Gregory Hoblit Movies

Director Gregory Hoblit spun his success as part of the production team on three popular and influential television programs into a second career as director of a number of big-screen hits. Born in Texas in 1944, Gregory Hoblit's father was a law enforcement officer whose career took his family to California when Gregory was a child. Hoblit attended college in California, doing his undergraduate work at the University of California, Berkeley and U.C.L.A., and returning to U.C.L.A. to receive his graduate degree in Film and Television. After leaving U.C.L.A., Hoblit found work in Chicago, where he produced and directed local television programs. Having established himself in the Midwest, Hoblit came back to California in the 1970s, where he produced and directed a variety of television projects, documentaries, and independent feature films. In 1979, Hoblit began a fruitful collaboration with noted television producer Steven Bochco; they were both producers on the short-lived series Paris (starring James Earl Jones), and Hoblit was later an executive producer on Bochco's groundbreaking police series Hill Street Blues. Hoblit went on to direct a number of episodes of Hill Street Blues, and in 1986, when Bochco helped create the series L.A. Law, Hoblit was tapped to direct the two-hour pilot film for the show, as well as a number of subsequent episodes. After his success with L.A. Law, Hoblit went on to produce and direct the acclaimed made-for-TV movie Roe vs. Wade, and in 1993 reteamed with Bochco as an executive producer for yet another acclaimed TV series involving crime and punishment in America, NYPD Blue. After a final made-for-TV movie, 1993's Class of '61, Hoblit scored his big break in theatrical filmmaking with the 1996 drama Primal Fear, which earned Edward Norton an Oscar nomination for Best Supporting Actor. After Primal Fear, Hoblit went on to direct two supernaturally themed dramas, Fallen and Frequency; in 2002, he returned with the period wartime drama Hart's War. ~ All Movie Guide
1993  
 
NYPD Blue was already off and running in its debut episode, in which Detective John Kelly (David Caruso), in the middle of an acrimonious marital breakup, is faced with the loss of his partner, Andy Sipowicz (Dennis Franz). Kelly's wife, Laura (Sherry Stringfield), is working on her divorce papers with her neighbor Josh "4B" Goldstein (David Schwimmer), who is subsequently the victim of a mugging. Meanwhile, the burned-out Sipowicz gets in dutch with the IAB for putting too much heat on mob boss Giardella (Robert Costanzo), whose partner, Marino (Joe Santos), wants Kelly dead. As the episode draws to a close, Kelly has launched a romance with the woman who may turn out to be his assassin -- and Sipowicz pays a terrible price for his ruthless treatment of Giardella. ~ Hal Erickson, All Movie Guide

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1993  
 
Detective Sharon LaSalle (Wendy Makkena), who'd attended Police Academy with Kelly (David Caruso), joins the unit. Before long, LaSalle's ex-cop husband is killed, and Kelly and Sipowicz (Dennis Franz) are assigned to investigate. Elsewhere, detective Medavoy (Gordon Clapp), having left his wife, discovers that his feelings toward Donna (Gail O'Grady) are mutual. And a drunken woman turns out to be more than "just talk" when complaining about her husband. ~ Hal Erickson, All Movie Guide

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1993  
 
Dan Hedaya guest stars as a self-proclaimed werewolf who demands to be locked up at the 15th Precinct, claiming "intimate" knowledge of a recent murder. Meanwhile, a desperate Polish couple searches for their son, a homeless man is hauled in on a murder charge, and Sipowicz (Dennis Franz) discovers that the much-older fiancée of his teenaged son (Michael DeLuise) is chronically unfaithful. But all of this pales in comparison to the ordeal of Laura (Sherry Stringfield), who is an eyewitness to mob boss Giardella's assassination. ~ Hal Erickson, All Movie Guide

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1989  
 
Based on the landmark 1973 U.S. Supreme Court case that upheld a woman's right to have an abortion, the made-for-television film Roe Vs. Wade follows an unmarried Texas woman (Holly Hunter) and her lawyer (Amy Madigan), as they take her case to the Supreme Court. Abortion is always a controversial issue, yet the filmmakers admirably manage to offend neither side in this straightforward yet gripping account. Roe Vs. Wade won two Emmy Awards: Outstanding Lead Actress (Hunter) and Outstanding Drama Special. ~ Stephen Thomas Erlewine, All Movie Guide

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1986  
 
Though the series proper debuted on Friday, October 3, 1986, L.A. Law was heralded by a two-hour TV movie, which aired Monday, September 15. The Steven Bochco production gets off to a good start, with no fewer than three cases resolved within the first installment. We first meet law-firm partner Michael Kuzak (Harry Hamlin) compromising his personal values with an odious client; our introduction to Arnold Becker (Corbin Bernsen) finds him personally involved in a divorce settlement; and Ann Kelsey (Jill Eikenberry) and Douglas Brackman Jr. (Alan Rachins) spar over a pro-bono case. Also starring is Richard Dysart as senior partner Leland McKenzie, and Jimmy Smits as tyro lawyer Victor Sifuentes. ~ Hal Erickson, All Movie Guide

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