Kane Hodder Movies

Upon stopping for gas and directions on the Texas back roads, bickering yuppies Michelle (Kate Hodge) and Ryan (William Butler) get harassed by leering service-station owner Alfredo (Tom Everett). When the helpful intercession of a hitchhiker named Tex (Viggo Mortensen) leads to violence, the couple flees the area. Eventually, an unknown truck forces them off the road and into an accident with the sports utility vehicle of Benny (Ken Foree), a well-armed survivalist. Pursued by unknown assailants, Benny and his fellow accident victims must abandon both vehicles and armaments. Eventually all three end up trapped on the boggy forest estate of a family of cannibalistic serial killers who range in age from a feral little girl (Jennifer Banko) to an aged matriarch (Miriam Byrd-Nethery). The clan also includes the title character, whose chainsaw-wielding rampages are among the few direct links between this installment and the earlier two films in this series. ~ Brian J. Dillard, Rovi

Learning the value of teamwork, the racially diverse U.S. karate team must work through their personal troubles to successfully participate in the upcoming international competition. ~ Kristie Hassen, Rovi

This muddled attempt at creating a new supernatural serial killer franchise (in the mode of Freddy Krueger in the Nightmare on Elm Street series) features perennial movie thug Brion James as sadistic mass murderer Max Jenke, who hacked up more than 100 victims with a meat cleaver before his eventual capture by dedicated cop Lucas McCarthy (Lance Henriksen). Unwilling to cease his homicidal spree after his death, Jenke had been conducting bizarre experiments in soul-transference prior to his capture; his execution in the electric chair subsequently transforms his evil essence into electrical current. In this new form, the seemingly unstoppable maniac launches a supernatural siege against McCarthy and his family until the tormented cop finally faces him down on his own nightmare turf. Originally conceived as another House sequel, this film consists of long periods of tedium punctuated by outbursts of graphic gore and surreal effects. This condition is partially the result of footage being shot by two separate directors; it seems as if neither of them knew what the other was doing. James is amusingly sleazy as the cackling madman, but his one-note material is not compelling enough to merit a recurring character. ~ Cavett Binion, Rovi

This interesting fusion of the horror and Western genres involves a modern-day sheriff (Franc Luz) whose search for a missing heiress leads him into the title locale, a frontier-age Arizona township whose residents are cursed with immortality. He eventually discovers that the abductee (Catherine Hickland) has been spirited off to the lair of an evil black-clad gunslinger (Jimmie F. Skaggs), who sees her as the reincarnation of the dance-hall girl he murdered a hundred years before. Excellent photography by Mac Ahlberg and a gritty Sergio Leone-inspired ambience lend a great deal of quality to this otherwise mundane production from Charles Band's outfit, which is saddled with a weak script that fails to put its unique concept to adequate use. ~ Cavett Binion, Rovi

This sequel to New World Pictures' surprise horror hit bears little connection with its predecessor apart from the participation of writer Ethan Wiley, who also assumed directorial duties. This time around, the title abode is an old mansion inherited by the great-great-grandson of its original owner, a legendary frontier outlaw. The new owner, Jesse (Arye Gross), whose parents were murdered in the mansion 20 years ago, unwisely searches the premises for a cache of gems believed to be hidden there. With the aid of girlfriend Kate (Lar Park Lincoln) and buddy Charlie (Jonathan Stark), Jesse stumbles upon the original owner himself (Royal Dano), who is remarkably still alive (albeit in particularly decrepit condition) and cantankerous as all get-out. Great-great-grandpa has been preserved by the supernatural powers of an Aztec crystal skull, which is also capable of reanimating the dead and opening portals into other dimensions. Its true powers are tested readily when the skull falls into the wrong hands, leading our heroes on a wacky supernatural chase. The horror comedy formula that kept the original film's shaky premise afloat is far less functional here, filling the story with silly contrivances that include a collection of pet monsters and a time-travel romantic subplot. Still, the film has some clever moments, mainly from Dano, who makes the most of his difficult character by adding a cartoonish flair, and from Cheers alum John Ratzenberger's amusing cameo turn as a plumber strangely accustomed to cross-dimensional travel. ~ Cavett Binion, Rovi

A mild box-office hit for New World Pictures, this lightweight attempt at horror parody from Friday the 13th producer Sean S. Cunningham stars former Greatest American Hero William Katt as a best-selling pop-horror novelist Roger Cobb (à la Stephen King) who suffers an insurmountable case of writer's block after separation from his soap-star wife (Kay Lenz) and the disappearance of their young son. Hoping to purge his personal demons by writing his Vietnam War memoirs, he moves into the massive mansion once occupied by his deceased aunt (who hanged herself in her bedroom), and finds himself surrounded by demons of a completely different kind. Roger takes the weirdness in stride, attempting to face down marauding monsters, interdimensional trap doors, and other supernatural horrors while concealing his predicament from the neighbors (except for the befuddled Harold Gorton [George Wendt], who tries gamely to play along with Roger's hare-brained monster-fighting schemes). ~ Cavett Binion, Rovi

Three middle-aged men take off for the beach in search of sex and happiness in this comedy that does not think much, and so it partly is. When the three older men arrive at the sea and surf, sex is not exactly forthcoming because they have lost the knack of picking up women. Enter the local hunk Scotty (Grant Kramer) who brings them up to speed, and, voilà, the men are miraculously able to overcome their obvious flaws and attract the younger women they desire. Even though they are together, the three men are not alike -- Hunter (Gary Wood) is a dedicated lecher and when he gets involved with Scotty's girlfriend Kristie (Teal Roberts), trouble starts to brew. Rounder (Michael Rapaport) is likeable and funny, and Ashby (Sorrells Picard) finally opts out of their joint venture. Most of these characters and their sexual hang-ups and interests and humor soon pale like a tan in winter, long before the last sunset has faded into night. ~ Eleanor Mannikka, Rovi