Kane Hodder Movies

Not so much a sequel to the John Sayles-scripted Alligator as a shoddy remake, this sophomoric low-budget effort plays like a bad TV movie about a swamp-dwelling alligator mutated to monstrous size by toxic waste, munching on the screaming residents of a lakefront community. The naughty polluter who caused this mutation is the property developer himself (Steve Railsback, playing such a cookie-cutter villain that he might as well have a "BAD GUY" sign around his neck). An embarrassed Joseph Bologna plays the cop investigating the mutilation murders; an equally-ashamed Dee Wallace Stone plays the scientist assisting him, who is conveniently married to him as well. In an attempt to remedy the situation, a big-game hunter (Richard Lynch) is called in to bag the beast. When his efforts fail, it's left to Bologna to pick up the pieces -- literally -- and take charge of the situation when the big reptile decides to take in the grand opening of the local amusement park. From a nonsensical script to cheesy special effects that make the beast look like a pool toy, this film shows none of the cynical charm and sly wit that made Alligator so enjoyable. ~ Cavett Binion, All Movie Guide

The disturbing tale of the depraved serial killer known as B.T.K. (bind-torture-kill) comes to the screen in this true crime shocker starring Kane Hodder. Dennis Rader (Hodder) was a true wolf in sheep's clothing. An upstanding citizen and family man who served as president of his Wichita, Kansas church, Rader was a trusted member of his community who worked as a security officer. But just beneath Rader's carefully crafted, suburban father façade lurked a malevolent alter ego, a killer without a conscience who never distinguished between men, women, and children when his murderous rage took hold. Inspired by actual events, B.T.K. takes us into the terrifying world of a madman who kept his dark secret from becoming public for over thirty years. ~ Jason Buchanan, All Movie Guide

In Best of the Best 2, Alex Grady and his partner, Tommy Lee, turn their karate talents toward crime fighting. An illegal fighting club, headed by Wayne Newton, is a center for crime and criminals. Alex and Tommy decide to take it down but first they have to fight their way through Brakus, the big evil, and his growth protein-engorged posse. ~ Brian Whitener, All Movie Guide

One of Marvel Comics' most popular characters comes to the screen for the first time in this sci-fi action-thriller. Matthew Murdock (Ben Affleck) is a lawyer whose father, a prizefighter, was killed by gangsters when Murdock was just a boy. Since then, Murdock has devoted his life to bringing wrongdoers to justice and is willing to help others by taking on cases no other attorney will touch. Murdock is also blind, after being struck down by a truck while trying to save a man from being hit. What no one knows is that Murdock was also doused with an unusual radioactive isotope which had a strange effect on him -- while Murdock's sight may be gone, his other senses have been raised to such a keen pitch that they act like radar, allowing him to tell where he's going and what happens around him, both near and far away. Murdock puts his gifts to use at night as the costumed crime-fighter Daredevil, whose pursuit of justice has earned him the wrath of underworld leader Kingpin (Michael Clarke Duncan). Kingpin wants Daredevil out of his way once and for all, and hires Bullseye (Colin Farrell), a super-assassin with an uncanny ability to throw blades, to do the job. Daredevil also makes the acquaintance of Elektra Natchios (Jennifer Garner), a woman with super-heroic talents who is also on Kingpin's bad side, though it remains to be seen if she has aligned herself with the forces of good as Daredevil has done. Jon Favreau, Joe Pantoliano, and David Keith highlight Daredevil's supporting cast. ~ Mark Deming, All Movie Guide

Friday the 13th director Sean S. Cunningham helmed this sea-monster opus about a team of engineers on an undersea missile platform who disturb the slumber of a huge, killer crustacean, which soon develops a taste for human-flavored snacks. The rubbery-looking beastie is quite a laugh, but there are some genuine freak-outs as it chomps away at the crew -- that is, while they're not reducing their own numbers through sheer incompetence. In the end, it's B.J. & the Bear's Greg Evigan (alas, minus chimp) who saves the day. One of a dozen-or-so subaqueous Alien clones (half of which were produced by Roger Corman) designed to trade on the building hype of James Cameron's long-awaited The Abyss, this soggy little picture managed to reach theaters first. Not that it's the least impressive of the lot -- actually, it succeeds on its own terms as a thoroughly intense and fast-paced "B"-monster flick, aided by good performances (Evigan is a likable, sensitive hero, and Miguel Ferrer quaffs the scenery as a high-strung jerk). At least it's better than Leviathan, which tells essentially the same story but wastes considerably more money. ~ Cavett Binion, All Movie Guide

A grim discovery in the basement of a crumbling prison reformatory reveals a demonic secret that cuts to the very base of mankind's struggle against sin in this supernatural thriller starring Michael Berryman, Bill Moseley, Michael Dorn, Adrianne Curry, and Kevin McCarthy. Far beneath the west cellblock of a turn of the century prison lies a malevolent secret that has lain dormant for one hundred years - a sub-basement structure with only one entrance and one exit. When the skeletal remains of seven brutalized children are discovered inside, a special CSI team is quickly brought in to conduct a more thorough investigation. What they find may change the entire way mankind views the wages of sin, for there dwell seven fallen angels; each responsible for one of the deadly sins and each determined to show mankind just how many ways there are to pass from this mortal realm into the next. ~ Jason Buchanan, All Movie Guide

Directed by makeup effects artist John Carl Buechler, the seventh in the long-running, grisly horror series was far from the last, although the climactic fate of its antagonist would seem to suggest a final send-off. Lar Park Lincoln stars as Tina Shepard, a teenager with uncontrolled telekinetic powers. As a girl vacationing at Camp Crystal Lake, Tina killed her abusive father with the use of her mental abilities. Years later, seeking intensive counseling from manipulative, greedy psychologist Dr. Crews (Terry Kiser), Tina agrees to participate in a radical therapy that takes her back to Camp Crystal Lake. Unfortunately, Tina's psychic skills rouse the slumbering Jason Voorhees (Kane Hodder) from his watery grave and, in typically bloody fashion, the vengeful spook begins dispatching the randy teenagers partying in a house nearby. As Tina attempts to stop Jason's slaughter with the use of her powers, the mass-murdering ghoul encounters his toughest opponent yet. Friday the 13th, Part VII: The New Blood was often referred to by series fans as "Jason vs. Carrie," an apropos reference to Tina's strong similarity to the main character in the horror classic Carrie (1976). ~ Karl Williams, All Movie Guide

This interesting fusion of the horror and Western genres involves a modern-day sheriff (Franc Luz) whose search for a missing heiress leads him into the title locale, a frontier-age Arizona township whose residents are cursed with immortality. He eventually discovers that the abductee (Catherine Hickland) has been spirited off to the lair of an evil black-clad gunslinger (Jimmie F. Skaggs), who sees her as the reincarnation of the dance-hall girl he murdered a hundred years before. Excellent photography by Mac Ahlberg and a gritty Sergio Leone-inspired ambience lend a great deal of quality to this otherwise mundane production from Charles Band's outfit, which is saddled with a weak script that fails to put its unique concept to adequate use. ~ Cavett Binion, All Movie Guide

A mild box-office hit for New World Pictures, this lightweight attempt at horror parody from Friday the 13th producer Sean S. Cunningham stars former Greatest American Hero William Katt as a best-selling pop-horror novelist (a la Stephen King) who suffers an insurmountable case of writer's block after separation from his soap-star wife (Kay Lenz) and the disappearance of their young son. Hoping to purge his personal demons by writing his Vietnam War memoirs, he moves into the massive mansion once occupied by his deceased aunt (who hanged herself in her bedroom), and finds himself surrounded by demons of a completely different kind. Katt takes the weirdness in stride, attempting to face down marauding monsters, interdimensional trap-doors and other supernatural horrors while concealing his predicament from the neighbors (except for a befuddled George Wendt, who tries gamely to play along with Katt's hare-brained monster-fighting schemes). Despite the filmmakers' admirable efforts to maintain the manic pace with multiple storylines, their attempt to bring all the plot elements together for the climactic payoff results in a jangled mess. Surprisingly entertaining when viewed as a live-action cartoon, but virtually impossible to take seriously as a horror film. Followed by three sequels. ~ Cavett Binion, All Movie Guide

After two unsuccessful attempts to turn the House horror franchise into a collection of unrelated haunted-house stories (even ditching the House moniker prior to distribution of the third film, The Horror Show), the producers opted for a direct sequel (more or less) to the first film in the series. William Katt returns briefly for the role of Roger Cobb, the former beleaguered owner of a nightmarish fixer-upper filled to the brim with obnoxious demons. His part here amounts to little more than a cameo -- early in the film, Roger is killed in a nasty auto accident during a vacation with his new wife Kelly (Kerri Treas) and their 12-year-old daughter Laurel (Melissa Clayton). Kelly and Laurel -- who is now confined to a wheelchair -- try to begin their lives again at the family's summer house. Once there, Kelly is visited by visions of horrific events (including Roger's death) which become more frequent until she is forced to seek the aid of a shaman, who helps her to interpret them. The visions include a replay of the events which led to Roger's death, indicating the crash was no accident -- and revealing the identity of the party responsible. This installment marks a slightly more effective return to the comedy-horror formula that made House a surprise hit. Basically a distaff retread of that film, House IV benefits from its strong female heroine and more emotional involvement for the leads amid the barrage of slimy effects and over-the-top humor. ~ Cavett Binion, All Movie Guide

Popular bogeymen Jason Voorhees terrorizes a group of nubile astronauts five centuries into the future in this sci-fi update of the Friday the 13th franchise. Early in the 21st century, Jason (actor/stunt man Kane Hoddar, filling the role for a fourth time) is experimented upon by army technocrats who hope to turn his supernatural invulnerability into a military application. Most of them meet a swift and bloody end -- except Rowan (Lexa Doig), a beautiful functionary, who traps the killer in a cryogenic stasis chamber. Unfortunately, she takes a machete blow in the process, gets frozen herself, and wakes up on a spaceship in the year 2455. The earth has long since been rendered uninhabitable, but the survivors include a group of archaeological students headed by Professor Lowe (Jonathan Potts), who hopes to make a quick buck by selling the corpse of the historical serial killer. The kids re-animate Rowan with the help of nanotechnology. Little do they know that a mere thaw job is enough to resuscitate Jason and reawaken his bloodthirst. Soon, the comely students and their space-marine protectors are being dispatched one by one. Help arrives in the form of a holographic chamber and an android named Kay-Em 14 (Lisa Ryder). Soon, though, Jason himself gets an upgrade -- just as the spaceship is getting ready to self-destruct. The tenth installment in the long-running horror series, Jason X was the first new entry to appear in almost a decade. In fact, the previous film, 1993's Jason Goes to Hell: The Final Friday, was one of two installments whose titles erroneously contained the word "final." ~ Brian J. Dillard, All Movie Guide

In this Spaghetti-western-like martial arts actioner, Texas Ranger J. J. McQuade (Chuck Norris) is up against the weapons-dealer Rawley Wilkes (David Carradine) after Wilkes kidnaps McQuade's partner and daughter and takes them to Mexico. McQuade's personal vendetta is encouraged by the government because Wilkes is hijacking U.S. arms shipments for his illicit weapons deals and the government wants him stopped. After the kidnapping incident, McQuade is assigned Kayo (Robert Beltran) a rookie patrolman, to accompany him in his fight, and he is also joined by FBI-agent Jackson (Leon Isaac Kennedy). Jackson and McQuade track down Wilkes' secret airstrip -- and that is when the fireworks begin. Every weapon known to human technology is brought into the picture as McQuade, also armed with his lethal hands and feet, goes ballistic. ~ Eleanor Mannikka, All Movie Guide