Horace Jackson Movies

Johnny Tough is a "blaxploitation" film tempered by a social consciousness. Dion Gossett plays a young urban African-American. Gossett continually rebels against the white establishment, as represented by his teacher. The boy finds he can expect no back-up of his attitude at home, where his parents wallow in self-indulgence, so he feels that a show of force is his only option. Renny Roker and Sandy Reed also appear in this film. Not quite as violent as most films in its genre, Johnny Tough was consigned to the Late Late Show circuit as soon as it finished its initial theatrical run. ~ Hal Erickson, All Movie Guide

Mike Simms plays a young black soldier serving in Vietnam, who is abruptly summoned back to his old Watts neighborhood. Simms' family is mourning the death of Simms' brother, who was killed by two racist cops. Encouraged by a white friend to investigate his brother's death, Simms finds himself in the unenviable position of being the voice of moderation between the black militants preparing to ravage the neighborhood and the white extremists who are poised to take retaliatory action. Filmed by an African-American crew, The Bus Is Coming endeavors to be evenhanded in showing the evils of racism from both ends of the spectrum. The amateurishness of the actors merely serves to enhance the realism of the project. ~ Hal Erickson, All Movie Guide

Despite its alluring title, Bedtime Story is an innocent little domestic comedy about a bickering married couple. Fredric March is a successful playwright specializing in vehicles for his beautiful actress wife Loretta Young. Young wants to retire from the stage and set up housekeeping on a little Connecticut farm. March refuses to acknowledge her wishes and continues working on his latest play, which is being written for her. She petulantly walks out of the relationship, taking up with straitlaced banker Allyn Joslyn. One does not need a crystal ball to determine the outcome of all this, but Bedtime Story goes through its expected paces with finesse, helped along by such reliable supporting players as Robert Benchley and Eve Arden. ~ Hal Erickson, All Movie Guide

The romantic hills and valleys of an advertising agency secretary provide the basis of this comedy drama. Unlike her soon-to-be-married roommate, the secretary is determined to remain single and forge a strong career. She does have a suitor, but he is not ambitious enough for her and she keeps her distance. The girl gets her chance to climb the corporate ladder after she invents a sure-fire cure for hangovers. Sure enough she begins her ascent. Meanwhile, her suitor continues to plead with her to leave her job and become his bride. But the secretary has fallen for an ambitious adman who is engaged with another who is already cheating upon him. At this point, the stage is set for considerable romantic confusion and things are a mess until the very happy end. ~ Sandra Brennan, All Movie Guide

Suzy is the film in which Cary Grant, overcome by the beauty and vivacity of Jean Harlow, sings her a love ballad! This lighthearted moment aside, Suzy, adapted from a novel by Herbert Gorman is a standard-issue love triangle, set against the tapestry of World War I. Harlow plays a London showgirl, married to Irish engineer Franchot Tone. When foreign spy Benita Hume shoots Tone, mistaking him as a threat against her mission, the terrified Harlow flees into the night, certain that she will be accused of her husband's murder. After the war breaks out, Harlow, believing herself a widow, falls in love with handsome aviator Cary Grant. She marries the well-bred but irresponsible young ace, only to discover that Tone has not been killed after all! This being an idealized World War I film, somebody is going to end up sacrificing his/her life on behalf of somebody else, but we're not about to reveal any more. ~ Hal Erickson, All Movie Guide

In this romantic drama a woman with a scandalous past tells all in an autobiography. It seems the woman, an artist, received special favors from a politician in exchange for a few favors from her. The pushy magazine editor who tries to convince her to write her memoirs, despises everything she stands for, yet in the end cannot help falling in love with her. ~ Sandra Brennan, All Movie Guide

Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris. Determining that nothing will stand in his way to the top, he regularly fires any female dancing partner who has the misfortune to fall in love with him -- until the last of his partners, the beautiful Helen (Carole Lombard) beats him to the punch by walking out on him. His heart weakened during the war, Raoul aspires to open his own nightclub, despite warnings that if he ever dances again the consequences will be fatal. On opening night of his new establishment, Raoul dances Maurice Ravel's "Bolero" with Helen, now the wife of a British nobleman. Having reached his emotional and professional pinnacle, Raoul collapses and dies in his dressing room -- as the nightclub patrons, oblivious to his fate, loudly demand an encore. Surprisingly, George Raft and Carole Lombard's dancing is doubled by others, but the same cannot be said of the inimitable Sally Rand, whose famous fan dance is tastefully re-created here. Raft and Lombard later reteamed in 1935's Rumba. ~ Hal Erickson, All Movie Guide

A two sided romantic triangle features Warner Baxter and Victor Jory in love with Elissa Landi and Landi and Jory's wife Miriam Jordan in love with Jory. The love of Baxter wins Landi in the end in this romantic comedy. ~ All Movie Guide

A Woman Commands is often cited as silent screen star Pola Negri's first talking picture. Actually, it was her first American talkie and almost her last, posting a $265,000 loss for RKO Radio. Ordered to marry Serbian king Alexander (Roland Young), noblewoman Maria Draga (Negri) does what she's told, though her heart belongs to dashing army captain Pasitch (Basil Rathbone). Ultimately, the heroine nearly brings about Pasitch's total downfall, but she redeems herself by sacrificing her life to save his. Negri's thick Teutonic accent is not as much of a detriment as some historians have claimed: the problem lies in the terrible dialogue she is called upon to speak. Such was the failure of A Woman Commands that Pola Negri immediately returned to her adopted homeland of Germany, where she remained until WWII necessitated her second Hollywood comeback in 1943's Hi Diddle Diddle. ~ Hal Erickson, All Movie Guide

Devotion is a stiff, static early talkie in which everybody speaks in stage British and suffers in dinner jackets. Ann Harding is desperately in love with London barrister Leslie Howard. To be nearer to him, she dons a disguise (wig and spectacles) and takes a job as the governess to Howard's son. Though Howard is lauded as brilliant, he's as dense as Lois Lane when it comes to penetrating a cheap pair of glasses. The plot begins to move (and about time!) when a wastrelly artist, played by Robert Williams, is successfully defended in court by Howard. Invited to the barrister's home, Williams goes on the make for Ms. Harding; only then does Howard acknowledge the fact that Our Heroine is alive. ~ Hal Erickson, All Movie Guide

A troubled production that suffered from both severe cuts and retakes under a different director (Edward H. Griffith), this World War I melodrama fell far short of becoming another All Quiet on the Western Front (1930) as had obviously been the original intention. Told in flashbacks, the antiwar drama stars William Boyd as Sergeant Bill Thatcher, the head of an American battalion fighting for control of a French village. As Thatcher listens, three wounded soldiers under his command recall how they came to the battlefields of World War I: A farm boy, Bud (Russell Gleason), defied his mother (Mary Carr) and enlisted despite being the family's sole breadwinner; a New York playboy, trapped between two women, Ina (Marion Shilling), his newest conquest, and a former mistress, Lew (Lew Cody), sought the easy way out by enlisting; finally, Private Jim Mobley (James Gleason) tells the heartfelt story of how his wife, "Mademoiselle" Fritzi (ZaSu Pitts), a carnival knife thrower, got very upset when he decided to escape housekeeping duties by joining the army. Back on the battlefield, Jim finds Bill at the machine gun, where the latter finally tells his own story of how he came to hate his German-born fiancée, Katherine (Lissi Arna), when she warned him of the futility of war. Before blowing up a railroad bridge, Bill admits to Jim that he now fully understands Katherine's sentiments. Wounded in the battle, both soldiers end up in a German Red Cross hospital where Bill is reunited with Katherine. ~ Hans J. Wollstein, All Movie Guide

Based on "Bride 66", a tone poem by composer Herbert Stothart, The Lottery Bride takes place in a distinctly Hollywoodized Norway. Ever on the lookout for extra cash, heroine Jenny Swanson (Jeanette MacDonald) coerces her sweetheart Chris Svenson (John Garrick) to participate with her in a three-day marathon race. When the exhausted couple fails to win first prize, Jenny enters herself in a "wife lottery." Though the lucky winner appears to be Chris's older brother, it is actually Chris himself -- but he isn't aware of it, having embarked on a dirigible expedition to the Yukon. Only after surviving a crash landing does Chris return home for a blissful reunion with Jenny. With a plot this silly, why did the producers bother to hire Joe E. Brown and ZaSu Pitts as comedy relief? ~ Hal Erickson, All Movie Guide