Buck Henry Movies

Stockard Channing stars in this made-for-cable comedy-drama as Dr. Beth Noonan, a female psychiatrist trying to hold her life together as she guides four of her patients through personal turmoil. Lauren Travis (Elle MacPherson), a respected lawyer, finds her sexual identity thrown into question when she discovers she's attracted to another woman, Casey (Kate Capshaw). Helen McCormick (Glenne Headly) is forced to spend a week with her two estranged sisters, Kathy (Allison Janney) and Kim (Rebecca DeMornay) after the death of their mother. Nia Morgan (Lynn Whitfield) is convinced her husband is being unfaithful to her; she hires Rachel (Linda Hamilton) to lure her spouse into infidelity, but Rachel learns that Nia's husband is actually involved with Betty (Mia Farrow), an older and unglamorous waitress. And after Dr. Noonan decides she can't handle the deep neuroses of Suzanne Nabor (Camryn Manheim), Suzanne snaps and takes the doctor hostage, along with three other people. It's a Girl Thing also stars Scott Bakula, Buck Henry, and Bruce Greenwood; it first aired in two parts on the Showtime premium cable network in January, 2001. ~ Mark Deming, All Movie Guide

In a small American town called Midland City, Dwayne Hoover (Bruce Willis) -- a loyal father, a successful car dealer, and a respected member of the community --lives with his wife Celia (Barbara Hershey), who's addicted to pills and TV shows, and his son Bunny (Lukas Haas), who is a weakling. What's more, his best friend and employee Harry Le Sabre (Nick Nolte) is a paranoid red-lace-lingerie fetishist. Dwayne finds short-term consolation in the arms of his secretary and mistress, Francine (Glenne Headley). As the American Dream slowly becomes his nightmare, Hoover begins to retreat into a fantasy world, filled with strange voices and fearful visions. It takes only the arrival of third-rate science-fiction writer Kilgore Trout (Albert Finney) -- whose novels are turned into fourth-rate porno comics -- at the Midland City Art Festival for things to explode. Hoover's only hope is Kilgore, whom he has raised to the status of a guru in his fantasies. However, the two men meet when time, space, and reality have already lost their meaning. Now it is only nonsense that makes sense and madness that reigns; the American dream has turned into lunacy. Breakfast of Champions, which had its world premiere during the 49th International Berlin Film Festival in 1999, is the outcome of a project in the making for over twenty years. Director Alan Rudolph wrote the script when the novel by Kurt Vonnegut was first published. However, it took all this time (and perhaps the casting of someone like Bruce Willis in order to get it financed) for the project to be realized. ~ Gönül Dönmez-Colin, All Movie Guide

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide

The good people of Milo, Kansas (pop. 1,972) combine forces to battle against the evil agribusiness Farmco that conspires to drive up the price of bread to six dollars a loaf. Farmer Jeff Parker (Sonny Gibson) and the crusading journalist Charlie Stevens (Buck Henry) recruit former Farmco executive James Kirkland (Doug McClure) who resigns when his conscience bothers him too much. Reporter Roger Crandall (Paul Newson) uncovers the plot to inflate the price of grain and sends it to colleague Jessica Stanton (Reparata Mazzola) before he is killed. Jessica investigates Roger's "accidental" death and the shooting of a federal grain inspector. Jeff saves Jessica after she is kidnapped and drugged with ether. Ben Johnson plays the local sheriff in this message drama. ~ Dan Pavlides, All Movie Guide

Eating Raoul was celebrated at the time of its release as the perfect marriage between mainstream moviemaking and the so-called "underground" cinema. Cult-film icons Mary Woronov and Paul Bartel (both of whom directed) play a married couple who decide to cash in on the sexual perversions of others. Posing as a hooker, Woronov lures the "johns" in and indulges their every kinky whim, whereupon Bartel kills the unwary client, steals the valuables, and sells the corpse for dog food. Though they see nothing wrong in what they're doing, they react in prudish disgust at the sexual preferences of their victims. Eventually, Raoul (Robert Beltran), the fellow who transports the corpses to the dog food concern, proves expendable--and extremely edible. Eating Raoul features a high-powered comic supporting cast, among them Buck Henry, Ed Begley Jr., Richard Paul, Hamilton Camp, and Edie McClurg. ~ Hal Erickson, All Movie Guide

Gilda Radner, Bob Newhart, and Madeline Kahn star in this comedy. The farce sends up an idiotic First Family in the persona of a bumbling president (Newhart), his semi-alcoholic wife (Kahn), and his oversexed daughter (Radner). Satirizing the artificial, formal speech of real-life First Families in television interviews, director Buck Henry carries this mode of speech into their private lives as well. The trio travel to an African country where the First Daughter is kidnapped and white Americans are traded as slaves in exchange for some special animal dung that is able to accelerate plant growth. ~ Eleanor Mannikka, All Movie Guide

Gloria (Gena Rowlands), a self-involved woman in her forties who was once a mobster's mistress, is asked to look after Philip (Juan Adames), the son of her Mafia-connected Puerto Rican neighbors. This temporary set-up becomes permanent when the neighbors are killed in a mob hit. Philip has in his possession a diary containing a record of illegal Mafia activities; thus the boy is as good as dead unless Gloria takes decisive action. With Philip in tow, Gloria leads the hit men on a frantic chase around Manhattan, and during the various gunfire exchanges, more than holds her own. Offering to exchange the diary for the boy's life, Gloria is rebuffed by the vendetta-driven assassins. Where once she was content squirreling herself away in her lonely apartment, Gloria now must face a lifetime on the run. Directed on a more commercial level than was customary for John Cassavetes (with a subversive streak of self-parody in the bargain), Gloria served as an excellent showcase for Cassavetes' wife Gena Rowlands. The film won the Golden Lion Award at the 1980 Berlin Film Festival. ~ Hal Erickson, All Movie Guide

Sean Astin stars as the title character in this creepy made-for-cable adaptation of the Kurt Vonnegut classic. Set in a future America, where a small, elite group controls the masses, teen Harrison Bergeron is chosen to lead a movement that promotes mediocrity. Christopher Plummer stars as John Klaxon, the mastermind behind the attempt to uniformly dumb-down Americans. ~ Bernadette McCallion, All Movie Guide

Alan Abel, best known as a purveyor of hoaxes, codirected this porno movie spoof with his wife Jeanne. Alan also stars as an itinerant sex specialist who travels around asking just-folks opinions about the possibility of post-mortem cohabitation. Among the guest stars are satirist Buck Henry and Marshall Efron (The Great American Dream Machine) as a dirty-movie director. Others in the cast are famed transvestite Holly Woodlawn and onetime Mad Magazine writer Earle Doud. Is There Sex After Death? originally earned an "X" rating, but has been pared down to a hard "R" for videotape release. ~ Hal Erickson, All Movie Guide

Actor-turned-filmmaker Griffin Dunne directs this mockumentary about the lives of struggling thespians. The film focuses on Lisa Picard (Laura Kirk), a fledgling actress about to burst on the scene thanks to a bit part in a made-for-TV movie. She is followed around by Dunne as she makes her publicity rounds with her friend Tate Kelley (Nat DeWolf), a writer/actor/militant gay activist. Famous is populated with several direct-to-camera interviews featuring the likes of Penelope Ann Miller, Charles Sheen, and Mira Sorvino. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

Murphy (Candice Bergen) is getting tired of accusations that she dates men solely on the basis of their looks, especially since the accusations are true. To prove something not only to her friends but to herself, Murphy agrees to go out with her new acquaintance, nerdish-but-brilliant physicist Victor Rudman (Buck Henry). Naturally, Murphy is certain that she is in for an evening of intellectual rather than carnal stimulation--but Victor Rudman turns out to have other ideas! This is the 17th episode of Murphy Brown--which happens to be the same number of secretaries that she's already hired and fired. ~ Hal Erickson, All Movie Guide