Susan Isaacs Movies

The questionable interrogation tactics of the Royal Canadian Mounted Police are illuminated in this documentary from broadcast news reporter turned filmmaker Tiffany Burns. An interrogation tactic that first became known to the Canadian public following the 1998 case in which a Manitoba man was accused of murdering a fourteen year old girl, "Mr. Big" investigations involve a policeman posing as an underworld figure in order to coerce a confession. Each year dozens of these "Mr. Big" style operations are conducted beneath the official radar of the taxpayers who fund Canadian law enforcement, with a substantial number of convictions made as a result of these tactics eventually being overturned. Linda Fisher, mother to convicted murderer Patrick Fisher, believes that her son was strong-armed into giving the false confession that would subsequently land Patrick in jail, and has subsequently made it her life mission to get "Mr. Big" banned. Despite this, only one citizen with the bravery to fight back against "Mr. Big" has been successful in his efforts. Targeted for the murder to two warehouse workers, Edmonton resident Jason Dix became the subject of a thirteen month-long "Mr. Big" sting that eventually landed him in jail for over two years. While no U.S. court considers the confessions made in "Mr. Big" operations admissible in court, Burns' own brother Sebastian and his friend Atif Rafay fell victim to this underhanded tactic after a 1994 incident in which three of Rafay's relatives were brutally slain in their Bellevue, Washington home. As a result, investigative reporter Burns decided that the only way to do away with "Mr. Big" is to make the Canadian public aware of this controversial tactic once and for all. ~ Jason Buchanan, All Movie Guide

Attracted to a girl named Bonnie (played by Caroline Rhea of Sabrina the Teenage Witch fame), Drew (Drew Carey) invites her to see the microbrewery in his home--only to discover that Bonnie is a zoning inspector, and that he's in a heap of trouble for not having a home-business permit. When in turns out that practically everybody in the neighborhood is secretly running a business at home, Drew decides to take action to prevent further impediments to the American Entreprenurial Spirit. Along the way, Mimi (Kathy Kinney) suggests an easy way out of Drew's predicament--but it'll cost him dearly. ~ Hal Erickson, All Movie Guide

John Candy plays Jack Gable, a soap-opera writer who finds himself trapped inside his own television program with a magic typewriter in this toothless comedy. Jack finds himself embroiled in protecting his beloved Laura (Emma Samms), an actress who plays Rachel Hedison in Jack's show -- "Beyond Our Dreams" -- from having her character being killed off by the program's producers, the Sherwoods (Jerry Orbach, Renee Taylor). Laura has recently broken off with her co-star and lover Dennis (David Rasche) and is heading off for a weekend with Jack. As Jack unloads Laura's luggage, he conks himself on the head and knocks himself out. He awakens in a town bearing a name similar to the town in his soap opera. Dennis is on hand, but as his character in the show -- Dr. Paul Kirkland. Jack realizes that he has found himself in an alternative world made up of his soap opera world -- particularly apparent when he is recognized as Jack Gates, "the Wolf of Wall Street." Jack then meets Laura, who, in this soap opera world, is actually Janet Dubois, the daughter of a late biochemist who invented a pill that allows anyone to eat whatever they want and not gain any weight. The unscrupulous Hedison family (Raymond Burr, Charles Rocket, Dylan Baker) want to steal the formula for the pill and make a fortune for their pharmaceutical company. Jack then discovers that he can exit and re-enter the show at will and can alter the narrative of the show however he wants by typing up new plot points on his typewriter. In order to save Laura's character from the Sherwoods, Jack re-writes the show to save Janet by having his own character come to her rescue at the last minute. ~ Paul Brenner, All Movie Guide

Director Stan Dragoti, whose forte is plumbing the depths of the male psyche, plumbs those depths once again in She's Out of Control. Tony Danza stars as Doug Simpson, a broadcasting executive who has trouble adjusting to the fact that his fifteen-year-old daughter Katie (Ami Dolenz) is blossoming into a sexual being. This realization kicks in after his fiancee Janet (Catherine Hicks) takes Katie for a makeover; suddenly she appears before Doug looking like a sultry super model. Now Doug is unable to look at his daughter as anything other than as a sexy chick, and he spends his time fending off packs of horny suitors while dictating morality to Katie. It finally gets to the point where Doug consults with television psychiatrist Dr. Fishbinder (Wallace Shawn), who recommends that Doug read a book he has written for single fathers, advising him, "If you're a slow reader, you better put your daughter on the pill." ~ Paul Brenner, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

Were it not for its profanity-laden opening scenes, John Hughes' Planes, Trains and Automobiles might have been suitable family entertainment: certainly it's heaps less violent and mean-spirited than Hughes' Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, All Movie Guide

Writer Susan Isaacs and director Frank Perry of Compromising Positions re-team for this unsuccessful resurrection fantasy comedy. Shelley Long plays Lucy Chadman, the accident-prone wife of plastic surgeon Jason Chadman (Corbin Bernsen). When she chokes to death after eating a South Korean chicken ball, a funeral is held and she is mourned, but then everyone goes on with their lives and forgets about her. Everyone, that is, except her sister Zelda (Judith Ivey). Zelda runs an occult bookstore and as she peruses one of her books of incantations, she discovers a magical chant that can raise the dead. Obeying the rules of the incantation -- it has to be performed a year after the person dies and the resurrected person must find love within 30 days or the person will die again -- she brings back Lucy to life. Lucy immediately proceeds to her husband's home and finds that he is married to her best friend Kim (Sela Ward). She now has to deal with the changed circumstances of her husband, along with a burgeoning love affair with Kevin Scanlon (Gabriel Byrne), the emergency-room doctor who had tried to save her life. ~ Paul Brenner, All Movie Guide

Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide