H. Bruce Humberstone Movies
Buffalo-born H. Bruce Humberstone was a juvenile actor and script clerk during his first few years in Hollywood. Humberstone worked in a number of capacities (grip, prop man, production assistant) on several silent westerns of the '20s, during which time he earned the nickname Lucky for reasons that he'd keep changing from interview to interview later in life. After serving time as an assistant director, Humberstone was given his first solo directing assignment with 1932's Strangers of the Evening. Exhibiting no discernible style of his own, Humberstone was able to shift from comedy to drama to melodrama with ease. During his long stay at 20th Century-Fox, he directed several of the Charlie Chan films, where he hit upon the dubious technique of keeping star Warner Oland drunk so that Oland would deliver his lines in the slow, hesitant cadence necessary for the Chan role. Humberstone's best work of the '40s include several Fox Technicolor musicals, the shadow-laden mystery meller I Wake Up Screaming (1941), and Danny Kaye's Wonder Man (1945). In the '50s, Humberstone switched his attentions to TV work, finding a few spare moments to direct some of the Tarzan theatrical programmers of the era. H. Bruce Humberstone called it quits after 1962's Madison Avenue, which he produced as well as directed. ~ Hal Erickson, All Movie Guide- 1962
Dana Andrews is ad-man Clint Lorimer in this uneven drama, the last feature film by director Bruce Humberstone, released several years after it was completed. Clint is fired from his job working for a big ad agency, and he is determined to prove himself better than his former bosses. He has two romantic liaisons, one with Peggy Shannon (Jeanne Crain) and another with Anne Temaine (Eleanor Parker). Anne works as the advertising agent for a milk company run by a weirdo exec (Eddie Albert) who plays with toy airplanes in his office, but as time passes he becomes Machiavellian and ego-maniacal. Anne herself changes from a frump to a tough and glossy businesswoman, perhaps making Clint's choice of a future bride easier. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Dana Andrews, Howard St. John, (more)
- 1958
In this jungle adventure, Burrough's ape man takes on an expedition of wicked white hunters who have come to search for a fabulous lost city. The film is comprised of three failed television pilots and this makes it a real rarity for Tarzanophiles. ~ Sandra Brennan, All Movie Guide
- 1958
Tarzan's Fight for Life was the last "Tarzan" entry to be produced by Sol Lesser, whose association with the series dated back to 1933; thereafter, Sy Weintraub was in charge of the franchise. Gordon Scott makes his third appearance as the Lord of the Jungle, while Eve Brent costars as Jane (a character absent from the the two previous Tarzan flicks). This time, Tarz
comes to the aid of medical missionary Dr. Sturdy (Carl Benton Reid), whose efforts to minister to the natives are being undercut by witch doctor Futa (James Edwards). Relying on superstition and fear, Futa hopes to foment a native riot, despite the more temperate atttitudes of tribal chieftan Ramo (Woody Strode). The climax relies as much on suspense as action, with Gordon Scott doing a little more genuine acting than usual. ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon Scott, Eve Brent, (more)
- 1957
Tarzan and the Lost Safari is the first MGM-released Tarzan picture since 1942, and the first of the series to be lensed in color. Gordon Scott plays the Lord of the Jungle, herein guiding a group of high-society types through the jungle after their plane has crashed. Since there's no Jane in the film, old Tarz is permitted to extend every courtesy to heroines Gamage Dean (Yolande Donlan) and Diana Penrod (Betta St. John). The villain of the piece is white hunter Tusker Hawkins (Robert Beatty), who intends to turn over two of the safari members to tribal chief Ogonooro (Orlando Martins) in exchange for a fortune in ivory. Unlike earlier Tarzan epics, Tarzan and the Lost Safari was lensed in its entirety in Africa. ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon Scott, Robert Beatty, (more)
- 1955
Tony Curtis was by 1955 an accomplished enough actor to get through the costumed derring-do of The Purple Mask minus the awkwardness he'd displayed in his earlier swashbucklers. Curtis is cast as Rene, a foppish 18th century French nobleman who doubles as the Purple Mask, a Royalist supporter who kidnaps officers of the Republic and ransoms them back to Napoleon (Stefan Bekassy) for a hefty fee. Managing to elude Napoleon's minions through most of the picture, Rene gives himself up only when the love of his life, the beautiful Laurette (Colleen Miller), is placed in danger. Even when facing the guillotine, however, Rene has a few tricks up his lacey, perfumed sleeve. The Purple Mask was based on La Chevalier au Masque, a play by Paul Armont and Jean Manouissi. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Colleen Miller, (more)
Randolph Scott is tall in the saddle once more in the Scott-Brown production Ten Wanted Men. The star is cast as John Stewart, who attempts to establish law and order on his vast Arizona spread without resorting to violence. Less peacefully inclined is Stewart's chief rival Wick Campbell (Richard Boone), who believes that might is right. To this end, Campbell recruits the services of hired gun Frank Scavo (Leo Gordon) and eight other pluguglies to drive all competition out of the territory. Jocelyn Brando costars as the woman in Stewart's life, while Donna Martell plays Campbell's much-abused mistress. Also registering well is Skip Homeier as Stewart's resentful nephew, who'd rather be anywhere else but Arizona. Ten Wanted Men might have been better had Budd Boetticher handled the direction instead of the competent but pedestrian H. Bruce Humberstone. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Jocelyn Brando, (more)
- 1953
The Desert Song is the third film version of the famous Sigmund Romberg/Oscar Hammerstein Jr. stage operetta. Gordon MacRae plays the wimpish American tutor of lovely Kathryn Grayson, the daughter of a military officer stationed in Arabia. Under cover of night, MacRae assumes the identity of the Red Shadow, head of the Riffs, who fights against the oppression of a cruel local potentate (Raymond Massey). Circumstances force MacRae to kidnap Grayson and spirit her away to his desert headquarters, where she eventually sees the wisdom of his mission and falls in love with him. With Grayson's help, the Red Shadow thwarts Massey's plans to massacre all "foreigners" living in his domain. The story was old-fashioned even when Desert Song was first produced in the 1920s, but the songs, including One Alone, The Riff Song and the title tune, still retain their audience appeal. The only serious detriment to the 1953 Desert Song is the comedy relief of Dick Wesson as a wisecracking American reporter, a wearisome carryover from the stage original. ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Gordon MacRae, (more)
- 1952
She's Working Her Way Through College is a completely depoliticized remake of the liberal-minded comedy The Male Animal (1942). Virginia Mayo plays an exotic dancer, Angela Gardner, who decides to improve her mind; she enrolls in a college where Professor John Palmer (Ronald Reagan) teaches English. In between Angela's lively musical numbers, the film concentrates on an old rivalry between the bookish Palmer and onetime college football jock Shep Slade (Don DeFore, who'd played a bit in The Male Animal). When the college trustees oppose Angela's presence on campus, Palmer staunchly defends her right to an education. In the original Male Animal, the climactic scene involved a controversial public reading of a letter by anarchist Bartolomeo Vanzetti; in She's Working Her Way Through College, Palmer stands up at a public assembly to convince the populace that exotic dancers have the same rights as anyone else. Of course, Ronald Reagan could take a political stance if he wanted to...but not in this film. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Ronald Reagan, (more)
The Anglo-American musicomedy Happy Go Lovely is set in Edinburgh, Scotland, during a major film festival. The gathered throngs are aghast when unknown dancer Janet Jones (Vera-Ellen) steps daintily from a limousine owned by a Scottish millionaire. A few miles earlier, the girl had thumbed a ride from the limo driver, but the public doesn't know this, and soon rumors are flying. Before she knows what has happened, Jones has become the festival's main attraction. She is also romanced by B.G. Bruno (David Niven), whom she assumes to be a reporter but who, of course, is the millionaire in disguise. Ostensibly a musical, Happy Go Lovely is limited to two songs, though both are performed con brio by the fabulous Vera-Ellen. The film was produced independently by N. P. Rathvon and released by Rathvon's former studio, RKO Radio. It was shot in black and white but is now reportedly only available in a colorized print. ~ Hal Erickson, All Movie Guide
- Starring:
- David Niven, Vera-Ellen, (more)
- 1950
South Sea Sinner is a remake of 1940's Seven Sinners, with Shelley Winters in the Marlene Dietrich role and MacDonald Carey as the John Wayne counterpart. Winters plays cabaret singer Coral, who manages to spark a riot wherever she goes. Carey co-stars as Jake Davis, who has been wandering aimlessly throughout the South Seas ever since he was framed on a gun-smuggling charge. These two volatile personalities become embroiled in the crooked schemes concocted by all-around villain Cognac (Luther Adler). Featured in the cast are Frank Lovejoy as Jake's best friend, and Helena Carter as the "right" girl for Our Hero. But the film's main attraction for modern audiences is the one and only Liberace, making his film debut as Coral's sardonic accompanist. ~ Hal Erickson, All Movie Guide
- Starring:
- MacDonald Carey, Shelley Winters, (more)
- 1948
In this western the two sons of the commanding officer of an outpost attempt to clear their father's name after he is accused of conspiring with the Indians and is forced to resign. To prove his innocence, the men use terribly different methods. The older one, an adventurer, approaches suspects directly, while the younger, an army officer, choose a more subtle, methodical approach. Their different methods serve to temporarily alienate them from each other until at last the truth is discovered. The real traitor is a silver tycoon who framed their pa so he could buy up the Indian land and exploit it for it's valuable ore. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Adler, Griff Barnett, (more)
- 1947
In this drama, a Bostonian socialite marries the owner of a racehorse and begins a life of globe-trotting from international track to track until her hubby runs out of money. In desperation, he borrows money from an ex-girlfriend who decides that she will not let him leave her again. Meanwhile, the wife is beginning to wonder why she married him and begins contemplating divorce. Things change when her philandering spouse dumps the other, decides to rebuild his stables, and bets every last nickel on his one remaining horse's Kentucky Derby run. His horse barely loses to his wife's horse. Fortunately, the couple makes up and they live a long, happy life together. ~ Sandra Brennan, All Movie Guide
- Starring:
- Cornel Wilde, Maureen O'Hara, (more)
- 1946
20th Century-Fox pulled its script for Three Blind Mice out of mothballs once more for Three Little Girls in Blue. June Haver, Vera-Ellen and Vivian Blaine are the blue-clad trio, searching for wealthy husband in Atlantic City in 1905. As in all other versions of this Stephan Powys story, two of the girls latch onto handsome young men who aren't as rich as they appear to be, while the third young lady falls for a seemingly nerdish chap who turns out to be rolling in dough. The menfolk in this yarn are handsome George Montgomery, handsome Frank Latimore, and nonhandsome Charles Smith. Taking its cue from the 1941 edition of this story (Moon Over Miami), Three Little Girls in Blue is a musical, with singing from Vivian Blaine and June Haver and dancing from Vera-Ellen. The story was good for yet another go-round in 1953: How to Marry a Millionaire. ~ Hal Erickson, All Movie Guide
- Starring:
- June Haver, George Montgomery, (more)
- 1945
In this prison drama, a stern hanging judge is assigned to take over a chaotic prison. There he imposes an almost inhumanly strict regimen of discipline on the inmates. He is similarly rigid and harsh with his own two children. Later his compassionate daughter befriends a wrongfully convicted model prisoner who works as the warden's chauffeur. His son becomes a hardened criminal and ends up incarcerated in his father's prison. There he and several other inmates conspire to bust out. Later he sees inmates threatening his father and sacrifices his life to save him. The enraged judge then shoots the convict who killed his son. In the end, the experience changes the judge who becomes a more humane warden in favor of prison reform. ~ Sandra Brennan, All Movie Guide
- Starring:
- Thomas Mitchell, Mary Anderson, (more)
- 1945
Danny Kaye plays the first of his cinematic dual roles in Goldwyn's Wonder Man. Kaye appears as timid librarian Edwin Dingle and Edwin's extroverted twin brother, nightclub entertainer Buzzy Bellew. When Buzzy witnesses a gangland shooting, he himself is rubbed out by mob boss Ten-Grand Jackson (Steve Cochran, in his movie debut). Before long, Edwin is visited by Buzzy's ghost, who persuades his bookish brother to help bring Jackson to justice. For the rest of the film, poor Edwin is possessed by his brother's sportive spirit, causing no end of confusion for Edwin's demure lady friend Ellen Shanley (Virginia Mayo) and Buzzy's more outgoing girlfriend, dancer Midge Mallon (Vera-Ellen, also making her first film appearance). Done up in splashy Technicolor, Wonder Man is perhaps Kaye's best Goldwyn-produced vehicle, permitting him to play a character (or characters) rather than a caricature. Highlights include an opera spoof (a variation of which showed up in Kaye's 1954 feature Knock on Wood), Danny's allergic rendition of "Otchi Chornya," and a wonderful vignette wherein Kaye imitates all the "inhabitants" of a pet shop. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Virginia Mayo, (more)
Despite the film's title, Pin-Up Girl offers surprisingly few glimpses of the famed Betty Grable "gams." This lively Technicolor musical casts Gable as Lorrie Jones, secretary at a USO canteen frequented by handsome servicemen. Falling in love with war hero Tommy Dooley (John Harvey), Lorrie contrives to be near him wherever he goes by posing as a world-famous Broadway star. As a result, she is hired as a USO entertainer -- and becomes a star for real. Despite considerable competition from such veteran funsters as Joe E. Brown and Martha Raye, the film's comic honors are stolen by Dorothea Kent, cast as Lorrie's bespectacled, man-hungry best pal. Choreographed by Hermes Pan, the dance numbers in Pin-Up Girl are among Betty Grable's best, especially "I'll be Marching to a Love Song" -- portions of which later showed up in the patriotic two-reeler The All-Star Bond Rally. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, John Harvey, (more)
Though a lesser 20th Century-Fox musical, Hello, Frisco, Hello was one of the studio's most successful wartime efforts. John Payne plays Johnny Cornell, a sharp wheeler-dealer operating on the Barbary Coast at the turn of the century. With the help of his songstress girlfriend Trudy Evans (Alice Faye), Johnny gains a reputation as a first-class showman. Soon, however, success goes to Johnny's head, and he deserts Trudy in favor of Nob Hill socialite Bernice Croft (Lynn Bari). The disheartened Trudy heads to England, where she becomes the toast of London's theatrical set. Meanwhile, Johnny marries Bernice, who talks him into a series of money-losing "artistic" theatrical ventures. Learning of the reversal in Johnny's fortunes, Trudy secretly finances his comeback, leading to a happy ending for everyone except the pretentious Bernice. A loose reworking of 1936's King of Burlesque, Hello, Frisco Hello benefits from the comedy relief of Jack Oakie and from a string of enjoyable tunes, including the Oscar-winning "You'll Never Know." ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, John Payne, (more)
- 1942
When the US marines land in Iceland during WW2, camp lothario John Payne wastes no time scoping out the local female population. He makes a casual pass at skating champ Sonja Henie, only to discover that she has taken his attentions as a marriage proposal! Unable to weasel out of his situation thanks to the rigidity of Icelandic customs, Payne conspires with his buddy Jack Oakie to discourage Henie from making any further wedding plans. By the film's 70-minute mark, of course, our hero is madly in love with our heroine and wants to skate down the aisle with her. Curiously, given the fact that there is plenty of natural ice in Iceland, most of Sonja Henie's musical numbers take place in a lavish Reykjavik nightclub. The tuneful Harry Warren-Mack Gordon musical score includes the popular "There Will Never Be Another You". ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, John Payne, (more)
One of the first big-studio productions to acknowledge America's entry into WW2, 20th Century-Fox's To the Shores of Tripoli was filmed with full the cooperation of the US Marine Corps. John Payne plays Chris Winters, a wealthy, wise-lipped young Marine recruit who learns the true meaning of "Semper Fidelis" the hard way, courtesy of tough-as-nails drill sergeant Dixie Smith (Randolph Scott). Chris also falls in love with Navy nurse Mary Carter (Maureen O'Hara in her first Technicolor appearance), which leaves his poor hometown sweetheart Helene Hunt (Nancy Kelly) in the lurch. By film's end, Chris is one of the Few and the Proud as he and his buddies are shipped off to combat overseas. Portions of To the Shores of Tripoli were filmed in Hawaii just before the Pearl Harbor attack; according to studio publicity, some of the cameramen managed to capture portions of the Japanese raid on film, though none of these scenes seem to have made their way into the final release print. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Maureen O'Hara, (more)
- 1941
Cesar Romero plays an outwardly tough prohibition-era gangster who in reality wouldn't hurt a fly. He maintains his "killer" reputation by planting evidence of his involvement at the scenes of other crooks' crimes. Romero begins aspiring for respectability when he falls in love with Virginia Gilmore and adopts the orphaned Stanley Clements. Through his own non-homicidal means, Romero redeems himself by wiping out a genuinely nasty gangster boss (Sheldon Leonard). Tall, Dark and Handsome was remade in 1950 as Love That Brute, with Paul Douglas in the Cesar Romero role--and with Romero playing the villain! ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Virginia Gilmore, (more)
- 1941
Skating star Sonja Henie and the Glenn Miller Orchestra share the spotlight in Sun Valley Serenade. Henie plays a Norwegian refugee adopted by band pianist John Payne, who mistakenly thought that the full-grown Miss Henie was a 10-year-old little girl. Payne's girlfriend, Lynn Bari, is a soloist with the Miller band, and also a violently jealous sort. When Bari quits Miller out of pique, Henie stages an elaborate ice show as a substitute. This impromptu spectacular thrills the audience at the Sun Valley resort hotel where most of the action takes place. Joan Davis and Milton Berle provide comic relief to the music and romance (you haven't lived until you've seen Berle on skis), while The Nicholas Brothers and Dorothy Dandridge perform a lively chorus of "Chattanooga Choo Choo." ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, John Payne, (more)
Well-known New York sports promoter Frankie Christopher (Victor Mature) is the prime suspect in the murder of Vicky Lynn (Carole Landis), a successful model and would-be actress. Questioned relentlessly by the police, and particularly by hulking detective squad commander Ed Cornell (Laird Cregar), he maintains his innocence. Meanwhile, Vicky's sister Jill (Betty Grable) is also being questioned. Their answers, given in adjoining interrogation rooms, become the basis for brief, neatly constructed interlocking flashbacks at the opening of the movie that explain a ton of plot in very little time. Both are released after admitting nothing, and the police begin working on other suspects, including journalist Larry Evans (Allyn Joslyn), aging actor Robin Ray (Alan Mowbray), and hotel clerk William Harrison (Elisha Cook Jr.) Jill had little use for Frankie, the man who had been promoting her sister's career, but the two are drawn together in the course of trying to sort out their lives and the murder of her sister, and her realization that Frankie is capable of truly loving a woman, and not just exploiting her. Meanwhile, Cornell makes it his business to pressure and torment Frankie, illegally entering his apartment and promising him an arrest and a death sentence. Eventually, the noose seems to tighten around Frankie as the circumstantial evidence piles up, until Frankie, trying to clear himself, uncovers a clue leading back to the real killer -- who was known to Cornell all along. Confronting the detective in his apartment, Frankie discovers a veritable shrine to Vicky -- copies of her magazine covers and photos filling the walls of his apartment -- and learns that the man had his own dark reasons for wanting to kill him. His psychosis finally catching up with him, his career and reputation in ruins, Cornell reveals the truth to Frankie as he proceeds to take his own life. ~ Bruce Eder, All Movie Guide
- Starring:
- Betty Grable, Victor Mature, (more)
- 1940
Despite the title, the Cisco Kid (Cesar Romero) doesn't feel too lucky at the beginning of this film. It seems that someone else has been committing crimes while passing himself off as Cisco. The scheme was cooked up by a corrupt judge (Willard Robertson), who hopes to drive the settlers off the land and buy it up himself, all the while placing the blame for the reign of terror on the Kid's shoulders. But with the help of his paunchy pal Gordito (Chris-Pin Martin), our hero puts an end to the skullduggery. As a bonus, he finds time for romance in the arms of gorgeous widow Mrs. Lawrence (Evelyn Venable). Mary Beth Hughes has one of her better earlier roles as a brassy dance-hall doxie. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Mary Beth Hughes, (more)
- 1940
This mistaken-identity concoction takes place on a college campus--a familiar locale for Paramount B-pictures. Wayne Morris plays the dual role of scholarly Jimmy Jones and his athlete brother Bill. Jimmy is in line for a professorship, while Bill can hardly qualify for grade school. The fun begins when Bill ends up with an athletic scholarship intended for his brother, obliging both men to trade identities. Everyone is confused, none more so than cute co-ed Kay Merrill (Virginia Dale), who is actively courted by both brothers. The stereotypical supporting cast includes Alan Mowbray as a stuffy pedant, William Frawley as a dyspeptic coach, and Jerome Cowan as a point-shaving gambler. ~ Hal Erickson, All Movie Guide
- Starring:
- Wayne Morris, Virginia Dale, (more)
- 1939
A sequel of sorts to 1938's Meet the Girls, Pardon Our Nerve stars as Lynn Bari and June Gale (replacing June Lang) as intrepid chorus girls Terry Wilson and Judy Davis. Unable to find any showbiz work, our heroines take jobs with a dating service. Before getting fired as usual, Terry and Judy overhear a telephone conversation wherein society matron requests the services of a prizefighter for a novelty party. The girls talk a dimwitted waiter named Samson Smith (Guinn Williams) into posing as a pugilist, leading to a successful career in the boxing ring-at least until the authorities find out that they've been flummoxed by Terry and Judy. Chester Clute has a good comedy part as a hapless bill-collector who invests his life savings in Samson's ill-fated career. ~ Hal Erickson, All Movie Guide
