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Hal Buckley Movies

American supporting actor Hal Buckley primarily appeared off-Broadway. In 1966, he moved to Hollywood and worked in several films and on television. He also wrote a novel titled Beyond the Misty Space. ~ Sandra Brennan, Rovi
1982  
 
Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, Rovi

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Starring:
Ken MarshallDenholm Elliott, (more)
 
1977  
 
Cliff Gorman, the star of such Broadway hits as "Boys in the Band" and "Lenny", guests in this episode as San Quentin guard Earl Mack. Out of sympathy for four model prisoners, Sgt. Mack generously affords them a "time-out" period in the city of San Francisco. The cons return the favor by escaping, whereupon Mack vows to bring them back all by himself--whether Stone (Karl Malden) and Robbins (Richard Hatch) want him to or not. Largely location-filmed on the USF campus, this episode brings the five-season run of Streets of San Francisco to a close. ~ Hal Erickson, Rovi

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1975  
R  
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A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, Rovi

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Starring:
Warren BeattyJulie Christie, (more)
 
1972  
 
As a publicity stunt, Reuben (Dave Madden) arranges for Keith (David Cassidy) to escort a visiting foreign princess named Genny (Season Hubley). Wearying of being constantly scrutinized by Genny's bodyguards, the two teens slip away to enjoy the simple pleasures of "normal" life, American style. But when Genny encourages Keith to give her an innocent kiss, this harmless display of affection sparks an international scandal! Song: "Together We're Better". ~ Hal Erickson, Rovi

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1970  
PG  
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Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, Rovi

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Starring:
Clint EastwoodTelly Savalas, (more)
 
1968  
 
In the 1960s, surfing was becoming a major new sport, with at least two specialized full-color magazines catering to aficionados and wannabes; it also gave rise to a number of widely popular surfing documentaries. These served to offset the effects of silly and inane surfing musicals of the time featuring such big-money-approved luminaries as Elvis Presley and Frankie Avalon. In fact, at one time the sport had a slightly counter-culture and rebel cachet -- a just slightly more wholesome image than the one accorded to motorcycle gangs. Documentaries like Surfari, while less well produced than The Endless Summer and made to exploit the popularity of that earlier movie, still served to whet the appetite of those already interested in the sport. ~ Clarke Fountain, Rovi

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