Mariel Hemingway Movies

I Want to Keep My Baby is a cautionary TV movie starring Mariel Hemingway as a pregnant 15-year-old girl. She is pressured by her mother (Susan Anspach) to keep her baby, despite the warnings of a social worker (Rhea Perlman) that the girl is emotionally and financially unable to care for the child. Taking a defiant attitude, Hemingway insists upon setting herself up as a single parent. It is only after a few harrowing months of unassisted motherhood--and a brief temper flare-up in which Hemingway comes dangerously close to injuring her child--that the girl bows to logic and puts the baby up for adoption. I Want to Keep My Baby would have been more effective without such melodramatic setpieces as a rape attempt and a chance encounter between the girl and a pair of adoptive parents. ~ Hal Erickson, All Movie Guide

On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide

Director Bob Fosse's fact-based tale of Playboy centerfold Dorothy Stratten's short life and gruesome death focuses less on Stratten (played by Mariel Hemingway) than on her husband/manager, sleazoid pornographer and all-around failure Paul Snider (Eric Roberts, ideally cast). He sees the young beauty as his meal ticket and sets out to pimp her in the adult entertainment business. He marries her and appoints himself her career manager; soon after, she attracts the attention of Playboy executives and wins a spot in the magazine. As her success increases however, so does Snider's alienation as he finds himself left out in the cold. His jealousy begins to consume him; she spurns him on the advice of her new friends; he goes berserk and confronts her. The same murder-suicide inspired the made-for-television Death of a Centerfold. This was choreographer/filmmaker Bob Fosse's final film. ~ Jeremy Beday, All Movie Guide

This romantic, melancholy twist on the Frankenstein formula stars Peter O'Toole as Professor Harry Wolper, a lonely eccentric who has dedicated decades of research to cloning his long-dead wife Lucy from a culture of living tissue. To this end, he enlists the services of likeable Graduate assistant Boris (Vincent Spano), who is initially baffled by the professor's endless rants about God, Science and "The Big Picture." After Wolper posts bills seeking a human egg donor, his wish is granted by the vivacious young Meli (Mariel Hemingway), in whom the professor soon discovers a more willing convert to his grand design... and perhaps a love more immediate and real than the one he lost. Boris eventually manages to come around to "The Big Picture" himself when Wolper points him in the direction of another graduate, Barbara (Virginia Madsen). Despite opting for a platonic relationship to better determine if they are ideally matched, Boris and Barbara soon fall deeply in love, realizing that they are soul-mates as the professor had predicted. Tragedy strikes, however, when a brain hemorrhage renders Barbara comatose, and Wolper's nemesis Dr. Sid Kuhlenbeck (David Ogden Stiers) persuades the university to shut down Harry's private cloning laboratory. Meli forces Wolper to choose between her love and his misplaced longing for his dead wife... and his answer is suddenly made clear when he witnesses Boris's heartfelt determination to bring his own true love back to the land of the living. Written by Jeremy Leven (based on his own novel), this is a flawed but engaging comedy which proves that a well-written story can incorporate traditional science fiction elements as more than a mere plot device and actually enhance the humanity of the characters. ~ Cavett Binion, All Movie Guide

As the brainchild of writer-director-producer Donald Wrye, the 14 1/2 hour ABC movie event Amerika marked one of the most expensive and controversial miniseries in the history of prime time television when it bowed over the course of seven nights in February of 1987. Regarded as something of a conservative counterpoint to Nicholas Meyer's The Day After (which screened on ABC, four years prior and allegedly demonstrated leftwing bias - prompting very outspoken criticisms from Republican pundit Ben Stein), this $40 million production imagines a dystopian future set in the late 1990s. When the drama opens in May of 1997, the Russians have effectively won the Cold War by wresting control over the United States, with the backing of a U.N. Peacekeeping Force. Although the initial takeover was not annihilative or even apparently violent, the consequences are overwhelming; a puppet leader holds court in the Oval Office, the American economy has fallen to pieces with Midwesterners lining up for vegetables, and gulag prisons are scattered across the land; meanwhile, hundreds of thousands of refugees have hit the countryside and wander aimlessly. The majority of the action unfurls in a rural Nebraska community, where onetime antiwar protester and presidential candidate Devin Milford (Kris Kristofferson) has just been released from a gulag, and now discovers his family farm being whittled away by the Russians. Meanwhile, his childhood friend Peter Bradford has somehow landed a position in the government hierarchy and finds himself being drawn in more deeply. Across the land, Russian stormtroopers engage in acts of violent intimidation, such as burning farmhouses and brainwashing abductees, while the Russian occupiers systematically maneuver on the political front to bring the once-powerful republic tumbling down. The supporting cast includes Christine Lahti, Wendy Hughes, Sam Neill, Armin Mueller-Stahl and many others; the title, of course, was intended to reflect "America" as modified to a slightly more Russian spelling. ~ Nathan Southern, All Movie Guide

Director Blake Edwards departed from his customary sex farces to direct an unusual satirical Western comedy-thriller. In 1927, legendary lawman Wyatt Earp (James Garner) comes to Hollywood to serve as an advisor to a film studio making a movie about Earp's life. He meets silent screen cowboy star Tom Mix (Bruce Willis). The two stumble upon a murder that has apparently occurred on the set but is linked to a renowned bordello. The aging cowboy and the young actor set off on a series of time-warp misadventures to try to solve the mystery. Along the way, they encounter the shady Alfie Alperin (Malcom McDowell) and the intriguing Cheryl King (Mariel Hemingway). ~ Michael Betzold, All Movie Guide

The bizarre career of New Zealand filmmaker Sam Pillsbury had veered from the sci-fi weirdness of The Quiet Earth to the Cajun spice of Zandalee to the mawkish Free Willy 3 without ever really demonstrating a consistent vision. This made-for-cable horror-western anthology is the most confused work Pillsbury has ever done, starring Bruce Dern as a bounty hunter who gets frostbitten, cuts off his own toe, and talks to an outlaw's corpse. His attempt to track down the outlaw is the rough link behind this senseless mess adapted from some fairly good short stories. It still might have some allure for a surprising cast including Andrew Robinson (the killer from Dirty Harry), Helen Hunt, and Dylan McDermott. The most annoying segment has Mariel Hemingway as an eccentric woman who may or may not be under siege by wolves in her isolated home on the prairie. It's sometimes reminiscent of Mad at the Moon, an even more annoying prairie-set wolf tale. For genre completists, Lisa Pelikan from Ghoulies shows up, and co-writer Dick Beebe went on to pen the superior remake of House on Haunted Hill and the uneven Book of Shadows: The Blair Witch Project 2. ~ Robert Firsching, All Movie Guide

Like its theatrical-feature precursor Not Without My Daughter, the made-for-TV Desperate Rescue is based on a true story, though it would appear that several liberties have been taken. Mariel Hemingway plays a young mother whose daughter Lindsay Haun is abducted by Andrew Masset, Mariel's Jordanian ex-husband. Masset takes the girl back to his native Jordan, beyond the reach of the US authorities. Denied aid and comfort by the American government, Mariel takes matters into her own hands, hiring ex-Delta Force commandos Clancy Brown, Jeff Kober and James Russo to muscle their way into Jordan and rescue Lindsay. Based on an article by David Halevy and Neil C. Livingstone, Desperate Rescue premiered January 18, 1993: its title at that time was Desperate Rescue: The Cathy Mahone Story. ~ Hal Erickson, All Movie Guide

The further misadventures of bumbling Los Angeles police Lieutenant Frank Drebin (Leslie Nielsen) are chronicled in this third installment in the popular Naked Gun comedy series. This by-the-numbers entry begins with Drebin as a happily retired house-husband called back into action when an evil terrorist organization threatens Los Angeles. As in the other Naked Gun films, this plot is merely an excuse for an unhinged, rapid-fire succession of gags, ranging from satirical lampoons of cop movies to broad slapstick, all played with a perfectly straight face. Nielsen provides his familiar combination of complete witlessness and oblivious dignity as Drebin, and the film attempts to match the earlier Naked Gun films -- and the Police Squad! television series that inspired them -- in the number of jokes. However, the film proved less successful than its predecessors, as some viewers found that the freewheeling comic style of the earlier films had solidified into its own formula, now mildly entertaining but disappointingly predictable. ~ Judd Blaise, All Movie Guide

This 1995 episode of Saturday Night Live is hosted by Mariel Hemingway and features musical guest Blues Traveler. ~ Skyler Miller, All Movie Guide

Adapted from a novel by Rosemunde Pilcher, the British miniseries September boasted a fairly impressive cast in a fairly impressive production. Jacqueline Bisset starred as Pandora, a worldly middle-aged woman who after many years at large returned to her hometown, a provincial Scottish village. No sooner had Pandora arrived than she lived up to her name by opening a veritable trunk full of uncomfortable memories -- especially among those with whom she had been "familiar" in the old days. A Portman production, September was offered in two 90-minute installments by Britain's Sky One satellite service in 1995. ~ Hal Erickson, All Movie Guide