor in a city full of sick people? Quarantined was the February 24, 1970 entry in ABC's Movie of the Week. ~ Hal Erickson, Rovi

In this French/Italian co-production set in Mexico in 1746, Alastray (Anthony Quinn), a gunman on the run from the law, happens upon a Franciscan priest, Father Joseph (Sam Jaffe), while in flight. Father Joseph shows mercy on the fugitive and allows Alastray to stay with him, but when the locals find out that Joseph is harboring criminals, he's run out of town; Alastray travels with him, disguised as a monk. While approaching what appears to be a deserted village, Father Joseph is killed by a sniper, and Alastray heads into town. He is met by Teclo (Charles Bronson), a half-breed who calls the village home. It seems that a band of savage Yaqui Indians have been terrorizing the town and have a special hatred for men of faith; they intend to continue laying waste to the village until the residents beg for mercy and renounce Christianity. The Village leaders want to make Alastray their new spiritual leader, and despite his great reluctance, he agrees, mostly as a means of maintaining his cover. But when Alastray tries to organize the building of a much needed dam, as well as obtaining a stash of weapons so that the citizens may defend themselves, the Yaquis return in force, leading to a decisive confrontation. Guns for San Sebastian also features Anjanette Comer and Silvia Pinal. ~ Mark Deming, Rovi

In this western comedy, a bogus evangelist and his assistant travel to the town of Friendly and endeavor to rob the West's purportedly most unrobbable bank. Unfortunately, they are not the only bandits planning to rob the bank. Their rivals in robbery include a Mexican bandido and his dullard son. A gunman and his assistant also want to attempt a heist. To make things even more confusing, a Texas Ranger and his six Chinese-American G-men pose as laundrymen to investigate a crooked mayor. They all converge on Friendly at the same time and chaos ensues when they meet. ~ Sandra Brennan, Rovi

Joshua Norton was a real-life character in 19th century San Francisco, formerly a man of wealth who in middle age declared himself "Emperor of the United States and Protector of Mexico", even going so far as to purchase a resplendant uniform (complete with plumed hat) for the occasion. Amused by this harmless eccentric, the people of San Francisco indulged him in his delusions of grandeur-and generously paid all his expenses--until the end of his days. In this February 27, 1966 episode of Bonanza, Sam Jaffee guest-stars as The Emperor Norton, who at the beginning of the story is about to be committed to an asylum. To save him from this fate, Norton's friend Harry Crawford (Parley Baer) brings him to the Ponderosa, and then-of course-the fun (?) really begins. William Challee appears as Mark Twain (the second of the author's three Bonanza appearances), who in the climactic scenes joins the Cartwrights in championing Norton's cause. "The Emperor Norton" was written by Robert Sabaroff and Gerrit P. Young. ~ Hal Erickson, Rovi