John Houseman Movies
Before entering the entertainment industry, actor, producer, scriptwriter, playwright and stage director John Houseman, born Jacques Haussmann, first worked for his father's grain business after graduating from college, then began writing magazine pieces and translating plays from German and French. Living in New York, he was writing, directing, and producing plays by his early 30s; soon he had a stellar reputation on Broadway. In 1937, he and Orson Welles founded the Mercury Theater, at which he produced and directed radio specials and stage presentations; at the same time he was a teacher at Vassar. He produced Welles's never-completed first film, Too Much Johnson (1938). Houseman then went on to play a crucial role in the packaging of Welles's first completed film, the masterpiece Citizen Kane (1941): he developed the original story with Herman Mankiewicz, motivated Mankiewicz to complete the script, and worked as a script editor and general advisor for the film. Shortly afterwards, he and Welles had a falling out and Houseman became a vice president of David O. Selznick Productions, a post he quit in late 1941 (after Pearl Harbor) to become chief of the overseas radio division of the OWI. After returning to Hollywood he produced many fine films and commuted to New York to produce and direct Broadway plays and TV specials; in all, the films he produced were nominated for 20 Oscars and won seven. Later he became the artistic director of the touring repertory group the Acting Company, with which he toured successfully in the early '70s. He debuted onscreen at the age of 62 in Seven Days in May (1964), and then in the '70s and '80s played character roles in a number of films. As an actor he was best known as Kingsfield, the stern Harvard law professor, in the film The Paper Chase (1973), his second screen appearance, for which he won a Best Supporting Actor Oscar; he reprised the role in the TV series of the same name. He authored two autobiographies, Run-Through (1972) and Front and Center (1979). ~ Rovi
A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, Rovi
- Starring:
- Bill Murray, Karen Allen, (more)
Michael J. Fox once more makes a courageous effort to shed his nice-guy image in Bright Lights, Big City. Fox plays an impressionable Kansan who comes to the Big Apple to take a job at a major magazine. It isn't long before he falls into the twin traps of drug and alcohol abuse. His only hope for redemption is in the hands of Vicky (Tracy Pollan), the cousin of his scuzzy drinking buddy Tad (Kiefer Sutherland). Jay McInerney's bestselling novel does not translate easily to the big screen, but Fox strives hard to please, as do all of his costars. The white stuff snorted by Fox wasn't really cocaine, but powdered milk. Watch for Frasier's David Hyde Pierce in a small role and Jason Robards in a significant unbilled cameo. ~ Hal Erickson, Rovi
- Starring:
- Michael J. Fox, Kiefer Sutherland, (more)
We know we're in a 1988 film when we're invited to laugh at O.J. Simpson in an opening slapstick sequence. We can also pinpoint the year of production when hard-nosed cop Frank Drebin (Leslie Nielsen), during a scuffle with the world's leading dictators, wipes the wine-colored birthmark off the head of Soviet president Mikhail Gorbachev. Those wacky ZAZ boys -- David Zucker, Jim Abrahams, and Jerry Zucker -- serve up a feature-length spin-off of their cult favorite TV show Police Squad!. Seeking vengeance when his partner (Simpson) is shot full of holes by drug dealers, dead-pan and dead-brained Lt. Frank Drebin searches for the Mister Big behind it all. Drebin suspects above-reproach shipping magnate Vincent Ludwig (Ricardo Montalban), but he can't prove a thing. Bumped from the force by the mayor (Nancy Marchand), Drebin, with the unexpected assistance of Ludwig's ex-girlfriend (Priscilla Presley), manages to nab the bad guy at a baseball game, where Reggie Jackson has been programmed to assassinate Queen Elizabeth. MGM mogul Irving Thalberg once reportedly told the Marx Brothers, "You can't build jokes on top of jokes." The producers of Naked Gun prove otherwise; indeed, one could develop writer's cramp just listing the gags in the film's first 20 minutes. Naked Gun: From the Files of Police Squad was followed by two lesser but still hilarious sequels, Naked Gun 2 1/2: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). ~ Hal Erickson, Rovi
- Starring:
- Leslie Nielsen, George Kennedy, (more)
Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, Rovi
- Starring:
- Gena Rowlands, Mia Farrow, (more)
Originally telecast in two parts on March 27 and 28 of 1988, Lincoln was adapted from the bestselling "factual fiction" by Gore Vidal. Sam Waterston stars as Abraham Lincoln, with Mary Tyler Moore frighteningly convincing as the tragic Mary Todd Lincoln. Predictably, Part One of Lincoln deals with the inauguration, the outbreak of War, and the president's tiltings with his cabinet, while Part Two includes the Emancipation Proclamation, the appointment of General Grant (James Gammon), and the assassination. The throughline of the script is the deteriorating mental condition of Mary Lincoln, not to mention her injurious impulsiveness: at one point, Honest Abe must cover up the fact that Mary has stolen a copy of his inaugural speech and sold it. Evidently, the name of Gore Vidal was not considered enough of a drawing card by the NBC publicists, who insisted upon advertising Lincoln as the second coming of Gone With the Wind, adding the teaser tagline "The Untold Story." ~ Hal Erickson, Rovi
- 1985
Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, Rovi
- Starring:
- Anthony Andrews, Colleen Dewhurst, (more)
- 1983
Choices of the Heart (aka In December the Roses Will Bloom Again) recounts the life and death of Irish lay missionary Jean Donovan. Together with three American nuns, the 27-year-old Donovan (here played by Melissa Gilbert) was murdered in El Salvador in 1980. Constructed in a complex flashback-flashforward style, the film shows how Donovan went from a selfish, materialistic girl to a champion of human rights. Martin Sheen plays the priest who is instrumental in Donovan's turnaround. The increasing demand for the US to withdraw its support of El Salvador's military-oriented government is a secondary but vital ingredient to the full dramatic impact of this made-for-TV movie. ~ Hal Erickson, Rovi
- Starring:
- Melissa Gilbert, Martin Sheen, (more)
- 1983
Film adapted version of Faulkner's short story telling the story of Emily's disasterous romance with a laborer after a lifetime of repression under her tyrannical father who kept all her suitors away. With a film guide. ~ Rovi
- 1983
In the final episode of the seven-part, eighteen-hour miniseries The Winds of War, Ambassador-at-large "Pug" Henry (Robert Mitchum) represents the US in a series of conferences with the intansigent Russian premier Josef Stalin (Anatoly Chauginian). Dallying briefly with his erstwhile British sweetheart Pamela Tudsbury (Victoria Tennant), Pug stays in Moscow long enough to witness the attempted Nazi invasion. Meanwhile, Pug's daughter-in-law Natalie (Ali McGraw) and her Uncle Aaron (John Houseman) are among the Jewish refugees being smuggled into Palestine. And back in the Western Hemisphere, Pug's sons Byron (Jan-Michael Vincent) and Warren (David Dukes) are swept up in the Japanese attack on Pearl Harbor. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
- Starring:
- Robert Mitchum, Ali MacGraw, (more)
- 1983
In the third episode of the seven-part, eighteen-hour miniseries The Winds of War, President Roosevelt has dispatched Naval Commander "Pug" Henry (Robert Mitchum) to Germany, there to try to reason with the power-mad Adolf Hitler (Gunter Meisner), whose army has just invaded Poland. Henry also confers with Hitler's ally Benito Mussolini (Enzo Castellari), who proves to be as stubborn as Hitler is obsessed. Also figuring in Henry's foredoomed negotiations is anti-semitic German banker Wolf Stoller (Barry Morse), the proverbial "smiler with the knife", at whose sumptuous dinner party Henry's wife Rhoda (Polly Bergen) almost forsakes her common sense. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
- 1983
Set in 1940, the fourth episode of the seven-part, eighteen-hour miniseries The Winds of War finds American troubleshooter Cmdr. "Pug" Henry (Robert Mitchum) heading to England on a secret mission for President Roosevelt. Here he is reunited with his secret love, Pamela Tudsbury (Victoria Tennant) and later has a tense showdown with Winston Churchill (Howard Lang) over policy matters. Barely escaping the Nazi bombs during the first London blitz (a spectacular sequence), Henry survives to fly in a retaliatory raid over Germany--while both the women in his life (the other being his long-suffering wife Rhoda [Polly Bergen]) wait and worry. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
- 1983
In the fifth episode of the seven-part, eighteen-hour miniseries The Winds of War, US Naval Commander "Pug" Henry (Robert Mitchum) continues acting as President Roosevelt's emissary of peace in war-torn Europe, even as Hitler (Gunter Meisner) secretly prepares to double-cross Stalin (Anatoly Chaguinian) by invading the Soviet Union. Meanwhile, Henry's neglected wife Rhoda (Polly Bergen) has a fling with handsome Palmer Kirby (Peter Graves). And in neutral Portugal, Pug's son Byron (Jan-Michael Vincent) proposes marriage to the much-older Natalie Jastrow (Ali McGraw), whose Jewish faith may well be an obstacle to the couple's safety in future episodes. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
- 1983
The sixth episode of the seven-part, eighteen-hour miniseries The Winds of War takes place in early 1941. Government attache "Pug" Henry (Robert Mitchum) commands a fleet of destroyers escorted a US convoy that is unoffically heading to England, there to aid in the war effort against Germany. En route, Hardy crosses the path of a Nazi U-boat, forcing him to choose between violating America's neutrality or fighting for his life. Meanwhile, Henry's pregnant daughter-in-law Natalie (Ali Graw) and her Uncle Aaron (John Houseman) encounter more anti-semitism as they try to book passage from Europe to the US. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
- Starring:
- Robert Mitchum, Ali MacGraw, (more)
This World War II epic drama, based on the book by Herman Wouk, follows the life and trials of a career naval officer (Robert Mitchum) sent to Germany during Hitler's rise to power, who witnesses the gradual escalation of the war. ~ Iotis Erlewine, Rovi
- 1983
In the second episode of the seven-part, eighteen-hour miniseries The Winds of War, several of the characters introduced in part one are swept up in the 1939 Nazi invasion of Poland. Among these are Byron Henry (Jan-Michael Vincent), Natalie Jastrow (Ali McGraw) and Leslie Slote (David Dukes), who in true Casablanca fashion must realize that the problems of three little people aren't worth a hill of beans in this crazy world--especially after witnessing the Nazi slaughter of a Polish refugee caravan. Back in the US, Byron's father, Naval Commander Victor "Pug" Henry (Robert Mitchum) is the recipient of personal, highly top-secret orders from President Roosevelt (Ralph Bellamy) himself--orders which may well determine the fate of the free world. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi
The cast of the Old Globe Theater's acclaimed early-'80s revival of Thornton Wilder's Pulitzer Prize-winning classic reunited to re-create their roles for this made-for-TV production, taped for PBS's anthology series American Playhouse. The Skin of Our Teeth follows the often funny and occasionally tragic circumstances of the Antrobus family, who have learned to persevere and even thrive through any number of natural and personal crises, including war, flood, disease, and even a plague of locusts. The distinguished cast of The Skin of Our Teeth includes Blair Brown, Rue McClanahan, Harold Gould, Sada Thompson, Larry Drake, and John Houseman. ~ Mark Deming, Rovi
- 1982
Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, Rovi
- Starring:
- Ken Marshall, Denholm Elliott, (more)
- 1982
- R
In this shocking chiller an environmentalist, lecturing at a New York City college begins looking for the brutal killer who has been murdering his students. His search leads him to a psycho technician who has been using long-distance telephone calls to do his dirty work. The story is also known as Bells. ~ Sandra Brennan, Rovi
- Starring:
- Richard Chamberlain, John Houseman, (more)
This 1981 John Irvin picture constitutes an adaptation of Peter Straub's colossal, bestselling novel. The central plot -- shared by both book and film -- revolves around the four elderly members of the Chowder Society (Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr. and John Houseman), who gather in each other's drawing rooms each winter to sip cognac and spin elaborate ghost stories. The four men also share a dark secret far more unsettling than fiction -- a secret which has literally come back to haunt them, as well as their own adult offspring. Each man is visited by a hideous specter bearing the likeness of a young woman (Alice Krige) they accidentally killed 50 years ago when spurning her mischievous sexual advances. ~ Cavett Binion, Rovi
- Starring:
- Fred Astaire, Melvyn Douglas, (more)
A Christmas Without Snow originally premiered December 9, 1980. The title refers to the film's setting: the snowless San Francisco. The story is told from the point of view of newly divorced Michael Learned, who comes to grips with disillusionment with a little help from her friends in the church choir. As the singers prepare for a performance of Handel's "Messiah" under the autocratic leadership of choirmaster John Houseman, we learn a little something about the personal lives of several choir members, including Ramon Bieri, Ruth Nelson and Valerie Curtin--and the lonely Houseman himself. Christmas without Snow was presented by CBS in conjunction with the network's Family Reading Program. ~ Hal Erickson, Rovi
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
© 2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. © 2013 Rovi Corporation.