Anthony Hinds Movies

He may be calling himself "Dr. Stein," but the audience isn't fooled: that popular general practitioner (Peter Cushing) in the mittel-European village of Carlsbruck is none other than our old friend, Victor Frankenstein. No one seems unduly concerned when the patients in a charity clinic begin losing their arms and legs during Dr. Stein's emergency operations -- no one except his young rival, Dr. Kleve (Kerwin Mathews). Threatening to expose Dr. Stein as the fugitive from justice he really is, Kleve is instead persuaded to be Stein's partner. Things really begin heating up when Stine and Kleve use the brain of vengeful village hunchback Karl (Oscar Quitak) for their new synthetic monster. Adding to the climactic melee is another monster, built in the image of Dr. Frankenstein himself! Full of clever (if gory) touches, Revenge of Frankenstein is among the best of Hammer Studio's late-1950s output. ~ Hal Erickson, All Movie Guide

I Only Arsked! was adapted by Jack Davies from his popular, long-running BBC TV series The Army Game. Cpl. Springer (Michael Medwin), Popeye Poppiewell (Bernard Bresslaw) and Excused Boots Bisley (Alfie Bass) are but three of the habitual foul-ups assigned to the command of Major Upshot Bagley (Geoffrey Sumner). On duty in the Middle East, this awkward squad is assigned to quell a revolution. Despite several monumental blunders, the squad manages to complete their task successfully, and even find time to dally with a few nubile harem girls. The level of humor in I Only Arsked! will perhaps best be appreciated by fans of the original series. ~ Hal Erickson, All Movie Guide

Originally titled Quatermass II, Enemy from Space was the sequel to The Quatermass Xperiment (US title: The Creeping Unknown). Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a "meteor shower" which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a "lost" film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. ~ Hal Erickson, All Movie Guide

Tired of the humdrum routine at a staid British woman's prison, brassy American chorine Angela Booth (Beverly Michaels) busts out. Scotland Yard decides to allow Angela to roam free, hoping that she'll lead them to her partner in crime, who unbeknownst to her is a notorious traitor and killer. Blonde Bait was originally released in Great Britain as Women without Men. For American consumption, a few new scenes were shot, featuring Hollywood actors Jim Davis, Richard Travis, and Paul Cavanagh. Direction of the finished product was credited to the film's editor, Elmo Williams. ~ Hal Erickson, All Movie Guide

A rocket crash-lands in England after a flight of more than 57 hours into deep space. The design of Professor Bernard Quatermass (Brian Donlevy), a forceful, misanthropic American scientist, the Q-1 had three astronauts aboard when it left Earth, but only one of them, engineer Victor Caroon (Richard Wordsworth), is on board upon landing, and he is in a near-comatose state. Even more baffling, the spacesuits of the other two men are still aboard the wrecked ship and are still interlocked, as though they were in them when whatever transpired. Quatermass's investigation is complicated by the presence of Inspector Lomax (Jack Warner) of Scotland Yard, who is treating the disappearance of the two men as a potential murder case, and by Caroon's wife Judith (Margia Dean), who blames the scientist for what has happened to her husband. An on-board camera, although damaged, shows an encounter with some form of energy that invaded the ship and attacked the crew, seemingly killing the other two astronauts and rendering Caroon unconscious. Caroon's condition keeps worsening -- Quatermass's medical expert, Dr. Gordon Briscoe (David King-Wood), is alarmed by the man's impossible heart- and pulse-rate, his degenerating skin and apparent changes in his bone and facial structure. Judith Caroon tries to spirit her husband out of the hospital where he's being cared for, not knowing that something horrific is happening to him. Quatermass and Briscoe soon realize that Caroon is little more than the shell of a man, masking an invading alien life form that can literally draw the life out of any living thing that it touches. The manhunt turns into a fight for survival as the creature continues to kill and mutate, threatening to release spores into the air and spread itself by the millions throughout the Earth. ~ Bruce Eder, All Movie Guide

Steve Fisher, best known for I Wake Up Screaming, wrote the story and screenplay for the British melodrama Terror Street. Dan Duryea plays Bill Rogers, an American jet pilot, who comes to England to find out why he hasn't heard from his wife lately. Upon his arrival, he learns that his wife has been murdered, and that he's the prime suspect. With only 36 hours at his disposal, Rogers takes it upon himself to track down the actual killer. Such familiar British-movie faces as Erich Pohlmann and Kenneth Griffith share screen time with relative newcomers like Elsy Albin and Ann Gudrun. Running 83 minutes, Terror Street was originally released in England in an 80-minute version titled 36 Hours. ~ Hal Erickson, All Movie Guide

Though filmed ten years after The Saint Meets the Tiger, the British The Saint's Girl Friday is generally regarded as the final entry in RKO's "Saint" series of 1938-43. Louis Hayward, who first played Leslie Charteris' soldier-of-fortune Simon Templar in the 1938 film The Saint in New York, returns to the role after a 16-year absence. This time, Templar comes to London at the invitation of an old female acquaintance. When he arrives, he discovers that the woman is dead, the possible victim of a vicious gambling syndicate. Together with chronic gambler Carol Denby (Naomi Chance), who is being blackmailed into acting as a come-on for the crooks, Templar takes on chief heavy Max Lennar (Sidney Taffler), all the while keeping one step ahead of Scotland Yard inspector Teal (Charles Victor). ~ Hal Erickson, All Movie Guide

Released in Britain as Whispering Smith Hits London, this economically produced whodunit stars Richard Carlson as famed pulp-novel amateur sleuth Whispering Smith. While vacationing in London, Smith becomes intrigued by a suicide case. He suspects that there's more to this than meets the eye, and of course he's right: the so-called suicide was really a murder -- and also the tip of the iceberg in a massive cover-up conspiracy. Greta Gynt co-stars as the Woman in the Case, who may not be All She Seems. For reasons unknown, the British prints of Whispering Smith vs. Scotland Yard credit the screenplay to John Gilling, while the American prints bestow sole screenwriting credit upon Steve (I Wake Up Screaming) Fisher. ~ Hal Erickson, All Movie Guide

In this murder mystery, a woman's brother is killed in a freaky accident, or so she believes. Fortunately for her, an American journalist is more suspicious and so begins roaming the London streets in search of the killer. ~ Sandra Brennan, All Movie Guide

The Last Page was the original British title for the 1952 murder meller Man Bait. Hollywood's George Brent plays a married bookstore owner who is blackmailed by scheming Diana Dors. The subsequent chain reaction of events leads to the death of Brent's invalid wife. It gets worse when Dors is killed by her partner-in-crime Peter Reynolds, and Brent is accused of the crime. The bookseller's faithful secretary Marguerite Chapman comes to the rescue. As with many British programmers of the 1950s which starred American actors, The Last Page was distributed in the U.S. by Lippert Productions. ~ Hal Erickson, All Movie Guide

Wings of Danger was originally released in England as Dead on Course. This early Hammer Studios effort stars Zachary Scott as an airline pilot named Van. When Van's pal Nick Talbot (Robert Beatty) is strong-armed into aiding a gang of smugglers, it's time to take decisive action. Adventure-film veteran John Gilling adapted the screenplay from a novel by Elleston Trevor. Distributed in Great Britain by Exclusive Films, Ltd., Wings of Danger was released in the U.S. by Lippert Pictures. According to some sources, the U.S. version was trimmed by a couple of minutes. ~ Hal Erickson, All Movie Guide

Vernon Sewell, a mercurial filmmaker who preferred to lens his pictures on chunks of his own property, was the director of Black Widow. We don't know which of Sewell's real estate holdings served as the locale for this amnesia meller. We can, however, tell you that the film was inspired by the BBC radio serial "Return from Darkness." Returning from you-know-where is Robert Ayres, who learns that his wife (Christine Norden) is planning to bump him off with the help of her boyfriend (Anthony Forwood). Ayres continues feigning a loss of memory until he is able to get the drop on his would-be murderers. ~ Hal Erickson, All Movie Guide