Kane Hodder Movies

In this Spaghetti-western-like martial arts actioner, Texas Ranger J. J. McQuade (Chuck Norris) is up against the weapons-dealer Rawley Wilkes (David Carradine) after Wilkes kidnaps McQuade's partner and daughter and takes them to Mexico. McQuade's personal vendetta is encouraged by the government because Wilkes is hijacking U.S. arms shipments for his illicit weapons deals and the government wants him stopped. After the kidnapping incident, McQuade is assigned Kayo (Robert Beltran) a rookie patrolman, to accompany him in his fight, and he is also joined by FBI-agent Jackson (Leon Isaac Kennedy). Jackson and McQuade track down Wilkes' secret airstrip -- and that is when the fireworks begin. Every weapon known to human technology is brought into the picture as McQuade, also armed with his lethal hands and feet, goes ballistic. ~ Eleanor Mannikka, All Movie Guide

Produced in the Autumn of the Golan-Globus collaboration, Avenging Force serves as a vehicle for American Ninja costar Michael Dudikoff. Cast as a retired secret service agent, Dudikoff runs up against a sinister right-wing political organization called the Pentangle. He comes to the aid of his best friend Steve James, a black political candidate who has become a target for the Pentangle's henchmen. Impressed by Dudikoff's martial arts skills, the Pentangle leaders try to convince him to join their cause-and to ensure his cooperation, they kidnap his little sister Alison Gereighty. Avenging Force concludes with a violent Enter the Dragon-style mano y mano squareoff between Dudikoff and the Pentangle flunkeys. The film's finale is "open" enough to allow for a sequel, which has yet to appear. ~ Hal Erickson, All Movie Guide

This mundane sequel to New World Pictures' surprise horror hit bears little connection with its predecessor apart from the participation of writer Ethan Wiley, who also assumed directorial duties. This time around, the title abode is an old mansion inherited by the great-great-grandson of its original owner, a legendary frontier outlaw. The new owner, Jesse (Arye Gross), whose parents were murdered in the mansion 20 years ago, unwisely searches the premises for a cache of gems believed to be hidden there. With the aid of girlfriend Kate (Lar Park Lincoln) and buddy Charlie (Jonathan Stark), Jesse stumbles upon the original owner himself (Royal Dano), who is remarkably still alive (albeit in particularly decrepit condition) and cantankerous as all get-out. Great-great-grandpa has been preserved by the supernatural powers of an Aztec crystal skull, which is also capable of reanimating the dead and opening portals into other dimensions. Its true powers are tested readily when the skull falls into the wrong hands, leading our heroes on a wacky supernatural chase. The horror-comedy formula that kept the original film's shaky premise afloat is far less functional here, filling the story with silly contrivances that include a collection of pet monsters and a time-travel romantic subplot. Still, the film has some clever moments, mainly from Dano, who makes the most of his difficult character by adding a cartoonish flair, and from Cheers alum John Ratzenberger's amusing cameo turn as a plumber strangely accustomed to cross-dimensional travel. ~ Cavett Binion, All Movie Guide

This interesting fusion of the horror and Western genres involves a modern-day sheriff (Franc Luz) whose search for a missing heiress leads him into the title locale, a frontier-age Arizona township whose residents are cursed with immortality. He eventually discovers that the abductee (Catherine Hickland) has been spirited off to the lair of an evil black-clad gunslinger (Jimmie F. Skaggs), who sees her as the reincarnation of the dance-hall girl he murdered a hundred years before. Excellent photography by Mac Ahlberg and a gritty Sergio Leone-inspired ambience lend a great deal of quality to this otherwise mundane production from Charles Band's outfit, which is saddled with a weak script that fails to put its unique concept to adequate use. ~ Cavett Binion, All Movie Guide

Friday the 13th director Sean S. Cunningham helmed this sea-monster opus about a team of engineers on an undersea missile platform who disturb the slumber of a huge, killer crustacean, which soon develops a taste for human-flavored snacks. The rubbery-looking beastie is quite a laugh, but there are some genuine freak-outs as it chomps away at the crew -- that is, while they're not reducing their own numbers through sheer incompetence. In the end, it's B.J. & the Bear's Greg Evigan (alas, minus chimp) who saves the day. One of a dozen-or-so subaqueous Alien clones (half of which were produced by Roger Corman) designed to trade on the building hype of James Cameron's long-awaited The Abyss, this soggy little picture managed to reach theaters first. Not that it's the least impressive of the lot -- actually, it succeeds on its own terms as a thoroughly intense and fast-paced "B"-monster flick, aided by good performances (Evigan is a likable, sensitive hero, and Miguel Ferrer quaffs the scenery as a high-strung jerk). At least it's better than Leviathan, which tells essentially the same story but wastes considerably more money. ~ Cavett Binion, All Movie Guide

The worst in a string of increasingly pointless sequels to Sean S. Cunningham's crude slasher hit, this installment provided clear evidence that the "slasher" subgenre, already creatively dead, was no longer financially viable. This time around, unstoppable supernatural thug Jason Voorhees -- imprisoned at the bottom of a lake by his telekinetic foe Tina in the previous film -- is reanimated yet again after being goosed by an underwater electrical cable, freeing him to stow away aboard a shipload of standard-issue obnoxious teenagers en route to Manhattan. The title ultimately proves a bit of a cheat, since the majority of Jason's homicidal hijinks take place aboard the ship until the film's final reel, during which he pursues a handful of survivors through the streets of the Big Apple. Thanks to heavy MPAA cuts, the mayhem is more subdued here than in any other films of the series -- splatter fans primed by the previous chapters' copious bloodletting will be left high and dry. Despite a very amusing "teaser" trailer that suggested that the film might be a semi-parody, writer/director Rob Hedden and company play things tediously straight. ~ Cavett Binion, All Movie Guide

Not so much a sequel to the John Sayles-scripted Alligator as a shoddy remake, this sophomoric low-budget effort plays like a bad TV movie about a swamp-dwelling alligator mutated to monstrous size by toxic waste, munching on the screaming residents of a lakefront community. The naughty polluter who caused this mutation is the property developer himself (Steve Railsback, playing such a cookie-cutter villain that he might as well have a "BAD GUY" sign around his neck). An embarrassed Joseph Bologna plays the cop investigating the mutilation murders; an equally-ashamed Dee Wallace Stone plays the scientist assisting him, who is conveniently married to him as well. In an attempt to remedy the situation, a big-game hunter (Richard Lynch) is called in to bag the beast. When his efforts fail, it's left to Bologna to pick up the pieces -- literally -- and take charge of the situation when the big reptile decides to take in the grand opening of the local amusement park. From a nonsensical script to cheesy special effects that make the beast look like a pool toy, this film shows none of the cynical charm and sly wit that made Alligator so enjoyable. ~ Cavett Binion, All Movie Guide

Upon stopping for gas and directions on the Texas back roads, bickering yuppies Michelle (Kate Hodge) and Ryan (William Butler) get harassed by leering service-station owner Alfredo (Tom Everett). When the helpful intercession of a hitchhiker named Tex (Viggo Mortensen) leads to violence, the couple flees the area. Eventually, an unknown truck forces them off the road and into an accident with the sports utility vehicle of Benny (Ken Foree), a well-armed survivalist. Pursued by unknown assailants, Benny and his fellow accident victims must abandon both vehicles and armaments. Eventually all three end up trapped on the boggy forest estate of a family of cannibalistic serial killers who range in age from a feral little girl (Jennifer Banko) to an aged matriarch (Miriam Byrd-Nethery). The clan also includes the title character, whose chainsaw-wielding rampages are among the few direct links between this installment and the earlier two films in this series. ~ Brian J. Dillard, All Movie Guide

An audacious film about faith, The Rapture is a contemporary fantasy that keeps its feet unnervingly planted in reality even as reality starts to collapse. Mimi Rogers, in a strikingly accomplished performance, stars as Sharon, a telephone operator who spends her off-hours engaging in casual group sex to blot out her boredom. By chance, she becomes aware of a small Christian sect whose members believe that they have found a child with the gift of prophecy who has seen the upcoming end times. Slowly but steadily, Sharon finds herself drawn to this group, and one night she abruptly turns a corner, renounces her old life, and embraces fundamentalism with passion. She marries one of her former lovers, Randy (David Duchovny), who takes up Sharon's evangelical fervor to atone for his past as a hired killer, and they have a daughter. All seems peaceful until Randy is unexpectedly murdered, and Sharon takes her child to the desert to await the rapture that will bring the chosen to heaven. The film neither supports nor scoffs at Sharon's views, and the superb performances add immeasurably to a film that presents the unbelievable (and unthinkable) at face value, making it seem oddly plausible in the process. Michael Tolkin has also written and/or directed such films as The Player (1992), directed by Robert Altman, and The New Age (1994), both of which also skewer contemporary American society as shallow, materialistic, and desperate for something authentic to believe in. ~ Mark Deming, All Movie Guide

Andrew Davis directed this exciting thriller starring Steven Seagal, sans ponytail, and featuring electric, over-the-top performances by Gary Busey and Tommy Lee Jones. This action saga takes place on the battleship USS Missouri, about to be decommissioned from service after a visit from George Bush. When Bush departs the vessel, a band of terrorists overcome the remaining skeleton crew and take over the ship, under the ruse of holding a surprise birthday party for the ship's commander, Captain Adams (Patrick O'Neal). The band is led by Strannix (Jones), a disgruntled ex-CIA operative, and his right-hand man, the psychotic Krill (Busey). The terrorists plan to steal the ship's store of nuclear warheads, transfer them to a stolen North Korean submarine, and sell them to a Middle Eastern country. Unfortunately for Strannix, he has overlooked the ship's cook, Casey Ryback (Seagal). Ryback is a much-honored Navy SEAL who, because of a minor scandal, is quietly completing his twenty-year tour in the galley of the Missouri. Forced into action, Ryback, along with the woman who jumped out of Captain Adams' birthday cake (Erika Eleniak), knocks off the bad guys one-by-one while crawling inside the bowels of the ship. ~ Paul Brenner, All Movie Guide

In Best of the Best 2, Alex Grady and his partner, Tommy Lee, turn their karate talents toward crime fighting. An illegal fighting club, headed by Wayne Newton, is a center for crime and criminals. Alex and Tommy decide to take it down but first they have to fight their way through Brakus, the big evil, and his growth protein-engorged posse. ~ Brian Whitener, All Movie Guide

Chapter nine in the Friday the 13th series finds supernatural psycho Jason Voorhees returning from the dead to possess the body of a medical coroner. ~ Jason Ankeny, All Movie Guide

An evil genie, the Djinn (Andrew Divoff), escapes from an ancient statue and wreaks havoc in this horror film from director Robert Kurtzman. The devious Djinn can regain human form permanently if he grants someone three wishes. The Djinn at first is trapped in a statue, which falls and cracks open when a drunken worker unloads it from a ship. The genie is inside a precious gem that a puzzled pawnbroker gives to university gemologist Josh (Tony Crane). The Djinn kills Josh, and Josh's friend and colleague Alexandra Amberson (Tammy Lauren), who had been resisting Josh's romantic advances, sets out to find the killer. She follows a trail of carnage, and she soon learns the truth about the genie from anthropologist Wendy Derleth (Jenny O'Hara). The Djinn presents itself to Alexandra, who resists his seductive offers to grant wishes, but then the fiend sets his sights on Shannon (Wendy Benson), Alexandra's younger sister. The genie makes his final stand to grant a third wish at a party where antiquities collector Anthony Beaumont (Robert Englund) is displaying the statue. ~ Michael Betzold, All Movie Guide