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Robert Hossein Movies

The son of orchestra conductor Andre Hossein, Paris-born Robert Hossein was trained at Rene Simon's acting school. Hossein labored away as actor/director with the legendary Theatre Grand Guignol in Montmartre, then spent several years on the "legitimate" stage. In films from 1955's Rififi, Hossein has been generally cast as jaded villains. Making his movie directorial debut with The Wicked Go to Hell (1955), Hossein went on to call the shots on such Film Noir fare as Nude in a White Car (1960) and I Killed Rasputin (1967). In the 1970s, Robert Hossein appeared regularly as Joffrey De Peyrac in the soft-core Angelique films. ~ Hal Erickson, Rovi
2009  
 
Inspired by director Vittorio De Sica's 1952 neorealist classic Umberto D., Francis Huster's sentimental drama stars Jean-Paul Belmondo as an aged retiree who is forced out onto the street with his dog after his relationship with a wealthy widow falls apart. A cinematic comeback for Belmondo, who previously retired from acting after suffering a major stroke, un homme et son chien tells the story of Charles, an older man who was invited by his lover to stay in the maid's room in her sprawling home. When the woman decides to marry again, however, Charles and his faithful four-legged companion are promptly shown the door. With no place to call home and no means of earning a living, Charles wanders the streets of Paris with his dog as their pair drift towards an uncertain fate. ~ Jason Buchanan, Rovi

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Starring:
Jean-Paul BelmondoHafsia Herzi, (more)
 
2007  
 
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A suicidal police detective travels from La Havre to Deauville at the behest of a mysterious femme fatale in the suspenseful sophomore feature from actress-turned-director Sophie Marceau. For Lt. Jacques Renard (Christopher Lambert), every night is a struggle. Rendered sleepless following the untimely death of his beloved wife, Lt. Renard finds his curiosity taking over after he is approached by an enigmatic beauty (Marceau) and implored to visit room 401 of the extravagant Hotel Riviera. Upon arriving at the hotel Lt. Renard discovers that Antoine Berangere (Robert Hossein), who has been the director of the establishment at the Riviera for nearly four decades, vanished forty-eight hours ago under suspicious circumstances. In his father's absence, Antoine's thirty-nine year old son Camille (Nicolas Briancon) has assumed control of the hotel. While Camille insists that the Hotel Riviera has no room 401, the suspicious actions of Antoine's wheelchair-bound second wife (Marie-Christine Barrault) leads Lt. Renard to suspect that foul play is afoot. Shortly after Lt. Renard discovers that Camille's famous mother Victoria (again Marceau) died precisely thirty-six years ago, a mangled body presumed to be that of Antoine Berangere turns up in the city morgue. While his loyal partner Pierre (Simon Abkarian) is convinced that this is an open and shut case, Lt. Renard himself discovers a series of well-concealed clues that lead him to believe that something far more sinister is afoot. ~ Jason Buchanan, Rovi

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Starring:
Christopher LambertSophie Marceau, (more)
 
2004  
 
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Henri Langlois was, in many respects, the ultimate film fan. In 1936, at the age of 22, Langlois became (along with Jean Mitry and Georges Franju) one of the founders of the Cinémathèque Française, a theater and museum devoted to preserving the history of the motion picture. Initially a tiny operation financed by private funds, the Cinémathèque, with time, grew into Europe's most important film archive, collecting and preserving prints of rare films from all over the world and protecting many rare gems of the French cinema from destruction during the Nazi occupation of World War II. Langlois' enthusiasm for sharing the treasures of his collection with others helped spawn a film-crazy generation who created the French New Wave of the '50s, and in time, the French government acknowledged the importance of the Cinémathèque's work by financing their endeavors. In 1968, the French minister of culture, André Malraux, responded to Langlois' difficult personality and sloppy bookkeeping by pulling the government's financing of his projects, which led to an international outcry leading to the shutdown of the Cannes Film Festival by activists and film buffs. The Cinémathèque's funding and Langlois' leadership were later restored, and in 1973, his work in film preservation was honored with a special Academy Award. Henri Langlois: The Phantom of the Cinémathèque is a documentary which chronicles the life, times, and passions of the legendary archivist and includes interviews with his friends, contemporaries, and colleagues -- including Claude Berri, Claude Chabrol, Jack Valenti, and Daniel Cohn-Bendit. ~ Mark Deming, Rovi

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Starring:
Henri AlékanJo Amorin, (more)
 
1999  
R  
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A visually stylish comedy with dramatic overtones from director Tonie Marshall, Vénus Beauté (Institut) looks at the lives of three women who work at a small but successful beauty salon. Angele Nathalie Baye is an attractive woman just edging into middle age who is looking for companionship without commitment, even when it comes knocking. Her co-worker Samantha (Mathilde Seigner) has more boyfriends than she knows what to do with, and Marie (Audrey Tautou), the youngest of the group, is still learning the ropes of both love and beauty treatment. Fans of classic French cinema will want to keep an eye peeled for guest appearances from Emmanuelle Riva, Micheline Presle and Edith Scob. ~ Mark Deming, Rovi

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Starring:
Nathalie BayeBulle Ogier, (more)
 
1997  
 
In the grand tradition of Britain's Hammer low-budget horror films of the '60s, this Gothic and gory chiller is the third screen version of Gaston Leroux's tale The Wax Museum. The prologue is set in turn-of-the-century Paris at New Years. Just as the bells ring out, a young sleeping couple are attacked by a hooded figure whose hand has been replaced by a fearsome steel claw. Their gruesome deaths are witnessed by their unseen little girl. The story moves ahead 12 years and moves to a Roman brothel where Lucas, a young patron, accepts a bet to spend an entire evening in a particular wax museum filled with gruesome reenactments of the world's most horrible crimes. Though he knows the figures are only wax, they literally horrify Lucas to the point of death. The official cause is listed as heart failure, a fact that attracts considerable attention from the press causing the curator, Boris, to devise a new set of grim tableaux. His latest creations are chillingly real, mostly because they are real but for the special chemical Boris injects into them. The curator's diabolical schemes unravel shortly after he hires Sonia, the little girl from the prologue, as his new costumer. The museum exhibits bring her childhood trauma flooding back to the surface. Fortunately, her lover, an ingenious reporter has teamed up with a determined police inspector who has been investigating her parents' murder for the past 12 years. The film is dedicated to Lucio Fulci, one of Italy's premiere masters of schlock horror who died during production in March, 1996. He was replaced by first-time director Sergio Stivaletti. ~ Sandra Brennan, Rovi

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1995  
R  
Not a strict adaptation of the oft-filmed Victor Hugo classic, director Claude Lelouch's ambitious epic instead focuses on the story of two men, a father and a son, whose life stories bear striking similarities to Hugo's character Jean Valjean. The father is Henri Fortin (Jean-Paul Belmondo), a chauffeur (in 1900) wrongly accused of his employer's murder. Like Valjean, he is subjected to a harsh and unfair prison sentence. While Henri vainly attempts to escape his unjust fate, his family suffers, with his wife forced to raise their young son alone. The film jumps ahead several decades to show the adult life of this son (also Belmondo), a former boxer turned furniture mover who agrees to help smuggle a Jewish lawyer (Michel Boujenah) out of France during the Nazi occupation. Along the way, the lawyer reads to the younger Fortin from Les Misérables, and Fortin begins to imagine himself in the role of Jean Valjean, on the run from the obsessive Inspector Javert. ~ Judd Blaise, Rovi

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Starring:
Jean-Paul BelmondoMichel Boujenah, (more)
 
1989  
 
In this straightforward drama, Marie (Emmanuelle Beart) is a prisoner at the time she sees a performance by a theatrical troupe. After the show, she goes up to speak to one of the players, and this leads (without her knowledge) to her being chosen to participate in a special program. It seems that the troupe is a special halfway house for "reformable" prisoners, and Marie is to be paroled to them. Streetwise and tough, the former prostitute and addict Marie at first resists this high-minded program, but eventually discovers that it works for her. ~ Clarke Fountain, Rovi

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Starring:
Emmanuelle BéartRobert Hossein, (more)
 
1987  
 
In this comedy, young Moses Levy is a Hassidic Jew who lives a quiet existence, avoiding entanglement with the modern world. However, his job requires that he travel between the diamond capital of Antwerp to Paris to deliver diamond powder to an auto assembly plant. Without his knowledge, a gang of cocaine smugglers stashed some of their similar-looking wares amid his own, so as to make it past customs. When they begin taking drastic actions in order to get their stash back, Moses is forced to call on his worldly brother Albert -- a man who has left the faith -- in order to stay alive. Along the way, he almost becomes romantically entangled with a Muslim girl and has encounters with an undercover cop in drag at a club featuring transvestite performers. ~ Clarke Fountain, Rovi

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Starring:
Richard AnconinaJean-Claude Brialy, (more)
 
1986  
PG  
It is possible to enjoy Claude Lelouch's Man and a Woman: 20 Years Later on its own merits, though we advise that to fully appreciate the film, it's best to catch Lelouch's 1966 blockbuster A Man and a Woman first. True to its word, the 1986 film brings us up to date with the protagonists of the earlier picture. One-time movie script girl Anouk Aimee is now a producer, suffering a slump due to a string of box-office bombs. Former race car driver Jean-Louis Trintigant now books races for younger drivers. His love affair with Aimee long in the past, Tritignant is startled to receive an out-of-the-blue phone call from his former amour. She wants his permission to film a musical version of their romance, but with more "suitable" younger leads. Alas, Aimee has been part of the Studio System too long, and can't help but include a pointless subplot involving an escaped lunatic. Aimee must give up her show-biz excesses, and Tritignant must forsake his much-younger mistress Marie-Sophie Pochat, in order to clear the decks for a happy ending. ~ Hal Erickson, Rovi

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Starring:
Anouk AiméeJean-Louis Trintignant, (more)
 
1985  
R  
In a complicated spy thriller that never quite shifts out of neutral, Alex (Robert Hossein) and Nora (Candice Patou) are ex-lovers and spies who work for the USSR. Several years after their affair ended, they are back together, called to work in Geneva by the Swiss bureau chief because an Egyptian who had been Nora's earlier recruit has been murdered. The bureau chief suspects one of the pair is the killer, but then several surprises are in store for Nora and Alex before the final, tragic ending closes the case. ~ Eleanor Mannikka, Rovi

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Starring:
Robert HosseinCandice Patou, (more)
 
1983  
 
Although written and directed by the well-known Roger Vadim (And God Created Woman), this movie about life and love among a group of high schoolers on vacation in the countryside has nothing to distinguish it beyond the typical couplings and uncouplings found in other movies in the same genre. ~ Eleanor Mannikka, Rovi

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Starring:
Caroline CellierMichel Duchaussoy, (more)
 
1982  
 
This screen version of Victor Hugo's classic novel stars Italian actor Lino Ventura as Jean Valjean, a French peasant who -- driven to desperation by poverty -- steals a loaf of bread only to be caught by the police. After serving a long prison term for this petty theft, Valjean is tempted to return to a life of crime upon his release, but an act of mercy by a kindly Bishop gives him a fresh start. Valjean gains a new determination to build a better life for himself, and in time he becomes a respected citizen, a successful businessman, and the mayor of a small town. However, Javert (Michel Bouquet), who was once a guard at the prison where Valjean was held, is now a police captain and knows the truth about the criminal history Valjean prefers not to discuss. Javert is convinced that Valjean is not as honest as he seems, and he obsessively pursues him, determined to one day put him back behind bars. This was the 16th screen adaptation of Les Miserables, and the 11th to be produced since the introduction of sound. ~ Mark Deming, Rovi

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Starring:
Lino VenturaMichel Bouquet, (more)
 
1981  
 
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Joss Beaumont (Jean-Paul Belmondo) is a French spy given the assignment of killing an African dictator, and when he arrives in Africa to do so, he is captured and put in prison. The political winds had changed - the dictator is now an ally - and the best way to handle the agent is to keep him in jail. Naturally at odds now with his former bosses and with an ax to grind for his own incarceration, the agent escapes after two years in prison and heads back to Paris where he announces that he is going to finish his assassination job during the coming diplomatic visit of the African leader. Once aware of his intent, the French government sets up one trap after another, but to no avail - the agent remains free and there is no doubt that he has the full capacity to do exactly what he says. ~ Eleanor Mannikka, Rovi

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Starring:
Jean-Paul BelmondoMichel Beaune, (more)
 
1981  
 
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Claude Lelouch's Bolero covers a time span of half a century, concentrating on several generations of music lovers, all hailing from different nations and cultural backgrounds. Each of the principal actors plays multiple characters. Among the cast-members is James Caan, Robert Hossein and Geraldine Chaplin. The film's original title was Les Uns et les autres. ~ Hal Erickson, Rovi

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Starring:
Robert HosseinNicole Garcia, (more)
 
1981  
 
A Jewish Mafia-like family is running a prostitution ring, selling "protection," and operating gambling casinos -- more or less with impunity, and at peace with their Arab counterparts -- until a young gangster (Bernard Giraudeau) decides to pit the two ethnic factions against each other. Jewish cultural and religious events are celebrated by the Jewish gangsters, who promote family traditions -- in contrast to the police inspector who has no family and is out to do them all in. Focusing on the Jewish mob boss, the story has him undergoing some personal rehabilitation in the end. Actually, comparing the merits of ethnically and religiously different mobs of gangsters might be a little like comparing the respective beauty of a pair of week-old corpses. ~ Eleanor Mannikka, Rovi

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Starring:
Roger HaninJean-Louis Trintignant, (more)
 
1975  
 
In this French spy thriller, a policeman with wide-ranging powers to protect an African dictator who is visiting France -- to negotiate a uranium-mining treaty -- reveals an unexpected degree of skillfulness in doing his job when he is challenged by the actions of spies from other countries and the obstinacy of the dictator himself. ~ Clarke Fountain, Rovi

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Starring:
Bernard BlierRobert Hossein, (more)
 
1974  
 
When he gets out of prison, Sam (Georges Gerret) seeks to track down his little girl, now a grown woman (Juliet Berto). After a series of violent encounters, he discovers that she has been sold into prostitution -- and likes it. She marries one of her procurers, and that would seem to be that. However, when she is killed, the father has the opportunity to exact his revenge on at least some of the people responsible for the deplorable condition he found his daughter in. ~ Clarke Fountain, Rovi

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Starring:
Georges GéretBruno Cremer, (more)
 
1973  
 
This French melodrama tells the tragic story of a young priest (Robert Hossein) who falls in love with a young woman, has relations with her, and gets her pregnant. His cardinal wants to ship him off to Rome, but he sticks around and has a hard time of it when she dies and he is not allowed to keep their baby. ~ Clarke Fountain, Rovi

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Starring:
Robert HosseinClaude Jade, (more)
 
1973  
 
This campy Roger Vadim film stars sex-kitten Brigitte Bardot as Jeanne, the female counterpart to Don Juan, a woman who is ruthlessly wicked in her pursuit of love and desire. Jeanne confesses murder to a young priest (Mathieu Carriere) who is also her cousin, and after she tells him the story of how she has ruined the lives of a long succession of men, she shamelessly seduces the priest as well. Her story told in flashback, Jeanne gets off to a rocky start as an heiress: her father died while cussing her out for her low-down ways. She gets even with each of the men who does her wrong, usually in devastating ways, but in the end, she sacrifices all for love. ~ Clarke Fountain, Rovi

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Starring:
Brigitte BardotMaurice Ronet, (more)
 
1973  
 
This French suspense drama concerns the efforts of a small-time criminal (Robert Hossein) to spring his older brother from jail. The younger man and his friends kidnap a non-descript detective to serve as a hostage they can exchange for the brother. ~ Clarke Fountain, Rovi

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Starring:
Marc PorelRobert Hossein, (more)
 
1972  
 
Despite his best efforts, Julian (Bruo Bradei) cannot resist goading his younger brother Fabrice (Didier Haudepin) into doing something dumb. They are returning together to their mother's country home for a holiday break. Julian fought in Indochina when it was still French, and the war still haunts him. His brother isn't out of school yet and has yet to bed his first woman. These two make poor company for their mother, who is about to lose her heart over yet another man. ~ Clarke Fountain, Rovi

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1972  
 
A British soldier and his German counterpart are equally affected by the heat of a North African desert during a battle. ~ Rovi

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1972  
 
In this French suspense drama, Paul (Jean-Claude Brialy) is a decent man in an ugly situation. His wife (Stephane Audran), who was crippled in their second year of marriage, has become a bitter and unpleasant virago. Though he keeps company with a lovely mistress (Catherine Spaak), the wife is still a considerable burden. When she dies in an automobile accident, he is relieved. That relief is short-lived, however, because his sister-in-law (Stephane Audran, again) comes to live with him immediately. For reasons of her own, she re-creates his wife's shrewish persona and even uses her wheelchair. At the same time, someone tries to blackmail him by suggesting that he killed his wife. Naturally, when the blackmailer (Robert Hossein) is found dead, he is the chief suspect. ~ Clarke Fountain, Rovi

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Starring:
Michel SerraultCatherine Spaak, (more)