John Irwin Movies

Invisible Stripes is a cookie-cutter Warners prison drama which rounds up the usual suspects. George Raft and Humphrey Bogart are top-billed, and as is often the case in such a circumstance, it is Raft who is given the larger (albeit less interesting) role. Raft plays Cliff Taylor, an ex-convict who finds that his "invisible stripes" prevent him from getting a decent job. Cliff's younger brother (William Holden) shows unfortunate signs of following his older sibling's footsteps when he is pressured into crime to support himself and his girl friend (Jane Bryan). To save his brother, Cliff joins Humphrey Bogart's gang and earns enough dishonest money to set his brother up in business. But movie censorship prevails, and all of the miscreants in Invisible Stripes--even those motivated by good intentions--must pay the penalty. Side note: The prankish Humphrey Bogart spent so much time needling newcomer William Holden that Holden nearly came to blows with the older actor; the animosity persisted into the Bogart-Holden costarring feature Sabrina, made fourteen years later. ~ Hal Erickson, Rovi

Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris. Determining that nothing will stand in his way to the top, he regularly fires any female dancing partner who has the misfortune to fall in love with him -- until the last of his partners, the beautiful Helen (Carole Lombard) beats him to the punch by walking out on him. His heart weakened during the war, Raoul aspires to open his own nightclub, despite warnings that if he ever dances again the consequences will be fatal. On opening night of his new establishment, Raoul dances Maurice Ravel's "Bolero" with Helen, now the wife of a British nobleman. Having reached his emotional and professional pinnacle, Raoul collapses and dies in his dressing room -- as the nightclub patrons, oblivious to his fate, loudly demand an encore. Surprisingly, George Raft and Carole Lombard's dancing is doubled by others, but the same cannot be said of the inimitable Sally Rand, whose famous fan dance is tastefully re-created here. Raft and Lombard later reteamed in 1935's Rumba. ~ Hal Erickson, Rovi