Gerard Buhr Movies

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin's statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. ~ Judd Blaise, All Movie Guide

Considered more as a vehicle to display Jean-Paul Belmondo than as an independent, wartime action story, Les Morfalous rides the crest of the French actor's popularity and delivers a tale that highlights his persona. Belmondo is a member of the French Foreign Legion sent with others to Tunisia in 1943 to recover a fortune in gold from a certain French bank before the Germans get to it. Then the Legionnaires are ambushed by German troops and the few left alive manage to get hold of the treasure but they cannot agree on what to do with their booty. Between their disagreements and the surrounding German army, the action heats up. Belmondo fans will be disappointed that he does not perform any of his famous stunts in this film -- always a drawing card -- and some viewers may find the humor too crude. ~ Eleanor Mannikka, All Movie Guide

Directed by TV-anthology veteran Jeannot Szwarc, Enigma has a certain small-screen "feel" to it. Adopting a musical-comedy foreign accent, Martin Sheen plays Alex Holbeck, an Iron Curtain defector who returns to East Germany at the behest of the CIA. His mission is to save five political "undesirables" from the communists. Holbeck runs up against some formidable opposition, namely ambitious KGB agent Dimitri Vasilkov (Sam Neill) and a quintet of highly trained Soviet assassins. Brigitte Fossey co-stars as Holbeck's former love, whom he involves in his escape plans by asking her to romance the susceptible Vasilkov. ~ Hal Erickson, All Movie Guide

The film traces the lifelong relationship between playwright Lillian Hellman and Julia, a wealthy girl who turns her back on her upbringing to follow her ideals. In the 1930s, while the adult Hellman (Jane Fonda) struggles to establish herself as a playwright with the help of her lover, Dashiell Hammett (Jason Robards), Julia (Vanessa Redgrave) battles the exigencies of the Nazi regime. Visiting Julia in Germany, Lillian realizes how much her friend's idealism has cost her, both physically and financially. Lillian is asked by Julia's friend Johann (Maximilian Schell) to smuggle a large sum of money from Paris to Germany, the better to combat the Nazis from within. Nominated for 11 Academy Awards, including Best Picture, Best Director, and four acting awards, Julia won for Alvin Sargent's screenplay and Robards' and Redgrave's performances, leading to Redgrave's infamous "Zionist hoodlums" acceptance speech. ~ Hal Erickson, All Movie Guide

This English-language French production, directed by Rene Clement is a psychological/spy thriller, and features an excellent score by Gilbert Becaud. Faye Dunaway is Jill, the wife of a former industrial spy (played by Frank Langella). Her husband's employers are not perfectly reconciled to his retirement, however, even though he is firm in his refusal to rejoin them. As the film proceeds, we discover that Jill is a nervous sort, and the spymasters seek by various means to take advantage of her nervous temperament in order to induce her husband to work for them again. ~ Clarke Fountain, All Movie Guide

A pair of desperate men plan to kidnap a wealthy heiress upon her arrival in France. Bud (Marlon Brando) and Leer (Richard Boone) grab the gorgeous girl (Pamela Franklin) at the airport in Paris. The limousine is driven down a deserted country road where the airplane's stewardess Vi (Rita Moreno) is in on the plan and helps the criminals switch cars. The quartet heads to a remote beach house where the girl's father is contacted with instructions for the payoff. When the girl tries to escape, Bud helps her from being roughed up by Leer, which makes the heroine junkie Vi jealous. Vi's brother Wally (Jess Hahn) goes with to the saloon where the drop-off is scheduled, but Wally is wounded in a gun battle with the bartender. He escapes and gives the money to Leer, who is finished having his sadistic carnal way with the kidnap victim. Bud once again tries to help the girl, and Leer tries to shoot everyone who stands in his way. The feature ends with a hard-to-fathom surprise in this violent story of murder, greed and love of money. ~ Dan Pavlides, All Movie Guide

John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May. ~ Perry Seibert, All Movie Guide

This somewhat verbose, standard comic thriller involves one sharp gangster nicknamed Le Dabe (Jean Gabin) pitted against three others as they work on a counterfeiting operation. Le Dabe has just been cooling his heels in the hot tropics and has now resurfaced in France where he hooks up with the counterfeiting trio. Together, they print out millions in fake Dutch guilders, but along the way, the three friends scheme to double-cross Le Dabe as soon as their operation is completed. They obviously underestimate the man. ~ Eleanor Mannikka, All Movie Guide

Decent performances by Francois Perier and Annie Girardot cannot save this slight, routine drama by director Jean-Charles Dudrumet. The story concerns a wife (Girardot) who is having an affair behind her husband's back. She and his brother plot to kill the husband and then things go tragically wrong. Instead of one dead husband, the brother is killed by mistake. Meanwhile, the real truth about the woman's lover and her relationship to her husband take a few turns before the end credits roll. ~ Eleanor Mannikka, All Movie Guide

When Jacques Decret (Gérard Oury) discovers that his wife Gloria (Jeanne Moreau) has been unfaithful, he devises an all-too-clever scheme of revenge in Edouard Molinaro's Le Dos au Mur (Back to the Wall): he sends her an anonymous blackmail letter. After she ignores the threat, he cranks up the pressure and sends incriminating photographs. While Gloria does send him the money, she and her lover Yves (Philippe Nicaud) try to fight back. But Jacques outsmarts them by turning the lovers against each other. Not surprisingly, the plan spirals out of control, and the results are even more sordid than Jacques had intended. ~ Steve Press, All Movie Guide

In the 1950s, French films were considered the ne plus ultra in naughtiness by certain impressionable filmgoers. It was to these movie fans that the American distributor of Jean Renoir's Elena et les Hommes (Elena and the Men) catered when it provocatively retitled the picture Paris Does Strange Things As further grist to the mill for American publicity hacks, the film starred Ingrid Bergman, who had recently returned to Hollywood after her career was nearly ruined by a marital scandal. Actually there was nothing overtly erotic about Paris Does Strange Things. The film was a sweet romantic comedy wherein Bergman plays a poverty-stricken Polish princess, who is wooed by eligible admirers Mel Ferrer and Jean Marais. Will she marry for love, or merely to restore her wealth? The suspense is bearable. Inexpertly cut to 86 minutes for its American showings, Paris Does Strange Things was restored to its full 98 minutes in 1986 and its title reverted to Elena et les Hommes. ~ Hal Erickson, All Movie Guide

Both a tribute to classic American gangster films and the source of inspiration for French New Wave filmmakers, Bob le Flambeur is the first in a series of stylish noirs that Jean-Pierre Melville started in the mid-'50s. Co-scripted by the popular crime writer Auguste Le Breton (Rififi), this is a story of ex-bank robber and compulsive gambler Bob (Roger Duchesne), who plans a heist at the Deauville casino. As in many films of that genre, he assembles a team of old friends and new acquaintances to do the job and is determined to perform it despite all the odds that continue to pile up before him. The overall tone is admirably lighthearted, however, and despite many stylistic and thematic references to American caper movies, the whole enterprise remains genuinely French. "This is a kind of film that we want to make!" exclaimed the young and rebellious François Truffaut back in 1955. Jean-Luc Godard, in his turn, acknowledged Melville's influence, giving him an extended cameo in Breathless. ~ Yuri German, All Movie Guide

Pauline Kael once characterized the French adventure film Fanfan the Tulip as a "Louis XV western". This is a pretty broad interpretation, though it is true that the film never stops moving--an excellent method of sustaining audience attention and plugging up the plot holes. Gerard Philipe plays Fanfan, a handsome, athletic and self-impressed young peasant soldier. Fanfan is as adept in the boudoir as on the battlefield; it has been prophesied that he will wed the king's daughter, thus he wants to get as much practice as possible. Fanfan's many conquests include Gina Lollobridgida and Genevieve Page, which may be why this film did so well in the States. Fanfan the Tulip is available in several shorter versions, one of which has been redubbed Soldier in Love. ~ Hal Erickson, All Movie Guide