George Roy Hill Movies
Not to be confused with early-1930s MGM director George Hill (many historians do mix up the names, even though the earlier Hill died in 1934), American director George Roy Hill started out as a musician. He studied both at Yale and Trinity College in Dublin; it was there that Hill began an acting career with Cyril Cusack's company. After World War II, Hill shifted his interest to stage directing, and after further military service in Korea, he moved into TV as both director and writer. Hill directed for various live anthologies of the 1950s, including Kraft Television Theater, The Kaiser Aluminum Hour and Studio One. He came to films relatively late, directing his first feature, Period of Adjustment, in 1962. Hill rapidly built up a reputation for being commercially reliable after such hits as The World of Henry Orient (1964) and Hawaii (1967); even relative misfires like Thoroughly Modern Millie (1966) were at least attractively assembled. All the same, Hill was no Hollywood bootlicker; he was fired during post-production of both Millie and Hawaii due to heated arguments over the editing. Thus, no one was certain what the mood on the set would be when Hill was contracted to direct Paul Newman in Butch Cassidy and the Sundance Kid (1969). Hill's first move turned out to be the film's lifesaver: he vetoed several co-starring choices, including Steve McQueen and Warren Beatty, in favor of Robert Redford, and the resultant chemistry between Newman and Redford was sheer box office nirvana. Hill received an Oscar nomination for his direction, which doubtless compensated for the back injury that forced him to do much of his directing in a supine position. Butch Cassidy had built-in audience appeal -- more than can be said for Hill's next project, a filmization of Kurt Vonnegut's almost unfilmable novel Slaughterhouse Five (1971). It was a noble failure, but Hill was feted by the Cannes Film Festival for the effort. The director reunited Newman and Redford for The Sting (1973), which did even better than Butch Cassidy and copped a Best Picture Academy Award. The Sting stars demonstrated their thanks to Hill by entrusting him with many later projects: the director guided Redford through The Great Waldo Pepper (1973) and Newman through Slap Shot (1977). Not all of George Roy Hill's subsequent projects were as successful, though there are excellent moments in the first twenty minutes of The Little Drummer Girl (1981) once we get past Diane Keaton's miscasting as a Vanessa Redgrave-type activist; and Hill's Funny Farm (1988) makes up for its misfire slapstick set-pieces involving nature-lover Chevy Chase with a rousing comedy climax. ~ Hal Erickson, All Movie Guide
The disarming comedy A Little Romance features Diane Lane as a 13-year-old American, living in Paris with her businessman stepfather (Arthur Hill) and her promiscuous mother (Sally Kellerman). Mom is currently enamored with pretentious-filmmaker David Dukes, and it is on the set of Dukes' latest picture that Lane meets another 13-year-old, insatiable French film buff Thelonious Bernard. A likeable street-smart petty thief and gambler, Bernard is instantly attracted to Lane. With the help of roguish old Laurence Olivier, Lane and Bernard arrange a romantic rendezvous under the Bridge of Sighs in Venice. Naturally, when the kids disappear it's a cause for international concern, but all ends as it should. Some of the best moments in A Little Romance belong to Broderick Crawford, unselfconsciously playing "himself" at a movie party. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Olivier, Arthur Hill, (more)
- 1969
- PG
- Add Butch Cassidy and the Sundance Kid to QueueAdd Butch Cassidy and the Sundance Kid to top of Queue
Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Paul Newman, Robert Redford, (more)
Chevy Chase stars as Andy Farmer, a sportswriter who moves with his schoolteacher wife Elizabeth (Madolyn Smith) to the country in order to write a novel in relative seclusion. Of course, seclusion is the last thing the Farmers find in the small, eccentric town, where disaster awaits them at every turn. The veteran production staff features the likes of composer Elmer Bernstein, cinematographer Miroslav Ondricek, production designer Henry Bumstead, and director George Roy Hill (The Sting, The World According to Garp). ~ Hal Erickson, All Movie Guide
- Starring:
- Chevy Chase, Madolyn Smith, (more)
Hawaii hadn't even begun filming when director Fred Zinnemann was replaced by George Roy Hill; similarly, the role intended for Charlton Heston ended up being played by Richard Harris (though Heston would eventually star in the 1970 sequel, The Hawaiians). Based on James A. Michener's best-selling novel, the time frame of which was spread out over several centuries, the film concentrates only on the years 1820 to 1841. Still, Michener's basic point, that the virginal sanctity of the Hawaiian islands was forever shattered by the incursion of the white man, remains intact. Max Von Sydow stars as Abner Hale, an imperious minister who settles in Hawaii with his wife, Jerusha Bromley Hale (Julie Andrews). While Abner expects the islanders to adapt to him rather than the other way around, Jerusha goes out of her way to understand and appreciate her new neighbors. She eventually seeks comfort in the arms of her former lover Rafer Hoxworth (Richard Harris). Despite the lush location footage and such spectacular highlights as pagan ceremonies and an outsized typhoon, the scene most filmgoers remember is Julie Andrews' agonizingly convincing childbirth sequence. All told, it took seven years to translate Hawaii from script to screen -- and almost that long to make back its 15-million-dollar cost. In the early scenes of Hawaii (the 171-minute version, rather than the 151-minute reissue), Bette Midler plays a bit part as a ship passenger. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Andrews, Max von Sydow, (more)
- 1956
One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, All Movie Guide
- 1962
This was the first feature-length film directed by the very successful George Roy Hill. Based on a Tennessee Williams' novel, this standard comedy-drama focuses on two married couples who are both having a hard time of it, at least for now. The first couple, Isabel and George Haverstick (Jane Fonda in an early role, and Jim Hutton), are in trouble because George has bouts of intense fear ultimately brought on by his need to appear to be as macho as he can -- basically his problem is performance anxiety. The second couple, Ralph and Dorothea Baitz (Tony Franciosa and Lois Nettleton) have their problems centering on the fact that he married her for her money -- and she knows it. What she may not realize is that after six years of marriage he has fallen in love with her. Added to that difficulty is the problem of meddlesome in-laws. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Anthony Franciosa, Jane Fonda, (more)
Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Strother Martin, (more)
"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, All Movie Guide
- Starring:
- Michael Sacks, Ron Leibman, (more)
- 1975
- PG
Robert Redford plays Waldo Pepper, a former World War I pilot who exaggerates his accomplishments in order to impress the rabble. After a brief rivalry with air-show entrepreneur Axel Olsson (Bo Svenson), Pepper teams with Axel to barnstorm all over the Midwest; later, after a series of unexpected (and calamitous) events, Pepper gets a job as a movie stunt pilot. On the set, he meets the film's technical advisor: former German ace Ernst Kessler (Bo Brundin), a man whom Pepper has been claiming falsely to have fought during the war, thereby advancing his own reputation. He is as disillusioned with civilian life as Pepper is, and ignoring the entreaties of the film's director, stages a genuine dogfight (sans live ammo) with his old "opponent." The Great Waldo Pepper represented the third filmic collaboration between star Robert Redford and director George Roy Hill. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Redford, Bo Svenson, (more)
- 1984
- R
Based on John Le Carré's novel by the same name, this story about Charlie (Diane Keaton) a female double agent working between the Palestinians and Israelis, loses some of the excitement and in-depth characterization engendered by the long novel -- mainly because the novel is hard to capture in a two-hour filmed format. But the action itself carries viewers along as Charlie ends up leaving England and her job as an actress in a Brit repertory company to meet Kurtz (Klaus Kinski) in Greece who recruits her as a spy. Charlie later has to handle her own emotions when she gets romantically involved with her Israeli contact (Yorgo Voyagis), though events move her quickly along to a Palestinian military camp near Beirut. Once she has passed herself off as a reliable Palestinian agent and completed her military training at the camp, she goes to Germany to hunt down a Palestinian terrorist (Sami Frey). Filled with a multitude of characters and locations, not to mention camera shots, the intensity of this story is dissipated somewhat by literally and figuratively covering a lot of territory, though the thread of the story itself is never lost. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Diane Keaton, Yorgo Voyagis, (more)
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Robert Redford, (more)
The 1982 film version of the John Irving novel The World According to Garp attempts to captures the quirky spirit while condensing the Irving original. Robin Williams plays the title character, the son of unmarried, unorthodox feminist Jenny Fields (Glenn Close, in her film debut). Every effort made by Jenny to broaden Garp's outlook on life -- she even arranges for him to spend the night with a hooker (Swoosie Kurtz) -- crams more fears and phobias into his psyche. Aspiring to become a novelist, Garp succeeds in this goal at the same time that his mother publishes her first feminist manifesto. Though successful and happily married to college sweetheart Helen Holm (Mary Beth Hurt), Garp remains envious of his fearless mother, who has taken in the radical "Ellen Jamesians," a group named after a young woman who had her tongue cut out by a rapist. Mutilation, in fact, becomes something of a leitmotif in Garp's life, climaxing (in every sense of the word) in an auto accident brought about by Helen's tryst with Michael Milton (Mark Soper). There is, of course, much more to the story than this: standing out amongst the dozens of offbeat supporting characters is John Lithgow as Roberta Muldoon, a transexual ex-football jock. John Irving appears as a referee during a college wrestling match, while director George Roy Hill plays the pilot whose low-flying plane crashes into Garp's new home. The World According to Garp didn't attract as large an audience as other, more conventional Robin Williams vehicles, though Close and Lithgow would both be nominated for Best Supporting Actor statues. ~ Hal Erickson, All Movie Guide
- Starring:
- Robin Williams, Mary Beth Hurt, (more)
Decked out with another of his American accents, Peter Sellers plays self-centered concert pianist Henry Orient. While Henry's active libido sends him off on pursuit of married woman Paula Prentiss, a pair of preteen boarding-school chums, played by Tippy Walker and Merrie Spaeth, worship Orient from afar. The girls' overworked imaginations, manifested in pursuing Orient about and recording their fantasies in their diaries, leads Walker's mom, Angela Lansbury, to conclude that Henry has "had his way" with her underaged daughter. The World of Henry Orient was later musicalized for Broadway as Henry, Sweet Henry. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Paula Prentiss, (more)
George Roy Hill directed this original musical set the 1920s that mixes pop standards with new tunes written by Sammy Cahn and James Van Heusen. Julie Andrews, in a role that recalls her Broadway triumph in The Boy Friend, stars as Millie Dillmount, who comes to New York is search of a secretarial job and an unattached boss. She moves into a hotel for women, run by kindly Mrs. Meers (Beatrice Lillie), and she befriends the pretty, petite orphan Dorothy Brown (Mary Tyler Moore). Millie finds work with the handsome bachelor Trevor Graydon (John Gavin), but Trevor has his eyes on Dorothy. So too does Mrs. Meers, who despite her kindly exterior is actually an unscrupulous white slaver. Paper clip salesman Jimmy Smith (James Fox), on the other hand, pledges his undying love to Millie. One day, after attending a weekend party being given at the opulent Long Island mansion of Muzzy Van Hossmere (Carol Channing), Dorothy disappears. When Jimmy and Millie smell opium in Dorothy's room, they realize the awful truth about Mrs. Meers. Trying to rescue Dorothy and find the location of Mrs. Meers' hideout, Jimmy disguises himself as an orphaned woman and tries to get himself kidnapped. The scheme backfires, however, and Mrs. Meers drugs and kidnaps both Jimmy and Trevor. It is left to Millie to find the white slavers, free her friends from bondage and save the day. ~ Paul Brenner, All Movie Guide
- Starring:
- Julie Andrews, James Fox, (more)
- 1963
Julian Berniers (Dean Martin ) return from Illinois with his young bride Lily (Yvette Mimieux) to the family in New Orleans. Sisters Carrie (Geraldine Page) and Anne (Wendy Hiller) welcome the couple, who arrive with expensive gifts for the spinsters. The sisters hope brother Julian will help with much needed expenses, and he tells them his profitable factory went out of business but that he managed to save some money. It turns out Julian pulled of a real estate scam and took off with the dough. Carrie wishes to welcome her brother back with more than just her open arms. Carrie's jealousy of Lily pushes her to discover the shady land deal for herself as she tries to wreck the marriage. Lily returns to her mother Albertine (Gene Tierney), and is horrified to find her having an affair with their black chauffeur Henry (Frank Silvera). This film version of the Lillian Hellman play proves that Tennessee Williams is not the only playwright mining the twisted psychological profiles of characters from the deep South. ~ Dan Pavlides, All Movie Guide
- Starring:
- Dean Martin, Geraldine Page, (more)
