John Huston Movies
An American film director who told stories about independent and adventurous men struggling for their individuality, John Huston led such a life, himself. His hyper-masculine protagonists seemed to stem from his own youthful pursuits as a boxer, competitive horseman, Calvary officer, and major in the U.S. Army. Married five times and divorced four (fourth wife Ricki Soma died in 1969), his reportedly bitter attitude toward women informed his female characters as either weak-willed prizes or seductive threats to manhood. Nevertheless, Huston's unconventional and rambling lifestyle led to some of the most celebrated American cinema, as well as the hub of three generations of Oscar winners.Born in Missouri to noted actor Walter Huston, his family traveled extensively on the vaudeville circuit. After riding horses in Mexico and magazine reporting in New York, the younger Huston secured a job writing dialogue in Hollywood. He started acting and published his first play, Frankie and Johnny, before wandering around London and Paris working as a street performer and artist. Upon his return, he worked as an editor and writer before convincing his employers at Warner Bros. to let him direct his first movie, The Maltese Falcon, in 1941. The popular source novel by mystery author Dashiell Hammett had been filmed twice before, but only Huston's adaptation would be remembered as a prime example of the classic film noir-detective story. It also made a star out of leading man Humphrey Bogart, whom Huston would cast in his next few films: Across the Pacific, Key Largo, and The Treasure of the Sierra Madre. An adventure drama shot in Mexico examining the nature of man's greed, Sierra Madre won him his first Oscar for Best Director and earned his father, Walter Huston, his first for Best Supporting Actor.
Continuing to write Hollywood screenplays and make military documentaries for the U.S. War Department, Huston's next big directorial success was in 1950 with the gritty caper film The Asphalt Jungle, another cinematic innovation in the crime genre. This was quickly followed by The African Queen, earning leading man Bogart his first and only Academy award for his role as drunken boat captain Charlie Allnut. Huston's next production, an adaptation of Stephen Crane's The Red Badge of Courage, had a notorious history of production difficulties with MGM. In 1952, his biographical drama of painter Henri de Toulouse-Latrec, Moulin Rogue, won Oscars for art direction and costume design. In 1956, he and co-screenwriter Ray Bradbury conquered a major literary adaptation with Moby Dick, starring Gregory Peck as Captain Ahab. During this time, Huston had found a home for himself in Ireland with his wife and newborn daughter, Anjelica. After he quit during production of A Farewell to Arms, he then tried the African Queen romantic formula again with Heaven Knows, Mr. Allison. In 1961, he directed The Misfits, the tragic last film of both Clark Gable and Marilyn Monroe, co-starring Montgomery Clift (whom Huston would cast in the psychoanalyst title role of his next feature, Freud). Two more adaptations would follow: The List of Adrian Messenger from the mystery novel by Philip MacDonald and The Night of the Iguana from a play by Tennessee Williams.
After winning a Golden Globe for his supporting role in Otto Preminger's The Cardinal, Huston did odd acting projects for the next decade and directed A Walk With Love and Death, marking the film debut of daughter Anjelica. In 1974, he gave one of his most notable performances as the villainous Noah Cross in Roman Polanski's Chinatown. Huston made a brief comeback the following year as writer/director of the witty action-adventure saga The Man Who Would Be King, the black comedy Wise Blood, and the Broadway musical adaptation Annie. But his major comeback would be in 1985 with the crime comedy Prizzi's Honor, which earned Anjelica Huston her first Oscar for the supporting role of Maerose. She also starred in her father's last film, The Dead (1987), which was inspired by the James Joyce short story collection Dubliners. Huston died of pneumonia later that year in Newport, RI. ~ Andrea LeVasseur, All Movie Guide
After spending time working as dialogue director on a number of films, Carol Reed made his directorial debut as co-director of It Happened in Paris. Based upon a French play by Yves Mirande, Paris stars John Loder as Paul, the artistically-inclined son of an American millionaire. Serious about his work, he has moved to Paris, where he can find inspiration and study the masters. While there, he finds inspiration of a different sort in the form of the beautiful Jacqueline, played by Nancy Burne. Thinking that his wealth is a handicap, Paul lies and pretends that he is poor. In time-honored fashion, this causes some complications, but eventually all is revealed and the two lovers are set on the course to living happily ever after. ~ Craig Butler, All Movie Guide
Having missed the opportunity to direct Frankenstein for Universal, Robert Florey was offered Murders in the Rue Morgue as a consolation, whereupon he transformed a pedestrian property into a minor classic. Owing more to Cabinet of Dr. Caligari than to Edgar Allen Poe, the film stars Bela Lugosi as Doctor Mirakle (accent on the second syllable), a carnival sideshow entertainer who doubles as a mad scientist. Kidnapping prostitutes off the Paris streets, Mirakle endeavors to mix their blood with that of his pet gorilla. His experiments will forever be doomed to failure, however, until he is able to obtain the blood of a virgin -- and that's where Camille L'Espanye (Sidney Fox) comes into the picture. When Mirakle's monkey kidnaps Camille and murders her mother, suspicion immediately falls upon the girl's sweetheart, starving artist Pierre Dupin (Leon Waycoff, later known as Leon Ames). But by using the deductive skills displayed in the original story by Poe's master detective C. Auguste Dupin, our hero not only proves his innocence, but rescues the helpless heroine from Mirakle's clutches. ~ Hal Erickson, All Movie Guide
- Starring:
- Bela Lugosi, Sydney Fox, (more)
An early screen version of the oft-filmed tale of Wyatt Earp, Doc Holliday, and the Gunfight at the O.K. Corral, Law and Order was adapted by young screenwriter John Huston from W. R. Burnett's novel, which alters the names of the principals but few of the facts. The film opens with a montage of the settling of the West, concluding with the observation that lawless behavior soon followed in many settlements. Walter Huston plays Frame Johnson, a steely-eyed gambler whose three companions, Brant, Luther (Frame's brother), and Deadwood, form a team of sorts, wandering from town to town in search of a good poker game. Johnson's reputation as "the man that cleaned up Kansas, the killingest peace officer that ever lived" precedes him when he arrives in Tombstone, a town controlled by the Northrup brothers and their crooked sheriff, Fin Elder. A committee of lawful citizens, led by a judge, try to hire Johnson to clean up the town, but he's reluctant to pin on the badge again. Inevitably, he does, and there's a showdown that leaves a corral full of corpses. ~ Tom Wiener, All Movie Guide
- Starring:
- Walter Huston, Harry Carey, (more)
"A house divided against itself cannot stand" declared Abraham Lincoln; proof that a house divided can be repaired is provided in this early talkie effort from director William Wyler. Walter Huston plays alcoholic fisherman Seth Law, who, recently widowed, signs up for a mail-order bride. Ruth Evans (Helen Chandler), Seth's wife-to-be, is instantly attracted...to Seth's ne'er-do- well son, Matt (Kent Douglass). Father and son duke it out, leaving Seth crippled. Though he now despises Ruth, Seth aligns with his son to save the girl when a sudden storm blows up. Seth is killed, but he is satisfied that Ruth is happy and that his son is not the wastrel he thought he was. Interestingly enough, the dialogue for A House Divided was penned by Walter Huston's own son, John. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Huston, Kent Douglass, (more)
William Wyler was still primarily a western specialist when he was assigned to direct Hell's Heroes. Based on Peter B. Kyne's Three Godfathers (which was filmed officially and unofficially several times), the story deals with three frontier bandits (Charles Bickford, Raymond Hatton, and Fred Kohler Sr.) who come across a pregnant woman in the desert. The woman dies in childbirth, but not before the three fugitives have promised the unfortunate mother to locate the baby's father. Two of the three criminals are killed before they are able to keep their promise, but the surviving bandit (Bickford) restores the baby to its father. Having accomplished the only good deed in his life, the bandit dies from drinking poisoned water. Filmed in the Mojave Desert and the Panamint Valley, Hell's Heroes represented William Wyler's first "outdoors" talking picture; even after attaining the front ranks of his profession, he would return to the western genre with such "A" productions as The Westerner (41) and The Big Country (58). ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Bickford, Fred Kohler, (more)
Previously filmed in 1916 and 1922, Langdon McCormick's theatrical chestnut Men Without Skirts was pulled out of mothballs for a third time in 1930, this time rechristened The Storm. Lupe Velez stars as Nanette, the daughter of French-Canadian smuggler Jacques Farchard (Alphonse Ethier). Concerned for Nanette's safety, Jacques leaves her in the care of two of his friends (Paul Cavanaugh and William Boyd) then heads off to parts unknown, with the Canadian Mounties hot on his heels. Shot down and left for dead, Jacques is certain that his number is up, but Nanette braves a surging river and a blinding storm to rescue her father. Oddly, though both Paul Cavanaugh and William Boyd vie for the heroine's attentions, there is no romantic lead to speak of in this rugged Northwoods meller. ~ Hal Erickson, All Movie Guide
- Starring:
- Lupe Velez, Paul Cavanagh, (more)
Director William Wyler made the move up to talking pictures with this blend of action and comedy. Dave Roberts (James Murray is a professional boxer who is better at losing conveniently than in knocking out is opponents. Dave's less-than-happy life on the margins begins to change when he meets and takes in an orphan, and as he learns to care for his new pal, he decides to turn the tables on the low-lifes who have been taking advantage of him. Once believed lost, The Shakedown was discovered and restored by the staff of the George Eastman House in 1998. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Kent, George Kotsonaros, (more)
Before hitting his stride at MGM later in the 1920s, director Clarence Brown was contracted to make five "Super-Jewels" for Universal. This one, a skillfully handled murder mystery based on the successful play by Rita Weiman, won good notices for Brown, who was still new to directing. When Andrew Prentice (Charles Wellesley) is mysteriously murdered, his foster son, Kenneth Winthrop (Richard Travers), is accused of the crime. Kenneth is put on trial, but circumstantial evidence, some of it offered by his wife, Madeline (Claire Windsor), seems to indicate he is innocent. After he is acquitted, Winthrop's foster brother, Robert Armstrong (Norman Kerry), falls under suspicion. Armstrong, who was in love with Madeline and became insanely jealous when she married Winthrop, is known for his fiery temper. There are others in addition to Armstrong who also become suspects. The revelations contained in a letter that was stolen from the mail reveal the real killer and his unexpected accomplice. ~ Janiss Garza, All Movie Guide
- Starring:
- Claire Windsor, Norman Kerry, (more)








