Sara Allgood Movies
Born to a middle-class Irish family and educated at the Marlborough Street Training College, 19-year-old Sara Allgood joined the Irish National Theatre Society, obtaining her first speaking role in a 1903 production of W.B. Yeats' The King's Threshold. She became a member of Dublin's Abbey Theatre in 1904; within a few years she was lauded as Ireland's foremost actress. While touring Australia in 1918, she made her film bow in Just Peggy. She didn't like the experience, and it would be eleven years before she would face the cameras again, this time in the role of Anna Ondra's mother in Blackmail (1929), Alfred Hitchcock's (and the British film industry's) first talkie. One year later, Hitchcock cast Sara in the demanding title role in the cinematic adaptation of Sean O'Casey's Juno and the Paycock, a role she had created on stage with the Abbey Players in 1924. After a decade of worthwhile stage assignments and forgettable film roles, Sara came to Hollywood in 1940, where she was cast by John Ford in a strong role in the Oscar-winning How Green Was My Valley (1941). This led to a long-term contract with 20th Century-Fox, which was financially satisfying but dramatically unrewarding; after years of incisive, commanding stage roles, Sara was compelled to play cliched Irish mothers and servants. Sara Allgood's final screen appearance was in Fox's Cheaper By the Dozen (1950), in which she received prominent billing--and approximately five lines of dialogue. ~ Hal Erickson, All Movie Guide- 1944
In this remake of Outward Bound, which updated the story to include topical refences to the war still raging in Europe, Henry (Paul Henreid) and Ann (Eleanor Parker) are a couple from Austria hoping to escape Nazi bombings. They are en route to a ship leaving Europe when an explosion throws them from their car and leaves many passersby dead. Despondent and unable to meet the ship, the couple return to their apartment and decide to commit suicide by turning on the gas. They awake to find themselves on a ship shrouded in fog and carrying many passengers, among them Tom Prior (John Garfield), a wisecracking reporter who was also a witness to the earlier bombing. Henry and Ann discover that the ship is actually Limbo, a waiting station between Heaven and Hell, where Mr. Thompson (Sydney Greenstreet) will determine their final destination for eternity. ~ Mark Deming, All Movie Guide
- Starring:
- John Garfield, Paul Henreid, (more)
Alfred Hitchcock's first sound film utilized the new sound technology in a rather creative way off-camera. Hitchcock's lead actress, Anny Ondra, had a strong Eastern European accent that was difficult for English audiences to understand, so Hitchcock's solution was to have British actress Joan Barry speak Ondra's lines of dialogue off-camera. The film concerns a woman who kills a man who tries to assault her. Ondra plays Alice White who, while having dinner in a fancy English nightspot with her husband-to-be Scotland Yard Detective Frank Webber (John Longden), begins to flirt with an artist (Cyril Richard) seated at the next table. The artist invites her up to see his studio, and she goes but balks when the artist asks her to pose in the nude. When the request becomes a demand, Alice stabs him to death. She rejoins her fiance and tries to forget the murder, but her conscience keeps bothering her. To make matters worse, sniveling rat Tracy (Donald Calthrop) materializes to blackmail Alice for the crime. ~ Paul Brenner, All Movie Guide
- Starring:
- Anny Ondra, Sara Allgood, (more)
- 1949
A "new" Lassie (once again, a male collie in drag) starred in A Challenge to Lassie, MGM's fourth entry in their series based on characters created by Eric Knight. This time, Lassie is plunked into the plotline of William Ludwig's novel Greyfriars Bobby (remade by Disney under its original title in 1963). In 19th-century Edinburgh, crusty sheepherder Jock Gray (Donald Crisp) rescues a puppy and raises it into a champion sheep dog. When Gray is murdered by rustlers, his faithful collie keeps a night-and-day watch over his late master's grave, despite local laws banning the presence of unleashed canines. The rest of the film is a battle of wills between kindly innkeeper John Traill (Edmund Gwenn) and by-the-book constable Davie (Reginald Owen) over the dog's well-being. A romantic subplot is capably handled by Geraldine Brooks and Ross Ford, both of whom went on to healthy character-actor careers. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmund Gwenn, Donald Crisp, (more)
Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, All Movie Guide
- Starring:
- Clifton Webb, Jeanne Crain, (more)
In this melodrama, a group of women live in a boardinghouse near a prison to await the release of their men. ~ Sandra Brennan, All Movie Guide
- 1946
The time is just prior to World War II. Lovely Cluny Brown (Jennifer Jones) is the niece of a London plumber; when her uncle is indisposed, Cluny rolls up her sleeves and takes a plumbing job at a society home, where she meets a handsome Czech author (Charles Boyer) - a refugee who has fled the Nazis and now resides with a snobbish and stuck-up family. Hoping to advance herself socially, Cluny accepts a position as a maid in a fancy country home, where she once more meets the Czech author, who is a house guest; they promptly fall for each other, and Cluny follows his lead by turning her nose up at stiff-necked English propriety. Cluny Brown is directed by the matchless Ernst Lubitsch. ~ Hal Erickson, All Movie Guide
- Starring:
- Norman Ainsley, Jennifer Jones, (more)
- 1941
- G
1941's Dr. Jekyll and Mr. Hyde is the second sound version of the Robert Louis Stevenson "doppelganger" tale. This time Spencer Tracy plays the benevolent Dr. Jekyll, whose experiments in releasing the evil impulses within himself transform him into the bestial Mr. Hyde. The problem here is that while Tracy is convincing enough as Hyde, we have trouble accepting him as the kindly Jekyll--exactly the opposite of the 1931 version, in which Fredric March was credible as both Jekyll and Hyde (in fairness to Tracy, it must be noted that he didn't want to play the role and had to be forced into it). MGM decreed that no publicity pictures be released showing Tracy in his Hyde makeup, thereby building up audience anticipation. It's just as well that MGM kept these pictures under wraps: Tracy's Hyde looks less like the Living Personification of Evil than like a man who's been on a three-day bender. The most fascinating aspect of this version of Dr. Jekyll and Mr. Hyde is the casting of the two leading ladies. Ever since the 1920 John Barrymore version of this story, it has been de rigeur to symbolize the schism between Jekyll and Hyde by giving him both a "good" and "evil" girlfriend. Originally, MGM adhered to typecasting by assigning the good girl to Ingrid Bergman and the bad one to Lana Turner. But Bergman begged the studio to be allowed to play the more wicked of the two ladies; as a result, hers is by far the best performance in the picture. Neither as lively as the 1920 version nor as innovative as the 1931 remake, MGM's Dr. Jekyll and Mr. Hyde is weighted down with tiresome dialogue and over-obvious symbolism (catch that dream sequence in which Ingrid Bergman and Lana Turner make like racehorses!) Despite its shortcomings, Dr. Jekyll and Mr. Hyde was infinitely preferable to the next remake, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953). ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Ingrid Bergman, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide
- Starring:
- Walter Pidgeon, Maureen O'Hara, (more)
- 1942
It Happened in Flatbush is a likable baseball comedy inspired by the 1941 Brooklyn Dodgers' pennant win. Lloyd Nolan portrays an ace ballplayer who was disgraced while still in college and is only able to secure work as a team manager. He takes charge of an unnamed Brooklyn team and whips in into a World Series contender. The players resent Nolan's drill-sergeant tactics, and when Nolan falls in love with the pretty owner of the team (Carole Landis), the players use this as an excuse to circulate a petition demanding Nolan's ouster. The manager pays no attention to the petition and leads his team to a league pennant, finding time along the way to help out a trouble-prone young ballplayer (George Holmes) on the verge of throwing away his career. Bolstered by film clips of actual Dodgers games (including one in which an anxious fan jumps out of the stands and attacks the umpire), It Happened in Flatbush is an enjoyable second-feature effort. ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Nolan, Carole Landis, (more)
- 1936
Robert Young decides to create a "scoop" by fabricating the impending arrival of a female big-game hunter named Mrs. Smythe-Smythe. Jessie Matthews decides to pose as the fictitious woman, the better to embarrass Young. The comic complications are obliged to share screen time with Matthews' inevitable songs, the best of which is the title tune. Not all of Jessie Matthews' films played as well in America as they did in Britain: It's Love Again is a delightful exception. ~ Hal Erickson, All Movie Guide
- Starring:
- Jessie Matthews, Robert Young, (more)
- 1947
In this period drama, Joan Fontaine stars as Ivy Lexton, a woman with an unusual hunger for men. Though she already has a husband, Jervis (Richard Ney), and is having an affair with Roger Gretorex (Patric Knowles), Ivy becomes obsessed with Miles Rushworth (Herbert Marshall), and is determined to have him. However, Miles has no interest in married women and rejects Ivy's advances. Angered, Ivy plans to get her revenge by poisoning Miles and pinning the blame on Roger. Cedric Hardwicke plays the inspector assigned to look into Miles' mysterious death. ~ Mark Deming, All Movie Guide
- Starring:
- Joan Fontaine, Sara Allgood, (more)
Director Robert Stevenson collaborated with novelist Aldous Huxley and theatrical-producer John Houseman on the screenplay for this 1944 adaptation of Charlotte Bronte's gothic romance Jane Eyre. After several harrowing years in an orphanage, where she was placed by a supercilious relative for exhibiting the forbidden trait of "willfulness," Jane Eyre (Joan Fontaine) secures work as a governess. Her little charge, French-accented Adele (Margaret O'Brien), is pleasant enough. But Jane's employer, the brooding, tormented Edward Rochester (Orson Welles), terrifies the prim young governess. Under Jane's gentle influence, Rochester drops his forbidding veneer, going so far as to propose marriage to Jane. But they are forbidden connubial happiness when it is revealed that Rochester is still married to a gibbering lunatic whom he is forced to keep locked in his attic. Rochester reluctantly sends Jane away, but she returns, only to find that the insane wife has burned down the mansion and rendered Rochester sightless. In the tradition of Victorian romances, this purges Rochester of any previous sins, making him a worthy mate for the loving Jane. The presence of Orson Welles in the cast (he receives top billing), coupled with the dark, Germanic style of the direction and photography, has led some impressionable cineasts to conclude that Welles, and not Stevenson, was the director. To be sure, Welles contributed ideas throughout the filming; also, the script was heavily influenced by the Mercury Theater on the Air radio version of Jane Eyre, on which Welles, John Houseman and musical director Bernard Herrmann all collaborated. But Jane Eyre was made at 20th Century-Fox, a studio disinclined to promote the auteur theory; like most Fox productions, this is a work by committee rather than the product of one man. This in no way detracts from the overall excellence of the film; of all adaptations of Jane Eyre (it had previously been filmed in 1913, 1915 and 1921, and has been remade several times since), this 1943 version is one of the best. Keep an eye out for an uncredited Elizabeth Taylor as the consumptive orphanage friend of young Jane Eyre (played as child by Peggy Ann Gardner). ~ Hal Erickson, All Movie Guide
- Starring:
- Orson Welles, Joan Fontaine, (more)
- 1930
Alfred Hitchcock's second talkie was a surprisingly static adaptation of the Sean O'Casey stage drama Juno and the Paycock. Set during the Irish "troubles" of the early 1920s, the film focuses on the trials and tribulations of a typical Dublin tenement family. Sara Allgood is brilliant as family matriarch Juno Boyle, who must contend with her bibulous, braggadocio husband, Captain Jack Boyle (Edward Chapman), known as the "paycock" because he always struts around like he owns the world. As Captain Jack carouses with his drinking buddy Joxer Daly (Sydney Morgan), Juno tries to keep her family together, a task that proves harder with each passing day, especially when daughter Mary (Kathleen O'Regan) is impregnated by her irresponsible boyfriend. Things take a tragic turn when Juno's weakling son Johnny (John Laurie), a member of the IRA, is shot as an informer by his own comrades. Sara Allgood's scenes after the death of her son are absolutely heart-wrenching, offering ample compensation for Hitchcock's plodding direction and the hopelessly hammy performance by Edward Chapman. Many of the supporting actors were drawn from the ranks of Dublin's Abbey Players, notably Barry Fitzgerald, making his film debut as The Orator. Juno and the Paycock was adapted for the screen by Hitchcock and his wife Alma Reville. ~ Hal Erickson, All Movie Guide
- Starring:
- Sara Allgood, Edward Chapman, (more)
- 1937
Filmed in Ireland, Kathleen is a fanciful bit of blarney predicated on the ballad "Kathleen Mavourneen". American actress Sally O'Neill stars as Kathleen O'Moore, the romantic bone of contention between Michael Rooney (Tom Burke) and Dennis O'Dwyer (Jack Daly). The two rivals team up to rescue Kathleen from her nasty aunt Hannah (Ethel Gryffies), who has arranged a loveless but profitable marriage for the girl. Several prominent Irish stage actors, notably Sarry Allgood and Denis O'Neal, are cast in pivotal roles. The story of "Kathleen Mavourneen" had previously been filmed several times, once with movie vamp Theda Bara in the lead! ~ Hal Erickson, All Movie Guide
- Starring:
- Sally O'Neil
- 1945
Kitty is the "Pygmalion" legend, 18th century style. London aristocrat Ray Milland takes it upon himself to make a lady of a guttersnipe (Paulette Goddard, complete with a cockney accent not to be believed). Milland and fellow conspirator Constance Collier aren't bothering with the girl out of the goodness of their hearts. They want their protegee to marry a wealthy nobleman (Reginald Owen), then divide the wealth between them. Based on the novel by Rosamund Marshall, Kitty ends with the heroine in the arms of the penitent Milland. The opulent sets and costumes assembled for this film were too good for Paramount to waste; most of them popped up one year later in the Bob Hope vehicle Monsieur Beaucaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Ray Milland, (more)
- 1935
Adapted from a play by Ernest Denny, this was one of director Michael Powell's "quota quickies" that lived up to the name, being filmed in a scant thirteen nights. (The stars were appearing in West End plays and couldn't film during the day, a not-uncommon practice at the time.) The lazybones of the title is Sir Reginald Ford, a baronet who has made indolence into an art form and sees no reason to change his ways -- until discovering that his means of support has dried up. With no recourse but to make an appropriate marriage, Ford pursues Kitty McCarthy, an American heiress, with considerable success. Just as things seem to be going along smoothly, Ford discovers that Kitty has lost her fortune. In the midst of all this, Ford discovers he has fallen in love with Kitty, not her money; further complications ensue as Kitty's conniving cousin Mike comes on the scene and tries to involve her in a wicked scheme. Shaking off his accustomed lethargy, Ford springs into high gear and rids Kitty of her cousin, while at the same time coming up with a clever business proposition that enables him to care for his new wife in the style to which they both have long been accustomed. ~ Craig Butler, All Movie Guide
- 1942
In this drama, a has-been stage thespian finds that his alcoholism is ruining his life. When his daughter, a cripple, attempts to show her concern, he rebuffs her with his cruel, razor sharp witticism. His drinking and cynicism continue to increase, but, through it all, his daughter stands steadfastly beside him until her heart is stolen away by a handsome composer. He begins helping her to convince the theatrical community that her father is still a talented actor. Meanwhile, the father, thinking the composer will take his daughter away, remains suspicious of the young man's motives. Finally, after working in a series of odd jobs, the old man lands the lead in King Lear where he is a smash. He then renews a relationship with a wealthy old girlfriend. Meanwhile, the young couple also begin their relationship in earnest. ~ Sandra Brennan, All Movie Guide
- Starring:
- Monty Woolley, Ida Lupino, (more)
- 1933
Lily of Kilarney stars John Garrick as Sir Patrick Cregeen, an heir who must raise a great deal of money in a hurry, lest he lose his family's ancestral castle and his intended, Eileen O'Connor (Gina Malo), to the vile Sir James Corrigan (Stanley Perrins).
Cregeen enters a steeplechase race, but in order to win the big prize he'll have to beat Corrigan's steed. Veteran music hall favorite Stanley Holloway is in fine fettle as a singing priest, while Sara Allgood of the Abbey Players contributes another of her well-rounded characterizations. Bride of the Lake was based on the popular Dion Boucicault theatrical barnstormer Colleen Bawn. ~ Hal Erickson, All Movie Guide
Cregeen enters a steeplechase race, but in order to win the big prize he'll have to beat Corrigan's steed. Veteran music hall favorite Stanley Holloway is in fine fettle as a singing priest, while Sara Allgood of the Abbey Players contributes another of her well-rounded characterizations. Bride of the Lake was based on the popular Dion Boucicault theatrical barnstormer Colleen Bawn. ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Malo, John Garrick, (more)
- 1941
Adapted from a French movie entitled Un Carnet de Bal, this is a story of love unrequited. In one of her best performances, Merle Oberon portrays an elderly woman who has spent her life waiting for a man whom she had a brief liaison with but who never returned for her as he had promised. Casting aside three suitors over a forty year period, she has spent her life in solitude. When a party is arranged and all three of her spurned suitors show up, a surprise fourth is also present--her original true love. Denouement is somewhat of a surprise in this romantic love story. ~ Tana Hobart, All Movie Guide
- Starring:
- Merle Oberon, Edna May Oliver, (more)
- 1947
A woman looks back at her childhood in show business in this musical comedy. At the turn of the century, Myrtle McKinley (Betty Grable) is working her way through business school and gets a job dancing at a San Francisco vaudeville house. She meets fellow hoofer Frank Burt (Dan Dailey), and they soon fall in love. Marriage follows, and Myrtle and Frank begin performing a song and dance act on the road. Myrtle leaves the act when she becomes pregnant with the first of two children, but when the kids are old enough to go out on tour, she and Frank work them into the act, and they learn to live out of a suitcase like their parents. Years later, Iris (Mona Freeman) and Mikie (Connie Marshall) are attending college when they learn that Mom and Dad have pulled their act out of mothballs -- and are booked to perform at a theatre near their campus. Mother Wore Tights won an Academy Award for Best Musical Score, and it was nominated for Best Song ("You Do") and Best Color Cinematography; the great Mexican ventriloquist Senor Wences appears as himself. ~ Mark Deming, All Movie Guide
- Starring:
- Betty Grable, Robert Arthur, (more)
Rosalind Russell stars in this marathon adaptation of the Eugene O'Neill play. The O'Neill original transposed Euripides' Agamemnon/Clytemnestra legend to post-Civil War New England. Russell plays the daughter of a returning war hero (Raymond Massey), who comes home to find his wife (Katina Paxinou) in the arms of a younger man. The wife murders the husband, leaving it to her grown children--Russell and Michael Redgrave--to exact vengeance. This morbid plotline climaxes with Russell's descent into destructive self-righteousness and her brother's retreat into insanity. Though superbly acted, Mourning Becomes Electra scared away too many moviegoers in its original three-hour running time, which was still half the length of the O'Neill play. Even when pared down to 105 minutes for general release, the film lost tons of money for the ever-beleaguered RKO Studios; to complete the film's curse, Russell lost her long-cherished (and never-won) Best Actress Oscar to Loretta Young for The Farmer's Daughter. According to Oscar legend, Russell was so certain of winning, on the heels of her husband's massive promotional campaign, that she was already out of her seat when she heard Young's name. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Michael Redgrave, (more)
- 1947
The Warner Bros. musical My Wild Irish Rose purports to tell the life story of popular 19th century balladeer Chauncey Olcott-or at least, the version set down by Olcott's daughter Rita. Starting his career in minstrel shows, Olcott (Dennis Morgan) is given his first break by stage luminary Lillian Russell (Andrea King), who casts him as her Broadway leading man. Though their relationship is platonic so far as Russell is concerned, the newspapers have a field day concocting an imaginary romance, driving a wedge between Olcott and his hometown sweetheart Rose Donovan (Arlene Dahl). No matter what his personal problems, Olcott rises to heretofore unimagined show-biz heights with his sentimental Irish ballads, including "A Little Bit of Heaven", "Mother Macree" and, of course, the title tune. I Love Lucy fans will be amused by the casting of a generously toupeed William Frawley as famed Irish tenor William Scanlan, who after his voice fails him generously passes the torch of celebrity to Olcott. ~ Hal Erickson, All Movie Guide
- Starring:
- Sara Allgood, Ben Blue, (more)
- 1934
In this melodrama set within an Irish hospital, a handsome young physicician is pursued by two women. He is attracted to one of them, but as she has expensive taste he does not feel he can afford to be with her. The other woman is a manipulator and tricks him into an engagement with a kiss. The poor physician is utterly confused and so heads into the country to help with a typhoid epidemic. As soon as it is halted, he finds that he himself has the dread disease. All his colleagues believe he is a goner, but true love prevails and the first one takes care of him until his health is restored. Often cited as the first "talkie" to feature a primarily Irish cast. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lester Matthews, Nancy Burne, (more)
The spirit of love is back, and she's working in retail in this bubbly romantic musical comedy. Eddie Hatch (Robert Walker) is a window dresser at a large department store; he's become especially fond of one of his mannequins who looks like the sort of girl he'd like to meet, and one night he impulsively gives the dummy a kiss. To his tremendous surprise, the mannequin comes to life, and it turns out to be inhabited by the spirit of Venus, the Goddess of Love (Ava Gardner). Suddenly, romance is in the air as Eddie's fellow employees throw caution to the wind and finally express their infatuations with their co-workers; however, Eddie is too intimidated to follow through on his feelings for Venus, even though she'll only be in human form for 24 hours. Adapted from a popular Broadway musical, One Touch of Venus features a number of memorable songs by Kurt Weill and Ogden Nash, including "Speak Low" and "The Trouble with Women," though a number of other songs they wrote for the stage production were replaced for the film. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Walker, Ava Gardner, (more)
