Michael Hertzberg Movies

A man trying to help out his sister finds himself chin-deep in hot water in this screwball comedy. Yuppie businessman Bill Campbell (Matthew Broderick) is close to sealing a $140 million business deal when he gets a phone call from his little sister Marci (Courtney Peldon), who is convinced that her new stepfather, Peter Van Der Haven (Jeffrey Jones), the mayor of the city of Buzzsaw, California, is up to no good. Though understandably wary, Bill heads to Buzzsaw, where he promptly loses his paperwork on the deal in progress and is confronted by the city's remarkable collection of eccentrics, including the crazed fugitive Sally (Heidi Kling), the subnormal Jim Jr. and Jim Sr. (John C. Reilly and Michael Monks), and Ann (Marian Mercer), the mayor's loopy wife. It turns out that Marci wasn't entirely wrong; year's ago, Peter's diabolical twin brother Matt (also played by Jones) was sent to jail in his brother's place on criminal charges, and now Matt has violent revenge on his mind. Out on a Limb features an original score by noted composer and arranger Van Dyke Parks. ~ Mark Deming, All Movie Guide

The bittersweet comedy Memories of Me stars Billy Crystal as Dr. Abbie Polin, a New York heart surgeon, long estranged from his father, Abe (Alan King). When the doctor suffers a mild heart attack, he tries to patch things up with his dad, hoping in this way to bring some equilibrium to his own life. This proves well-nigh impossible; Abe, the self-described "king of the Hollywood extras," is not only a play-actor in Tinseltown but in life itself, refusing to take on any real responsibilities, least of all the responsibility of parenthood. So far as Abe is concerned, his only "family" consists of his fellow extras. Though Abbie is extremely judgmental of his father, he himself is no prize in the commitment department, especially when dealing with his longtime lady friend (JoBeth Williams). Star/co-writer Crystal, co-star/co-producer King, and director Henry Winkler lay on the sentiment in thick, juicy slices toward the end. The final sequence in Memories of Me, a Felliniesque funeral, is very clever but somewhat out of synch with what has gone before. One of the film's highlights is a brief celebrity cameo by one of Alan King's "close personal friends." ~ Hal Erickson, All Movie Guide

Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide

One of several film versions of the 1928 Russian novel The Twelve Chairs (one of the better-known adaptations was the 1945 Fred Allen vehicle It's in the Bag), Mel Brooks' movie is set in the years following the Bolshevik revolution. Onetime aristocrat Vorobyaninov (Ron Moody), now reduced to a humdrum clerical job, discovers that his family's fortune still exists. To keep their riches from falling into the hands of the revolutionaries, Vorobyaninov's family hid the loot in one of twelve chairs. Taking a crafty beggar (Frank Langella) into his confidence, Vorobyaninov returns to the ruins of his ancestral mansion to reclaim his fortune. Also chasing after the twelve chairs is an Orthodox priest (Dom DeLuise), who tells himself that he only wants the money to replenish his church. Alas, the chairs have been scattered to the four winds, sparking a film-length race to retrieve the furniture and claim the gold. ~ Hal Erickson, All Movie Guide

John Cheever's "misery in suburbia" short stories, brief and to the point, have always proven excellent TV fodder. Director Frank Perry's The Swimmer, adapted for the screen by Perry's wife Eleanor, is a rare, and for the most part successful, attempt at offering a Cheever story in feature-length form. Dressed only in swimming trunks throughout the film, Burt Lancaster plays a wealthy, middle-aged advertising man, embarked on a long and revelatory journey through suburban Connecticut. Lancaster slowly makes his way to his split-level home by travelling from house to house, and from swimming pool to swimming pool. At each stop, Lancaster comes face to face with an incident in his past. Informing Kim Hunter that he once harbored a secret love for her, Lancaster is mildly upset by Hunter's indifference. Elderly Cornelia Otis Skinner is incensed at Lancaster's intrusion in her backyard and orders him to leave. At the next home, Lancaster tries to seduce the nubile Janet Landgard, who'd once baby-sat for his daughters, but she runs away in horror. And so it goes: as each subsequent suburbanite peels off his self-protective veneer, Lancaster grows more and more disillusioned with what he thought was his ideal lifestyle. The more intensely painful episode is the confrontation between Lancaster and ex-mistress Janice Rule (this scene was directed, without credit, by Sydney Pollack). Thoroughly defeated, the all-but-naked Lancaster laboriously makes his way through the Connecticut woods in a blinding rainstorm, desperately seeking out his own home where he fully expects his "loving" wife and daughters to greet him. Not this time. Dismissed as too self-consciously "arty" at the time of its release, The Swimmer's reputation increased over the decades following its release thanks to constant late-night TV exposure. The film represents the first movie work of 22-year-old composer Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

A seven year old and his mother cope with his father's death in an auto accident. His grieving mother is in denial, and the rush of well-meaning relatives fails to help the situation. The boy observes the reaction of adults to the death of his father, taking refuge in the world and games of children to escape the sadness. Mary (Jean Simmons) slowly accepts her husband's death and begins to adjust to the devastating loss. The story is based on the Pulitzer Prize winning novel by James Agee. Robert Preston plays the friendly, ill-fated husband whose brother Ralph (Pat Hingle) is the local undertaker in this dramatic tear jerker. ~ Dan Pavlides, All Movie Guide