Tobe Hooper Movies
American director Tobe Hooper began his film career like many people in the field, working on industrial films and TV advertisements. Using student help, Hooper began making fictional films while an instructor at the University of Texas. He exploded onto the public scene in 1974 with The Texas Chainsaw Massacre, a creepy variation on the unhappy career of cannibalistic killer Ed Gein. Despite its lurid title, the film scored more on the threat of violence than its actual violent content, which was minimal. While critics either condemned the picture or simply refused to review it, the movie became a cult favorite, and within five years of its release it was being written about and analyzed by intellectual film periodicals. But, so far as Hollywood was concerned, Hooper remained on the outside looking in, though his cheaply produced Eaten Alive (1976) and The Funhouse (1981) also had loyal followings. Television was more responsive to him, and he was eventually entrusted with a 1979 TV movie version of Stephen King's Salem's Lot. In 1982, the director was given his first mainstream assignment, the Steven Spielberg-produced Poltergeist (1982). Although a bit too reliant upon special effects for Hooper's taste, it proved his ability to set and sustain an eerie mood and highlighted his cheerful disregard for logic and consistency. Hooper's later output included a 1985 remake of the matinee perennial Invaders From Mars, a mishmash 1986 sequel to Texas Chain Saw Massacre, and the ponderously paced thriller Spontaneous Combustion (1989). To some, Hooper continued to be a "promising" talent during the '90s -- it's just that he promised more than he delivered. ~ Hal Erickson, Rovi
With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, Rovi
- Starring:
- Craig T. Nelson, JoBeth Williams, (more)
This low-budget horror film about teenagers trapped in a carnival funhouse with a freakish monster is pretty standard stuff. Director Tobe Hooper manages a few shocks and includes some typically peculiar supporting characters, but this film is less entertaining than either of his previous excursions into such territory. Not as scary as The Texas Chainsaw Massacre (1974) nor as bizarre as Eaten Alive (1976), The Funhouse may as well have been directed by an anonymous hack as one of the foremost names in the genre. The movie tie-in novel, penned by Dean R. Koontz under the pseudonym "Owen West," is actually far more frightening than the film on which it was based. ~ Robert Firsching, Rovi
- Starring:
- Elizabeth Berridge, Cooper Huckabee, (more)
Novelist David Soul returns to his hometown of Salem, finding that things have changed a bit. More than a bit, in fact: the previously warm and friendly community is downright sinister. Soul suspects that the bizarre behavior of his onetime friends and neighbors is the handiwork of oddball antique dealer James Mason. We won't reveal here the secret of Salem; suffice to say that the action goes directly to the jugular, and that makeup artists Jack Young and Ben Lane won an Emmy nomination. Based on the best-selling novel by Stephen King, Salem's Lot was originally telecast in two parts on November 17 and 24, 1979; it was subsequently pared down to a single three-hour installment, which in turn was whittled down to about two hours for cable-TV play. ~ Hal Erickson, Rovi
- Starring:
- David Soul, James Mason, (more)
Director Tobe Hooper's follow-up to The Texas Chainsaw Massacre presents yet another Southern-fried psycho (this time in Louisiana) in the form of a scripture-mumbling, one-legged cracker named Judd (Neville Brand). The proprietor of a seedy bayou inn, Judd keeps a pet gator in the nearby swamp, to which he frequently tosses the remains of his unfortunate victims -- including anyone who offends his delicate sensibilities. One such casualty is Harvey Wood (Mel Ferrer), arriving at Judd's hotel in search of his missing daughter... who, unbeknownst to her old man, has already met her own doom courtesy of the scythe-wielding madman. Other patrons include one of the most annoying families on record -- with Chainsaw veteran Marilyn Burns as the strangely-bewigged mom, William Finley as the browbeaten husband and future Halloween tyke Kyle Richards as the endlessly-shrieking daughter (whose adorable puppy becomes a light gator-snack). Nightmare on Elm Street fans can spot a young, pre-Freddy Robert Englund in a small role as a lecherous cracker. Originally titled Death Trap and known by many aliases, including Starlight Slaughter, Horror Hotel Massacre and Legend of the Bayou. ~ Cavett Binion, Rovi
- Starring:
- Neville Brand, Mel Ferrer, (more)
Tobe Hooper's influential cult classic continues the subgenre of horror films based on the life and "career" of Wisconsin serial killer Ed Gein, which began with Alfred Hitchcock's own influential cult classic Psycho. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and several other friends together to see if grandpa's remains are still in one piece. While in the area, Sally and her friends decide to visit grandfather's old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included amongst the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human horror show who wears a face mask made out of human skin. Sally's friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan. ~ Paul Brenner, Rovi
- Starring:
- Marilyn Burns, Allen Danziger, (more)
- 1971
- PG
A nice young man leaves his conservative hometown of Houston to become one of Hollywood's biggest stars. All of Houston is proud of the youth's great success and so invite him home to crown the homecoming queen. Unfortunately, he roars into town astride an enormous motorcycle. With his grungy clothing and suspicious long-hair he becomes an embarassment to the upstanding citizens who are outraged at how he allowed the glitter of Tinseltown to corrupt him. They are so angry that they boot the obnoxious actor right out of town. ~ Sandra Brennan, Rovi
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