Monckton Hoffe Movies

This comedy is a remake of 1941's The Lady Eve, and tells the story of the vegetarian son of a prominent meat packer who is sailing back from an African safari when he meets and falls in love with a con-artist's lovely daughter. Posing as a military officer, the card-sharp and his boys have come to fleece a few wealthy passengers at poker. The daughter finds the milque-toast son irresistible and much to her father's dismay, they fall in love. Unfortunately their happiness is nearly destroyed when someone tells him the truth about her father. Fortunately, that is not the end of their affair. ~ Sandra Brennan, All Movie Guide

British film-favorite Anna Neagle, having previously played such great historical personages as Queen Victoria and Edith Cavell, tackles the role of Florence Nightingale in Lady with the Lamp. Based on a play by Reginald Berkeley, the film traces the indefatigable Nightingale's efforts to minister to the thousands of casualties of the Crimean War. Opposed in the uppermost circles of British government because she is "merely" a woman, Nightingale is championed by the Hon. Sidney Herbert (Michael Wilding), minister of war. Herbert pulls strings to allow Nightingale and her nursing staff access to battlefield hospitals, and in so doing changes the course of medical history. Lady with the Lamp was, as usual, produced and directed by Anna Neagle's husband Herbert Wilcox. ~ Hal Erickson, All Movie Guide

After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide

(Preston Sturges) wrote and directed this classic romantic comedy starring Henry Fonda and Barbara Stanwyck, who are involved in a scintillating battle of the sexes, as Sturges points up the terrors of sexual passion and the unattainability of the romantic ideal. Henry Fonda plays Charles Pike, the heir to the Pike Ale fortune ("The Ale That Won for Yale"). An ophiologist (a snake expert), he just spent a year "up the Amazon" looking for rare snakes with his cynical and protective guardian/valet Muggsy (William Demarest). He arrives to board the S.S. Southern Queen bound for New York, and immediately becomes the main order of business for a collection of single women looking to nab the eligible bachelor. Amongst those watching Charles board are a trio of con men and cardsharps -- Colonel Handsome Harry Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and the Colonel's daughter Jean (Barbara Stanwyck). All three see Charles as a pushover and at dinner, while all the women are ogling Charles, Jean wins the day by sticking out her foot and tripping him. Complaining to Charles that he should watch where he is going, she gets him to escort her to her cabin so that she can replace her broken heel. Charles is sexually attracted to Jean, but when Charles is about to make a pass at her, she pulls back, telling him, "You ought to be put in a cage." Back in the dining room, Charles is introduced to the Colonel and the three play cards, Charles winning $500 from the Colonel and $100 from Jean. But Charles is merely being set-up for the next game when the Colonel will come in for the kill. Back at Jean's cabin, Charles and Jean sit close and something happens she hadn't planned -- she becomes attracted to Charles too. The next morning, Muggsy warns Charles that the Colonel and Jean are cardsharks, but Charles won't hear of it. Meanwhile, the Colonel is looking forward to fleecing Charles, but Jean doesn't want any part of it. Jean participates in the card game between Charles and the Colonel, making sure than the Colonel doesn't cheat. But while Jean waits on deck for Charles after the game, the Colonel plays Charles a game of double-or-nothing, with Charles losing $32,000. Jean, angry with her father, makes the Colonel tears up Charles' check. The next morning, Muggsy proves to Charles the three are con artists. Devastated, Charles shows Jean the photograph, claiming he knew she was a criminal the morning after he met her. Jean is determined to get even with Charles ("I hate that mug!"). Docking in New York, the Colonel reveals he merely palmed the $32,000 check. But that's not enough revenge for Jean. Impersonating an aristocratic English woman, Lady Eve Sidwich, Jean has herself introduced to Charles. Planning to make Charles to fall in love with her again, she intends to break his heart like he broke her own. As she explains, "I've got some unfinished business with him -- I need him like the axe needs the turkey." ~ Paul Brenner, All Movie Guide

One of several Anna Neagle-Tulio Carminatti vehicles of the 1930's, London Melody was one of five films directed in 1937 by Neagle's future husband Herbert Wilcox. This time around, Carminatti is cast as Marius Andreani, a cultured Italian diplomat. While in London on business, Marius makes the chance acquaintance of boisterous cockney street entertainer Jacqueline (Neagle). It's love at first sight, but hero and heroine must undergo a dizzying series of roadblocks and misunderstandings before the climactic clinch. Meanwhile, Jacqueline rises to the top of show-business success, never dreaming (until the end, at least) that it's all the secret handiwork of faithful Marius. ~ Hal Erickson, All Movie Guide

Baroness Orczy, author of The Scarlet Pimpernel, came up with the story upon which The Emperor's Candlesticks was based. As in Pimpernel, the theme is international intrigue, but this time the setting is pre-World War One Europe and Russia rather than Revolutionary France. William Powell and Luise Rainer are spies working for opposing empires (Russian and Austrian) who travel undetected amidst the Nobility while plotting their plots. As they waltz about various ballrooms dressed to the nines, they fall in love--resulting in wavering loyalties for both. Emperor's Candlesticks is stronger on decor than on plot, with the talented Luise Rainer once more ill-used by Hollywood. ~ Hal Erickson, All Movie Guide

In this drama, a famed clown gets jealous and murders his wife and her lover, a soldier. It is notable for its early use of color sequences at the beginning and end of the film. ~ Sandra Brennan, All Movie Guide

In this musical, set in the mythical country of Ruritania, a princess finds herself exiled by revolutionaries before she can ascend her rightful throne. She returns and takes over as soon as the revolution fails; soon she and the former leader fall in love, marry, and form a democratic monarchy. ~ Sandra Brennan, All Movie Guide

MGM was seldom content to just film a mystery; the story had to be dressed up in some elaborate, unorthodox fashion. Mystery of Mr. X is given an additional visual boost by setting the story in 19th century London, allowing for a full array of the costumes and plush backgrounds of the era and locale. Robert Montgomery is an elegant jewel thief who happens to be working the same territory where a mysterious murderer has struck. Montgomery deduces that the killer, whose victims are all constables, is operating in a pattern resembling the letter "X". To avoid being mistakenly arrested as the murderer, Montgomery endeavors to second-guess where the killer will strike next--and then lies in wait to trap Mister X himself. Adapted from a novel by Philip MacDonald, Mystery of Mr. X was remade in 1952 as The Hour of Thirteen. ~ Hal Erickson, All Movie Guide

In this drama, a gambler takes a bet and marries a strong-willed showgirl. Sometime after the wedding, the two fall in love, but then she decides to divorce him and go back to dancing. The broken hearted fellow decides to kill himself, but he wants to make it look like an accident so that she will be able to collect the insurance. Fortunately, she goes back to him before it is too late. Happiness ensues. ~ Sandra Brennan, All Movie Guide

In this teary drama, a married couple remember their lives together. Heart-wrenching flashbacks ensue. ~ Sandra Brennan, All Movie Guide

Flame of Love is the English-language version of the German melodrama Hay Tang. Anna May Wong repeats her role as Hai Tang, a Chinese girl in love with dashing Russian officer Lt. Boris (John Longden). Trouble arises when Boris's commanding officer, the Grand Duke (George Schnell), also develops a yen for the heroine. Hay Tang's brother Wang Hu (J. Leyon) resents the Duke's advances toward his sister and shoots the rapacious aristocrat. To save her brother from execution, Hay Tang promises to remain as the Grand Duke's mistress, forever dashing her hopes for happiness with Boris. Hay Tang was also filmed in a French version, again with Anna May Wong. ~ Hal Erickson, All Movie Guide

In this drama set in the English countryside, a town squire causes quite a ruckus when he decides to buck tradition and replace the ancient church organ so he can cozy up to the lovely young newcomer (who just happens to play the organ) in town. As soon as the woman figures out his plan, she quickly sets things to right and normalcy returns. ~ Sandra Brennan, All Movie Guide