John Hough Movies

Lew Grade is the executive producer of this British-German co-production, a romantic drama that gets underway in Las Vegas with several casino cameos (Robert Wagner, Roddy McDowall, Jill St. John, William Hootkins). Lymphoma leaves Vegas croupier Maggie (Maria Pitillo) only a few weeks to live, so she sets out to visit a weeping Madonna statue in Italy where she meets American pianist Mike (William McNamara) while hitchhiking to Trevino. Monsignore Calogero (Tom Conti) orders the church closed, and the statue is found to be a fake. As Mike and Maggie hope for a miracle, Mike departs to participate in a Naples piano competition. Watch for composer Lalo Schifrin conducting his own two piano concertos in the final scenes. ~ Bhob Stewart, Rovi

A Ghost in Monte Carlo is based on one of the millions of romance novels penned by Barbara Cartland. True to the Cartland canon, the story is set long ago (1875) and far away (The Riviera). Sarah Miles is top-billed as a pompadoured former madam, while Oliver Reed dispenses tons of Armor Star as a lascivious rajah. Christopher Plummer struts about bedecked with medals as a military hero, and Samantha Eggar is a mystery woman shrouded in black. But the story is carried by Lysette Anthony, the niece of Sarah Miles, who tries to break into upper-crust society--a goal impeded by a long-standing thirst for vengeance on the part of one of the older stars. A Ghost in Monte Carlo was produced in Europe by Sir Lew Grade, and first seen in the US over the TNT Cable Network. ~ Hal Erickson, Rovi

Shot in South Africa, this direct-to-video installment of the werewolf series continues that franchise's tradition of generating sequels light-years distant from the quality of Joe Dante's witty and frightening original. The fourth chapter even attempts to rewrite the original film's premise, which admittedly took grand liberties with the novel by Gary Brandner. The revamped tale involves successful author Marie (Romy Windsor), who visits the scenic woodland town of Drago to find respite from constant nightmare visions involving werewolves and a mysterious nun. Needless to say, her stay in the village does nothing to dispel the visions, which increase in frequency and seem to suggest strange portents of evil events to come...and a warning to get out of town before the next full moon. ~ Cavett Binion, Rovi

This eccentric, amusingly sick Canadian production involves a group of annoying yuppies who charter a plane for a camping getaway, only to find themselves making an emergency landing on an isolated, forest-covered island. They are taken in by the only inhabitants, the rabidly-religious "Ma & Pa" (Yvonne De Carlo and Rod Steiger), who seem trapped in a Norman Rockwellian time-warp and are invited to stay the night. This proves to be every bit as unpleasant as it seems -- especially after the hapless campers are introduced to the psychotic, middle-aged "children" (Michael J. Pollard and Janet Wright) -- who appear to be pushing 50. Before long, it's crazed crackers 1, campers 0 and counting, as the warped, scripture-spouting yokels take sharp objects in hand... until one of the campers (Sarah Torgov) reveals her own homicidal potential and goes completely berserk. Despite delightfully weird performances from a top-drawer cast, this campy romp is slightly spoiled by a poorly-scripted climax that suggests a sudden loss of creative inspiration. ~ Cavett Binion, Rovi

On the verge of closing their doors in the mid-1980s, Britain's Hammer studios produced this passable supernatural thriller, which received its debut on American cable television. Hammer regular Stephanie Beacham stars as a woman vacationing with her photographer husband (David Carradine) at a lush seaside hotel, where she is tormented nightly by the anguished cries of a man apparently re-enacting his own murder (Carradine again). Or is the tragic specter actually a ghostly echo from the future, foreshadowing ominous events yet to come? Interesting but ultimately predictable, the film benefits from good performances, and Carradine is quite effective in a double role. Also known as Dying Truth. ~ Cavett Binion, Rovi

One of the last gasps of the acclaimed Hammer Studios was a series of 13 minor horror and suspense films made for British television in cooperation with 20th Century-Fox. Known as Fox Mystery Theatre or Hammer House of Mystery and Suspense, the films failed to re-create the lush Gothic atmosphere of the studio's best films of the '50s and '60s. This one from director John Hough concerns a Satanic rock band called Black Carrion which disappeared without any explanation 20 years before. Now, a reporter tries to find out why, only to be confronted with some remarkably un-Satanic music and weak chills. Norman Bird co-stars with Season Hubley and Hardware's William Hootkins. ~ Robert Firsching, Rovi

This is the second sequel in the saga of an English aristocrat who was captured by the Sioux in 1825 and eventually became their leader. This version centers on Man Called Horse's warrior son Koda as he tries to keep avaricious European settlers and prospectors from overrunning their land and destroying their way of life. ~ Sandra Brennan, Rovi

This Disney Studios attempt at entering the horror genre is a British production based on the chilling novel by Florence Engel Randall. An American family, headed by composer Paul Curtis (David McCallum) and his wife Helen (Carroll Baker), is renting an old mansion in England. The mansion's owner is Mrs. Aylwood (Bette Davis), who lives in a small guest house on the property. The mansion is surrounded by dense, forbidding woods. The Curtis children, Jan (Lynn-Holly Johnson) and Ellie (Kyle Richards), explore the forest. Mrs. Aylwood is continually searching the woods for her daughter -- whom she lost there 30 years ago. Over time, the children come to be haunted by the spirit of the daughter, Karen (Katherine Levy). The film was originally released in 1980 with an ending that included a huge alien from another planet. The studio pulled back the film after test audiences laughed at the special effects, and re-released the movie in 1982 with a new ending that circumvented the alien. ~ Michael Betzold, Rovi

The Fury meets The Misadventures of Merlin Jones in this comic-book sequel to Disney's Escape to Witch Mountain. Reprising their roles as the psychic siblings from another world are Kim Richards as Tia and Ike Eisenmann as Tony. Their Uncle Bene (Denver Pyle) gives the kids a treat by letting them vacation on planet Earth, and they make the most of it by immediately getting into hot water. It seems that arch-fiend Dr. Victor Gannon (Christopher Lee) and his Bette Davis-like accomplice, Letha (Bette Davis), are in the process of testing a mind-control device. They want to see if they can mentally save their cohort Sickle (Anthony James) from plunging to his death from atop a building. Tony spots Sickle's plunge and telekinetically saves him. When Dr. Gannon sees Tony's powers, he kidnaps him, hoping to utilize his otherworldly powers for his own nefarious purposes. Enlisting the aid of a collection of low-life youngsters (Christian Juttner, Brad Savage, Poindexter, and Jeffrey Jacquet), Tia uses her powers of telepathy to contact her brother and tries to rescue him from Gannon's clutches. ~ Paul Brenner, Rovi

This fast-paced Disney endeavor stars Kim Richards and Ike Eisenmann as two adolescents with acute psychic powers. The kids are actually space aliens, but suffer from amnesia and are unaware of their origins. Pursued by greedy business-mogul Ray Milland, who wants to harness their special powers for his benefit, Kim and Ike are rescued by likeable camper Eddie Albert. He and the kids escape to the mountain of the title when Albert's RV suddenly acquires the power of flight. In 1978, the film spawned the sequel Return from Witch Mountain. ~ Hal Erickson, Rovi

Richard Matheson adapted the screenplay of The Legend of Hell House from his own novel. In the tradition of Shirley Jackson's Haunting of Hill House, four people with alleged extrasensory powers are called upon to spend a weekend in a supposedly haunted house, to either prove or disprove the presence of ghosts. Roddy McDowall has been in the house before, and refuses to treat the possibility of paranormal activity lightly; scientist Clive Revill believes that he can trace the happenings to rational explanations involving electric current; Pamela Franklin is convinced that, if spirits exists, she will be able to communicate with them; and Gayle Hunnicutt plays Revill's young wife, ripe for "possession." ~ Hal Erickson, Rovi

This entry in Hammer Films' long-running vampire series of the '60s and '70s is one of the most evocative and original. The story features voluptuous twin Playboy centerfolds Madeleine and Mary Collinson as sisters who, without parents, are sent to stay with their oppressive uncle (Peter Cushing, looking more emaciated than ever), who happens to live near the sinister Karnstein Castle, the locale of countless vampiric happenings in two prequels (The Vampire Lovers and Lust for a Vampire). One of the twins wanders over and meets the dashing Count Karstein (Damien Thomas), a vampire who later uses the girl's blood to awaken his long-lost ancestor from the dead. Of course, the uncle predictably gives chase once trouble starts, but there is a clever plot twist as the count switches the twins before one is about to be burned at the stake for her supposed satanic involvements. Twins of Evil unabashedly exploits the twins' assets to pump up the film's sex appeal; it also seems to cater to viewers with a vampire fetish. Still, neither is necessarily a bad thing in a vampire film; Twins of Evil does create an effectively sensuous mood while also managing to sustain a fair amount of tension throughout the picture. Although Universal Pictures, the U.S. distributor, extracted nearly all of the flesh and bloodletting from its release, the original British cut retains everything and is the usual copy found on video. Like its predecessors, the script for Twins of Evil is loosely based on LeFanu's classic vampire story Carmilla. ~ Jeremy Beday, Rovi