Lukas Heller Movies

Based on a novel by Jack Schaefer (writer of Shane), and previously filmed theatrically in 1970, the made-for-cable Monte Walsh is the still-timely saga of a dying way of life. Monte Walsh (Tom Selleck) and his friends are cowboys and bronco busters, plying their trade in the Wyoming Territory of 1892. Alas, the advance of civilization has all but rendered Monte and his comrades obsolete -- and with the increasing corporate buy-ups of Wyoming land, these relics of the Old West have practically nowhere else to go. Should Monte continue as before, seeking out the last of the wide open spaces, or should he follow the advice of his sweetheart Martine (Isabella Rosselini) and settle down in a steady job -- say, as a trick rider-roper in the traveling Wild West Show owned by impresario Colonel Wilson (Wallace Shawn)? This elegiac drama debuted January 17, 2003, on the TNT network as part of the cable service's "100 Years of Westerns" celebration. The teleplay is partially credited to one of the scripters of the 1970 film, Lukas Heller, who died in 1988. ~ Hal Erickson, All Movie Guide

When prodigal son Billy Turner (Judd Nelson) returns to his Florida home town, he's caught in a brawl and thrown in jail. He tells the guards to call his father, the mayor, who will have him released; however, he soon discovers his father has been killed. After Turner finally gets out of jail, he starts to hunt down his father's murderer, with the eventual help of Annie Rayford (Ally Sheedy) and her brother Joey (David Caruso). Their nemesis is the nasty crime boss Perry Kerch (Scott Wilson) and his henchmen, though the slow-witted police chief (Paul Winfield) is not much help, either. ~ Eleanor Mannikka, All Movie Guide

A small but hardy band of survivors traverses a post-apocalypse American landscape in this sci-fi thriller. A horrific nuclear assault leaves only three survivors at an underground military facility, so Tanner (Jan-Michael Vincent), Denton (George Peppard), and Keegan (Paul Winfield) commandeer a special all-terrain land cruiser and head for Albany, NY, the only American city to be spared in the attack. As they travel through the desolate post-nuke wastelands, the soldiers pick up a beautiful woman (Dominique Sanda) and an incorrigible teenager (Jackie Earle Haley), as they battle huge mutant insects, packs of survivors turned violent and feral, and brutal electrical storms that savage the already barren plains. Damnation Alley was based on a novel by award-winning speculative fiction author Roger Zelazny. ~ Mark Deming, All Movie Guide

Monte Walsh (Lee Marvin ) and his pal Chet Rollins (Jack Palance) are two over the hill cowboys seeking work in the town of Harmony, Arizona in the final days of the Old West. They take a job at the ranch of Cal Brennan (Jim Davis) and meet an old friend Shorty (Mitch Ryan). Monte goes off to visit old flame Martine (Jean Moreau), a saloon girl suffering from tuberculosis. The ranch closes and Chet marries Mary Eagle (Allyn Ann McLerie), a widow who owns a profitable hardware store. He tries to talk Monte in to giving up his cowboy life and settling down. He asks Martine to marry him, but she declines and cites her deteriorating health as the reason for her refusal. Monte goes on a drinking binge and rides a wild horse through town. He is indignant when a rodeo owner offers him a job. Monte states he would rather spit on himself that resort to such degrading work. Shorty is soon unemployed and guns down local lawman (LeRoy Johnson). Distraught after the death of his beloved Martine, Monte goes after Shorty when he guns down Chet. This film marks the directorial debut for cameraman William A. Fraker. ~ Dan Pavlides, All Movie Guide

A year after helming The Dirty Dozen, director Robert Aldrich took on this controversial drama based on the play of the same name by Frank Marcus. Beryl Reid stars as soap opera star June, an alcoholic lesbian who spends most of her time with her younger lover, Alice (Susannah York). When vindictive television executive Mercy Croft (Coral Browne) takes a liking to Alice, she arranges to have June's character, Sister George, killed off the show. Drunk and paranoid, June struggles to keep it together or risk losing Alice. Because of its exploration of a subject as taboo as homosexuality, The Killing of Sister George earned an X rating. ~ Matthew Tobey, All Movie Guide

This suspenseful crime drama finds a jealous husband hiring a killer to murder his supposedly unfaithful wife. Donald Edwards (Michael Gough) imports the German hit man Kersten (Hans Borsody) to murder his wife Helen (Erika Remberg). He suspects her of having an affair with Robert (John Justin). The usually cold-blooded hit man first agrees to the assignment, but he soon becomes convinced that Helen is innocent of any wrongdoing. When he refuses to kill Helen, he is confronted by the irate husband, something which leads to an inevitable showdown. The feature was filmed in 1962. ~ Dan Pavlides, All Movie Guide

An unusually long pre-credits sequence establishes the roots of faded Southern belle Charlotte's (Bette Davis) insanity; she'd been witness to the dismemberment murder of her fiance (Bruce Dern) and the suicide of the murderer, her own father (Victor Buono). Years later, Charlotte remains a recluse in her decaying southern mansion, zealously guarding the secret of her father's guilt; she is cared for by her slatternly housekeeper (Agnes Moorehead). When her house is targeted for demolition, Charlotte fears that this will uncover her lover's body parts and thus confirm that her father was a murderer. She desperately summons her seemingly sweet-tempered cousin Miriam (Olivia De Havilland) to help her fight off the house's destruction. Miriam brings along the family doctor (Joseph Cotten) to calm Charlotte's frayed nerves. When Charlotte begins to be plagued by horrific visions of the homicide/suicide of so long ago, it appears that she has gone completely insane. But soon we learn who is behind these delusions...and why. Hush Hush Sweet Charlotte was intended by director Robert Aldrich as a follow-up to the successful Joan Crawford/Bette Davis horror piece Whatever Happened to Baby Jane (1962). Ms. Crawford was originally slated to play Miriam, but became seriously ill shortly before filming started. Davis, who disliked Crawford intensely, suggested that the role of Miriam be filled by her best friend, De Havilland. On the first day of shooting, Davis and DeHavilland pulled a "Ding Dong the Witch is Dead" routine by toasting one another with Coca-Cola--a catty observation of the fact that Joan Crawford's husband was an executive with the Pepsi Cola company! ~ Hal Erickson, All Movie Guide

Dirk Bogarde plays one of those "reluctant spies" so common to adventure films of the 1960s. A poverty-stricken author, Bogarde is sent to Czechoslovakia by the British government as an unofficial "goodwill ambassador" to an industrial firm. It soon dawns upon him that his real assignment is to gather facts for his government's secret service; unfortunately, neither Bogarde's bosses nor his adversaries let him in on just how much danger is involved. After an excellent--and quite funny--opening, the film bogs down into an uninspired James Bond parody (we should have been warned what was coming by the very first scene, in which Agent 007's file is marked "Deceased"). Also known as Agent 008 3/4, Agent 8 3/4 was originally screened in England as Hot Enough for June; the British version ran nearly twenty minutes longer than the American release. ~ Hal Erickson, All Movie Guide

Corporate executive Peter Harding (Howard Duff) makes it his mission in life to save his friend Philip Bartel (Dan Dailey) from financial ruin. Not content with this, Harding hopes to save the philandering Bartel's soul as well. Aware that Bartel is cheating on his wife, Beatrice (Jan Sterling), with a woman named Lorna (Bettye Ackerman), Harding schemes to woo Lorna away from his friend. This results in a battle of wills and wits, resolved only by a cup of poisoned medicine. "The Tender Poisoner" is based on the same-named novel by John Bingham. ~ Hal Erickson, All Movie Guide

Nigel Patrick and Michael Craig portray two Scotland Yard detectives who are investigating the murder of a young black woman who had been passing for white. As timely a topic today as when made in an England rampant with racial prejudice in the 1950s, it stays just this side of an in-depth indictment of racism and bigotry as the detectives investigate the vast array of suspects--everyone from the girl's white boyfriend and his parents who feared that the association would destroy his career to the boys that the girl had spurned when she was accepted by white society. ~ Tana Hobart, All Movie Guide