Jack Hildyard Movies

Jaclyn Smith is a curious choice to play the title character in the made-for-TV biopic Florence Nightingale. This fact, however, never enters into the consciousness of the viewer, thanks to Smith's excellent performance. Some liberties are taken with the details of the life of "The Lady with the Lamp," notably the addition of a largely speculative romance between Florence and her young swain (Timothy Dalton). The best scenes--and the most accurate--occur during the Crimean War sequences and during Nightingale's strenuous efforts to form the Red Cross. Co-produced by Tony Richmond, Jaclyn Smith's husband, Florence Nightingale debuted April 7, 1985. ~ Hal Erickson, Rovi

The seven-hour TV miniseries Ellis Island was adapted from a novel by Fred Mustard Stewart. Per its title, the film is a mosaic of subplots involving several European immigrants who passed through New York's Ellis Island before taking up residence in the Big Apple. Most of the characters are based on real people, notably the Irving Berlin-like musician played by Peter Riegert. Co-stars Faye Dunaway, Richard Burton (in his last film role) and Ann Jillian were honored with Emmy nominations. Ironically, this essentially American saga was largely filmed in London. Originally telecast November 11, 13, and 14, 1984, Ellis Island was re-edited and re-telecast in the summer of 1986, just in time for the Statue of Liberty Centennial. ~ Hal Erickson, Rovi

The plot of this of this adaptation of the Daniel Carney's novel, sprinkled throughout a series of extended Sam Peckinpah-inspired action sequences, deals with a collection of mercenary toughguys -- Colonel Allen Faulkner (Richard Burton), Lieutenant Shawn Fynn (Roger Moore), Rafer Janders (Richard Harris), Pieter Coetzee (Hardy Kruger) -- who are hired to parachute into the African bush country and abscond with deposed African president Julius Limbani (Winston Ntshona) and reinstall him as a reigning monarch of an African country, to satisfy British mercantile interests. The action sequences were successful enough to spawn a sequel -- appropriately titled Wild Geese II. ~ Paul Brenner, Rovi

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, Rovi

In Mousey a made-for-TV thriller, a disturbed and obsessed man seeks to regain his son from his overbearing, controlling wife. Kirk Douglas, nick-named "Mousey" by his high-school student, is left by his wife, Laura (Jean Seberg) who also takes her young son who "Mousey" has adopted. "Mousey" begins to stalk her, murdering strangers in the vain hope of impressing her. Kirk Douglas, well-directed by Daniel Petrie, gives a strong, chilling performance, portraying a vengeful man obsessed over his lack of power. Mousey is exceptionally well done and engrossing. It presents a portrait of obsession and gives Douglas the opportunity to explore and build on his character. While Jean Seberg, in the last role before her death, is quite good, this is Kirk Douglas' movie and he never lets it go. Mousey was also released as Cat and Mouse. ~ Linda Rasmussen, Rovi

This detective thriller features one of the most exciting boat chases ever filmed, a scene that has been compared to the car chase in Bullitt. It is also notable for having much scenic footage of the Netherlands and of Amsterdam. In this film, the headquarters of a drug-smuggling cartel is the quarry of American narcotics agent Paul Sherman (Sven-Bartil Taube). Though the cartel's activities are centered in Amsterdam, Sherman's search for the headquarters leads to an island castle owned by an offbeat religious group. Sherman and his partner Maggie (Barbara Parkins) run into serious trouble when they try to gain access to the forbidding site. Paul escapes captivity and chases the culprits by boat. ~ Clarke Fountain, Rovi

Filmed on locations ranging from Denmark to the Universal backlot, Alfred Hitchcock's Topaz is based on a novel by Leon Uris. Frederick Stafford, a veteran of European-filmed James Bond rip-offs of the 1960s, is cast as Andre Devereaux, a French secret agent assigned to snoop around Cuba in the months prior to the 1962 missile crisis. Someone is supplying Castro -- and, by extension, Moscow -- with NATO secrets; it is up to Devereaux to liquidate the "mole." Aiding Devereaux is CIA agent Nordstrom (John Forsythe) and aristocratic anti-Castro Cuban Juanita (Karin Dor), who happens to be the girlfriend of pro-Castroite Rico Parra (John Vernon). The director seems to be in awe of the fact-based storyline, and as a result, the film is more cut-and-dried than most Hitchcock efforts. Three different endings were filmed for Topaz; the Laserdisc version carries all three, as does the print available to the American Movie Classics cable service. According to the MPAA, the film was originally rated M but later changed to PG; however, a number of home-video issues of Topaz officially list it as "Not Rated." ~ Hal Erickson, Rovi

Yul Brynner stars as the legendary Mexican revolutionary Pancho Villa in this 1968 epic that was originally written by Sam Peckinpah, who hoped to direct it. But studio bosses instead hired Buzz Kulik and cut the script. Villa is commanded by General Huerta (Herbert Lom) and assisted by the sadistic Fierro (Charles Bronson). Captain Francisco Ramirez (Frank Wolff) is a counter-revolutionary leader for whom an American pilot, Lee Arnold (Robert Mitchum), is smuggling guns from Texas. While Arnold is in a small village waiting for his place to be fixed, he sees Ramirez's troops attack the village and get routed by Villa. The rebels arrest Arnold for gun-running and sentence him to face a firing squad. He works a deal to save his skin by agreeing to fly missions for the revolutionaries. While Villa's men attack a train, Arnold bombs government troops with grenades. Arnold's aerial support saves Villa when he is sent on a doomed mission by Huerta, who is vying with Villa for power. Arnold escapes to Texas and Villa is arrested for disobeying Huerta's orders. Villa eventually escapes, finds Arnold in Texas, and convinces him to fight again for the revolution, which is now targeting Huerta, who has assassinated the Mexican president and taken power. ~ Michael Betzold, Rovi

A lawmen who is sworn to bring a rebel to justice finds himself developing a great respect and admiration for his quarry in this period drama. In the 1920s, the British Raj still rule India, and Freddy Young (Trevor Howard) is a English police officer whose duty is to keep order among the native Bhantas. While Young believes in his heart that the people of India should be free to determine their own political destiny, he is forced by his occupation to uphold British law. However, not all the Bhantas willingly follow the commands of the British, and Sultan (Yul Brynner) is an Indian determined to lead his people to freedom from colonial tyranny. Young is instructed to find and capture Sultan, but while his superiors indicate that they would not be upset if Sultan were to meet with an accident, Young is impressed by the courage and intelligence of his adversary, and he is determined to bring him back alive. Young eventually infiltrates Sultan's camp and pleads with the leader to give himself up before more bloodthirsty British forces storm his compound. The Long Duel's supporting cast includes Edward Fox and Charlotte Rampling, in roles that predated their rise to stardom. ~ Mark Deming, Rovi

In December of 1944, the Allied high command is convinced that German forces in Belgium are in a low state of readiness, and perhaps even about to withdraw. Only one officer on the front lines, intelligence specialist Lt. Col. Kiley (Henry Fonda), believes otherwise -- that the Germans are actually planning an attack. His opinion is rejected by his immediate superior (Dana Andrews) and his commanding general (Robert Ryan). Kiley spots several suspicious signs of German activity behind enemy lines on a reconnaissance flight, and he is at the front looking for evidence when the German counter-offensive starts. Taking advantage of Allied unpreparedness and a weather front that grounds all aircraft, their heavy tank units, supported by infantry, roll over the American forces, assaulting the lines at five different points in an attempt to ultimately divide the Allied forces in the west. The German top tank officer, Colonel Hessler (Robert Shaw), has planned his operation perfectly, but he is in a race against time, to take as much territory as possible before the weather front moves out and American aircraft can fly again, and to capture the American fuel supplies so that the offensive can continue right to the port of Antwerp. He has the total dedication of his men, but engenders doubts from his aide, Conrad (Hans-Christian Blech), who is weary of the fighting and wonders what it is all for. Meanwhile, Kiley is trying to uncover the weak spot in the German offensive, and he crosses paths with several other key players in this drama: Charles Bronson as a combat officer charged with the defense of the collapsing American position, James MacArthur as a neophyte lieutenant who becomes a leader, and Telly Savalas as a conniving sergeant in command of a tank who unexpectedly finds a nobler, less mercenary side of himself. ~ Bruce Eder, Rovi

In this drama, from director Anthony Asquith, the lives and stories of three different people are linked together by their possession of an unusual car, a yellow Rolls Royce Phantom II. Lord Frinton (Rex Harrison) is a diplomat who purchases the exquisite auto as a gift for his wife (Jeanne Moreau). After Frinton's horse wins the Royal Gold Cup, Lady Frinton incurs the Lord's wrath when she is caught in the back seat of the Rolls with his underling John Fane (Edmund Purdom). In the 1930s, the car is bought by Italian gangster Paolo Maltese (George C. Scott), who is carrying on with the hatcheck girl Mae Jenkins (Shirley MacLaine). The two take a tour of Italy and see all the historic sights, but Mae is less than impressed. While Paolo is in the United States on one of his frequent hit-man assignments, Mae and a street photographer try out the back seat for comfort and carnal pleasure. Art Carney plays Paolo's associate Joey. In the final episode, Gerda Millett (Ingrid Bergman) is the married American woman who buys the car in 1942. With Hitler attacking Yugoslavia the brave and brazen beauty helps fight the Nazis by smuggling Davich (Omar Shariff) across the border, and this duo also find themselves in the back seat for a roll in the Rolls. Davich shows his gratitude by shipping the car along with Gerda back to the United States. ~ Dan Pavlides, Rovi

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, Rovi

This was the last trip in the "road" comedies that Bob Hope, Bing Crosby, and a bevy of female stars that featured Dorothy Lamour once made famous. In this road to Hong Kong and parts far beyond, Chester and Harry (Hope and Crosby) are a couple of failed vaudeville stars looking for a way to riches in the confidence game. Chester's memory goes kaputz, and the two end up involved with Diane (Joan Collins), a spy looking for a secret formula, and a bunch of hoodlums who plan on sending up a rocket to the moon with special equipment allowing them to rule the planet earth. The pair of heroes gets caught in the rocket instead of the originally intended monkeys, and the monkey business continues in outer space -- where it seems to be all along. In this mixed collage of events, several stars pop up in cameo roles: Peter Sellers, Dean Martin, David Niven, Frank Sinatra among them. ~ Eleanor Mannikka, Rovi