Michel Jacoby Movies

Director William "One Take" Beaudine handles Face of Marble with his usual hasty professionalism. John Carradine stars as Professor Randolph, a brilliant brain surgeon. At the moment, Randolph and his assistant David Cochran (Robert Shayne) are experimenting with restoring the dead to life. But there's an unfortunate side-effect: the deceased sailor upon whom Randolph conducts his first human experiment promptly turns to marble when he's revived from the dead. All of this is eventually tied in with the clandestine romance between Cochran and Randolph's faithless wife Elaine (Claudia Drake), and with the sinister incantations of voodoo practitioner Marika (Rosa Rey). John Carradine is quite good, considering the circumstances. ~ Hal Erickson, All Movie Guide

This 1940s drama implies that children do indeed learn what they live as it tells the story of a teenage girl who runs away from her posh boarding school to be with her ne'er-do-well, blue-collar boy friend because she believes her wealthy parents do not care about her. Soon the idle kids are getting into minor trouble that turns major when they find themselves accused of murder. ~ Sandra Brennan, All Movie Guide

One of two 20th Century-Fox horror melodramas released in 1942 (Dr. Renault's Secret was the second), The Undying Monster is a well-crafted variation on Universal's "Wolf Man" series. Ever since the suicide of its patriarch, the Hammonds, an old and wealthy English family has seemingly lived under a curse. When a number of murders occur on the Hammond estate, Scotland Yard inspector Bob Curtis (James Ellison) and his garrulous female assistant Christy (Heather Thatcher) are sent out to investigate. Everyone on the premises-Helga Hammond (Heather Angel), her brother Oliver (John Howard), family doctor Geoffrey Covert (Bramwell Fletcher), family servants Mr. and Mrs. Walton (Halliwell Hobbes and Eily Malyon)-seems to know more than he or she is letting on. Only in the final few minutes of the film is the horrible family secret revealed and the murderer dispensed with. Atmospherically directed by John Brahm on several impressive standing sets (that gigantic stained-glass window is a knockout!), The Undying Monster is a model "B" picture, hampered only by Heather Thatcher's intrusive comedy relief. ~ Hal Erickson, All Movie Guide

Universal contractee Irene Hervey, generally required to stand by the sidelines while the leading men did all the acting, was given a vehicle of her very own with Frisco Lil. Irene plays a law student whose father is framed for a crime he didn't commit. Going undercover as a gambling-joint croupier, Harvey tries to sniff out the genuine crooks. She does, but it's fortunate that Kent Taylor is on hand to keep her from winding up in a cement kimono. Irene Hervey would continue to act into middle age, retiring periodically to devote herself to her family (she was married to singer Allan Jones, and was the mother of another vocalist, Jack Jones); in 1965, she popped up in a colorful recurring role on the TV series Honey West. ~ Hal Erickson, All Movie Guide

In his final "Mr. Wong" mystery, Boris Karloff solves the case of who killed shipping magnate Cyrus P. Wentworth (Melvin Lang). Wentworth's flagship "The Wentworth Castle" had tragically caught on fire with a tremendous loss of life. Near suicidal, the shipping tycoon is helped into the next world by persons unknown but dunderhead police captain Bill Street (Grant Withers) points the finger at Dick Fleming (William Stelling), the son of a rival tycoon and in love with Wentworth's daughter Cynthia (Catherine Craig). Promising to eat his hat if young Fleming isn't the killer, Street can only watch as enterprising cub reporter Bobby Logan (Marjorie Reynolds) assigns Mr. Wong (Karloff) to solve the case. Which the eminent Oriental sleuth does to the point where Bobby can gleefully add salt to Street's less than edible headgear. The burning of the fictional "Wentworth Castle" was actual footage from the infamous 1934"Morro Castle" fire, a tragedy that took the lives of 137 passengers. ~ Hans J. Wollstein, All Movie Guide

Originally Tarakanowa, Feodor Ozep's Princess Tarakanova resurfaced under a variety of titles following its 1937 European release, including Orloff and Tarakanova and Betrayal. Annie Vernay plays the title character, an ambitious young woman of dubious heritage who aspires to the throne of 18th-century Russian monarch Catherine the Great. Princess Tarakanova is able to muster an army of fervent supporters, and for a while its seems that Catherine will be toppled from her throne. But the princess foregoes power in favor of romance when she falls in love with the dashing Count Orloff (Pierre Richard Wilm). Essentially a romantic drama, Princess Tarakanova ignores the tragic fate of the real-life princess in favor of a storybook ending. ~ Hal Erickson, All Movie Guide

This drama is set at a struggling radio station. To drum up more listeners, the station owner dredges up an old mystery and tells her announcer to make it into a serial. He and his secretary are against the idea because the story is true. The broadcasts create problems for the woman originally acquitted of the charge. Over the last two decades, she has married and raised a daughter who is getting ready to marry the son of a prominent industrialist. The airing of her mother's old dirty laundry threatens to destroy her upcoming nuptials. The mother and her husband are so distraught that they kill themselves. The bereaved daughter, blaming the radio station for her parents' demise, goes there to kill the announcer. Her fiancé follows and mayhem ensues. The story is also called One Fatal Hour. ~ Sandra Brennan, All Movie Guide

Of the many film versions of Alfred Lord Tennyson's narrative poem, 1936's Charge of the Light Brigade has the least relationship to the facts concerning the famous 19th century British military blunder in the Crimea. Reflecting the popularity of 1935's Lives of A Bengal Lancer, the film uses the climactic charge as the culmination of events which begin in British India. Errol Flynn and Patric Knowles are cast as cavalry officers who are also brothers; both love Olivia De Havilland, but it is Knowles who wins out (this should tip us off that the rest of the film is pure fantasy). Indian potentate C. Henry Gordon, angered that the British government has cut off his subsidy, stages a revolt against the English settlements. Ordered on maneuvers, Flynn is unable to bring rescue troops to the besieged fort commanded by De Havilland's father. Gordon supervises the slaughter of every man, woman and child at the fort, then leaves India in the company of his Russian advisors. Flynn and his fellow Light Brigade lancers are then transferred to the Crimea--where, as luck would have it, Gordon is now ensconced with the Russians. Thirsting for revenge, Flynn falsifies an official order so that he and the Light Brigade can battle Gordon and his allies at Balaclava (thus are Britons Lord Cardigan and Lord Ragan, the actual instigators of the doomed charge, exonerated). As passages from the Tennyson poem are superimposed on the action, Flynn leads a suicidal charge against the Russians; he manages to kill the treacherous Gordon before being slain himself. Its dozens of historical inaccuracies aside, The Charge of the Light Brigade is rousing entertainment. Animal lovers be warned, however: several horses were killed during the climactic charge, a fact that compelled Hollywood (under the auspices of the ASPCA) to install safer and more stringent standards concerning the treatment of animals. ~ Hal Erickson, All Movie Guide