William Inge Movies
Pulitzer Prize winning playwright William Inge has had many of his short stories and stage productions adapted to the screen. Examples include Come Back Little Sheba (1952) and Bus Stop (1956). He also penned three screenplays of his own, one of which Splendor in the Grass (1961), a film he also helped produce, won an Oscar. For his third screenplay Bus Riley's Back in Town, he used the pen name Walter Gage. ~ Sandra Brennan, All Movie Guide- 2000
Originally staged on Broadway in 1953 and filmed two years later, William Inge's Pulitzer Prize-winning romantic drama Picnic went before the cameras a second time in 2000 as a made-for-TV movie. Josh Brolin stars as Hal Carter, a handsome and impecunious drifter who shows up in a tranquil Kansas town to pay a visit to his wealthy pal Alan Benson. Hal's arrival coincides with the town's upcoming Labor Day festivities, so naturally he is invited to stay a while. Alan soon regrets welcoming Hal into his community when the charismatic drifter falls in love with Alan's fiancée, Madge Owens (Gretchen Mol) -- and the feeling is definitely mutual. Meanwhile, Hal's presence awakens the dormant passion between two of the town's middle-agers -- spinsterish schoolteacher Rosemary Sydney (Mary Steenburgen) and her erstwhile beau Howard Bevans (Jay O. Sanders) -- and also has a disturbing effect upon Madge's mom, Flo (Bonnie Bedelia), and kid sister, Millie (Chad Morgan). Though lacking the star power embodied by William Holden and Kim Novak in the 1955 movie version of Picnic (and also bereft of that film's Oscar-winning musical score), the TV remake nonetheless possesses its own special charm, thanks to the deft directorial hand of Czech filmmaker Ivan Passer. The "new" Picnic aired over the CBS network on April 16, 2000. ~ Hal Erickson, All Movie Guide
- Starring:
- Bonnie Bedelia, Josh Brolin, (more)
- 1981
William Inge's sexual-awakening drama had already been satisfactorily filmed by director Elia Kazan 1961, twenty years before this TV movie made its debut. Melissa Gilbert and Cyrill O'Reilly are not a completely fair trade for the original film's Natalie Wood and Warren Beatty, but the players are game and the results are occasionally worthwhile. The faults lie principally in Inge's dated storyline about a teenaged middle-class "good girl" being seduced by the town's richest boy during the 1920s. The elements of class-consciousness and "retribution for sin" don't play as well in 1981 as they had two decades earlier. Nor does director Richard Sarafian's decision to slavishly follow the Kazan original scene for scene help to make the 1981 version anything of an improvement. ~ Hal Erickson, All Movie Guide
- Starring:
- Melissa Gilbert, Graham Jarvis, (more)
- 1977
Burt Lancaster was too young to play alcoholic, disillusioned Doc Delaney in the 1952 film version of William Inge's Come Back Little Sheba. At age 70, Laurence Olivier was too old for the part, yet Olivier's performance is far more persuasive than Lancaster's in this 1977 TV-movie remkae of Sheba. Inge's basic plot is left intact: Delany feels trapped by his marriage to the whining, slovenly Lola (Joanne Woodward, in the role created on Broadway by Shirley Booth). Doc can't appreciate the fact that, despite her inadequacies, Lola sincerely loves him; his emotional blindness stirs up a lot of trouble when a beautiful young woman (Carrie Fisher) rents a room in the Delany home. Despite American subject matter and setting, Come Back Little Sheba was produced in Britain by Granada Television. It was one of six plays coproduced for TV by Laurence Olivier as part of his "Great Plays of the 20th Century" series. Sheba was first seen by American viewers on December 31, 1977. ~ Hal Erickson, All Movie Guide
- Starring:
- Joanne Woodward, Laurence Olivier, (more)
- 1971
- R
Based on a novel by William Inge, this drama follows the attempts of two doctors to help a 35-year-old educator deal with a brutal rape. The incident is complicated by the fact that she was a virgin when it happened and that her attacker was a man she had been trying to help. The racial implications of the story may be offensive to many audience members. The film is also known as The Sin, The Shaming, and Secret Yearnings (on video). ~ Sandra Brennan, All Movie Guide
- Starring:
- Anne Heywood, Donald Pleasence, (more)
- 1965
William Inge co-wrote this story about a young man who may have outgrown the straight-laced boundaries of his home town. After a hitch in the Navy, Bus Riley (Michael Thomas Parks) comes home to the staid Midwestern town of his birth; however, home doesn't feel quite like it used to, and Riley is looking for a new sense of purpose in his life. While his girlfriend Judy (Janet Margolin) tries to offer him the love and understanding he needs, she just isn't enough any more, and Riley soon starts looking for thrills with Laurel (Ann-Margret), a local floozy. Michael Thomas Parks, better known simply as Michael Parks, first put his James Dean-esque loner persona to work in this film; he'd get the most use out of it three years later, when he was top-billed in the briefly popular TV series Then Came Bronson. ~ Mark Deming, All Movie Guide
- Starring:
- Ann-Margret, Michael Parks, (more)
- 1963
This routine tale of an aspiring actress on the verge of a sharp decline is directed by Franklin J. Schaffner and features Joanne Woodward in a skillful and engaging portrayal of Lila, the would-be thespian. The setting is a small town in the plains state of Kansas where Lila finds herself stranded when her job falls apart. Thanks to her friend Helen (Clair Trevor) she is not left out in the cold. Helen's household includes only one other person, her adult son Kenny (Richard Beymer) who is captivated by Lila, and the two have a brief, one-night stand. Kenny gets cold feet when it comes to commitment, spurring Lila to go out looking for any work at all. Her sleazy boyfriend-manager Ricky suggests stripping for the conventions that come and go, and Lila finds herself on the brink of a downhill slide. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Joanne Woodward, Richard Beymer, (more)
- 1962
- NR
In one of his first roles, Warren Beatty plays a callous, self-involved young man who is idolized by his younger brother Brandon DeWilde. When Beatty and DeWilde's parents Karl Malden and Angela Lansbury take in Eva Marie Saint as a boarder, Beatty makes violent love to the poor (but not entirely unwilling) girl. Saint becomes pregnant, a contingency which brings out the absolute worst in Beatty. When he deserts her, she kills herself. Only at this point does DeWilde (who has worshipped Saint from afar) realize that Beatty has feet of clay. Attempting to kill his older brother, DeWilde relents when he decides that Beatty is more pathetic than evil. Playwright William Inge adapted the screenplay for All Fall Down from a novel by James Leo Herlihy. So dependent is this film on its stark black and white photography that the currently available colorized version is tantamount to sacrilege. ~ Hal Erickson, All Movie Guide
- Starring:
- Eva Marie Saint, Warren Beatty, (more)
1961's premiere "date" movie represented the screen debut of Warren Beatty. Set in the 1920s, William Inge's screenplay concerns the superheated romance between working-class high schooler Natalie Wood and rich kid Beatty. Trying their best to keep their relationship from going "all the way," Beatty and Wood go through a series of unsatisfying interim romances. The troubled Wood attempts suicide and is sent to a mental institution, while Beatty impregnates freewheeling waitress Zohra Lampert. Wood and Beatty still carry a torch for one another, but circumstances preclude their getting together -- and besides, Wood suddenly realizes that she's outgrown the still-floundering Beatty. Scriptwriter William Inge shows up as a minister in Splendor in the Grass, while comedienne Phyllis Diller does a cameo as famed nightclub entertainer Texas Guinan; also, keep an eye out for Sandy Dennis, making her first movie appearance. ~ Hal Erickson, All Movie Guide
- Starring:
- Natalie Wood, Warren Beatty, (more)
- 1960
Robert Preston plays the flip side of his eternally ebullient Professor Harold Hill in Dark at the Top of the Stairs. Preston portrays an early 20th-century harness salesman, fully aware that his product is rapidly becoming obsolete. He tries to compensate for his own lack of self-esteem by cheating on his patient wife Dorothy McGuire; Preston's "other woman" is played by Angela Lansbury. Meanwhile, daughter Shirley Knight falls in love with Jewish boy Lee Kinsolving, who kills himself in the face of relentless bigotry. And McGuire's sister Eve Arden is stuck in a loveless marriage with spineless Frank Overton. Robert Eyer plays the young alter-ego of William Inge, who wrote the Pulitzer Prize-winning play on which this film is based. Eyer's fear of the "dark at the top of the stairs" is meant to be symbolic of the other characters' inner demons, a fact that Inge drives home every three minutes or so. In typical Inge fashion, an unlikely happy ending is reached just before "The End." ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Preston, Dorothy McGuire, (more)
In this cinemadaptation of William Inge's Broadway comedy Bus Stop, Marilyn Monroe is cast as Cherie, a fifth-rate nightclub chanteuse who captures the heart of Montana rodeo champ Bo (Don Murray). He, in turn, kidnaps Cherie and bundles her off to the roadside bus stop of the title. Gradually, the headstrong Bo learns that you can't rope a gal the same way you lasso a steer, but before this happens his face is rearranged by gallant bus driver Carl (Robert Bray). By this time, however, Cherie has fallen in love with her impulsive but basically good-hearted abductor. Others in the cast include Arthur O'Connell as Bo's level-headed travelling companion and "protector" Virgil, Betty Field as down-to-earth bus stop proprietress Grace, and Eileen Heckart as Cherie's confidante Vera. The film later inspired a 1961 TV series. A few TV prints of Bus Stop still exist bearing the alternate title Wrong Kind of Girl. ~ Hal Erickson, All Movie Guide
- Starring:
- Marilyn Monroe, Don Murray, (more)
One of the biggest box-office attractions of the 1950s, Picnic was adapted by Daniel Taradash from the Pulitzer Prize-winning William Inge play. William Holden plays Hal Carter, a handsome drifter who ambles into a small Kansas town during the Labor Day celebration to look up old college chum Alan (Cliff Robertson, in his film debut). Hoping to hit up Alan for a job--or a handout--Hal ends up stealing his buddy's fiancee Madge Owens (Kim Novak). Hal also has a catnip effect on spinster schoolteacher Rosemary Sydney (Rosalind Russell), so much so that Rosemary makes a fool of herself in front of the whole town, nearly driving away her longtime beau Howard Bevans (Arthur O'Connell). Persuaded by his friends and family that Hal is no damn good, Madge is prepared to break off her relationship. As anyone who remembers the film's famous overhead closing shot knows, however, Madge is ultimately ruled by her heart and not her head. For a film set in Kansas, there's an awful lot of New York talent in the supporting cast (Susan Strasberg and Phyllis Newman come immediately to mind); still, the Midwestern ambience comes through loud and clear, especially during the perceptively detailed Labor Day picnic sequence. Broadening the film's appeal is its George Duning-Steve Allen title song, a variation of the old standard "Moonglow". Two sidebars: The original Broadway production of Picnic starred Ralph Meeker and Paul Newman; for the film version of Picnic, William Holden was obliged to shave his chest, lest his hairy torso cause the female moviegoers to conjure up impure thoughts. ~ Hal Erickson, All Movie Guide
- Starring:
- William Holden, Rosalind Russell, (more)
In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Shirley Booth, (more)
