Robert Henderson Movies

"The Final Problem" is the last episode of the television series The Adventures of Sherlock Holmes, an excellent adaptation of the Sherlock Holmes mystery stories produced in Britain for Granada TV. In this episode directed by Alan Grint, Jeremy Brett portrays the famed detective aided by his companion Dr. Watson (David Burke) as they fight to the finish with Holmes' nemesis Professor James Moriarity (Eric Porter). This episode was written by John Hawkesworth and is one of the most famous of the Holmes stories; it was intended by Doyle to be his final Holmes publication. It is an excellent adaptation of the original story first printed in the Strand Magazine during the late 19th century. This series was followed by several sequels, as well as four feature-length TV movie adaptations. ~ Linda Rasmussen, All Movie Guide

In a major departure from the tone of the preceding two Superman adventure films, this mix of vile deeds and fantasy heroics drops the "S" out of cosmic and goes for comic instead. Right at the starting gate, Gus Gorman (Richard Pryor) and a subsequent slapstick sequence upstage (Christopher Reeves again), who later develops an identity crisis. Gorman, newly trained as a computer whiz, starts working for a conglomerate run by the corporate nemesis Ross Webster (Robert Vaughn), intent on world domination. Gorman is sent to Superman's small town of Smallville to wipe out Columbia's coffee crop by fiddling with the computer side of a weather satellite. Clark Kent is in town for his class reunion, leading Superman to clash with Gorman, which in turn, leads Gorman to develop a hybrid red Kryptonite. Unwittingly, since Gorman's wits are always in doubt, the Red Kryptonite causes Superman to split into a Dr. Jekyll and Mr. Hyde schizophrenia -- but in two separate bodies. As the evil Superman swaggers around town, megalomaniac Ross Webster has other tricks in mind -- and in one of the more memorable action scenes (interspersed with a video game sequence), Superman is chased through the Grand Canyon by a fast-flying, very determined missile. Lana Lang (Annette O'Toole) is on hand for romantic interest (Margot Kidder only appears briefly -- she was growing tired of Lois Lane). ~ Eleanor Mannikka, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Saul Bass had a fascinating career as an animator and as designer of title sequences for a number of notable films, including Psycho, Vertigo, Anatomy Of A Murder and Seconds. However, Phase IV was his only credit as director of a feature film. A visually inventive science-fiction story, Phase IV concerns a group of research scientists working in the Arizona desert who find themselves confronted by an Army of super-intelligent mutant ants. The results are more intelligent than the description would lead you to believe, and Nigel Davenport and Michael Murphy turn in good performances as the embattled men of science. ~ Mark Deming, All Movie Guide

A disgruntled British secret service officer and an aspiring author turn to crime when they are again passed over for prominent career advancements. John Pedley (Fred Astaire) is the agent who has been passed over for knighthood one too many times for his liking. He proposes a plan to university professor Mike Warden (Richard Crenna), who has been fired for taking part in a peace demonstration. With the help of Sylvia Giroux (Anne Heywood), they recruit a retired SS officer and a former Italian fascist as they attempt to hijack a fortune in gold bricks from the British crown. Pedley deals with double-crossing opportunists who covet the gold for themselves. Sir Ralph Richardson, Roddy McDowell and Cesar Romero also star in this engaging crime drama. ~ Dan Pavlides, All Movie Guide

The moral dilemma of a reluctant American spy is chronicled in this psychological drama. He becomes an agent after he, originally a pilot, is grounded during WW II. He is trained to assassinate a Paris lawyer suspected of colluding with the Nazis. During his rigorous training for the killing, the new spy begins to have doubts about his upcoming assignment; these doubts increase when he actually meets his prey as the spy is unsure that the lawyer is really guilty. Still he fulfills his grim duty. Later he learns that the lawyer was innocent. ~ Sandra Brennan, All Movie Guide

Clark Gable's next-to-last MGM film was the Cold War melodrama Never Let Me Go. Filmed in England, the story finds American journalist Philip Sutherland (Gable) desperately trying to retrieve his Russian-ballerina bride Marva Lamarkins (Gene Tierney) from behind the Iron Curtain. Stymied by bureaucracy on both sides, Sutherland attempts to plead his case directly to Soviet bigwig Molotov, in London for a peace conference. When this too fails, Sutherland aligns himself with an Englishman (Richard Haydn) in a similar predicament. Together, the two men formulate a daring escape plan, which could spell instant doom for both their wives and themselves. The Englishman's bride is played by Belita, who unlike Gene Tierney did her own dancing in the ballet scenes. ~ Hal Erickson, All Movie Guide