Kane Hodder Movies

Learning the value of teamwork, the racially diverse U.S. karate team must work through their personal troubles to successfully participate in the upcoming international competition. ~ Kristie Hassen, All Movie Guide

This muddled attempt at creating a new supernatural serial killer franchise (in the mode of Freddy Krueger in the Nightmare on Elm Street series) features perennial movie thug Brion James as sadistic mass murderer Max Jenke, who hacked up more than 100 victims with a meat cleaver before his eventual capture by dedicated cop Lucas McCarthy (Lance Henriksen). Unwilling to cease his homicidal spree after his death, Jenke had been conducting bizarre experiments in soul-transference prior to his capture; his execution in the electric chair subsequently transforms his evil essence into electrical current. In this new form, the seemingly unstoppable maniac launches a supernatural siege against McCarthy and his family until the tormented cop finally faces him down on his own nightmare turf. Originally conceived as another House sequel, this film consists of long periods of tedium punctuated by outbursts of graphic gore and surreal effects. This condition is partially the result of footage being shot by two separate directors; it seems as if neither of them knew what the other was doing. James is amusingly sleazy as the cackling madman, but his one-note material is not compelling enough to merit a recurring character. ~ Cavett Binion, All Movie Guide

This interesting fusion of the horror and Western genres involves a modern-day sheriff (Franc Luz) whose search for a missing heiress leads him into the title locale, a frontier-age Arizona township whose residents are cursed with immortality. He eventually discovers that the abductee (Catherine Hickland) has been spirited off to the lair of an evil black-clad gunslinger (Jimmie F. Skaggs), who sees her as the reincarnation of the dance-hall girl he murdered a hundred years before. Excellent photography by Mac Ahlberg and a gritty Sergio Leone-inspired ambience lend a great deal of quality to this otherwise mundane production from Charles Band's outfit, which is saddled with a weak script that fails to put its unique concept to adequate use. ~ Cavett Binion, All Movie Guide

This mundane sequel to New World Pictures' surprise horror hit bears little connection with its predecessor apart from the participation of writer Ethan Wiley, who also assumed directorial duties. This time around, the title abode is an old mansion inherited by the great-great-grandson of its original owner, a legendary frontier outlaw. The new owner, Jesse (Arye Gross), whose parents were murdered in the mansion 20 years ago, unwisely searches the premises for a cache of gems believed to be hidden there. With the aid of girlfriend Kate (Lar Park Lincoln) and buddy Charlie (Jonathan Stark), Jesse stumbles upon the original owner himself (Royal Dano), who is remarkably still alive (albeit in particularly decrepit condition) and cantankerous as all get-out. Great-great-grandpa has been preserved by the supernatural powers of an Aztec crystal skull, which is also capable of reanimating the dead and opening portals into other dimensions. Its true powers are tested readily when the skull falls into the wrong hands, leading our heroes on a wacky supernatural chase. The horror-comedy formula that kept the original film's shaky premise afloat is far less functional here, filling the story with silly contrivances that include a collection of pet monsters and a time-travel romantic subplot. Still, the film has some clever moments, mainly from Dano, who makes the most of his difficult character by adding a cartoonish flair, and from Cheers alum John Ratzenberger's amusing cameo turn as a plumber strangely accustomed to cross-dimensional travel. ~ Cavett Binion, All Movie Guide

A mild box-office hit for New World Pictures, this lightweight attempt at horror parody from Friday the 13th producer Sean S. Cunningham stars former Greatest American Hero William Katt as a best-selling pop-horror novelist (a la Stephen King) who suffers an insurmountable case of writer's block after separation from his soap-star wife (Kay Lenz) and the disappearance of their young son. Hoping to purge his personal demons by writing his Vietnam War memoirs, he moves into the massive mansion once occupied by his deceased aunt (who hanged herself in her bedroom), and finds himself surrounded by demons of a completely different kind. Katt takes the weirdness in stride, attempting to face down marauding monsters, interdimensional trap-doors and other supernatural horrors while concealing his predicament from the neighbors (except for a befuddled George Wendt, who tries gamely to play along with Katt's hare-brained monster-fighting schemes). Despite the filmmakers' admirable efforts to maintain the manic pace with multiple storylines, their attempt to bring all the plot elements together for the climactic payoff results in a jangled mess. Surprisingly entertaining when viewed as a live-action cartoon, but virtually impossible to take seriously as a horror film. Followed by three sequels. ~ Cavett Binion, All Movie Guide

In this Spaghetti-western-like martial arts actioner, Texas Ranger J. J. McQuade (Chuck Norris) is up against the weapons-dealer Rawley Wilkes (David Carradine) after Wilkes kidnaps McQuade's partner and daughter and takes them to Mexico. McQuade's personal vendetta is encouraged by the government because Wilkes is hijacking U.S. arms shipments for his illicit weapons deals and the government wants him stopped. After the kidnapping incident, McQuade is assigned Kayo (Robert Beltran) a rookie patrolman, to accompany him in his fight, and he is also joined by FBI-agent Jackson (Leon Isaac Kennedy). Jackson and McQuade track down Wilkes' secret airstrip -- and that is when the fireworks begin. Every weapon known to human technology is brought into the picture as McQuade, also armed with his lethal hands and feet, goes ballistic. ~ Eleanor Mannikka, All Movie Guide