Boris Ingster Movies

The Man from UNCLE comes to the big screen in this spy thriller comprised of episodes from the popular television series. The story centers around the attempts of evil THRUSH operatives who endeavor to abduct a professor who has developed a formula for turning salt water into gold. ~ Sandra Brennan, All Movie Guide

In this episode from The Man from U.N.C.L.E. series, the two good guy spies must stop a criminal mastermind from altering the course of the Gulf Stream. ~ Sandra Brennan, All Movie Guide

In India, UNCLE agent Solo tangles with a murderous cult of Thuggees, led by a fanatical Maharajah (Murray Matheson). In their haste to rob and murder the passengers of a downed plane, the Thuggees have stolen UNCLE's new polygraph device. As Solo attempts to retrieve the polygraph, he faces deadly competition in the form of THRUSH agent Tom Simpson (Linden Chiles). Two "celebrity wives" appear in the guest cast: Kamala Devi, at the time Mrs. Chuck Connors, and Neile Adams, the then-wife of Steve McQueen. Scripted by Robert Yale Lippincott from a story by Boris Ingster, "The Yellow Scarf Affair" first aired on January 25, 1965. ~ Hal Erickson, All Movie Guide

Guns of Diablo was cobbled together from two episodes of the TV series The Travels of Jamie McPheeters. 14-year-old Kurt Russell plays Jamie, an orphaned boy heading westward with a wagon train. Charles Bronson tops the cast as wagon scout Linc Murdock, who runs into difficulties when he meets old flame Maria (Susan Oliver), who is now married to corrupt lawman Rance Macklin (Jan Merlin). The jealous Macklin has Murdock arrested, but Maria frees him, permitting Murdock and Jamie to embark on a new adventure involving a "lost" gold mine. Curiously, Dan O'Herlihy, Kurt Russell's costar on Travels of Jamie McPheeters, does not appear in this ersatz feature. ~ Hal Erickson, All Movie Guide

Something for the Birds is a toothless satire of Washington, filmed during the McCarthy era. For lack of a political target that wouldn't get them labeled as Communists, the producers decided to go after lobbyists. Patricia Neal comes to Washington on behalf of the preservation of the California Condor; she finds herself the object of ridicule for almost everyone, including leading man Victor Mature, a lobbyist for the oil interests who threatens a large bird sanctuary. Edmund Gwenn is one of the few Washingtonians willing to financially back Neal's cause; unfortunately he turns out to be a charlatan with nary a nickel to his name. Eventually Mature is made to realize that the plight of the Condor is worthy worrying about, and he is able to dissuade the agreeable oil executives from drilling on the bird's territory. ~ Hal Erickson, All Movie Guide

The never-solved disappearance of Judge Crater in 1930 was the inspiration for RKO's The Judge Steps Out. Alexander Knox (who also co-scripted the film with director Boris Ingster) plays Bailey, a highly respected Boston magistrate who is fed up to the gills with his workload and his troublesome wife (Frieda Inescourt) and daughter (Martha Hyer). Thus, he decides to hit the road, eventually taking a job as a hash-slinger at a roadside diner. Here he is treated with compassion and understanding by his boss Peggy (Ann Sothern), who, unaware of Bailey's true identity, likes him for himself rather than his prestige. This offbeat comedy-drama manages to keep the audience guessing as to how things will turn out for everyone concerned. Filmed in 1947, The Judge Steps Out was withheld from American release for nearly two years; before making the rounds in the U.S., it was shown in Great Britain under the title Indian Summer. ~ Hal Erickson, All Movie Guide

Inspired by actual events, Cloak and Dagger was first major "atomic power" melodrama of the postwar era. Gary Cooper stars as bookish physics professor Alvah Jesper, a character obviously based on A-bomb codeveloper J. Robert Oppenheimer. Pressed into service by the OSS in the last months of WW2, Jasper is sent to Europe in search of Dr. Polda (Vladimir Sokoloff), an atomic scientist held captive by the Nazis. In Switzerland, Jesper quickly runs afoul of enemy spies who murder the only person to know Polda's whereabouts. Moving on to Italy, he links up with the partisans, falling in love with gorgeous resistance fighter Gina (Lilli Palmer). Adopting a disguise, Jesper finally locates Polda and spends the last few reels in a desperate dash to freedom. Screenwriters Albert Maltz and Ring Lardner Jr. had originally intended Cloak and Dagger as a warning to a complacent America. Director Fritz Lang recalled in later years that, as conceived and filmed, the ending was to have occured after Jesper and a group of Allied soldiers stumbled upon the ruins of a secret Nazi A-bomb factory, as well as evidence that the German scientists had fled to parts unknown with their atomic secrets intact. "It's day one of the Atomic Age", Jesper was to have noted ruefully, "And God help us if we think we can keep it a secret much longer." This lengthy coda was removed from the final release print, transforming a thought-provoking drama into a mere romantic thriller. ~ Hal Erickson, All Movie Guide

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen. ~ Hal Erickson, All Movie Guide

Though he doesn't speak his first line of dialogue until the film's final ten minutes, Peter Lorre spiritually dominates the fascinating RKO melodrama Stranger on the Third Floor. The plotline is carried by John McGuire, playing Ward, a newspaper reporter whose courtroom testimony sends the hapless Briggs (Elisha Cook Jr). to the death house. Ward is certain that he saw Briggs leaving the scene of a murder, but as the days pass, he is tortured by guilt and doubt -- especially during the film's surrealistic knockout of a nightmare sequence. When another murder is committed, Ward finds himself as much a victim of circumstantial evidence as the unfortunate Briggs. The reporter's girlfriend (Margaret Tallichet) tries to clear Ward....and that's when she first makes the acquaintance of Lorre, who is heard ordering a pound of raw meat! Stranger on the Third Floor was a "film noir" long prior to the genesis of that cinematic movement. Long ignored or trivialized by film historians, this 7-reel quickie has in recent years graduated to classic status. ~ Hal Erickson, All Movie Guide

Happy Landing was another Sonja Henie moneyspinner from the 20th Century-Fox film factory. The story gets under way when skirt-chasing bandleader Duke Sargent (Cesar Romero) pitches woo to Trudy Ericksen (Sonja Henie) while on a tour of Norway. To Duke, it's just another harmless flirtation, but Trudy takes him seriously and trails him back to the USA, where she finds enormous success as an ice-skating star. When Duke's manager Jimmy Hall (Don Ameche) falls in love with Trudy himself, he cooks up a scheme to marry off Duke to vocalist Flo Kelly (Ethel Merman). As always, the plot takes a back seat to the skating, with Sonja Henie at her professional peak. ~ Hal Erickson, All Movie Guide

Norwegian skating star Sonja Henie reached an early pinnacle with this romantic comedy co-starring Tyrone Power as a Ruritanian prince impersonating an American reporter. They fall in love, of course, and the whirlwind romance threatens to interrupt an important treaty between three rival principalities. In between Henie's skating extravaganzas -- which reportedly involved more that 100 skaters and a rink 100 by 145 feet in length -- vocalist Leah Ray and the company perform "My Secret Love Affair," "Over Night," and "My Swiss Hilly Billy," all by Lew Pollack and Sidney D. Mitchell, while comedienne Joan Davis takes care of "I'm Olga From the Volga" by Mack Gordon and Harry Revel. Both Thin Ice and Paramount's simultaneous (and better) Easy Living were partially based on a 1922 Hungarian play, Der Komet, leading Fox to briefly entertain the idea of suing the rival company. ~ Hans J. Wollstein, All Movie Guide

RKO Radio's spectacular production The Last Days of Pompeii utilizes the title but precious little else of the famous Sir Edward Bulwer-Lytton historical novel (at least the film admits as much in the opening credits). Preston S. Foster stars as Marcus, a happy-go-lucky Ancient Roman blacksmith who is plunged into the depths of despair when his wife and child are killed by a hit-and-run chariot. Undergoing a radical personality change, Marcus becomes obsessed with money and prestige, and to achieve these he becomes a mighty gladiator. While on a visit to Judea, Marcus takes orphaned boy Flavius (David Holt) under his wing and also spends some time with governor Pontius Pilate (Basil Rathbone), who is presently preoccupied with the execution of a subversive young rabbi named Jesus Christ. Witnessing Christ's march to Calvary, Marcus is moved by His plight, but does nothing to help the man and indeed dismisses the whole notion of Christianity as superstitious nonsense. Years later, an ageing Marcus takes up residence in a lavish villa in the resort town of Pompeii, while his grown-up foster son, Flavius (now played by John Wood), gets involved in the burgeoning Christian movement. Arrested by the authorities, Flavius and his fellow Christians are sentenced to death in the arena, much to the dismay of Marcus. Still, it takes the eruption of Vesuvius and the destruction of Pompeii for Marcus to undergo his long-overdue religious awakening, and in the moments before he himself is engulfed by lava he arranges the escape of Flavius and the young man's sweetheart, Clodia (Dorothy Wilson). The climactic volcanic holocaust is a triumph of special effects, but that was to be expected from the production team of Merian C. Cooper and Ernest B. Schoedsack, the same folks responsible for King Kong. Though Preston S. Foster delivers one of his finest performances in The Last Days of Pompeii, the film's acting honors go to Basil Rathbone as Pilate, who transforms from a swaggering young skeptic to a conscience-stricken old man. On its original release, the film lost 237,000 dollars, but in the long run made a profit via periodic reissues. ~ Hal Erickson, All Movie Guide