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Werner Herzog Movies

One of the most influential filmmakers in New German Cinema and one of the most extreme personalities in film per se, larger-than-life Werner Herzog quickly gained recognition not only for creating some of the most fantastic narratives in film, but for pushing himself and his crew to unprecedented lengths, again and again, in order to achieve the effects he demanded. Born Werner Stipetic in Munich on September 5, 1942, Herzog tremendous intelligence from an early age, and recognized his future vocation in his early teens, when he began submitting scripts to German film producers.

Herzog began producing short films in college, and shot his premier feature, Lebenszeichen in 1968. The director followed it with a 1970 documentary about the disabled, Behinderte Zukunft (Handicapped Future). His second feature film, the 1970 Even Dwarfs Started Small, depicts the daily activities of a bunch of dwarfs and midgets in a German penal community, who descend into an anarchic state. He continued to shoot arthouse features throughout the '70s in his native Germany like Fata Morgana, Land des Schweigens und der Dunkelheit, Aguirre the Wrath of God, The Mystery of Kaspar Hauser , Heart of Glass, Die grosse Ekstase des Bildschnitzers Steiner, Stroszek, Nosferatu ,Woyzeck, andGod's Angry Man.

Between 1980 and 1982, Herzog managed to top the insanity of that film shoot with Fitzcarraldo, the story of a nineteenth century opera lover, determined to bring the music of Enrico Caruso to the Peruvian Indians. The production proved to be difficult. During shooting, a plane crashed and killed several locals, lead Jason Robards acquired amoebic dysentery and had to be replaced with Kinski, second-billed Mick Jagger abandoned the production, steamer ships used for the set became mired in the mud and could not be moved until rainy season, and tribal war nearly erupted nearby.

Herzog soon found himself more interested in hardcore documentary work, and began focusing on non-fiction, with Lessons of Darkness (1992), Bells from the Deep: Faith and Superstition in Russia (1993), The Transformation of the World into Music (1994), Little Dieter Needs to Fly (1997), Wings of Hope (2000), Wheel of Time (2003) and Incident at Loch Ness (2004). Grizzly Man (2004) - comprised of footage shot by ill-fated "Grizzly Bear expert" Timothy Treadwell just before his death in a bear attack - elicited particularly strong acclaim, while 2010's Cave of Forgotten Dreams captured the 30,000 year old cave art in the Chauvet Cave using 3D cameras.

Herzog's focus on documentaries didn't keep him from working on narrative films as a whole. 2001's Invincible dramatized the story of a Jewish man who rose to power with the Nazis, only to renounce his party affiliations and swear allegiance to his people, and the director's 2006 Rescue Dawn starred Christian Bale as real life pilot Dieter Dengler, who was shot down over Vietnam, and held in a Vietnamese prison camp, only to lead a successful escape with his inmates. Changing gears dramatically, 2010's Bad Lieutenant: Port of Call New Orleans starred Nicholas Cage as an insane cop.

In addition to his directing and screenwriting work, Herzog has acted in a number of films, perhaps most memorably in Les Blank's 1980 documentary Werner Herzog Eats His Shoe. The film was the result of a bet Herzog once had with an American film student: Herzog told the student -- who was always talking about making a film but never actually doing it -- that if he actually completed the film, Herzog would eat his own shoe. The student was Errol Morris, who later became known for his documentaries Gates of Heaven, The Thin Blue Line, and Fast, Cheap & Out of Control, and he did indeed make his film. Having lost the bet, Herzog made good on his promise, and the result was one of the stranger moments in documentary history. In Paul Cox's 1983 picture Man of Flowers, Herzog plays the central character's stern, disciplinarian father during a wordless flashback. ~ Nathan Southern, Rovi
1999  
 
Add 2000 Years of Christianity, Episode 9: God the Burdened to Queue Add 2000 Years of Christianity, Episode 9: God the Burdened to top of Queue  
Werner Herzog helms God the Burdened, episode nine of the 2000 Years of Christianity documentary series, which investigates and explores the archaeology of Christianity and how its landscape evolved and shifted over the course of several centuries. This episode begins in the infamous year 1492, with Christopher Columbus' discovery of the Americas. It then segues into the conquering and enslavement of those same continents by the Portuguese and the Spaniards, explains how vast tribes of Native Americans perceived Christianity as a dominator and oppressor because of the diseases toted by the white Europeans, and demonstrates how missionaries acknowledged the horror of this scenario, attempting to save the Indians by protecting them on reservations. It subsequently moves ahead in time to 1620, when the Pilgrims landed on Plymouth Rock and brought the attitudes and ideas of Calvinism to the new land, and shows how Christians branched out, both geographically and doctrinally, into various denominational sects, learning to cohabitate peaceably. ~ Nathan Southern, Rovi

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1997  
NR  
Add Little Dieter Needs to Fly to Queue Add Little Dieter Needs to Fly to top of Queue  
While growing up in desolated post-WW II Germany, all Dieter Dengler, the son of a Nazi slain during the war, dreamed about was becoming a pilot. At age 18, he left his country with only a few cents to his name and emigrated to the U.S. Landing in San Francisco, he worked odd jobs until he was accepted into the Navy and began pilot training. He was sent to Vietnam around 1966 and on his first mission was shot down and taken prisoner. There, the Vietcong tortured and starved him until Dengler engineered a hair-raising escape and eventually returned to the U.S. where his heroic life story has been forgotten until now. Sometimes blurring the lines between fact and fiction with his trademark recurrent themes, this documentary from Werner Herzog remembers the times of the heroic Dengler. The film is divided into four chapters, each representing a period from Dengler's life; the story is recounted via interviews with the Navy pilot, archival footage and new footage seamlessly spliced together. ~ Sandra Brennan, Rovi

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Starring:
Dieter DenglerWerner Herzog, (more)
 
1995  
 
Utilizing computer-generated effects and creative splicing to place Germany's most famous living directors in a fantasy movie house, filmmaker Edgar Reitz takes an innovative approach toward exploring the history of German cinema. In this magical theater, directors such as Leni Riefenstahl, Detlev Buck, Volker Schloendorff, Margarethe von Trotta, Wim Wenders, Werner Herzog "discuss" the state of German cinema with a focus on New German Cinema. ~ Sandra Brennan, Rovi

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1995  
 
Add Gesualdo: Death for Five Voices - The Composer Carlo Gesualdo (1560-1613) to Queue Add Gesualdo: Death for Five Voices - The Composer Carlo Gesualdo (1560-1613) to top of Queue  
The troubled life of sixteenth century composer Don Carol Gesualdo, Prince of Venosa is explored by filmmaker Werner Herzog in this film shot on location in Italy and featuring interviews with Gesualdo Consort director Gerald Pace, Il Complesso Barocco musical director Alan Curtis. From his sexual deviance and dangerous obsessions to a shocking act of murder, Gesualdo's personal demons and remarkable influence are explored as never before thanks to careful research and detailed interviews with those who have dedicated their lives to studying his remarkable legacy. ~ Jason Buchanan, Rovi

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1993  
 
In this short documentary, legendary German filmmaker Werner Herzog lightly touches on the varieties of religious and related beliefs which enrich, enliven or distort the lives of so many Russians. Whether it is exploring the ancient mysticism of Russian Orthodoxy and the extreme asceticism it inspires in the faithful, or the weird manifestations of modern-day hucksters and faith-healers, the film only goes skin-deep. However, reviewers also found that the "skin" is a colorful and interesting one. One highlight of the documentary is its inclusion of several unusual musical interludes, including Tuvan throat-singing and a virtuoso performance on a carillon of bells. ~ Clarke Fountain, Rovi

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1993  
 
By now, few will remember the tragic kidnapping of the grandson of the man who, in the '60s, was the world's richest man, J. Paul Getty. Getty, a paranoid and miserly man, refused to pay ransom for his handsome, ne'er do well grandson, J. Paul Getty III. He may have believed that the boy engineered it himself, as a means to get some money out of the old skinflint. As a result, the boy was mutilated by his kidnappers (his ear was sliced off) in an attempt to persuade the old man of the seriousness of their intentions. As it happened, the kidnappers made two mistakes: one was to attempt to extort money from the world's richest miser, the other was in their handling of the boy, who managed to escape. Had it not been for those events, the world's media spotlight would probably have passed the otherwise undistinguished young man by. In this documentary, which assumes familiarity with these events, the troubled life and loves of the grandson's wife and her sister, luminous and beautiful twins from Switzerland, are explored in the light of the boy's tragic life. When Gisela married him, he was a handsome, charming, darling of the jet-set, and fully expected to inherit some portion of his grandfather's billions. In the kidnapping and its aftermath, not only did he become melancholy and erratic, ever more prone to dangerous drug use, but he was cut out of his grandfather's will. Angela, who was accused of being a gold-digger, loyally stuck by his side through all their ups and downs. In fact, even after J. Paul Getty III was rendered permanently comatose following an accident, she remained with him. One gathers that the marriage was something of a ménàge à trois, because Gisela's twin, Jutta, rarely left her side. ~ Clarke Fountain, Rovi

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Starring:
Paul Getty III
 
1992  
 
Add La Donna Del Lago to Queue Add La Donna Del Lago to top of Queue  
Based on Sir Walter Scott's narrative poem "The Lady of the Lake," opera composer Gioacchini Rossini's La Donna del Lago follows a pair of lovers through the pitfalls of feudal Scotland. This video production was recorded in 1992 at the Teatro alla Scala in Italy, and features director Werner Herzog as well as vocalists Riccardo Muti, and June Anderson. ~ Tracie Cooper, Rovi

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1992  
 
Straddling a line between documentary and science fiction, Werner Herzog's Lektionen in Finsternis is an epic visual poem set in the burning oil fields of Kuwait following the 1990-1991 Persian Gulf War. Herzog, as much a daredevil as a documentarian, took his small crew in a helicopter and, floating above the fields, photographed jaw-dropping footage of the blazing, blackened landscape. Alternately horrific and majestic, the movie is a phantasmagoric, if distanced, catalog of horrors. Boiling lakes of crude oil, twisted scraps of melted metal, and ominous billows of smoke and fire abound. On the ground, the images are just as otherworldly. Herzog filmed scenes of firemen in full-body suits, working -- futilely it seems -- to contain the blaze. There are also a couple of interviews with Kuwaiti women, who talk heartbreakingly of the brutalities they suffered at the hands of Iraqi soldiers. In his voice-over narration, Herzog assumes the identity of a spectator from another planet, making bemused comments about the catastrophe with no attempt to inform the viewer of the factual circumstances behind it. His high-flown rhetoric, dense with mythical portent and allusiveness, underscores this visionary movie's detached view of the destruction of the Kuwaiti oil fields. ~ Elbert Ventura, Rovi

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1991  
 
Werner Herzog's cinema of obsession (Aguirre: The Wrath of God, Fitzcarraldo) has always owed some of its emotional expressionism to the post-World War I genre of German mountain films (The Blue Light, The White Hell of Pitz-Palu), in which German mountain climbers are compelled to scale the heights of dangerous mountain peaks, achieving a form of purification and superiority. It was inevitable that at some point Herzog would tackle a mountain. Finally, with Cerro Torre: Schrei Aus Stein, he does. Donald Sutherland stars as Ivan, a journalist who instigates a rivalry between Roccia (Vittorio Mezzogiorno), a professional mountain climber who has braved the highest mountain peaks in the world, and Martin (Stefan Glowacz), a champion athlete of indoor climbing walls. But Roccia doesn't need a reporter to fuel a rivalry between the two, since Katharina (Mathilda May), Roccia's lover, is attracted to Martin. Ivan arranges for a TV special chronicling the efforts of Roccia, Martin, Katharina, and Ivan to conquer the peak of the unconquered Cerro Torre granite tower in Chile. Roccia keeps postponing the climb until finally Martin heads off to climb Cerro Torre by himself, accompanied only by a television crew. But the result of that journey causes Roccia to avoid the press, while Martin is greeted with skepticism. This unhappy response to their initial attempt causes Ivan, Roccia, Martin, and Katharina to confront the formidable peak again for a final confrontation with the silent mountain. ~ Paul Brenner, Rovi

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Starring:
Vittorio MezzogiornoMathilda May, (more)
 
 
1990  
 
Idi Amin Dada was not the only leader of a newly independent African nation who was accused (on the basis of reliable evidence) of bizarre practices. The former French colony known as the Central African Republic was governed from 1966 to 1977 by a man known as Jean Bedel Bokassa. After he was deposed, he was accused of cannibalism. This documentary by Werner Herzog explores the years of his increasingly strange and paranoid rule of that country, and features an interview with a western journalist who was imprisoned by Bokassa as a result of a garbled telex. Bokassa was ousted shortly after he staged an elaborate, widely publicized and very expensive coronation for himself as the "Emperor" of the Republic, during a state visit to another African country. ~ Clarke Fountain, Rovi

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Starring:
Michael Goldsmith
 
1989  
 
Financed in West Germany and filmed in the Soviet Union, Hard to Be a God (Es Ist Nicht Leicht Ein Gott Zu Sein) is set some thousand years or so in the future, when all forms of hostility and aggression have been purged from the earth. A group of space travellers stumble upon an alien civilization that seems mired in the Middle Ages. Astronaut Edward Zentara is sent out to explore this primitive land, and in so doing he becomes involved in war and bloodshed for the first time in his life. Eventually, he leads the downtrodden local citizens into battle against his fellow Earthlings. Produced on an epic scale over a six-year period, Hard to Be a God is stronger in its action sequences than in its ponderous dialogue exchanges. Watch for German director Werner Herzog in a brief opening-scene bit. ~ Hal Erickson, Rovi

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Starring:
Edward ZentaraAlexander Filippenko, (more)
 
1989  
 
Add Giovanna D'arco to Queue Add Giovanna D'arco to top of Queue  
Werner Herzog directs and Riccardo Chailly conducts the Teatro Communale di Bologna in this famous story of Joan of Arc. ~ Rovi

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Starring:
Renato BrusonSusan Dunn, (more)
 
1989  
 
These days, things have gotten a little out of hand even in the Swiss countryside. At least, this is what Windleter (Wolfram Berger) thinks, on his farm in the mountains. Even the local girls are a little too forward for him. When he goes to Zurich on a brief jaunt, he visits a "girlie bar" there which showcases Asian girls. On the lookout for a suitable wife, he arranges to have a Thai farmer's daughter sent to him. She duly arrives a few weeks later, and things proceed much to his satisfaction (if not hers), since he is not interested in having sex, even after they marry. They pursue their rather unsatisfying lives together, but the suspicion and racism of their neighbors eventually grow out of control, with tragic consequences. ~ Clarke Fountain, Rovi

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Starring:
Wolfram BergerWerner Herzog, (more)
 
1988  
 
Add Cobra Verde to Queue Add Cobra Verde to top of Queue  
Director Werner Herzog, as usual, has spared no one -- especially himself -- in bringing this story of 19th-century African slave trading to the screen. Klaus Kinski plays an enterprising young Brazilian who after impregnating the three daughters of his plantation-owning employer, is sent to West Africa to round up slaves. Kinski goes to great lengths to befriend the very people he hopes to enslave and he eventually manages to overthrow a mad monarch and set himself up as king. As the years pass, Kinski grows wealthy -- and careless. However, despite enslaving the tribe, he does show some signs of humanitarian benevolence. This fifth and final collaboration between director Herzog and Kinski is considered the weakest of the five features. Though the title translates literally as Green Cobra, Cobra Verde was released in the U.S. as Slave Coast. ~ Hal Erickson, Rovi

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Starring:
Klaus KinskiKing Ampaw, (more)
 
1988  
 
Because it was made for French television, Herdsmen of the Sun has escaped notice in most of the "official" lists of credits for director Werner Herzog. In the manner of his earlier obsessive, location-filmed studies of strange and distant cultures (Fitzcarraldo comes most readily to mind), Herzog concentrates on the nomadic Woodabe tribe of the Sahara. In a dry, desolate land where day-to-day living is next to impossible, the Woodabes maintain their bizarre, centuries-old rituals. Faced with devastating drought, the tribesmen display courage above and beyond anything most "western" audiences can imagine. Even more fascinating are the Woodabe's sexual rituals, which cannot be detailed here. Much of the 52-minute Herdsmen of the Sun is filmed in the Peul language, so be prepared for lightning-quick subtitles. ~ Hal Erickson, Rovi

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1985  
 
In this intriguing documentary, award-winning German director and producer Wim Wenders combines clips from one of his favorite directors, Ozu Yasujiro (see the tribute to Ozu, Ikite wa Mita Keredo.. by Inoue Kazuo), with actual scenes from the sprawling, crowded megalopolis of Tokyo to discover where the real world and cinematic license may intersect, if at all. Ozu's films captured the poignant and fleeting aspects of worldly existence -- as in colorful autumn leaves that cannot last long. Wenders almost emulates his technique when he decides, in this 92-minute look at Tokyo -- to spend time on fragments of city life that are telling, eloquent statements of a Japanese ethic. Golfers on city rooftops, the neon lights of the famous Ginza shopping area, baseball games in a cemetery, the omnipresent televisions (even in taxis), and the waxed-over food that stands for months and years in restaurant windows to advertise the menu are all surreal and eloquent scenes. Juxtaposed against the noise and bustling crowds in a city in which people live elbow-to-elbow -- and contrasted with viewpoints on Ozu offered by two former associates -- these scenes and their counterpoints present a well-rounded view of Tokyo, Ozu, and what it means to be Wim Wenders filming in Japan. ~ Eleanor Mannikka, Rovi

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Starring:
Werner Herzog
 
1984  
 
In this unusual documentary based on a series of identical questions addressed to world-famous directors such as Werner Herzog, Steven Spielberg, and Jean-Luc Godard, director Wim Wenders placed each of his colleagues one-by-one in a single room, gave them one reel (11 minutes) of time to look into the stationary camera if they chose, and answer set questions. The juxtaposition of so many individualistic, experienced, and innovative filmmakers commenting on topics like television's effect on cinema, the influence of ad techniques, the tendency toward miniseries, and other relevant subjects offers worthwhile moments that are unlikely to be found elsewhere. ~ Eleanor Mannikka, Rovi

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Starring:
Jean-Luc GodardSteven Spielberg, (more)
 
1984  
 
Add Wo Die Grünen Ameisen Träumen to Queue Add Wo Die Grünen Ameisen Träumen to top of Queue  
In a slightly padded but well-acted and relevant drama, an Australian mining company and a group of aboriginals go to court to settle a dispute over sacred land that the company wants to mine. When the Ayers Mining Company sets out to begin construction of its mine with bulldozers and earth-movers, the Aboriginals physically block the work because the site is exactly where the green ants will gather to dream (a 40,000-year-old legend) and it cannot be disturbed. The company tries the usual means of getting their way -- through bribes and arguments -- but nothing budges the men who came to defend the land. Once in court, it is quickly apparent that tribal laws and customs and beliefs are very different than Western laws -- and how the issue will be resolved is sticky indeed. ~ Eleanor Mannikka, Rovi

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Starring:
Bruce SpenceWandjuk Marika, (more)
 
1984  
 
This is the story of the civil war in Nicaragua - between the government of Nicaragua and the CIA-backed Miskito Indians. ~ Tana Hobart, Rovi

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1983  
 
Add A Man of Flowers to Queue Add A Man of Flowers to top of Queue  
The Australian Man of Flowers stars Norman Kaye in the title role. A painter, Kaye has earned his nickname from his beautifully rendered flower portraits. He uses his artistic skills as a means of channelling his repressed sexual yearnings, especially his feelings towards nude model Alyson Best. When flowers no longer quench his carnal thirsts, Kaye expresses himself on his pipe organ, hammering out impassioned songs as a sort of musical cold shower. A flashback, which is meant to explain Kaye's hang-ups (but deliberately does not) features German director Werner Herzog in an unbilled cameo as Kaye's father. ~ Hal Erickson, Rovi

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Starring:
Norman KayeAlyson Best, (more)
 
1982  
 
This documentary includes an interview with German filmmaker, Werner Herzog. ~ Rovi

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