Jean Hersholt Movies
Danish actor Jean Hersholt was already a stage and movie veteran when he arrived in the USA in 1913. An apprenticeship as an extra and bit player led to a long and lucrative silent film career in the '20s, during which time Hersholt was firmly entrenched as the slimiest and most monstrous of movie villains. Towards the end of the silent era, Hersholt began playing nicer characters, still taking on the occasional bad guy or "surprise" killer in murder mysteries. Hersholt's screen image was altered permanently in 1936, when he was cast as Dr. Dafoe, the Canadian obstetrician who delivered the celebrated Dionne Quintuplets, in 20th Century-Fox's The Country Doctor. Plans to create a Dr. Dafoe movie series were blocked by the real Dafoe, but Jean Hersholt was anxious to sustain the characterization of a beneficent, lovable small-town medico; thus Dr. Christian -- named for Hersholt's favorite author, Hans Christian Andersen -- was born. The actor created the role of Dr. Christian on radio in 1937, then commenced a series of six low-budget Christian features for RKO Radio in 1939. Extending the ethics and generosity of Dr. Christian into his private life, Hersholt set up the Motion Picture Relief Fund, which provided medical care and a livable income for actors, directors, and other studio employees who were no longer able to care for themselves. While serving as president of the Academy of Motion Picture Arts and Sciences, Hersholt was lauded with three Academy Awards for his own charity work, and in 1948, he was knighted by King Christian X of Denmark. In 1956, a TV series based on Dr. Christian was produced by ZIV Studios; appearing on the first episode to bestow his practice upon the new Dr. Christian (MacDonald Carey) was Jean Hersholt, who had valiantly agreed to help launch the series even though he was dying of cancer and had wasted away to only 95 pounds. After the actor's death, the Jean Hersholt Humanitarian Award was set up to honor conspicuous acts of selflessness and kindness in the movie industry. ~ Hal Erickson, All Movie GuideIn an unusual move, MGM released its film version of Sidney Kingsley's Pulitzer-Prize winning play Men in White while the play was still running on Broadway. Clark Gable is cast as Dr. George Ferguson, a dynamic young intern whose brilliant future seems assured. In addition to planning to study in Vienna, then to serve as the assistant to his mentor Dr. Hochberg (Jean Hersholt), Ferguson is slated for a socially prestigious marriage to wealthy Laura Hudson (Myrna Loy). But when Laura begins expressing displeasure over Ferguson's dedication to his work, he enters into a brief affair with student nurse Barbara Dennin (Elizabeth Allan). Upon finding that she's pregnant, Barbara desperately undergoes an illegal abortion (a plot point merely alluded to in the screenplay). The botched operation results in Barbara being rushed into emergency surgery, where her life is in Ferguson's hands. In a third-act climax that would not have seemed out of place on TV's Chicago Hope, Laura finds herself a witness to the operation -- and to Barbara's deathbed "absolution" of Dr. Ferguson's sins. Critics were kind to Men in White, but some felt that the Kingsley original had been unnecessarily reshaped into a Clark Gable vehicle. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Myrna Loy, (more)
Based on the stage musical by Jerome Kern and Otto Harbach, The Cat and the Fiddle stars Jeanette MacDonald as a music student and Ramon Novarro as a struggling composer. When the leading lady walks out of Victor's (Novarro) upcoming operetta, the star's husband pulls his financial support. The leading man ankles the production shortly thereafter, compelling Victor to play the role himself. All this scenario needs is fair Shirley (MacDonald) as the last minute-replacement for the missing leading lady -- but Shirley has given up music to marry philandering (but wealthy) Daudet (Frank Morgan). The fact that the film's final scene was lensed in Technicolor should indicate whether or not Shirley comes to Victor's rescue. Only one song from the original stage production of The Cat and the Fiddle was used in the film version; the remaining (and forgettable) tunes were penned by Kern and Harbach exclusively for the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Frank Morgan, (more)
A W. Somerset Maugham novel was the source for the fair-to-middling Greta Garbo vehicle The Painted Veil. In a situation comparable to the plotlines of most of her silent films, Garbo is lovelessly married to Herbert Marshall, but carries a flaming torch for George Brent. (Also harking back to Garbo's silent days is the fact that neither one of the men in her life is particularly interesting!) Marshall, a brilliant physician, is compelled to go into the interior regions of China to quell a cholera epidemic. He knows that Garbo has been having an affair with politician Brent, and chivalrously gives her the choice of remaining with Brent or accompanying him. Fearing a scandal, Brent bids farewell to Garbo. Once they're in the midst of the epidemic, Garbo tirelessly works by her husband's side; eventually she falls in love with him for the first time. Seriously injured in a peasant uprising, Marshall hovers near death. Brent reappears, offering to take Garbo back with him. She refuses, electing to stay with her husband no matter what the future brings. Among the supporting players in The Painted Veil are Warner Oland and Keye Luke, one year away from their memorable pairing in Fox's Charlie Chan films. ~ Hal Erickson, All Movie Guide
- Starring:
- Greta Garbo, Herbert Marshall, (more)
This unique thriller chronicles the exploits of a doctor who will do almost anything to please his young, second wife. She wants more money. He arranges to get it by hypnotizing a bank official and making him extract $100,000 from the vault. The doctor then plans to murder him and then rob him. Before he acts, the physician comes to his senses and confesses his scheme to the police. He then swears he will have the bank officer return the cash. Unfortunately, the bank official is killed and robbed. The doctor, who had come to hypnotize him, is found unconscious. Someone chloroformed him. At this point the movie grinds to a halt and an intermission is inserted. It's purpose is to allow the viewer one minute to look back upon the clues and try to solve the murder. A clock ticks off the seconds, and the characters and clues quickly flash across the screen. It is still very difficult to determine "whodunit" until the very end of the picture. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jean Hersholt, Wynne Gibson, (more)
Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a "professional guest." Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight. The script by Herman Mankiewicz, Frances Marion, and Donald Ogden Stewart is a virtual enclyopedia of witty lines and scenes, right down to the unforgettable closing gag. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Dressler, John Barrymore, (more)
Based on the play by Sidney Howard (of Gone with the Wind and Dead End fame), Christopher Bean is a showcase for the magnificent Marie Dressler. She plays Abby, the poor but proud housekeeper of a small-town doctor (Lionel Barrymore), his wife (Beulah Bondi), and their children. Years before the story proper begins, Abby had been a close friend of Christopher Bean, a local painter who was treated as a pariah by the community because of his drunken misbehavior. After his death, however, Bean was acknowledged as a genius, and his paintings became extremely valuable. One of Bean's best works is a portrait that he painted of Abby -- and she refuses to part with it at any price, despite the entreaties of her avaricious employers. Sadly, Christopher Bean was Marie Dressler's final film; she died of cancer not long after its completion. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Dressler, Lionel Barrymore, (more)
This drama centers on the fight for certain post-Prohibitionist groups to gain total control over the liquor industry. Much of the tale is focused upon a family endeavoring to keep their little brewery. Their tiny beer- making operation was first jeopardized by the racketeers they refused to join. Film, history and sports buffs should keep an ear out for a continuity glitch in the story. In a Prohibition speakeasy, a radio plays the broadcast of the landmark Jess Willard-Jack Dempsey fight. Actually the fight occurred before Prohibition was in effect. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Bickford, Richard Arlen, (more)
The descriptive phrase "melting pot" is elucidated in the sentimental drama Hearts of Humanity. Jean Hersholt stars as a golden-hearted Jewish pawnbroker whose daughter Caludia Dell falls in love with Irish-Catholic policeman Charles Delaney. When another Irish cop is killed by a burglar, Hersholt adopts the dead man's son Jackie Searl (here taking a break from his usual "nasty kid" roles). Jackie repays the favor by proving to be more loyal and upright than even Hersholt's own son (George Humbert). Evidently, the film was supposed to end with the young Searl's death; his miraculous recovery would seem to indicate that the preview audiences had something to say about the film's denouement. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Hersholt, Jackie Searl, (more)
"Are you listening?" was the catchphrase of early-1930s radio personality Tony Wons. Though Wons does not appear in the 1932 MGM programmer Are You Listening?, the film is concerned with the burgeoning broadcast industry. William Haines plays a wise-cracking radio writer who is tricked into confessing on the air that he murdered his wife. Whenever an actor normally associated with comedy roles plays a murderer (either actual or implied) in a film, it's usually a sign that his studio contract has come to an end. Such was the case of Are You Listening?, which proved to be William Haines' swan song at MGM, where he'd been employed since 1925. Perhaps as a going-away present, J.P. McEvoy's script contrives to give Haines three leading ladies: Madge Evans, Anita Page and Karen Morley (nobody outside the industry knew that Haines was in fact a homosexual, and MGM was determined to keep it that way). ~ Hal Erickson, All Movie Guide
- Starring:
- William Haines, Madge Evans, (more)
New Morals for Old was the teasing title for a somewhat sedate film about the ongoing rejection of middle-class values by the youth of America. Robert Young, Myrna Loy, Donald Cook and Margaret Perry are among the freethinking young folk whose attitudes clash with those of their elders (including Lewis Stone, Laura Hope Crews and Jean Hersholt). The film's main crisis is nothing more scandalous than Robert Young's plans to pursue an art career over his father's objections. In an ironic coda, the younger people eventually marry, settle down, and become moralistic fuddy-duddies themselves. New Morals for Old was based on the John Van Druten play After All, which was set in London and thus added class consciousness to the basic generation-gap theme. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Margaret Perry, (more)
Based on Vicki Baum's novel and produced by Irving Thalberg, this film is about the lavish Grand Hotel in Berlin, a place where "nothing ever happens." That statement proves to be false, however, as the story follows an intertwining cast of characters over the course of one tumultuous day. Greta Garbo is Grusinskaya, a ballerina whose jewels are coveted by Baron von Geigern (John Barrymore), a thief who fancies Flaemmchen (Joan Crawford), a stenographer and the mistress of Preysing (Wallace Beery), businessman boss of Kringelein (Lionel Barrymore), a terminally ill bookkeeper who is under the care of alcoholic physician Dr. Otternschlag (Lewis Stone). Grand Hotel won Best Picture at the 1932 Academy Awards. ~ Matthew Tobey, All Movie Guide
- Starring:
- Greta Garbo, John Barrymore, (more)
Boris Karloff stars as the villainous Dr. Fu Manchu in this wild and wooly -- and wildly racist -- adventure yarn, based on Sax Rohmer's fiction about the personification of the "yellow peril." Sir Nayland Smith (Lewis Stone) of the British Secret Service recruits Sir Lionel Barton (Lawrence Grant) to lead an expedition with Prof. Von Berg (Jean Hersholt) and McLeod (David Torrence) to the Gobi Desert, to find the tomb of Genghis Khan and retrieve the scimitar and golden mask held within. To Barton, these are mere archeological trophies, but Smith has learned that Dr. Fu Manchu also has his designs on them; and if he gets hold of these artifacts, he will use them to cause a rising in the East, and foment a war for the destruction of the white race. The action is fast and furious, resembling a Saturday-morning serial, as Barton is kidnapped and brought to Fu Manchu, who proceeds to torture him to find the location of the tomb. Barton's daughter, Sheila (Karen Morley), replaces her father to guide the expedition, accompanied by her fiancé, Terry Granville (Charles Starrett). They find the tomb and retrieve the sword and mask, and find themselves in the company of Nayland Smith as they try to return to England, and surrounded by enemies on all sides. One man is dead and soon Terry is in the hands of Fu and his sadistic daughter Fah Lo See (Myrna Loy), who proceeds to torture him; Nayland Smith is slowly being lowered into a pit of crocodiles, Von Berg is trapped between moving spiked walls, and Sheila Barton is about to be sacrificed as part of the ritual in which Fu will declare himself the reincarnation of Genghis Khan. ~ Bruce Eder, All Movie Guide
- Starring:
- Boris Karloff, Lewis Stone, (more)
Produced by William Randolph Hearst's Cosmopolitan Production for MGM, this well made Grand Hotel clone was based on a 1931 novel by Faith Baldwin. Warren William stars as David Dwight, a building and bank magnate who not only attempts to double-cross his backers but is two-timing both his wife (Hedda Hopper) and devoted secretary/mistress (Verree Teasdale). Threatened with losing his conglomeration in general and the 100 stories Dwight Building in particular to Hamilton (Arnold Lucy), David's cynical manipulations end up backfiring with unforeseen tragedy. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Warren William, Maureen O'Sullivan, (more)
Night Court is one of those pictures that "hooks" the viewer with one audacious plot twist after another. Walter Huston is eminently hissable as Judge Moffett, a corrupt jurist who has managed to buy off practically everyone in town, all the while maintaining a facade of respectability. When evidence of Moffett's skullduggery accidentally falls into the hands of Mary Thomas (Anita Page), the wife of good-guy cabdriver Mike Thomas (Phillips Holmes) and the mother of a bouncing baby boy, the Judge contrives to frame Mary on a prostitution rap. Coercing Mary to plead guilty as her "only hope," Moffett railroads the poor girl into prison, while Mike can only stand helplessly by. Later on, Moffett is confronted with proof of his crimes by his reform-minded political opponent Osgood (Lewis Stone), whereupon Moffett kills Osgood and manages to plant the blame on Mike! As the last reel of Night Court tumbles across the spool, the audience is confronted with the unpleasant possibility that Moffett might actually get away with all his perfidy -- but the scriptwriters still have one more ace up their sleeves. Those who have to get up early in the morning are advised not to start watching Night Court when it pops up on the Late Late Show. ~ Hal Erickson, All Movie Guide
- Starring:
- Phillips Holmes, Walter Huston, (more)
Emma is a turn-of-the-century domestic drama completely dominated by star Marie Dressler. She plays the maid of an upper middle class family, keeping her wits about her as her employers suffer crisis after crisis. When the master of the house (Jean Hersholt), a prominent inventor, is widowed, he proposes marriage to Emma. Shortly afterward, Hersholt dies, and Emma, who has married "out of her class", is accused of murder by Hersholt's jealous children. Cleared of the accusation, Emma turns over her inheritance to the selfish children and heads off to work for another family, once again making the best of any and all bad situations. Emma very nearly won Marie Dressler her second Academy Award; five minutes into the film, the modern viewer will be amazed that Ms. Dressler lost--even taking in consideration that the winner in 1932 was Katharine Hepburn. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Dressler, Richard Cromwell, (more)
Directed by Harry Beaumont, the courtroom drama Unashamed stars Robert Young as Dick Ogden, who will do anything to protect his sister Jean (Helen Twelvetrees). Unfortunately, Jean is in love with the sleazy Harry Swift (Monroe Owsley), who is only interested in her fortune. After Harry (Owsley) manipulated Jen (Twelvetrees) into spending the night alone with him, Mr. Odgen (Robert Warwick) refused to give them permission to marry. A furious Harry threatens to ruin Jean's reputation, but is shot by Dick (Young) before he can say anything. Heartbroken, Jean does not forgive her father or brother and plans to testify against Dick even if it means the death penalty. It looks as if Dick will be sent to the gas chamber until the very end, when his sister suddenly has a change of heart. ~ Tracie Cooper, All Movie Guide
- Starring:
- Helen Twelvetrees, Robert Young, (more)
A reluctantly appointed police chief in a crime-riddled city takes his job seriously and works hard to clean the streets of gangsters and to shape up his own corrupt department in this brutal, gritty film noir. Jean Harlow plays a luminescent but ill-fated gun moll. ~ Sandra Brennan, All Movie Guide
- Starring:
- Walter Huston, Jean Harlow, (more)
Flesh was one of the few big-studio films to deal with the subject of professional wrestling--at least until Hulk Hogan came along in the 1980s. Wallace Beery stars as a thickheaded waiter in a German beer garden who uses his muscles to clear out rowdy patrons. Beery channels his strength into a wrestling career, grappling his way up to the championship. His wife Karen Morley enjoys the creature comforts of Beery's success, but her heart belongs to her ex-lover Ricardo Cortez, and soon Karen is stepping out on her husband. Beery finds out and exacts a terrible revenge on Cortez--just minutes after Karen wises up and realizes she loves Beery after all. John Ford directed Flesh in a heavy Germanic fashion reminiscent of the Emil Jannings "cuckolded husband" melodramas of the 1920s. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Karen Morley, (more)
In the space of 74 minutes, Helen Hayes goes from naïve French country lass to elderly harridan in Sin of Madelon Claudet. Is it any wonder that she won an Academy Award? (She truly deserved this Oscar; the jury is still out concerning her cutesy supporting turn in 1969's Airport, which also copped her the gold statuette). Betrayed by artist Neil Hamilton, Hayes moves on to jewel thief Lewis Stone, who commits suicide to avoid arrest, leaving Hayes to her fate. After ten years in jail for her complicity in Stone's crimes, Hayes turns to the only profession open to her. She walks the streets to raise enough money to support her illegitimate son, who grows up to be Robert Young and who has no idea that Hayes is his mother. Thanks to his mother's anonymous financial support, Young is able to attend medical school, eventually becoming a wealthy doctor. Even allowing for the illogical nature of the plotline and the lachrymose dialogue, the heartrending final scenes of Sin of Madelon Claudet can still raise a lump in the throat after 65 years. ~ Hal Erickson, All Movie Guide
- Starring:
- Helen Hayes, Neil Hamilton, (more)
It was once theorized by critic Andrew Sarris that this 1931 Greta Garbo vehicle was subtitled "Her Fall & Rise" rather than the expected "Rise & Fall," because Hollywood--and by extension, the public--could not tolerate a failure. Whatever the case, modern audiences will latch onto Susan Lennox not because of its cumbersome title but because of its one-time-only pairing of Garbo and Clark Gable. Fleeing an arranged marriage with Alan Hale, Sr.,, Swedish farmer's daughter Garbo takes temporary refuge in a cabin in the woods, occupied by engineer Gable. Though it is love at first sight, Garbo hastily runs out of Gable's life when her uncle and her betrothed show up. Again a fugitive, Garbo joins a seedy carnival, becoming the kept woman of carney owner John Miljan. By chance, she is reunited with Gable, who spurns her because of her tawdry station in life. Years pass: Garbo has worked her way up the courtesan ladder, becoming the mistress of politician Hale Hamilton. This relationship comes to a sudden halt thanks to Hamilton's muckraking enemies, so it's back to the road for Garbo, who by now will settle for no man but her long-lost Gable. The protagonists finally manage bury the past in the jungle community where the drink-sodden Gable has retreated to "lose himself." Greta Garbo's performance in Susan Lennox: Her Fall and Rise is up to standard, but Clark Gable seems extremely uncomfortable, almost as if suffering an impacted molar. The film was adapted by four screenwriters from a novel by David Graham Phillips. ~ Hal Erickson, All Movie Guide
- Starring:
- Greta Garbo, Clark Gable, (more)
Adhering to a formula that would later be popularized further in Grand Hotel, Transatlantic is one of the best of the "multi-story" films of the early 1930s. As a luxurious ocean liner makes its way across the Atlantic Ocean, the audience is made privy to the travails of several of its passengers. Edmund Lowe heads the cast as Monty Greer, a suave gambler who falls in love with Judy (Lois Moran), the daughter of immigrant lens grinder Rudolph Kramer (Jean Hersholt). In trying to recover some valuable securities stolen from banker Henry Graham (John Halliday), Greer finds himself in the middle of a fierce gun battle in the ship's engine room. Meanwhile, Graham, who has been cheating on his wife Kay (Myrna Loy) with sexy dancer Sigrid Carline (Greta Nissen), is murdered by person or persons unknown. And that's only three of the plot strands in this marvelously complex shipboard thriller. In almost constant reissue well into the 1940s, Transatlantic was also very nearly transformed into a TV series in the late 1950s; though this project never flew, vestiges of the original can be detected in the popular all-star TV weekly of the 1970s, The Love Boat. Of special interest is the Oscar-winning art direction by Gordon Wiles and the cinematography of James Wong Howe, both of whom employ techniques that anticipated Orson Welles' Citizen Kane by ten years. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmund Lowe, Lois Moran, (more)
Amanda (Norma Shearer) and Elyot (Robert Montgomery) -- a witty, sophisticated married couple -- divorce and marry other mates. Amanda chooses stuffy Victor (Reginald Denny), while Elyot's selection is the tiresome Sibyl (Una Merkel). Coincidentally, both newlywed couples honeymoon at the same Swiss hotel -- in adjoining suites, in fact. Amanda and Elyot realize anew that the flame of their love has never been extinguished, but when both slip off for a lover's tryst, they fall into their old pattern of ceaseless bickering. When Victor and Sibyl catch up with their erring mates, they themselves begin arguing. Once the point has been made that Amanda and Elyot deserve each other and that Victor and Sibyl are likewise perfectly matched, this elegant comedy of manners draws to a quiet close. A fairly faithful adaptation of the classic Noël Coward stage play (virtually all of the witticisms, notably "Some women should be struck regularly -- like gongs" are left intact, though we truly miss "You're looking lovely in this damned moonlight"), Private Lives is played with such polish and expertise that we're willing to overlook the fact that only one of the four principals (Reginald Denny) is genuinely British. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Robert Montgomery, (more)
In this melodrama, a magician finds himself accused of murdering his lover's father. He flees and the lover marries her other boyfriend--the real killer. When her husband dies, the magician gets plastic surgery until he resembles the killer and assumes his former position as husband to the girl. He then begins gathering the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Gilbert, Leila Hyams, (more)
A man who unthinkingly sullied the honor of a virtuous girl now must deal with his own ethical downfall in this drama. Willi Kasder (Ramon Novarro) is a lieutenant in the Austrian Army who one night picks up an innocent young woman named Laura Taub (Helen Chandler). Willi shares several drinks with the naive Laura and takes advantage of her; the next morning, she discovers to her horror that he left money for her and has no intention of seeing her again. Emotionally shattered, Laura soon becomes the mistress of Herr Schnabel (Jean Hersholt), a wealthy but corrupt gentleman with a taste for gambling. Willi begins gaming with Schnabel and soon falls deeply in debt; eventually Schabel gives Willi two options: pay the money you owe or kill yourself. Willi tries to find a way out of his dilemma while also hoping to free Laura from the corrupt lifestyle into which he led her. ~ Mark Deming, All Movie Guide
- Starring:
- Ramon Novarro, Helen Chandler, (more)












