Robert Hutton Movies
American actor Robert Hutton had a briefly thriving Hollywood career thanks to something called "victory casting." While many of the major stars were in uniform during World War II, the Hollywood studios scrambled to find young actors who could substitute for their departed favorites. Hutton happened to have many of the shy, self-effacing characteristics of Jimmy Stewart, which served him well in such Warner Bros. pictures as Destination Tokyo (1943), Janie (1944) and Roughly Speaking (1945). Warners allowed Hutton a major showcase in the all-star morale booster Hollywood Canteen (1945); it was Hutton's puppy-love attraction to Joan Leslie which motivated the film's plotline. When the Big Names came marching home in 1945, "victory" fill-in actors suddenly found themselves expendable. Hutton was able to hang on longer than most with supporting roles in such films as The Younger Brothers (1949), Man on the Eiffel Tower (1950), The Steel Helmet (1951), Casanova's Big Night (1954) and The Colossus of New York (1958). Still relatively boyish in middle age, Hutton was personally selected by Jerry Lewis to play one of Lewis' "wicked stepbrothers" in Cinderfella (1960). Like many '40s male leads, Hutton spent plenty of time in horror and science-fiction films of the '50s and '60s, including The Man Without a Body (1957), Invisible Invaders (1959) and The Slime People (1963), which Hutton also produced and directed and which got better bookings than it deserved thanks to a robust promotional campaign. Hutton lived in England from 1964 through 1974, popping up as a character actor in films like You Only Live Twice (1967) The Torture Garden (1968) and Tales from the Crypt (1971). Before Robert Hutton returned to the States, he wrote the screenplay for the British-produced Persecution (1974), a turgid thriller distinguished by the astonishing presence of Trevor Howard and Lana Turner. ~ Hal Erickson, All Movie Guide- 1947
In this frothy, star-studded Warner Brothers outing, tightwad tycoon Jonathan Turner, believing himself at death's door, gives star-struck movie buff Jane Barker a million bucks. Problems begin when Jane's hubby, an aspiring writer, finds out about her new fortune. Marital turmoil ensues causing Jane to launch divorce proceedings. He in turn begins demanding alimony. The situation seems at a permanent impasse until the Turner miraculously recovers and decides he wants the money back. ~ All Movie Guide
- Starring:
- Robert Hutton, Joyce Reynolds, (more)
- 1949
Bride-to-be Barbara Hale collapses into a faint while taking the altar vows. Hale learns that she is pregnant by her former husband Robert Young, who steadfastly refuses to give her custody of the unborn child. As it turns out, she isn't pregnant at all, but her reunion with Young has convinced her that she's still in love with her first hubby. Robert Hutton is the prospective bridegroom left out in the cold--but he's a nasty sort, so good riddance. And Baby Makes Three was produced for Columbia by Humphrey Bogart's Santana company. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Barbara Hale, (more)
- 1950
As indicated by the title, Beauty on Parade is largely an excuse to display beautiful, well-proportioned young women in the latest swimming attire. That's okay for the men in the audience, but the ladies needed a plot to hold their attention, so here goes. Future All My Children-star Ruth Warrick plays aging beauty queen Marian Medford, who attempts to vicariously regain her past glories through her pretty daughter Kay (Lola Albright). Marian's relentless promotion of her daughter on the beauty-contest circuit has an injurious effect on Kay's romantic life, not to mention her own marriage to Jeffrey Woodstock (John Ridgely). "B"-picture "regular" Robert Hutton co-stars as a journalist who follows the beauty contestants from pageant to pageant. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Hutton, Ruth Warrick, (more)
Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Joan Fontaine, (more)
Both director Frank Tashlin and his comic star Jerry Lewis dilute their comic talents to play for the kiddie crowd in this fractured fairy tale version of the Cinderella story. This simply-told tale lards over the fairy story with un-needed songs and production numbers, but the basic story is still the same, only switched to a male Cinderella. Lewis is Fella, a put-upon flunky to a mean and rich dowager (Judith Anderson) and her three surly sons (all of whom appear to be pushing fifty). Fella falls for the beautiful princess (Anna Maria Alberghetti) and with the assistance of his screwy fairy godfather (Ed Wynn) gets transformed into a pre-Buddy Love lounge lizard who sweeps the Princess off her feet as he struts down an ornate stairway to the beat of The Count Basie Orchestra, leaving his stepbrothers with their mouths agape. ~ Paul Brenner, All Movie Guide
- Starring:
- Jerry Lewis, Ed Wynn, (more)
- 1970
- PG
The inimitable Vincent Price puts an interesting spin on this otherwise pedestrian witch-hunt exercise -- a rehashing of Witchfinder General (aka The Conqueror Worm) and several of Roger Corman's numerous Poe variations from the previous decade. Here Price plays Edward Whitman, a corrupt, sadistic magistrate in 16th-century Ireland who puts a quick and deadly stop to the activities of a local Druidic coven... but not before the sect's leader Oona (Elisabeth Bergner) puts a curse on him and the Whitman family line, calling up a vengeful spirit known as a "sidhee" which takes flesh in the form of an otherwise mild-mannered stable boy (Patrick Mower). As swift and violent retribution works its way through the Whitman family, so does this film snowball toward its bizarre and muddled conclusion -- made all the more confounding by rather choppy editing. Just like Conqueror Worm and half a dozen others, this was fallaciously marketed by distributor American International Pictures as yet another adaptation of the works of Edgar Allan Poe -- as if AIP hadn't kicked Poe's corpse around enough in the '60s. ~ Cavett Binion, All Movie Guide
- Starring:
- Vincent Price, Elisabeth Bergner, (more)
Though its purely propagandastic aspects are never far from surface, Destination Tokyo must rank as one of the most intelligent and objective of wartime thrillers. Cary Grant is a tower of strength as Captain Cassidy, skipper of an American submarine bound for Tokyo harbor. Its mission: to allow a Navy meterologist to survey Japanese weather conditions, in preparation for a major Allied assault. Many of the individual incidents in Delmar Daves' script are based on fact, notably an episode in which a pharmacist's mate is called upon to perform an emergency appendectomy. Admittedly, some of the secondary characters are WWII stereotypes, but they're never played that way. Particularly good isDane Clark, in his first important screen role; also registering well as a radio man is John Forsythe, in his first screen role ever. From the sub's embarkation in San Francisco to its climactic retreat from Japan, there's not a single solitary dull moment in the 135 minutes of Destination Tokyo. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, John Garfield, (more)
Doctor in Clover is the next-to-last entry in the British "Doctor" comedy film series. After losing his government job, doctor Gaston Grimsdyke (Leslie Phillips) signs up for a medical school course with his old tutor-nemesis Sir Lancelot Spratt (welcome back, James Robertson Justice). What follows is the standard melange of double- and single entendres, not to mention the usual dalliances with such underdressed lovelies as Shirley Ann Field, Fenella Fielding and Elizabeth Ercy. A subplot involves a rejuvenation serum that is disastrously applied to the behemothlike Sir Lancelot. Though allegedly based on the original "Doctor" novel by Richard Gordon, any resemblance is purely coincidental.Doctor in Clover was also released as Carnaby MD, in deference to the "Swinging London" craze. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Phillips, Shirley Ann Field, (more)
- 1966
British pop star Cliff Richard and his band The Shadows (including influential guitarist Hank B. Marvin) star in this lighthearted blend of music, comedy, and espionage. An American fighter plane accidentally drops a small bomb on a Spanish town; the bomb fails to go off, but the community is thrown into a panic and the village is evacuated. When Cliff and the Shadows arrive in town to play a show, they're a bit puzzled to discover that no one is there; when they find out what has happened, the boys try to find the bomb so that it can be returned to the American pilots. However, it turns out that foreign agent Mr. X (John leMesurier) is also looking for the bomb and has blackmailed hotel owner Col. Roberts (Robert Morley) into helping him. As you might expect, Cliff and his band manage to squeeze in a few songs as they further the cause of Anglo-American unity. ~ Mark Deming, All Movie Guide
- Starring:
- Cliff Richard, The Shadows, (more)
- 1952
The fraternal comedy team of George and Bert Bernard gained fame in the 1950s with their "record act," wherein they pantomimed to the popular recordings of the day (other aspiring comics who labored in this peculiar brand of humor included Jerry Lewis and Dick Van Dyke). Republic Pictures decided that the time was ripe to turn the Bernard Brothers into movie stars, and so it came to pass that Gobs and Gals were born. George and Bert play a couple of sailors stationed at a remote South Sea weather station. To keep themselves well stocked with cookies, candy and the like, the boys send out love letters to various stateside girls, enclosing photographs of their much handsomer commanding officer (Robert Hutton). Somehow this harmless subterfuge gets the Bernard boys mixed up with a nest of Soviet spies, headed by modern-day Mata Hari Sonya Dubois (Florence Marly). Some of the jokes at the expense of Stalinist communism are amusing, as is the film's zany slapstick finale. Otherwise, Gobs and Gals was proof positive that George and Bert Bernard posed no threat to Martin and Lewis. ~ Hal Erickson, All Movie Guide
- Starring:
- George Bernard, Bert Bernard, (more)
- 1944
The West Coast's answer to Broadway's Stage Door Canteen, the Hollywood Canteen was created as a GI morale-booster by film stars Bette Davis and John Garfield. The Canteen was established so that Our Boys on leave in Tinseltown could have a good time with good food and good dancing -- and, as a bonus, rub shoulders with their favorite movie personalities, who functioned as waiters, chefs, busboys and dancing partners. Since the 1944 all-star flick Hollywood Canteen was produced by Warner Bros., it was only to be expected that the celebrities seen herein would consist mostly of Warner Bros. contract players. The frail plot concerns a soldier on medical leave (played by Robert Hutton) who falls in love with lovely leading lady Joan Leslie (played by Joan Leslie) while visiting the Canteen. Bette Davis and John Garfield are on hand to emcee the Canteen's variety acts, and to act as cupids for the Hutton/Leslie romance. The "supporting cast" includes the likes of The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Sidney Greenstreet, Paul Henreid, Peter Lorre, Ida Lupino, Dennis Morgan, Roy Rogers, S.Z. Sakall, Barbara Stanwyck, and the Jimmy Dorsey and Carmen Cavallaro musical aggregations. Virtually everyone involved donated their salaries to the Canteen fund--even Jack Benny. As with most of these patriotic wartime star rallies, the results are a mixed bag: the best sequences include Benny's violin "duel" with Joseph Szigeti and Roy Rogers and the Sons of the Pioneers introducing Cole Porter's Don't Fence Me In. Hollywood Canteen won three Oscar nominations, more for its good intentions than its inherent excellence. Still, don't pass up the opportunity when this "movie star salad" shows up on cable TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Hutton, Jack Benny, (more)
- 1959
The Earth is attacked by mysterious invaders from outer space, who plan on destroying humankind. The invaders are invisible in our atmosphere, but are able to inhabit and reanimate the bodies of the dead. The armies of rotting corpses march on the cities, and it seems as though there is no defense. Major Bruce Jay (John Agar) is put in charge of a small, secret research center with a group of scientists, who must find a way of combating the invaders. Personality conflicts develop as Jay's hard-nosed, by-the-book approach to his job -- which requires him to kill anyone who might jeopardize the mission -- put him in opposition to the scientists (played by Jean Byron, Philip Tonge, and Robert Hutton). They develop an ultra-sonic gun that has the combined effect of rendering the aliens visible and killing them, but first they must test it, by capturing an alien, an action that forces them to run the risk of being discovered. ~ Bruce Eder, All Movie Guide
- Starring:
- John Agar, Jean Byron, (more)
- 1944
Janie, adapted from the Broadway play by Josephine Bentham and Herschel Williams, was one of a 1940s cycle of stage-to-film comedies about teenagers. Joyce Reynolds stars as Janie, a typical teen whose life is turned topsy turvy by the installation of a military base near her home town. Edward Arnold and Ann Harding, exasperated and understanding respectively, play Janie's parents. Robert Hutton is the soldier and Richard Erdman the hometown boy who vie for Janie's attentions. The film is cloying at times, but survives as a reasonably accurate representation of teenage life in the war years, right down to the "coded slang" used to throw parents off the track. Janie ends with the Army marching out and the Marines marching in, leaving the door wide open for a sequel, which appeared in 1946 under the title Janie Gets Married. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Hutton, Edward Arnold, (more)
- 1946
In this sequel to the 1944 teenage comedy Janie, Joan Leslie replaces Joyce Reynolds in the title role, playing the virtuous but amorous daughter of Edward Arnold and Ann Harding. Janie marries the soldier (Robert Hutton) she'd met in the earlier film, hoping to help him set the course of a successful civilian life. Robert Benchley (who'd died the year before this film was released) is a delight as the husband's dry-witted stepfather, doing his best to help the young couple in spite of themselves. Complications ensue when hubby's former girl friend (Dorothy Malone) shows up. Janie Gets Married ends with the old flame extinguished and Janie and her husband in each other's arms. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Leslie, Robert Hutton, (more)
- 1947
Jack Carson and Robert Hutton make a curious but copacetic comedy duo in the Warner Bros. musical Love and Learn. The stars are cast as Jingles and Bob, a pair of would-be songwriters hoping to get a break on Broadway. Along comes Barbara Wyngate (Martha Vickers), a wealthy young woman who hopes to make it on her own in the Big Apple. Hiding her true identity, Barbara helps the boys behind the scenes without their knowing it. Inevitably, Jingles and Bob clash over Barbara's affections, a problem that isn't resolved until the last possible moment. Craig Stevens, TV's future Peter Gunn, is featured in another of those "stuffed shirt" characterizations in which he was then specializing at Warners. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Carson, Robert Hutton, (more)
- 1967
All available information indicates that Manutara was a working title for the infamous horror-rama The Vulture. Broderick Crawford plays Brian Stroud, the scion of an accursed Cornish family. Two hundred years earlier, a Spanish seafarer, buried alive with his pet vulture, placed an onus on the heads of everyone in Stroud's family. Stroud's scientist brother-in-law, Dr. Eric Lutens (Robert Hutton), is worried that the curse will strike again, especially after discovering a huge vulture's nest. Sure enough, Akim Tamiroff, the descendant of the unfortunate sailor, has developed a hideous mutant -- an enormous vulture with the face of a human being. The best scene occurs when Brian Stroud (or Broderick Crawford's stuntman) is carried aloft by a pair of papier-mâché talons. Filmed in color but released in the U.S. in black-and-white, The Vulture was restored to its full-hued splendor (if that is the word) for its ubiquitous late-night TV showings. ~ Hal Erickson, All Movie Guide
Juvenile delinquents run afoul of big-league dope dealers in this low-budget crime thriller. Frankie (Robert Arthur) is a hotheaded teenager whose impulsive streak has led him to the State Honor Farm for wayward boys. Frankie engineers an escape with the help of his curvaceous girlfriend, Donna (Jan Brooks), but he makes the mistake of bringing along fellow delinquent Switch (Steve Rowland), who's behind bars for attacking his father with a knife. Switch doesn't make a secret of his attraction to Donna, which slowly infuriates Frankie, and things become no more comfortable when their car breaks down and they're forced to hitchhike. The three teenagers catch a ride with Rivas (John Goddard) and his wife, Madge (Carol Ohmart), but this isn't the stroke of good fortune it might seem. Rivas is a ruthless criminal who has killed a narcotics agent en route from Mexico while smuggling a large parcel of heroin into the United States. When the delinquents discover they're dealing with a bona fide mobster, they part company with Rivas but inadvertently steal his stash, which is hidden in a large doll, putting the bloodthirsty gangster on their trail. Naked Youth was originally released as Wild Youth, but received more play under its more exploitive title, though doubtless a few viewers were disappointed that it didn't actually feature any youths naked. ~ Mark Deming, All Movie Guide
- 1951
Filmed in Ansco Color (a fancy name for Eastmancolor), New Mexico stars Lew Ayres as Capt. Hunt, a U.S. Cavalry Captain stationed in Indian territory. Sympathetic to the plight of the long-suffering Native Americans, Hunt sets out to sign a peace treaty with the local chief (Ted de Corsia). En route, he rescues saloon girl Cherry (Marilyn Maxwell) from an Indian attack. Cherry remains by Hunt's side when he is forced to defend an Army fortress from the enraged chief, whose son was accidentally killed by a soldier. The supporting cast includes such TV favorites as Raymond Burr, Andy Devine, Verna Felton, and, as President Lincoln, Hans Conreid. ~ Hal Erickson, All Movie Guide
- Starring:
- Lew Ayres, Marilyn Maxwell, (more)
- 1943
The fact that star Errol Flynn had been recently embroiled in a real-life rape trial only served to increase the box-office "pull" of Warner Bros. Northern Pursuit. Flynn is cast as Canadian mountie Steve Wagner, assigned to track down and capture downed Nazi pilot Hugo von Keller (Helmut Dantine) in the snowier Hudson Bay regions. Once Wagner and fellow mountie Jim Austin (John Ridgely) catch up with Von Keller, they pretend to be on his side, hoping that he'll reveal his espionage plans. Taken in, Von Keller leads the mounties towards a secret Nazi hideaway, where the Germans have hidden a huge bombing plane, to be used against North America. The fact that Wagner is posing as a Nazi sympathizer hardly endears him to Von Keller's hostage Laura McBain (Julie Bishop), but when the truth is revealed she professes her love for him. In the light of Flynn's recent legal problems, one line in Northern Pursuit invariably brought down the house in 1943: After assuring Laura that she's the only woman he's ever loved, Wagner/Flynn turns to the camera and quips "What am I saying?" ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Julie Bishop, (more)
- 1946
In this comedy, an adaptation of the play The Animal Kingdom, a liberal, social reformist photographer falls in love with a wealthy gadabout, and finds she abhors his decadent life even though she loves him. She then takes up with another whom she marries. Unfortunately, she still loves the playboy. This does not make her new hubby very happy especially when she and her ex-love meet again and begin carrying on. The husband ends up headed for a quickie divorce in Reno. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Sheridan, Dennis Morgan, (more)
- 1958
In this drama set just after the end of WW II, an American officer falls in love with a German woman. Their blissful affair is disrupted when her German ex-lover returns and begins trying to exact his jealous revenge upon the Yankee. When the jealous shows up dead, the American is blamed. His courageous girl friend then risks all to prove his innocence. ~ Sandra Brennan, All Movie Guide
- 1953
Paris Model is quickie producer Albert Zugsmith's answer to such multistoried films as Tales of Manhattan. Linking the four stories presented herein is a Paris-original gown, "Nude at Midnight." The gown is first purchased by "good bad girl" Gogo Montaine (Eva Gabor), who hopes to impress her date for the evening, the Maharajah of Kim-Kepore (Tom Conway, who happened to be Gabor's brother-in-law at the time, a fact that wasn't ignored in the film's publicity). Next, the gown is illegally copied in the U.S., leading to a major social gaffe involving secretary Betty Barnes (Paulette Goddard), her boss Edgar Blevins (Leif Erickson) and Blevins' wife Cora (Gloria Christian). Next, Marion Parmelee (Marilyn Maxwell) wears the gown to coerce her husband's boss (Cecil Kellaway) into giving hubby a promotion. And finally, Marta Jensen (Barbara Lawrence) dons the gown in hopes that her erstwhile beau Charlie Johnson (Robert Hutton) will pop the question. Tom Conway makes a return appearance in this final sequence, as does 1930s comedy favorite El Brendel and Hollywood restaurateur Prince Michael Romanoff. ~ Hal Erickson, All Movie Guide
- Starring:
- Eva Gabor, Tom Conway, (more)
- 1945
This odd combination of roughneck comedy and serious domestic drama was adapted by Louise Randall Pierson from her own autobiographical novel. Rosalind Russell is cast as young Louise Randall, the headstrong daughter of a New England merchant. Inheriting her father's business, Louise intends to persevere in a "man's world," and to that ends takes business courses at Yale. Here she meets and marries banker's son Rodney Crane (Donald Woods), with whom she has four children. When wishy-washy Rodney runs off with another woman, Louise marries a second time to irresponsible but likable gambler Harold Pierson (Jack Carson) -- and gets pregnant again. Though Louise and Harold are as different as night and day, theirs is a lasting union, which remains solid despite whatever misfortunes come their way. The story ends at the outbreak of WW II, with Louise and Rodney bidding a tearful but hopeful goodbye to their three grown sons as the boys prepare to enter military service. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Collins, Kathleen Lockhart, (more)
- 1956
Taking shaky aim at Tinseltown scandal sheets, this murder mystery centers on an actor who is accused of murdering the reporter who recently smeared his name. As a result of the accusation, the actor loses his studio contract. Fortunately, all is not lost for another is working to prove his innocence. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Hutton, Paul Richards, (more)
- 1956
Several low-budget films came out in the 1950s "exposing" such scandal magazines as Confidential. Most of them came off as sleazy as the publications they were targetting. Republic's Scandal, Inc. is one of the more subdued examples of this genre; in fact, it's so low-key that at times it induces slumber. His good name sullied by a tell-all rag, movie star Robert Hutton threatens dire consequences to the reporter responsible. When that reporter turns up murdered, Hutton is naturally the prime suspect. Attorney Paul Richards takes on Hutton's cause, simultaneously clearing him of the murder charge and the earlier scandal that ruined him in Hollywood. ~ Hal Erickson, All Movie Guide
