Ross Hunter Movies
Upon his graduation from Western Reserve University, American producer Ross Hunter was content to settle into a school teaching career. But his Glenn Ford-like good looks weren't easily ignored; he was offered a contract with Columbia pictures in 1944. Hunter appeared prominently but not memorably in such B musicals as Louisiana Hayride (1944), Ever Since Venus (1945) and The Sweetheart of Sigma Chi (1946). When the contract ended, Hunter's career stalled, and he went back to teaching temporarily. He re-entered movies on the production end, attaining a staff producer post at Universal in 1953 on the strength of his previous credits as a theatrical producer and director. With 1954's Magnificent Obsession, Hunter hit upon the winning formula that would sustain him for the next two years: beautiful stars (male and female), beautiful costumes, beautiful sets, beautiful music, and an abundance of reliable story elements ranging from old-fashioned tear-wringing to tickle 'n' tease sexual humor. Under Hunter's auspices, Rock Hudson became a major name; Lana Turner's flagging career received a coiffed and permed boost; and Doris Day was reinvented as America's most popular middle-aged virgin. While many of Hunter's productions were screen originals (Pillow Talk [1959], Portrait in Black [1960], and That Touch of Mink [1962]), the producer also displayed an absolute genius for attractively updating old warhorses like Imitation of Life (1959), Back Street (1961), and Madame X (1965). He also knew how to make the cash registers ring with screen adaptations of stage hits like Flower Drum Song (1961) and The Chalk Garden (1964), even if these overproduced properties lost a lot of their charm along the way. After closing out his Universal career with the blockbuster Airport (1970), Hunter moved to Columbia, where his 1973 musical remake of Lost Horizon all but ruined the studio, earning the unflattering nickname "Lost Investments." While his foolproof formula had finally been proven foolish, Hunter moved on to TV, where he continued for several years to turn out high-gloss, big-star TV movies and pilot films. ~ Hal Erickson, All Movie Guide- 1978
Suddenly, Love is a tried and true "class conscious" TV movie set in the Manhattan of the 1960s. Cindy Williams stars as a Brooklyn girl who cuts the family strings at age 16 to head for the Big Apple. While studying to be an architect, Williams falls in love with a wealthy Yale law school professor (Paul Shenar). The prof's blueblood mother (Joan Bennett), aware that her son has a bad heart, is convinced that Williams is a fortune-hunter--a conviction that is intensified when the girl has a baby. Eileen Heckart costars as the heroine's earthy mom. Produced by glossmeister Ross Hunter, Suddenly, Love repeatedly belies its title: nothing in this lugubrious, talky film happens suddenly. ~ Hal Erickson, All Movie Guide
- 1978
A Family Upside Down stars Fred Astaire and Helen Hayes as a retired married couple. Always proud of his independence and resilience, Astaire suffers a sudden heart attack. Though he recovers, Hayes is unable to care for Astaire herself, so she and her husband are compelled to move in with son Efrem Zimbalist Jr. and daughter-in-law Pat Crowley. Astaire's heart problems persist, and the family must face the unpleasant alternative of placing him in a nursing home. Though A Family Upside Down threatens to become an uninterrupted wallow in misery, the film takes several unexpected twists and arrives at a reasonably upbeat conclusion. Coproduced by Ross Hunter, A Family Upside Down co-stars Patty Duke Astin as Astaire and Hayes' emotionally overwrought daughter. The made-for-TV film, which won Fred Astaire the last of his many Emmy awards, originally aired April 9, 1978. ~ Hal Erickson, All Movie Guide
- 1976
"An unprecedented cast brings to life the blockbuster book"--or so said the add copy for The Moneychangers, a four-part TV miniseries based on Arthur Hailey's novel, first telecast Dec 4-19, 1976. The drama's starting point is a power play between two bank officers, played by Kirk Douglas and Christopher Plummer. Social commentary is provided by an inner-city revolt against the bank's policies, while inside the bank's walls are played out brief scenarios of embezzlement, crooked deals, credit card counterfeiting and attempted murder. Ross Hunter coproduced the adaptation, imbuing each frame with the plush treatment that he'd previously lavished on his Doris Day and Rock Hudson vehicles. The Moneychangers originally ran 6 1/2 hours; it has been pared down to two-part movie length for subsequent syndicated telecasts. ~ Hal Erickson, All Movie Guide
- 1975
Looking like a million dollars in a series of fabulous outfits, Shirley Jones plays Jenny Dolan, an ex-investigative reporter. The widow of a wealthy businessman, Jenny suspects her husband met with foul play, and returns to reporting to prove her theory. She uncovers a political assassination plot, but never does solve her husband's murder...because this made-for-TV movie was the pilot for an unsold series, in which Jenny would have spent each week trying to get at the truth. She also would have gone from one exotic foreign locale to another, with an expensive change of wardrobe for each occasion. It should come as no surprise that Lives of Jenny Dolan was the first TV project of famed "glamour film" producer Ross Martin. ~ Hal Erickson, All Movie Guide
- 1973
James Hilton's beloved fantasy novel about the land of Shangri-La was given an awkward musical treatment in this extravagantly produced flop. Larry Kramer's screenplay stays close to the 1937 Frank Capra original, as a plane fleeing China crashes in the Himalayas and a mixed group of survivors discovers the magical, peaceful land of Shangri-La. Here the film becomes a full-fledged musical, with songs by Burt Bacharach and Hal David illustrating the distant realm's nature and the conflict that happiness causes amongst the survivors. Curiosity-seekers may be intrigued by the film's reputation as a notorious dud, but fans of the story would be better served by the classic original, despite a cast of well-respected names, including Peter Finch (in the Ronald Colman role), John Gielgud, Liv Ullmann, and Charles Boyer. ~ Judd Blaise, All Movie Guide
- Starring:
- Peter Finch, Liv Ullmann, (more)
Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide
- Starring:
- Burt Lancaster, Dean Martin, (more)
George Roy Hill directed this original musical set the 1920s that mixes pop standards with new tunes written by Sammy Cahn and James Van Heusen. Julie Andrews, in a role that recalls her Broadway triumph in The Boy Friend, stars as Millie Dillmount, who comes to New York is search of a secretarial job and an unattached boss. She moves into a hotel for women, run by kindly Mrs. Meers (Beatrice Lillie), and she befriends the pretty, petite orphan Dorothy Brown (Mary Tyler Moore). Millie finds work with the handsome bachelor Trevor Graydon (John Gavin), but Trevor has his eyes on Dorothy. So too does Mrs. Meers, who despite her kindly exterior is actually an unscrupulous white slaver. Paper clip salesman Jimmy Smith (James Fox), on the other hand, pledges his undying love to Millie. One day, after attending a weekend party being given at the opulent Long Island mansion of Muzzy Van Hossmere (Carol Channing), Dorothy disappears. When Jimmy and Millie smell opium in Dorothy's room, they realize the awful truth about Mrs. Meers. Trying to rescue Dorothy and find the location of Mrs. Meers' hideout, Jimmy disguises himself as an orphaned woman and tries to get himself kidnapped. The scheme backfires, however, and Mrs. Meers drugs and kidnaps both Jimmy and Trevor. It is left to Millie to find the white slavers, free her friends from bondage and save the day. ~ Paul Brenner, All Movie Guide
- Starring:
- Julie Andrews, James Fox, (more)
- 1966
Lana Turner takes the lead in the seventh film version of Alexandre Bisson's glossy soap opera. Holly Parker (Turner) is married to respected diplomat Clay Anderson (John Forsythe), but his busy schedule prevents them from seeing each other very often. Distracted and lonely, Holly allows her head to be turned by carefree playboy Phil Benton (Ricardo Montalban), who dies in a freak accident during an assignation. In a panic, Holly contacts her mother-in-law, Estelle Anderson (Constance Bennett) and asks what she should do. Estelle, a joyless woman who has never cared for her daughter-in-law, tells Holly that unless she wants to destroy her husband's life and career, she should flee the country and never return. Tearfully, Holly follows Estelle's advice, leaving behind her young son. Many years later, Holly has fallen on hard times; addicted to drugs, she scrapes out a meager living as a prostitute in a cheap hotel in Mexico. Devious criminal Dan Sullivan (Burgess Meredith) tries to involve Holly in a blackmail scheme; at the last minute, she finds out that Clay is the target, and she kills Sullivan. She cannot afford to hire a lawyer to defend her, so she is assigned a dedicated young public defender, whom she soon recognizes as her son, Clay Anderson, Jr. (Keir Dullea). Not wanting Clay, Jr. to know her true identity, Holly is tried as "Madame X," but she has trouble keeping her composure given the trial and her mixed joy and shame at seeing her son. Madame X was Constance Bennett's first film in 12 years and the last she would ever make; she died of a cerebral hemorrhage shortly after completing her work on the picture, nine months before it was released. ~ Mark Deming, All Movie Guide
- Starring:
- Lana Turner, John Forsythe, (more)
- 1966
A nebbish tries to become a ladies' man overnight, with disastrous results, in this comedy. Bob Handman (Brian Bedford) is a bright but painfully shy young man who is more than a bit nervous around the opposite sex. While attending a Mozart recital, he meets a beautiful woman named Doreen Marshall (Julie Sommars), and he displays his typical panache with the ladies by spilling his drink all over her. Bob somehow works up the courage to ask Doreen for a date, and she accepts; not sure what to do next, Bob calls on his buddy Ted (James Farentino), a self-assured playboy who tries to give Bob a crash course on how to handle women. However, the teacher outshines the student, and Doreen falls for Ted's easy charm while Bob gets drunk and bemoans the sad state of his love life. The Pad and How to Use It was based on a one-act play by Peter Shaffer, who later went on to greater success with Equus and Amadeus. ~ Mark Deming, All Movie Guide
- Starring:
- Brian Bedford, Julie Sommars, (more)
- 1965
Two bohemians come up with a get-rich-quick scheme that goes awray in this comedy scripted by Carl Reiner. Paul (Dick Van Dyke and Casey (James Garner) are two American expatriates living in Paris; Paul is an artist and Casey a writer. Both have been trying to make a career, but with little success; Paul's girlfriend Nikki (Angie Dickinson), who is still in America, believes in his work and pays his rent. But Paul has reached the end of his tether and wants to go back home; Casey is horrified at the prospect of losing a rent-free home, so he comes up with an idea to help Paul's career and make some money. Since works by dead artists tend to fetch higher price tags and command more interest than work by living painters, Paul will fake his death with Casey's help and they'll both clean up. The plan works at first, until Casey finds he's been accused of murdering Paul. Ethel Merman has a supporting role as a madam with a habit of bursting into song. ~ Mark Deming, All Movie Guide
- Starring:
- James Garner, Dick Van Dyke, (more)
- 1964
This film adaptation of Edith Bagnold's play stars Deborah Kerr as Miss Madrigal, the secretive new governess of British "problem child" Laurel (Hayley Mills). Both Madrigal and faithful butler Maitland (John Mills) are aware that Laurel's atrocious behavior stems from her belief that her oft-married mother (Elizabeth Sellars) does not love her. Madrigal determines to straighten out Laurel before she becomes totally unmanageable and hurts someone else. She knows what she's doing; Madrigal has just been released from a long prison term, having been charged with the murder of her stepsister. Dame Edith Evans steals every scene she's in as Laurel's wealthy grandmother, who is pulled away from tending her precious garden only when it appears that she has a murderess in her house (the old lady indicates that she's somewhat thrilled by the prospect). The Chalk Garden represented a "stretch" for Hayley Mills, who previously had been confined to sugary-sweet Disney heroines. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Kerr, Hayley Mills, (more)
- 1964
Maurice Chevalier plays Philip Dulaine, a supposedly dying millionaire, while Sandra Dee co-stars as Cynthia, the elderly man's granddaughter. To allow Dulaine to die happy, Cynthia promises to find a husband. Actually, Dulaine is only pretending to be at death's door to get Cynthia married off. Subsequent complications involve Cynthia's personal choice for a husband, Warren Palmer (Andy Williams), and Dulaine's selection, Paul Benton (Robert Goulet). Deanna Durbin fans will quickly detect that I'd Rather Be Rich is a remake of Durbin's It Started With Eve (1941), with a gender switch (in the original, Robert Cummings is the grandson, and Durbin is the instant fiancee) and with Maurice Chevalier filling the sizeable shoes of Charles Laughton as the foxy grandpa. ~ Hal Erickson, All Movie Guide
- Starring:
- Sandra Dee, Robert Goulet, (more)
- 1963
This time around, Tammy, played by Sandra Dee, becomes a nurse's aid to care for an old rich woman and causes a commotion. Since she is charming and warm, everyone likes her--especially Dr. Mark Cheswick (Peter Fonda)--who is warned by boss Dr. Bentley (MacDonald Carey) of the consequences of his pursuit. Fearing for his job, Doc Cheswick backs off, but everything gets complicated by romantic inclinations between head nurse Rachel Coleman (Margaret Lindsay) and head Doc Bentley. After Tammy saves the elderly woman's life and Bentley and Rachel get together, she and the Doctor soon are left to bask in the glow of new love. Third in the series of four, Tammy and the Doctor spun from the original Tammy and the Bachelor (1957)--starring Debbie Reynolds, and is followed by the last Tammy and the Millionaire (1967). ~ Kristie Hassen, All Movie Guide
- Starring:
- Sandra Dee, Peter Fonda, (more)
This amusing romantic comedy concerns Dr. Gerald Boyer (James Garner), a successful gynecologist with a wife and two children. Wife Beverly (Doris Day) focuses on maintaining the household and watching the kids. One of Gerald's patients, Mrs. Fraleigh (Arlene Francis), overhears Beverly talking up a new product she's discovered called 'Happy Soap' - whose manufacturer just happens to be Mrs. Fraleigh's father-in-law, Old Tom Fraleigh (Reginald Owen). She introduces Beverly to him; hugely impressed, the old man offers her $80,000 a year to pitch a new product called "Happy Soap." Beverly's career takes her away from her family responsibilities and causes a series of comedic commotions for Gerald and the kids. He comes home from work one morning and accidentally drives his convertible into a freshly dug swimming pool ordered by Beverly without his knowledge. The furious physician throws a bevy of boxes of Happy Soap into the pool, causing the house to be engulfed in suds by morning (which the kids mistake for snow). The family maid Olivia (Zasu Pitts) is nearly driven crazy with the events and has many harried scenes of comedic frustration. Directed by Norman Jewison, this thouroughly engaging comedy was written by Larry Gelbart and Carl Reiner. Reiner provides the screenplay for the feature which turned out to be the last film appearance of Zasu Pitts. With her passing marked the end of a long and successful career as a comedic and well respected actress that began in 1917. ~ Dan Pavlides, All Movie Guide
- Starring:
- Doris Day, James Garner, (more)
This lightweight, nearly zero-gravity comedy by director Henry Levin relies on a novel by a male writer and a script by another man to come up with a nearly offensive story (in these more enlightened times) about how a woman can lie, manipulate, and generally deceive her husband, all in the "art" of hanging on to him. Sandra Dee is Chantal, married to Eugene (Bobby Darin, Dee's real-life husband), but first comes the story of how she hooked him. Next, comes the story of how he is trained to be a perfect husband, and then the final installment is unveiled. She uses a variety of tricks to keep him wondering whether or not he can trust her. For example, Chantal's mother calls her and "if a man answers" she hangs up, leaving the unhappy husband to think his wife has a clandestine lover. The premise that a woman's only role in life is to get and hold a husband has thankfully undergone a few revisions since 1962. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Sandra Dee, Bobby Darin, (more)
- 1961
This third film version of the lachrymose Fannie Hurst novel Back Street stars Susan Hayward as Rae Smith the role previously essayed by Irene Dunne (in 1932) and Margaret Sullavan (in 1941). In both earlier films, Rae Smith sacrifices 28 years of her life to her married lover, who can never get a divorce and who compels Rae to squirrel herself away in a shabby back-street apartment. In contrast, Susan Hayward's Rae Smith is a fiercely independent fashion designer, whose fidelity to the very married John Gavin doesn't retard her livelihood in the least. Vera Miles makes a meal of her supporting role as Gavin's shrewish, alcoholic wife. Though cinematographer Stanley Cortez does his utmost, he can't completely hide the fact that Hayward is at least ten years older than her costars, making her seem more of a doting aunt than the "other woman" (the film might have been more effective had Hayward and Miles switched roles). Its plot inconsistencies and logic lapses notwithstanding, Back Street proved to be another hit for producer Ross Hunter. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, John Gavin, (more)
- 1961
In this emotional romance, the young backwoods girl Tammy lives in a houseboat on the river. She is very sad because she hasn't heard from her college-student boyfriend in ages. Determined to be near him, she cruises her boat down to his university and enrolls. To pay expenses she gets a job. Her new boss is pleased and ends up borrowing Tammy's boat for a short vacation. She then gives the girl an expensive necklace. Tammy soon finds herself pursued by a handsome professor. Later, the niece of Tammy's boss becomes worried at her wealthy aunt's mysterious disappearance and organizes a search party. When she sees Tammy wearing her aunt's necklace, she assumes the worst and has the girl arrested. Later the conniving niece has her aunt tried for mental incompetence. Fortunately, Tammy's pleas are heard by the compassionate judge, her boss is deemed sane, and peace is restored. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sandra Dee, John Gavin, (more)
The only Rodgers and Hammerstein cinemadaptation to be produced by Universal Pictures, Flower Drum Song was, alas, also the only Rogers and Hammerstein film to lose money at the box office. It looks far better now than it did back in 1961, if only because of the paucity of musical films in the 1990s. Essentially a comedy about the culture clash between old-world Chinese and assimilated Chinese-Americans, the film begins when Mei Li (Miyoshi Umeki) and her grandfather (Kam Tong) smuggle themselves into San Francisco. It seems that Mei Li has arrived to honor an arranged marriage between herself and Runyonesque nightclub owner Sammy Fong (the incomparable Jack Soo). This might prove delicate, since Sammy is in love with flashy cabaret entertainer Linda Low (Nancy Kwan). Meanwhile, Linda is romancing Wang Ta (James Shigeta), the son of a wealthy Chinatown merchant (Benson Fong). Soon, however, Mei Li and Wang Ta have fallen in love.......It's a complex plot, to be sure, but comedy and music manage to predominate. The songs include "I Enjoy Being a Girl" (a tour de force for the special effects department, and for Nancy Kwan), "A Hundred Million Miracles," "The Other Generation," "Love Look Away," "I Am Going to Like It Here," "Don't Marry Me," "You Are Beautiful," "Grant Avenue" and "Chop Suey." Flower Drum Song is attractively produced and consummately acted; while no classic along the lines of King and I or Sound of Music, it deserves a second look. ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Kwan, James Shigeta, (more)
- 1960
Wanting to be free of her crippled husband but not his enormous fortune, a glamorous wife talks her lover, who is also her spouse's personal physician, into injecting poison into the ailing industrialist. This crime melodrama chronicles the chain of events that leads to the murderous lovers' downfall. Though they successfully offed the husband, the two are not allowed to enjoy their new wealth and happiness for a letter sent to the wife reveals that someone knows about the crime. Believing that the anonymous author is her late-husbands investment advisor, the wife and her lover quickly dispatch him. When his body later turns up, another is blamed with the crime. Unfortunately, the villainous twosome, the accused is to marry the granddaughter of the deceased tycoon. Matters don't improve when the doctor/lover's conscience flares up and he decides to confess. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lana Turner, Anthony Quinn, (more)
- 1960
Kit (Doris Day), an American married to wealthy London businessman Tony Preston (Rex Harrison) becomes the terrified victim of a mysterious stalker, who she hears but can never see. She is threatened by the eerie, high-pitched voice as she walks in the thick London fog. She then begins receiving repeated threatening telephone calls. The now totally panicked Kit is nearly killed when someone pushes her in front of a bus. Unfortunately for Kit, no one but she hears the voice or the telephone calls and neither Tony, Kit's visiting aunt Bea (Myra Loy), or Scotland Yard take any of these incidents seriously. The only one who seems to believe Kit is Brian Younger (John Gavin), a construction foreman, but Kit is not convinced that she can trust him. The tension builds to a thrilling climax as Kit flees for her life on a scaffolding outside her apartment building. Midnight Lace is an exciting thriller, with many surprising plot twists and a nice sinister performance by Rex Harrison. Roddy McDowall is also fun as the son of Kit's housekeeper, who keeps hitting up his mom for money. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Doris Day, Rex Harrison, (more)
This glamorized remake of the 1934 film Imitation of Life bears only a passing resemblance to its source, the best-selling novel by Fannie Hurst. Originally, the heroine was a widowed mother who kept the wolf from the door by setting up a successful pancake business with her black housemaid. In the remake, Lana Turner stars as a would-be actress who is raising her daughter on her own. She chances to meet another single mother at the beach: African-American Juanita Moore. Moore goes to work as Turner's housekeeper, bringing her light-skinned daughter along. As Turner's stage career goes into high gear, Moore is saddled with the responsibility of raising both Turner's daughter and her own. Exposed to the advantages of the white world, Moore's grown-up daughter (Susan Kohner) passes for white, causing her mother a great deal of heartache. Meanwhile, Turner's grown daughter (Sandra Dee), neglected by her mother, seeks comfort in the arms of handsome photographer John Gavin. When Moore dies, her daughter realizes how selfish she's been; simultaneously, Turner awakens to the fact that she hasn't been much of a mother for her own daughter, whose romance has gone down the tubes. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, John Gavin, (more)
- 1959
Though billed fifth, Mary Astor is the one to watch in the Ross Hunter-produced soapera Stranger in My Arms. Astor portrays a neurotically possessive mother who'll stop at nothing to win a posthumous medal of honor for her son. But air force major Jeff Chandler knows that the dead boy was a coward who actually despised his mother. June Allyson, the boy's widow, suspects the truth, but would rather not hear it. Called to testify on behalf of the boy, Chandler is bribed by Ms. Astor to lie on the stand. The painful truth is eventually revealed, but there's some compensation for Ms. Allyson, who falls in love with Chandler. Stranger in My Arms was adapted from Robert Wilder's novel And Ride a Tiger. ~ Hal Erickson, All Movie Guide
- Starring:
- June Allyson, Jeff Chandler, (more)
The fabulously successful Pillow Talk was essentially Shop Around the Corner for the 1950s. Playboy composer Rock Hudson and interior-decorator Doris Day are obliged to share a telephone party line. Naturally, their calls overlap at the least opportune times, and just as naturally, this leads to Hudson and Day despising each other without ever having met in person. In a cute but convenient coincidence, Doris' boy friend is Tony Randall, who also happens to be Hudson's best pal. Thus Hudson gets a glimpse at Day, and it's love at first sight. To avoid revealing that he's her telephone rival, Hudson poses as a wealthy Texan and turns the charm on Day. But when he starts pitching woo, Day instantly recognizes all the "make-out" lines Hudson has used on the phone with his other conquests. She gets even by decorating Hudson's apartment in a hideous manner. But Hudson loves her all the same; he "kidnaps" her, carrying her through the streets in her nightgown in full view of everyone, including a laughing cop who refuses to intervene. He praises her horrifying interior decoration job effusively, and at this point Day can't help but give in to his marriage proposal. A bit too arch and cute for modern tastes at times, Pillow Talk is still one of the best of the frothy Doris Day-Rock Hudson vehicles; it made a fortune at the box office and garnered five Oscar nominations. ~ Hal Erickson, All Movie Guide
- Starring:
- Rock Hudson, Doris Day, (more)
- 1958
Small-minded small town 1950's mores threaten a youthful romance in this sudsy melodrama based on the play Teach Me How to Cry by Patricia Joudry and reminiscent of the previous year's Peyton Place (1957). Sandra Dee stars as Melinda Grant, an illegitimate girl facing the stigma of being a fatherless child in the rigidly judgmental atmosphere of her hometown. Melinda's problems are further compounded by the fact that her mother Elizabeth (Teresa Wright) is a neurotic woman slowly losing her mental grip. Then Melinda meets Will Henderson (John Saxon), the new boy in town, and the two fall in love. Will is from the wrong side of the tracks, however, and his down-on-his-luck father Ed (James Whitmore) doesn't do much to improve the family's reputation. Local tongues are soon wagging over the Melinda-Will romance, casting its future in doubt. ~ Karl Williams, All Movie Guide
- Starring:
- John Saxon, Sandra Dee, (more)
- 1958
This Happy Feeling is based on the F. Hugh Herbert play For Love or Money. Debbie Reynolds plays impulsive Janet Blake, who develops a crush on retired stage star Preston Mitchell (Curt Jurgens). Rejuvenated by Janet's ardor, Mitchell decides to return to the stage, where he must contend with predatory leading lady Nita Holloway (Alexis Smith) and pretentious method actor Tony Manza (Troy Donahue). Meanwhile, Janet begins evincing a preference for Mitchell's neighbor Bill Tremaine (John Saxon), who is closer to her own age. Some extra laughs are provided by the booze-laced pancakes served up by pixieish housekeeper Mrs. Early (Estelle Winwood). ~ Hal Erickson, All Movie Guide
- Starring:
- Debbie Reynolds, Curd Jürgens, (more)
