Anthony Hinds Movies

In this British mystery a private eye must prove that a millionaire was murdered by his fiancee, a beautiful model who discovers that she was slated to inherit his fortune after he died. ~ Sandra Brennan, All Movie Guide

Tired of the humdrum routine at a staid British woman's prison, brassy American chorine Angela Booth (Beverly Michaels) busts out. Scotland Yard decides to allow Angela to roam free, hoping that she'll lead them to her partner in crime, who unbeknownst to her is a notorious traitor and killer. Blonde Bait was originally released in Great Britain as Women without Men. For American consumption, a few new scenes were shot, featuring Hollywood actors Jim Davis, Richard Travis, and Paul Cavanagh. Direction of the finished product was credited to the film's editor, Elmo Williams. ~ Hal Erickson, All Movie Guide

Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide

Dick Barton (Don Stannard) investigates the northern village of High Glen, where every living thing has suddenly died without any apparent explanation. Autopsies reveal that the brains of the victims were all shrunken -- literally dehydrated -- but there is no known scientific process that would explain how this could happen. Barton must not only determine the cause, but also its connection, if any, to the mysterious Mr. Fouracada (Sebastian Cabot) and the murder of Crespin, a British agent who was returning from Prague with news of a plot against England. While Barton is investigating the first tragedy, another village is destroyed, making it imperative that he tie up the ends of the case before more people die -- and figure out what the connection of all of it may be to a traveling fair that was seen in the vicinity of both villages before they were wiped out. ~ Bruce Eder, All Movie Guide

Detective Dyall is requested to solve the mystery of the incinerated heiress, a friend of his secretary Lang. ~ All Movie Guide

Christopher Lee dons the evil Count's cloak once again after an 8-year hiatus for this first "authentic" sequel to Hammer Studios' Horror of Dracula (the literal 1960 follow-up Brides of Dracula did not feature Lee). The story begins when two stuffy vacationing couples make an ill-fated stopover at Castle Karlsbad in the Carpathian mountains -- despite the warnings of the mysterious Fr. Sandor (Andrew Keir) and the near-destruction of their coach when the terrified driver runs for his life. After a slightly tedious stretch, one of the men (Charles Tingwell) is sacrificed in a bloody Satanic ritual, orchestrated by the Count's loyal manservant Klove (Philip Latham) to bring the legendary vampire back to life. The revived Count immediately sets his sights on the man's wife (Barbara Shelley), making her his undead bride; the surviving pair seek refuge in Fr. Sandor's abbey, with the undead bloodsuckers in hot pursuit. This stylish and chilling production is imbued with Gothic atmosphere by director Terence Fisher (one of his last films for the studio) and remains one of the classier entries from Hammer's heyday. Also known as Revenge of Dracula. ~ Cavett Binion, All Movie Guide

Hammer Studios followed up Evil of Frankenstein with this entertaining sequel, again starring Peter Cushing as the quintessential mad scientist obsessed with the reanimation of dead bodies and the creation of superhuman creatures. His latest project involves transferring the mind of a wrongly-executed man into the body of his lover (former Playboy centerfold Susan Denberg), whose own suicide left her horribly disfigured. After restoring her beauty, the Doctor performs the mind-transference, which comes off without a hitch... until the lust for revenge against his executioners begins to surface. He/she then pursues this vendetta by seducing and murdering those who wronged him. Hammer stalwart Terence Fisher directs this quirky entry with his usual flair -- aided considerably by a decent budget -- and spices things up with a fair share of titillation (courtesy of Ms. Denberg). ~ Cavett Binion, All Movie Guide

Alex Nicol stars as writer Mark Kendrick, who becomes involved in an affair with his murderous neighbor Carol Forrest (Hillary Brooke). ~ Jason Ankeny, All Movie Guide

Producer Anthony Hinds used the alias John Elder to pen the screenplay of Kiss of the Vampire. Dr. Ravna (Noel Willman), an early 20th century Bavarian, entices a British honeymooning couple, Gerald and Marianne (Clifford Evans, Jennifer Daniel), to accept his hospitality. Once ensconced in Ravna's chateau, the couple discovers with horror that Ravna, Bavaria's biggest fan of Count Dracula, is the leader of an enthusiastic vampire cult. Clifford Evans plays the Van Helsing counterpart, Professor Zimmer, a vampire expert who first tries to warn the couple out of the area and then saves Marianne. Not as horrific as the title suggests, Kiss of the Vampire concentrates on the seductive, sensual side of vampirism, especially in a surrealistic masked-ball sequence. Though it contains far less bloodletting than most Hammer productions, Kiss of the Vampire was severely cut for its American TV release (and retitled Kiss of Evil). ~ Hal Erickson, All Movie Guide

The Last Page was the original British title for the 1952 murder meller Man Bait. Hollywood's George Brent plays a married bookstore owner who is blackmailed by scheming Diana Dors. The subsequent chain reaction of events leads to the death of Brent's invalid wife. It gets worse when Dors is killed by her partner-in-crime Peter Reynolds, and Brent is accused of the crime. The bookseller's faithful secretary Marguerite Chapman comes to the rescue. As with many British programmers of the 1950s which starred American actors, The Last Page was distributed in the U.S. by Lippert Productions. ~ Hal Erickson, All Movie Guide

Set in Canada, this nasty little fable is about a respectable village elder (Patrick Allen) who is also a sexual deviate. Using candy as bait, he persuades two little girls to dance naked for him. When the girls complain to their parents, the old man is taken to court, but his prestige in town assures an acquittal. Inevitably, the man's perversities lead to the death of a child. The British title for this repellant film was Never Take Sweets From a Stranger; it was based on John Hunter's play The Pony Cart. ~ Hal Erickson, All Movie Guide

In this thriller, a nearly bankrupt businessman blackmails a buddy into to murdering him within a week so that his wife can collect on his hefty insurance policy. Unfortunately, his business takes a sudden upswing, and he no longer has to die. Too bad his friend doesn't know that. The hero suffers several near misses before learning that it is partner and another who really want to kill him, not his friend whom they have kidnapped and framed. In the end, the villains shoot each other. ~ Sandra Brennan, All Movie Guide

Originally titled Quatermass II, Enemy from Space was the sequel to The Quatermass Xperiment (US title: The Creeping Unknown). Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a "meteor shower" which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a "lost" film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. ~ Hal Erickson, All Movie Guide