John Ireland Movies

An insane, renegade cavalryman leads his vicious band of outlaws into a series of brutal raids against settlers and local Indians in this western. Fortunately, a former gunslinger and a brave Indian agent ride up to save the imperiled pioneers. ~ Sandra Brennan, All Movie Guide

Producer A.C. Lyles managed to do quite well for himself in the 1960s by making low-budget westerns crammed full of familiar faces whose stock in the film industry had slipped a bit. Starring in Arizona Bushwackers were such celebrities of yesteryear as Howard Keel, Yvonne De Carlo, John Ireland, Marilyn Maxwell, Scott Brady, Brian Donlevy, Barton MacLane and James Craig. Keel is cast as a Confederate POW who is pardoned when he agrees to patrol the West on behalf of the Union. Assigned to a wide-open Arizona town, he stands up to such disreputable types as a crooked sheriff (MacLane) and saloon-owner Ireland. When legal means fail, the ex-POW resorts to six-guns and fists to keep the peace. Yvonne De Carlo's part was to have been played by Betty Hutton, but the latter actress could not adapt to A.C. Lyles' "get it right on the first take" approach. Arizona Bushwackers may be cheaply made, but it is consummately acted by its strong ensemble cast and sturdily directed by Leslie Selander. ~ Hal Erickson, All Movie Guide

Lola Albright returns in the role of crusading frontier newspaperwoman Ann Williams. Once again, Jason McCord (Chuck Connors) comes to Ann's aid in her efforts to break an important news story. This makes Jason a very busy man: He has already hired on as surveyor for a railroad, thus also making him a target for extermination by train-hating freight line owner Tad Evers (John Ireland). ~ Hal Erickson, All Movie Guide

With true William Castle-style flamboyance the advertisements for I Saw What You Did intrigued non-etymologically inclined audiences by warning them that this suspenseful thriller was about uxoricide. He then had some of the theaters where the film was shown equipped with seat belts so frightened audience members wouldn't flee the theater in a panic. It was a spooky film, but wasn't all that scary. The tale begins upon a dark and foggy night as two teenage girls, bored with their baby-sitting job, decide to have a little fun and make some prank phonecalls. Every time some hapless person answers, they whisper conspiritorally "I saw what you did. I know who you are." Unfortunately, they happen to call a man who has just murdered his wife --- in the shower no less! He takes the call seriously and so sets off into the night to find the girls and silence them forever. ~ Sandra Brennan, All Movie Guide

Though Fall of the Roman Empire is now infamous as the epic which destroyed the cinematic "empire" of producer Samuel Bronston, the film is actually an above-average historical drama, attempting to make sense of the political intrigues which resulted in the dissolution of the Glory That Was Rome. The film begins with wise, diplomatic emperor Marcus Aurelius (Alec Guinness) calling together the various representatives of the many nations within the Empire as a means of securing peace and prosperity for all involved. When Marcus intimates that he intends to turn over his crown to adopted son Livius (Stephen Boyd) rather than the logical successor Commodus (Christopher Plummer), he is poisoned by one of Commodus' cronies. Marcus' daughter Lucilla (Sophia Loren) tries to get Livius to claim the throne, but he wants no part of it; thus, the fate of the empire is in the incompetent hands of the preening Commodus. Despite efforts by cooler heads to save Rome from ruin, Commodus vainly declares himself a god and kills anyone who poses a threat to him. When he learns that Lucilla actually has a stronger claim to the throne than he does, Commodus condemns her to be burned at the stake. Only then does Livius intervene, slaying Commodus and promising to try to pick up the pieces of the disintegrating empire. Attempting to find a common ground between history buffs and action fans, Fall of the Roman Empire has come to be regarded as a classic. Alas, audiences in 1964 had grown weary of epics (especially after the highly touted but disappointing Cleopatra), and failed to turn out in sufficient enough numbers to justify Fall's exorbitant cost. Virtually wiped out, Samuel Bronston would not be able to return to filmmaking until 1971, and then only on a much smaller and more pinchpenny scale. ~ Hal Erickson, All Movie Guide

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, All Movie Guide

Presaging the upcoming Vietnam War without knowing it, this routine drama directed by Jack Warner, Jr. (his only directorial effort) is set in Vietnam where the recent battles with the French have concluded and two soldiers have remained in the country to set up their own plantation. Their lives are changed when two Americans are captured by communist forces. Unless the ex-soldiers do something about it, the Americans may just have to stay captured, or worse. ~ Eleanor Mannikka, All Movie Guide

Rock 'n roll king Elvis Presley stars as Glenn Talbot, a country boy with a problem temper and a yen for literary greatness in this typical Presley vehicle directed by Philip Dunne. After Glenn is sent packing by his father for mixing it up one too many times with his brother, the court makes him a ward of his uncle. His inner turmoil leads him into therapy with the older and very attractive Irene (Hope Lange), a patient-doctor relationship that is misconstrued by their small town. The two spend a platonic night in the same room in a motel, but no one is believing it was innocent. Glenn's romantic interests include Noreen (Tuesday Weld), with whom he shares a drink or two or more, and a song, and Betty Lee (Millie Perkins). Between the singing and carousing and fist fights, it still looks like a happy resolution looms large on the horizon. ~ Eleanor Mannikka, All Movie Guide

Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide

This romantic melodrama centers on a love triangle shaped by the restless, dissatisfied girl friend of a crop-duster who refuses to marry her. ~ Sandra Brennan, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

After a brief fling at Hollywood stardom, John Ireland set up camp in England and Europe. It was in England that Ireland was top-billed in Black Tide, aka Stormy Crossing. The bulk of the film's storyline is carried by villain Derek Bond. After murdering his lover, cross-channel swimmer Joy Webster, Bond attempts to do same to her other boyfriend, Sheldon Lawrence. Ireland plays an Interpol detective who stems Bond's homicidal hijinks. Black Tide was produced by Monty Berman in his pre-Saint days. ~ Hal Erickson, All Movie Guide