Paul Henreid Movies

Some sources list actor Paul Henreid's birthplace as Italy. In fact, at the time of his birth, Henreid's hometown of Trieste was still part of the Austro-Hungarian empire. Of aristocratic stock, Henreid felt drawn to theatrical activities while attending college. He briefly supported himself as a translator before Max Reinhardt's assistant Otto Preminger officially discovered him and launched his stage career. Still billed under his given name of Von Hernreid, he made his film debut in a 1933 Moroccan production. Relocating to England in 1935, he was often as not cast as Teutonic villains, most memorably in the 1940 melodrama Night Train.

In 1940, Henreid became an American citizen--and, at last, a leading man. Henreid's inbred Continental sophistication struck a responsive chord with wartime audiences. He spent his finest years as an actor at Warner Bros., where he appeared as Jerry Durrance in Bette Davis' Now Voyager (1942), as too-good-to-be-true resistance leader Victor Lazslo in Casablanca (1942), and as troubled medical student Philip Carey in the 1946 remake of Of Human Bondage (1946). Henreid exhibited a great deal of vivacity in such swashbucklers as The Spanish Main (1945), Last of the Buccaneers (1950) and The Siren of Bagdad (1953); in the latter film, the actor engagingly spoofed his own screen image by repeating his lighting-two-cigarettes bit from Now Voyager with an ornate water pipe. He was also an effective villain in Hollow Triumph (1948, which he also produced) and Rope of Sand (1949).

Henreid's star faded in the 1950s, a fact he would later attribute (in his 1984 autobiography Ladies Man) to the Hollywood Blacklist. He turned to directing, helming such inexpensive but worthwhile dramas as For Men Only (a 1951 indictment of the college hazing process) and A Woman's Devotion (1954). One of his best directorial efforts was the 1964 meller Dead Ringer, starring his former Warners co-star (and longtime personal friend) Bette Davis. In addition, Henreid directed dozens of 30- and 60-minute installments of such TV series as Alfred Hitchcock Presents and Maverick. His last on-camera appearance was as "The Cardinal" in Exorcist 2: The Heretic (1977).

Henreid married Elizabeth Gluck in 1936, with whom he had two daughters, Monica Henreid and Mimi Duncan. On March 29, 1992, he died of pneumonia, following a stroke, in Santa Monica, California. ~ Hal Erickson, All Movie Guide
1933  
 
This German language film illustrates the worship of military endeavor which was to become a staple of the Hitler regime. It centers around life on a German submarine in WWI. ~ All Movie Guide

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Starring:
Rudolf ForsterAdele Sandrock, (more)
1937  
 
Laurence Housman's 1935 stage play Victoria Regina, which has served as a showcase for actresses as varied as Helen Hayes and Julie Harris, was adapted for the screen in 1937 as Victoria the Great. Herbert Wilcox was the producer, so no one was surprised and everyone was satisfied when Wilcox cast his actress wife, the beloved Anna Neagle, as Queen Victoria. The film repeats the play's episodic approach, tracing Victoria from her 1837 coronation to her Jubilee celebration sixty years later. Ms. Neagle is faultless, if perhaps a bit too self satisfied in this actor-proof role; her best scenes are with Prince Albert, played with finesse by Anton Walbrook. The Jubilee finale was originally filmed in resplendent Technicolor (derided in 1937 as vulgar) though some scattered prints are still processed in black and white. Victoria the Great was also released as Sixty Glorious Years. ~ Hal Erickson, All Movie Guide

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Starring:
Anna NeagleAnton Walbrook, (more)
1939  
 
In this British wartime propaganda film, a Nazi spy creeps into England and is taken in by a kindly family who have no idea who he really is. He repays their kindness by using their home as a radio base for his communiqués to other Nazis regarding the location of British targets for German planes and paratroopers. The plot really thickens when the Nazi falls in love with the daughter. When the Nazis attack, the Nazi houseguest kills one of his own officers. He is then dragged out and shot just before the British bombers fly over and destroy the home. ~ Sandra Brennan, All Movie Guide

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Starring:
Edmund GwennMary Maguire, (more)
1939  
NR  
Add Goodbye, Mr. Chips to QueueAdd Goodbye, Mr. Chips to top of Queue
Goodbye, Mr. Chips, based on James Hilton's novel, is a melodrama about a shy British teacher named Mr. Chipping (Robert Donat) who devotes his life to teaching "his boys" after the death of his lovely, energetic American wife Katherine (Greer Garson). Told via flashbacks, the film features an aged Mr. Chipping looking back nostalgically at his long career, taking note of the people who've touched his life over the years. Donat was the recipient of a Best Actor Oscar for his portrayal of the title character, and the film features the debut performance of a young Garson. ~ Matthew Tobey, All Movie Guide

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Starring:
Robert DonatGreer Garson, (more)
1940  
 
Rex Harrison astonished his fans by donning a Nazi uniform in the British suspenser Night Train (originally titled Night Train to Munich). Actually he's a British agent, working undercover to rescue a Czech inventor from the Gestapo. The inventor's daughter (Margaret Lockwood) becomes the unwitting pawn of a genuine Nazi (Paul von Hernreid, just before he became Paul Henreid) during a long train ride from Germany to France and back again. Director Carol Reed never denied that his inspiration for Night Train was Hitchcock's The Lady Vanishes (both films were written by Frank Launder and Sidney Gilliat). The homage was solidified by the presence in Night Train of two carryovers from the Hitchcock film: those ardent British cricket fans Charters and Caldicott (Basil Radford and Naunton Wayne). Night Train was liberally adapted from the Gordon Wellesley novel Report on a Fugitive. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret LockwoodRex Harrison, (more)
1940  
 
In this lively spy caper, the male half of a married song-and-dance duo moonlights as a government spy. The trouble begins when he is assigned to monitor a sexy foreign spy, something he must keep from his wife, who soon gets jealous when she sees the two constantly together. To monitor her own husband, the wife gets herself hired as a maid to the seductive secret agent. Her husband, impressed by her natural surveillance skills, finally gives in and allows her to help. Using their special talents, the two investigate and expose a master-spy who has fitted a new kind of carburetor on his airplane. To get at it, the couple dresses up like mechanics and hides upon the plane. Once airborne, they force the pilot out and head back for England. ~ Sandra Brennan, All Movie Guide

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Starring:
Jack HulbertDame Cicely Courtneidge, (more)
1942  
 
At first glance, we seem to be watching the 1934 Fred Astaire/Ginger Rogers musical The Gay Divorcee, which opens with a montage of Paris nightspots. Suddenly, however, stock footage from that earlier film is cut short, the screen goes dark, and an offscreen radio voice announces the Nazi invasion of France. At this point, the plot of Joan of Paris gets under way. Michèle Morgan plays a Parisian barmaid, Joan, whose patron saint is Joan of Arc. Thus, she considers it her bounden duty to aid Free French pilot Paul Lavallier (Paul Henreid) and his RAF comrades (one of whom is Alan Ladd) in their efforts to escape from occupied France. And if this means that Joan must face death at the hands of slimy Gestapo chief Herr Funk (Laird Cregar), she's eager and willing to make that sacrifice. One of the earliest French Underground dramas, Joan of Paris posted a neat profit for ever-in-the-red RKO Radio Pictures. ~ Hal Erickson, All Movie Guide

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Starring:
Michèle MorganPaul Henreid, (more)
1942  
 
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Olive Higgins Prouty's popular novel was transformed into nearly two hours of high-grade soap opera by several masters of the trade: Warner Bros., Bette Davis, Paul Henreid, director Irving Rapper, and screenwriter Casey Robinson. Davis plays repressed Charlotte Vale, dying on the vine thanks to her domineering mother (Gladys Cooper). All-knowing psychiatrist Dr. Jaquith (Claude Rains) urges Charlotte to make several radical changes in her life, quoting Walt Whitman: "Now voyager sail thou forth to seek and find." Slowly, Charlotte emerges from her cocoon of tight hairdos and severe clothing to blossom into a gorgeous fashion plate. While on a long ocean voyage, she falls in love with Jerry Durrance (Henreid), who is trapped in a loveless marriage. After kicking over the last of her traces at home, Charlotte selflessly becomes a surrogate mother to Jerry's emotionally disturbed daughter (a curiously uncredited Janis Wilson), who is on the verge of becoming the hysterical wallflower that Charlotte once was. An interim romance with another man (John Loder) fails to drive Jerry from Charlotte's mind. The film ends ambiguously; Jerry is still married, without much chance of being divorced from his troublesome wife, but the newly self-confident Charlotte is willing to wait forever if need be. "Don't ask for the moon," murmurs Charlotte as Max Steiner's romantic music reaches a crescendo, "we have the stars." In addition to this famous line, Now, Voyager also features the legendary "two cigarettes" bit, in which Jerry places two symbolic cigarettes between his lips, lights them both, and hands one to Charlotte. The routine would be endlessly lampooned in subsequent films, once by Henreid himself in the satirical sword-and-sandal epic Siren of Baghdad (1953). ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisPaul Henreid, (more)
1942  
NR  
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One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

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Starring:
Humphrey BogartIngrid Bergman, (more)
1944  
 
In this remake of Outward Bound, which updated the story to include topical refences to the war still raging in Europe, Henry (Paul Henreid) and Ann (Eleanor Parker) are a couple from Austria hoping to escape Nazi bombings. They are en route to a ship leaving Europe when an explosion throws them from their car and leaves many passersby dead. Despondent and unable to meet the ship, the couple return to their apartment and decide to commit suicide by turning on the gas. They awake to find themselves on a ship shrouded in fog and carrying many passengers, among them Tom Prior (John Garfield), a wisecracking reporter who was also a witness to the earlier bombing. Henry and Ann discover that the ship is actually Limbo, a waiting station between Heaven and Hell, where Mr. Thompson (Sydney Greenstreet) will determine their final destination for eternity. ~ Mark Deming, All Movie Guide

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Starring:
John GarfieldPaul Henreid, (more)
1944  
 
The West Coast's answer to Broadway's Stage Door Canteen, the Hollywood Canteen was created as a GI morale-booster by film stars Bette Davis and John Garfield. The Canteen was established so that Our Boys on leave in Tinseltown could have a good time with good food and good dancing -- and, as a bonus, rub shoulders with their favorite movie personalities, who functioned as waiters, chefs, busboys and dancing partners. Since the 1944 all-star flick Hollywood Canteen was produced by Warner Bros., it was only to be expected that the celebrities seen herein would consist mostly of Warner Bros. contract players. The frail plot concerns a soldier on medical leave (played by Robert Hutton) who falls in love with lovely leading lady Joan Leslie (played by Joan Leslie) while visiting the Canteen. Bette Davis and John Garfield are on hand to emcee the Canteen's variety acts, and to act as cupids for the Hutton/Leslie romance. The "supporting cast" includes the likes of The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Sidney Greenstreet, Paul Henreid, Peter Lorre, Ida Lupino, Dennis Morgan, Roy Rogers, S.Z. Sakall, Barbara Stanwyck, and the Jimmy Dorsey and Carmen Cavallaro musical aggregations. Virtually everyone involved donated their salaries to the Canteen fund--even Jack Benny. As with most of these patriotic wartime star rallies, the results are a mixed bag: the best sequences include Benny's violin "duel" with Joseph Szigeti and Roy Rogers and the Sons of the Pioneers introducing Cole Porter's Don't Fence Me In. Hollywood Canteen won three Oscar nominations, more for its good intentions than its inherent excellence. Still, don't pass up the opportunity when this "movie star salad" shows up on cable TV. ~ Hal Erickson, All Movie Guide

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Starring:
Robert HuttonJack Benny, (more)
1944  
 
This Casablanca-esque spy thriller set during WWII centers on the exploits of the notorious "Flying Dutchman," a fugitive resistance leader from Holland who heads for Lisbon where he hooks up with other members of the underground. One of them is a beautiful young woman, and none of the others trust her because she is married to an important German official. For the resistance leader, real trouble comes when he is framed for the murder of a fellow agent. Still he escapes from prison and hides out with his other colleague while he works to prove that he is innocent and carry out a major secret mission for the resistance. ~ Sandra Brennan, All Movie Guide

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Starring:
Hedy LamarrPaul Henreid, (more)
1944  
 
More a romantic melodrama than the uplifting propaganda piece the producers perhaps envisioned, In Our Time stars Ida Lupino as Jennifer Whittredge, a young antique buyer marrying a Polish count, Stephan Orvid (Paul Henried), after a whirlwind romance in a Warsaw at the brink of World War II. The count's old-fashioned family in general and his aristocratic uncle (Victor Francen) in particular resist the union, but Jennifer brings a breath of fresh air and a sense of good Anglo-Saxon values into the stagnant rooms of the Orvid estate and soon the farm is prosperous once again. When the German military might finally enters Poland, Jennifer and Stephan join the country's scorched earth defense by burning both their property and are soon among the refugees waiting for the day when Poland is once again free from Fascism. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Ida LupinoPaul Henreid, (more)
1945  
 
Roundly blasted upon its release because of the extreme liberties it takes with the truth, Devotion is better as cinema than as history. Not that it's great cinema, mind you, mainly because the filmmakers opted to replace historical fact with either tired dramatic clichés or wild improbabilities. As an example of the latter, the film posits that Paul Henreid's character, who is a standard-issue film romantic hero (troubled, but understandably so), is the inspiration for two of the most passionate, fiery characters in the canon of English literature. Arthur Kennedy as brother Bramwell is much more passionate and fiery, a fact which tends to further muddle things up. The generic setting is also disappointing; these ladies wrote as they wrote because of where they lived and how they lived, but little of this makes it to the screen. Fortunately, Devotion has Olivia de Havilland and Ida Lupino on hand. De Havilland is quite good, grabbing hold of whatever she can find in the script and milking it for all it's worth. Lupino does even better, often making this standard-issue (at best) writing seem engaging and moving. As indicated, Kennedy also makes things work for him, and Nancy Coleman does what she can with the little she is handed. Erich Wolfgang Korngold's score provides plenty of the atmosphere that Curtis Bernhardt's direction often lacks. Ultimately, Devotion's assets, particularly Lupino and de Havilland, manage to squeeze it into the winner's column -- but it's a pretty close call. The film was produced in 1943, hence the presence of Montagu Love, who died that year. ~ Craig Butler, All Movie Guide

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Starring:
Ida LupinoPaul Henreid, (more)
1945  
 
RKO Radio's first film in the three-color Technicolor process was the standard-issue swashbuckler The Spanish Main. Paul Henried is his usual stoic self as Laurent Van Horn, a Dutch sea captain shipwrecked on the coast of Cartagena, a Spanish-held island. Sentenced to be hanged, Van Horn and his crew escape from jail and take up piracy as revenge against Spain. Soon afterward, they capture a ship carrying Francisca (Maureen O'Hara), the fiance of Cartagena's corrupt governor Don Alvarado (Walter Slezak). Van Horn vengefully forces Francisca to marry him instead, which causes dissension at the Pirate colony of Tortuga. Naturally, Van Horn and Francisca eventually fall in love with each other, but the bad guys must be vanquished before a happy ending can be realized. Binnie Barnes steals the show as feisty female buccaneer Anne Bonney (who in real life looked less like Barnes and more like Walter Slezak!) The script is a cynical melange of pirate-movie cliches and the performances are generally routine, but The Spanish Main pleased the crowd in 1945, posting a profit of nearly $1.5 million and encouraging future Technicolor adventure films from RKO. ~ Hal Erickson, All Movie Guide

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Starring:
Paul HenreidMaureen O'Hara, (more)
1946  
 
This second film version of Somerset Maugham's classic novel stars Paul Henreid as a clubfooted, introverted medical student--an Englishman in the novel, but not in the hands of the mittel-European Mr. Henried. Eleanor Parker is featured as Mildred, the vulgar, brassy cockney waitress in whom Henreid is foolishly enamored. The role of Mildred had made Bette Davis a star in the 1934 version of Bondage; the magic didn't happen for poor Ms. Parker, who'd spend several years in variable parts before achieving full stardom. The subject matter of the original Maugham novel, which explored how sexual obsession can ruin an otherwise rational man, was missing in the 1946 version thanks to timorous studio censors. To quote Alexis Smith, who played the second female lead, "The remake of Of Human Bondage shouldn't have been made." This 1946 version would disappear completely from view upon the occasion of the third filmization of Of Human Bondage in 1964, wherein Kim Novak was pathetically miscast as Mildred. ~ Hal Erickson, All Movie Guide

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Starring:
Eleanor ParkerPaul Henreid, (more)
1946  
 
Deception is an operatic rehash of the 1929 film Jealousy. Music teacher Bette Davis--who evidently has a large student pool, judging by the size of her penthouse apartment--is reunited with her cellist lover Paul Henreid, whom she believed to have been killed in the war. Henreid wants to marry Davis, but he is unaware that she has, for the past several years, been the "protege" of composer Claude Rains. Rains agrees to keep quiet about his affair with Davis, but takes sadistic delight in tormenting the woman and working behind the scenes to sabotage Henreid's career. When Rains tells Bette of his plans to publicly humiliate Henreid, she shoots her ex-lover dead. Henreid agrees to stand by Davis no matter what is in store for her. Director Irving Rapper had originally wanted to treat the hoary plot twists of Deception comically, with the three principals walking off together at the end with a "what the hell?" attitude. He was tersely told to stick to the script; after all, people didn't pay to see Bette Davis but to see her suffer. Like the 1929 version of Jealousy, Deception was based on a play by Louis Verneuil. ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisPaul Henreid, (more)
1947  
 
Song of Love is the MGM-ified version of the lives and loves of 19th century musicians Clara Wieck Schumann (Katharine Hepburn), Robert Schumann (Paul Henreid) and Johannes Brahms (Robert Walker, who the previous year had played another composer, Jerome Kern, in Til the Clouds Roll By). Clara gives up her thriving career as a concert pianist to devote herself to her struggling composer husband Robert. Unable to cope with disappointment and failure, Robert dies in an asylum, leaving poor Clara to cope with seven children and mounting debts. At this point, the eminently successful Brahms, who has loved Clara all along, proposes to her, but Clara insists upon going it alone, perpetuating her husband's memory on the concert stage. Also represented in this musical "through the years" pageant is Franz Liszt, played with remarkable understatement by Henry Daniell. Clearly designed to capitalize on the popularity of Columbia's Chopin biopic A Song to Remember, Song of Love is slow and poky at times, though it's fascinating to see Katharine Hepburn at the piano (reportedly, she learned to play enough classical music to get by in the close-up scenes, though her music is dubbed in medium and long shots). ~ Hal Erickson, All Movie Guide

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Starring:
Katharine HepburnPaul Henreid, (more)
1948  
 
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John Muller (Paul Henreid), an intelligent, arrogant criminal who has been a medical student and a phony psychoanalyst, believes that people are only interested in themselves and do not notice what is happening around them. Paroled from prison to a boring job, Muller is more interested in a big score, and along with his old cronies robs a crooked gambling joint owned by Rocky Stansyck (Thomas Brown Henry). Although he gets away with the money, some of his men are caught by Stansyck and identify John as the ringleader. On the run from Stansyck's gang, he is mistaken for Dr. Bartok, a psychiatrist also played by Henreid. Curious, Muller goes to the doctor's office, and meets Bartok's secretary and lover, Evelyn Nash (Joan Bennett). Needing to avoid capture, he assumes Bartok's identity, but first must scar his face like the doctor's. Working from a photograph printed from a reversed negative, he applies the scar to the wrong side. Though fooled at first, when Evelyn discovers the truth, she decides to leave, although she is in love with Muller/Bartok. Steve Sekely's Hollow Triumph (aka The Scar) is a film that requires an exceptionally hefty suspension of disbelief in its reliance on coincidence and the literal acceptance of Muller's cynical view of human blindness. ~ Steve Press, All Movie Guide

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Starring:
Paul HenreidJoan Bennett, (more)
1949  
 
Producer Hal Wallis evidently hoped to recapture the magic of his earlier Casablanca with 1949's Rope of Sand. To that end, he hired three of Casablanca's supporting players: Paul Henreid, Claude Rains, and Peter Lorre. This time, Henreid is the villain, a sadistic police inspector named Paul Vogel. Stationed somewhere in Africa, Vogel hopes to find a legendary lost diamond field. His principal rival in this endeavor is jewel thief Mike Davis (Burt Lancaster), who continues bouncing back from every death trap lain for him by the ill-tempered Vogel. The scenes in which Davis is subjected to various physical tortures is pretty raw for a 1940s film. Claude Rains co-stars as a diamond syndicate head misleadingly named Toady, while Peter Lorre does his shifty-mercenary act. Billed ninth as the nominal heroine is Hal Wallis' latest discovery, French actress/singer Corinne Calvet. ~ Hal Erickson, All Movie Guide

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Starring:
Burt LancasterPaul Henreid, (more)
1950  
 
Actor Paul Henreid made his directorial debut with the well-intentioned So Young, So Bad. The scene is a correctional home for delinquent girls, where sadistic warden Riggs (Cecil Clovelly) and head matron Beuhler (Grace Coppin) rule with an iron fist. Compassionate psychiatrist Dr. Jason (Paul Henreid) and assistant superintendent Ruth Levering (Catherine McLeod) disagree with the brutal disciplinary methods advocated by Riggs and Buehler. Dr. Jason is a proponent of kindness and occupational therapy, and Ruth agrees. But as long as the institutionalized girls are afraid to speak up before a board of inquiry, Jason can do nothing about their mistreatment. Fortunately, one of the girls, Loretta (Anne Francis) decides "enough is enough". Featured in the cast of So Young, So Bad is young Rosita Moreno, who went on to fame and fortune after changing her first name to Rita. ~ Hal Erickson, All Movie Guide

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Starring:
Paul HenreidCatherine McLeod, (more)
1950  
 
Generous amounts of stock footage from 1950's Fortunes of Captain Blood made its way into the Sam Katzman production Last of the Buccaneers. Paul Henreid plays famed buccaneer Jean Lafitte, who, after being chased out of Louisiana following the Battle of New Orleans, sets up shop on the island of Galveston. The American authorities leave Lafitte alone, so long as he confines his raids to Spanish vessels. But when one of Lafitte's lieutenants attacks an American ship, it's open season on the handsome pirate. Though Karin Booth is the nominal leading lady, second billing in The Last of the Buccaneers is bestowed upon Jack Oakie, who makes the most of the few comic opportunities he is given. ~ Hal Erickson, All Movie Guide

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Starring:
Paul HenreidJack Oakie, (more)
1951  
 
Filmed on location, the Franco-American co-production Pardon My French stars Merle Oberon and Paul Henreid. Oberon is cast against type as Elizabeth Rockwell, a staid Bostonian schoolmarm who insists that all "squatters" remove themselves from the French chateau she's just inherited. The head squatter Paul Rencourt, played by Henreid, turns on his patented charm in hopes of deflecting Rockwell from her eviction plans. It so happens that the widowed Rencourt is the father of five precocious children, who despite their appalling behavior eventually endear themselves to Rockwell. Director Bernard Vorhaus was blacklisted not long after Pardon My French was released; the reasons, of course, were political, and had nothing to do with the quality of the film. ~ Hal Erickson, All Movie Guide

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Starring:
Paul HenreidMerle Oberon, (more)

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