Arthur Hiller Movies

While Norman Lloyd managed to avoid becoming a household name, over the course of a career in the arts that has spanned eight decades he's distinguished himself as an actor, director, writer and producer in film, television and the legitimate stage. In the 1930s, Lloyd acted in a number of ground-breaking theatrical productions alongside his friend John Garfield under the direction of Elia Kazan, and he later became a member of Orson Welles' Mercury Theater company. As a film actor, Lloyd has worked with such directors as Alfred Hitchcock, Charlie Chaplin and Martin Scorsese, and as a television producer his credits include Alfred Hitchcock Presents and an award-winning series of adaptation of great plays for public television. However, the show-business blacklist against leftist artists in the Fifties stalled Lloyd's career, and while he's always had the respect of his peers, for years he struggled to put his career back on track. Who Is Norman Lloyd? is a documentary by filmmaker Matthew Sussman which gives Lloyd and some of his illustrious colleagues the opportunity to answer the titular question while discussing his life and work; the film includes interviews with Ray Bradbury, Cameron Diaz, Arthur Hiller, Karl Malden, Pat Hitchcock and many others. ~ Mark Deming, All Movie Guide

In this Canadian documentary, two young filmmakers attend the Toronto Film Festival and pitch a film concept to various celebrities. Their film idea, titled The Dawn, concerns a Mafia don who goes for a hernia operation but gets a sex change instead. During the 1996 Toronto fest, they approach Roger Ebert, Norman Jewison (at a packed press conference), Eric Stoltz (leaving a limo), Al Pacino, and others without much success. On a roll, they leave Toronto for Hollywood, getting advice from Arthur Hiller and Neil Simon and finding an agent who expresses interest. Shown at the 1997 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

Originally made for cable television, Roswell is an entertaining mix of purported actual events and science fiction. The narrative unfolds primarily in flashbacks as retired Army officer Jesse Marcel (Kyle MacLachlan) attends a reunion of the 509th Bomber Group and tries to come to closure on events that had taken place 30 years earlier. Back in 1947, Major Marcel had been part of a military team that investigated a crash site on a ranch near Roswell, New Mexico. The debris recovered from the site had exhibited some remarkable properties such as being able to repair itself instantly after being cut, suggesting that it might have been of extraterrestrial origin. The military brass had ordered Marcel to go along with their phony story that the material was ordinary metal foil from a weather balloon, and he had reluctantly complied. By the time of the 1977 reunion, Marcel is suffering from a terminal illness, and he feels compelled to try to find out what had really happened at Roswell all those years ago. MacLachlan gives an effective performance, particularly when he portrays Marcel as an older man trying to understand his past. Evocative location shooting in the American Southwest adds cinematic impact. ~ All Movie Guide

It is not uncommon for actors to double and triple in roles while appearing in the "omnibus" plays of Neil Simon. Plaza Suite was the first film version of a Simon play to carry over the multiple-role device to the screen. Walter Matthau appears in all three one-act playlets comprising Plaza Suite, with a different leading lady in each. First we see Matthau as the husband of Maureen Stapleton, nostalgically returning to the same hotel suite where they'd spent their honeymoon 24 years earlier. Times have changed, however, and the twosome spend more timing sniping at one another than pitching woo. The second vignette casts Matthau as an effusive movie producer (lavish toupee and all) who hopes to seduce his old sweetheart Barbara Harris. The third and best sequence finds Matthau and Lee Grant playing the parents of a bride who steadfastly refuses to leave her locked room to attend her own wedding. ~ Hal Erickson, All Movie Guide

Striving for a better life for his two sons, a Puerto Rican immigrant named Popi (Alan Arkin) goes about his mission in a singularly eccentric fashion in this comedy from director Arthur Hiller. So intent is Harlem resident Abraham "Popi" Rodriguez (Arkin) upon providing his boys with the American dream, that he puts off marrying his beautiful girlfriend Lupe (Rita Moreno) in order to carry out the mother of all harebrained schemes. After instructing his boys how to row with lessons in Central Park, Popi takes them to Florida and sets them adrift on the ocean, knowing that two cute "refugees from Cuba" seeking asylum in the U.S. will become celebrity cases and probably be adopted by rich WASP's. Popi's plan works like a charm, with his sons even earning an audience with the president, but a visit to the hospital where they're recovering from their ordeal at sea sinks his big plans. ~ Karl Williams, All Movie Guide

Can armed robbery help save a marriage? These and other questions about modern relationships are pondered in this comedy. Penelope Elcott (Natalie Wood) married James (Ian Bannen) after a very brief courtship, and as his star has begun to rise in the banking business, he spends less and less time with her, leading Penelope to wonder if he still cares for her. Penelope comes up with what she thinks is a good way to get James's attention -- disguising herself as an old lady and robbing his bank of $60,000. The robbery, however, goes off without a hitch, and wracked with guilt, Penelope confesses her crime to her analyst, Dr. Gregory Mannix (Dick Shawn). Mannix, however, isn't much help, since he's crazier than any of his patients and madly in love with Penelope to boot. Penelope also features Jonathan Winters in a one-scene role as Dr. Klobb. ~ Mark Deming, All Movie Guide

Having trouble finding work thanks to his criminal record, Tony Polk (Steve Harris) finally lands a job going door to door and dispensing free gifts to viewers of a bizarre game show called "The Bad Buccaneer." This assignment requires him to wear a pirate costume, complete with a hook-shaped artificial hand. Unfortunately, while taking over a fellow worker's customer list, Polk is accused of murdering one of his customers, Grace Knapp (Kathleen Crowley), with that selfsame hook. In his efforts to defend Tony, Perry Mason discovers that the dead woman was a blackmailer--and that one of her victims was a performer on "The Bad Buccaneer"! ~ Hal Erickson, All Movie Guide

A woman has to choose between the rich man she wants and the bohemian type who loves her in this comedy. Michele O'Brien (Leslie Caron) is a young widow raising a baby in Greenwich Village. She's decided that her child needs a father, and she determines that her best bet as a prospective mate is Dr. Phillip Brock (Robert Cummings), a well-heeled child psychologist. The only trouble is, Phillip doesn't like children very much, so Michele tries to keep her baby a secret from him. Michele's upstairs neighbor, Harley Rummell (Warren Beatty), is in love with her and is more than happy to baby-sit; however, Harley makes his living shooting nudie films in his flat, and when the baby begins making cameo appearances in the films, Michele starts wondering if Harley might be a bad influence on the tyke. William Peter Blatty, later to write the best-selling novel The Exorcist, penned the screenplay. Keep an eye peeled for a young Donald Sutherland in a bit part. ~ Mark Deming, All Movie Guide

This comical farce is a lighthearted lampoon of Wall Street and the vibrant trading and selling on the floor of the New York Stock Exchange. Henry Tyroon (James Garner) is the chameleonic broker who changes his colors and ethical standards to fit every deal. Molly (Lee Remick) is the novice trader competing in a largely male profession who catches Henry's eye. Her boss is Bullard Bear (Jim Backus), the slick financial veteran Henry runs up against. Chill Wills, Phil Harris, and Charles Watts are the Texas triumvirate who play their parts of super rich good old boys to the pinnacle of stereotypical eccentricity. John Astin is the vigilant government agent just dying to uncover some dirt and blow the whistle at the slightest hint of impropriety. Louis Nye plays an abstract artist who wishes to expand his stock portfolio. Plenty of jabs are taken at Wall Street, Madison Avenue and idle rich blue bloods at the mercy of unscrupulous opportunists. ~ Dan Pavlides, All Movie Guide

Arnold Bourdon (Scott McKay) hires beautiful nurse Joan Grecco (Antoinette Bower) to care for his overbearing wife, Elizabeth (Geraldine Fitzgerald). Inevitably, Arnold falls in love with Joan, whereupon husband and nurse conspire to kill the ailing wife. Unfortunately for the conspirators, Elizabeth figures out what's going on and fires Joan, replacing her with a much older nurse -- but Arnold still manages to have the last laugh. ~ Hal Erickson, All Movie Guide

Arrested for embezzling 20,000 dollars, mild-mannered Milton Potter (Paul Hartman) immediately surrenders to the police, explaining that he is "not the running type." Sentenced to 12 years in jail, Milton is given several opportunities to shorten his sentence by revealing the whereabouts of the stolen money, but he refuses each time. And then, upon his release, Milton promptly returns every penny of the 20 grand. So what was in it for him? You'd be surprised. ~ Hal Erickson, All Movie Guide

After a fight with his wife (Gena Rowlands) in which he tells her that he wishes he was single again, Ralph Jones (Dick York) is miraculously transported back to his bachelorhood, two years earlier. At least, that's the story Ralph tells his psychiatrist (John Zaremba), who has trouble believing such a far-fetched tale. The truth of Ralph's claim may well be confirmed by something as simple as a waterlogged baseball card! ~ Hal Erickson, All Movie Guide