Peter Hunt Movies

This sci-fi offering from director Peter Hunt boasts an unsympathetic cast of three aliens who have escaped from their spacecraft docked on the moon. Robyn (Sydney Penny) is the female alien watching over young Tavy (Rosie Marcel) and the three-armed, three-eyed baby Kirbi who feeds on gasoline and hot coals. Dirt (Ricky Paull Goldin) is a friendly soul who adopts the three aliens, but he runs into trouble after the captain of the spaceship lands nearby and starts looking for the trio. More complications set in when a senator arrives at Dirt's father's ranch and a local cop starts to suspect the alien captain of murderous intentions toward the politician. ~ Eleanor Mannikka, All Movie Guide

This three-part, seven-hour TV adaptation of Edgar Bulwer-Lytton's 1834 best-seller The Last Days of Pompeii was arguably more faithful to its source than any of the earlier film versions -- and inarguably the most expensive version of all, boasting a 19,000,000-dollar budget and a truly spectacular cast. In recounting the events leading up to the cataclysmic eruption of Mount Vesuvius in 79 A.D., the film, like the novel, introduces a veritable coliseum full of colorful fictional characters: stalwart Athenian Glaucus (Nicholas Clay), religious-zealot Egyptian Arbaces (Franco Nero), and mighty gladiator Lydon (Duncan Regehr), all of whom vie for the affections of high-born Ione (Olivia Hussey) and lowly, sightless slave girl Nydia (Linda Purl). Also around and about are Ned Beatty as wealthy merchant Diomed, Lesley-Anne Down as belly-dancing courtesan Chloe, and a handful of theatrical stalwarts like Laurence Olivier and Anthony Quayle. Mercilessly drubbed by the critics, who chortled at such dialogue as "Turn the other cheek, Christian lover!" and "Christians. They're everywhere I go. They're spreading through the empire like a pox!," The Last Days of Pompeii nonetheless garnered healthy ratings when it aired over ABC from May 6 to 8, 1984, despite the formidable opposition of the NBC blockbuster miniseries V: The Final Battle. ~ Hal Erickson, All Movie Guide

The cartoon firm of Hanna-Barbera produced the live-action TV movie The Beasts are On the Streets. No, the beasts aren't Yogi Bear, Snagglepuss and Scooby-Doo, but instead a contingent of dangerous jungle animals. A tanker truck has smashed through the fence at a Texas game preserve, releasing the beasts upon a screaming and scrambling populace. Zoologist Carol Lynley tries to predict where the animals are most likely to strike-and strike they do, 'cause they're smarter than the av-er-age beasts. Filmed on location in Grand Prairie, Texas, The Beasts are On The Streets was first telecast May 18, 1978. ~ Hal Erickson, All Movie Guide

Peter R. Hunt directed this World War I action-adventure, based upon the novel by Wilbur Smith. Roger Moore and Lee Marvin team up as Sebastian, a witty and cosmopolitan Englishman, and Flynn O'Flynn, a boozy and ornery Irish American, who decide to blow up a German battleship that has been hidden away for repairs in Southeast Africa. Helping the two in their quest to sink the battleship is Sebastian's wife Rosa (Barbara Parkins), who has her own reasons for seeing the ship is destroyed -- the Germans took the life of her only child. ~ Paul Brenner, All Movie Guide

It wasn't as well received at the box office as the pictures that preceded it or followed it, but Peter Hunt's On Her Majesty's Secret Service was the finest of the James Bond movies and also arguably the last truly great movie in the series. James Bond, portrayed here by George Lazenby (in his only performance in the role) has spent nearly two years trying to track down Ernst Stavro Blofeld (Telly Savalas), the head of SPECTRE. He has been taken off the case by his chief (Bernard Lee), an action the pushes him to the point of considering resigning from Her Majesty's Secret Service, just as he opens a possible new avenue of attack on his quarry. Whilst in the field, Bond has chanced to cross paths with the Contessa Teresa Di Vicenzo (Diana Rigg), a beautiful but desperately unhappy woman, whom he rescues from one apparent suicide attempt and an embarrassing moment at a casino gaming table -- the Contessa, who prefers to be called Tracy ("Teresa was a saint"), is the daughter of Marc Ange Draco (Gabriele Ferzetti), an industrial and construction magnate and also a crime boss, who is impressed with Bond personally as well as professionally, and would like to see him marry his daughter. Bond is, at first, unwilling to involve himself with a woman -- any woman -- on that level, but Draco's underworld contacts give Bond a vital clue to Blofeld's whereabouts that get him back on the case and hot on the man's trail. Journeying incognito to Blofeld's mountaintop retreat in the Swiss Alps, Bond finds the criminal mastermind posing as a would-be nobleman and also as a philanthropist, running a clinic devoted to the treatment and eradication of allergies. It's all a front for a surprisingly sinister (and scientifically valid) plot for international blackmail that would make any previous Bond villain quake in fear. And in the process of staying alive long enough to have a chance of stopping Blofeld, Bond discovers the Tracy is truly like no woman he's ever known before -- one special enough that he finds himself willing to give up his life as a free-living, free-loving bachelor. ~ Bruce Eder, All Movie Guide

Michael Caine made his first appearance as novelist Len Deighton's bespectacled British-spy Harry Palmer in The Ipcress File. Palmer has no real love of espionage, but he doesn't really know any other life. With studied insolence, he takes on the case of locating missing doctor Radcliffe (Aubrey Richards), who has in his possession a valuable file that would prove injurious to the Free World should it fall in the wrong hands. The government also fears that Radcliffe will be brainwashed by the enemy, as has happened to two previous British scientists. While Palmer is off doing everyone else's dirty work, his superior, Nigel Green, is making a deal with duplicitous information "broker" Frank Gatliff to win Radcliffe's release. The price for this would seem to be Palmer, who is captured by the enemy and subjected to a grueling brainwashing session. Palmer escapes, whereupon he confronts a traitor in his midst in the climactic exchange of gunfire. Advertised as "The Thinking Man's Goldfinger, The Ipcress File offered a far more realistic view of the morally ambivalent world of espionage than did the like-vintage James Bond films. ~ Hal Erickson, All Movie Guide

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s. ~ Stephen Thomas Erlewine, All Movie Guide

It's Bob Hope as phony explorer Matt Merriwether, who promotes himself as an expert on the dark continent, basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa, Merriwether, based on his alleged expert knowledge of the region, is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit, is security agent Frederica Larsen (Edie Adams). Hot on their heels are Russian agents Luba (Anita Ekberg) and Dr. Ezra Mungo (Lionel Jeffries), who want to get to the space capsule first. ~ Paul Brenner, All Movie Guide

Damn the Defiant! is an 18th-century seafaring drama from director Lewis Gilbert. Alec Guinness plays the stern but compassionate captain of a British warship, engaged in the Napoleonic wars. Guinness is popular with his men, which is more than can be said for his new second-in-command Dirk Bogarde. When Guinness tries to modify Bogarde's sadistic adherence to discipline, Bogarde responds by mistreating Guinness' cabin-boy son, knowing that the captain cannot intervene under the edicts of British maritime law. During an incipient mutiny, Bogarde is accidently killed, and Guinness knows that the crewmen responsible must hang once they reach shore. But after these same men perform courageously in battle, Guinness suffers a crisis of conscience: How can he condemn these fearlessly patriotic men to death, as he knows he must? Based on the novel Mutiny by Frank Tilsley. ~ Hal Erickson, All Movie Guide

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, All Movie Guide

In this British comedy, an amiable demolitions expert finds himself entangled with a band of criminals masquerading as doctors. In this guise, the thieves attempt to build a tunnel between the hospital and the bank next door. The expert successfully blows open the vault, and the criminals escape with their loot, leaving the hapless safecracker to take the rap. Five years pass before he is released from prison. The man has learned his lesson and tries to reform by taking a job in a small resort. More trouble ensues when he sees the most prominent citizen in town cheating his neighbors by selling bogus shares in the future of the town. To stop him the ex-safecracker enlists the aid of his old gang who begin masquerading as American soldiers offering to build a missile base in the town. Naturally the avaricious businessman desires a piece of the pie and so buys back all of the land he had sold. Using his special talent, the hero blows up the villain's land. Fortunately, the real American army gets involved by offering to rebuild the destroyed town on the land, causing the townsfolk to cheer the former con-man on as the police haul him back to prison. ~ Sandra Brennan, All Movie Guide

This curious African Queen derivation stars Curt Jurgens as Mark Conrad, an Austrian exile and Orson Welles as blustery ferry-boat captain Cecil Hart. Banned from both Hong Kong and Macao, Conrad is forced to spend his life on Hart's ferry, shuttling endlessly between the two countries and irritating everyone with whom he comes in contact. Conrad redeems himself when he rescues Hart and the passengers during a raging storm. Poor Welles is reduced to Gale Gordon-like bombast throughout the proceedings, while leading lady Sylvia Sims has practically no purpose in the film whatsoever. Ferry to Hong Kong was released in America through 20th Century-Fox along with several other like-vintage Rank Organisation films. ~ Hal Erickson, All Movie Guide