Stuart Heisler Movies

This was the last film by director Stuart Heisler, and in his uneven output it was not one of the most memorable. The evil dictator (Richard Basehart) is shown to be very much involved with his love life, as though impotency and a severe Oedipal complex alone could account for his dominion over Germany and the insanity that led into World War II. Other characters in the top echelons make their way into and out of the story, including Heinrich Himmler (Rick Traeger), Joseph Goebbels (Martin Kosleck), and of course, Eva Braun (Marla Emo). Any viewers looking for an explanation of how the madness within Hitler related to his rise to power and his downfall, will best look elsewhere. ~ Eleanor Mannikka, All Movie Guide

The plot of The Burning Hills is motivated by revenge, which only a few years earlier had been on the Motion Picture Code's no-no list. Cattleman Trace Jordan (Tab Hunter) seeks retribution for the murder of his brother, killed at the behest of cattle baron Joe Sutton (Ray Teal). Before long, however, it is Jordan who is being pursued by Sutton's henchmen. Accompanying Jordan on his flight is his Anglo-Latino girlfriend Maria Colton (a miscast Natalie Wood). Clearly designed to cash in on the teenaged fan following of Tab Hunter and Natalie Wood, Burning Hills is nonetheless entertaining enough to please even nonfans of the stars. The film is based on a novel by Louis L'Amour. ~ Hal Erickson, All Movie Guide

Independently produced by Allan Dowling Pictures, This is My Love was distributed in the U.S. by RKO Radio. The film stars Linda Darnell as Vida, a would-be writer, whose vivid imagination contrasts with the harsh realities of her middle-class household. Her sister Evelyn (Faith Domergue), married to the crippled and embittered Murray (Dan Duryea), is unable to escape into Vida's dream world, though she'd certainly like to do so. When Vida introduces her sweetheart Glenn (Rick Jason) to Evelyn, the latter immediate begins drawing up plans to steal the handsome hunk away from her sister. Not unexpectedly, things degenerate into deception, heartbreak and murder. ~ Hal Erickson, All Movie Guide

The adventures of radio hero the Lone Ranger (Clayton Moore) and his faithful sidekick Tonto (Jay Silverheels) came to life on the small screen in this 1949-1957 western series. In this episode, the duo attempt to get a homesteader and a rancher to make amends with each other. ~ Jason Ankeny, All Movie Guide

During World War II, an injured pilot, his nurse and a Marine, all marooned on a desert island, fall into a love triangle in this film also known as Saturday's Island. ~ Jason Ankeny, All Movie Guide

Vendetta began as a pet project of producer/director/writer Preston Sturges. Producer Howard R. Hughes was at first enthusiastic about the project, but lost interest after a bitter argument with Sturges. Director Max Ophuls was originally slated to direct, but Hughes lost interest in him and hired Mel Ferrer instead. Eventually, Hughes decided to make the film anyway, primarily to introduce his latest protégé, Faith Domergue. The film sat on the shelf for four years before Hughes finally released it through RKO. The story begins in old New Orleans, where hot-blooded Corsican maiden Colomba (Faith Domergue) coerces her brother Orso (George Dolenz) into avenging their father's murder. There follows a series of labyrinthine plot twists, leading to a corpse-strewn denouement. Hillary Brooke co-stars as British gentlewoman Lydia Nevil, with whom Orso has a brief romance before sacrificing love for honor. The screenplay, which was credited to W.R. Burnett after several other writers had a crack at it, was based on Colomba, a novel by Prosper Merimee. ~ Hal Erickson, All Movie Guide

With Dallas, Gary Cooper revived his long-dormant association with westerns. Cooper plays ex-Confederate officer Blayde Hollister, who rides into Dallas in search of the men who killed his family and stole his land. Because he is considered to be an outlaw by the authorities, Hollister is compelled to switch identities with U.S. marshal Martin Wetherby (Leif Erickson). This ruse requires Hollister to explain his plan to Wetherby's lady friend, Tonia Robles (Ruth Roman). One by one, Hollister gets rid of the men responsible for the murders of his loved ones. The most formidable of his enemies, Will Marlow (Raymond Massey), proves to be a bit too clever to fall into Hollister's trap...at least until Marlow shows his hand in the final scene. There's more talk than action in Dallas, but Gary Cooper's laconic performance holds the audience's interest throughout. ~ Hal Erickson, All Movie Guide

One of the less famous Humphrey Bogart films is this 1949 drama about post-war guilt and remembrance. Bogart plays U.S. airman and war hero Joe Barrett. During the war, he believes, his wife Trina (Florence Marly) died in a Japanese concentration camp. But when Barrett returns to Tokyo and the bar named Tokyo Joe that he used to own, he discovers that Trina is not only alive, but she has married Mark Landis (Alexander Knox), an attorney, and they have a seven-year-old daughter Anya (Lora Lee Michel), whom he suspects is really his child. Baron Kimura (Sessue Hayakawa) forces Barrett into running an airborne smuggling operation by threatening to reveal publicly that Trina made wartime radio propaganda broadcasts. The shipment Barrett must fly includes three Japanese war criminals being brought back into the country, and Kimura insures that Barrett will comply by kidnapping Anya and holding her hostage. But the war criminals hijack the plane and are arrested. Barrett then tracks down Kimura and both die in a shoot-out which saves the life of Anya. ~ Michael Betzold, All Movie Guide

A woman struggles to reassemble her broken life in this drama that features Susan Hayward in her first starring role. The woman started out as a night-club singer, but abandoned her career after marrying a budding radio star. At first she does everything she can to insure his success, but when he finally hits the big-time, the woman finds herself deeply depressed and turning toward the bottle for solace because he is increasingly absent from her life. She becomes a full-fledged alcoholic and her husband, unable to take it anymore begins divorce and custody procedures. It takes such extreme measures to wake her up to her problem. Fortunately, with hard work, and renewed support from her husband, she overcomes her addiction. ~ Sandra Brennan, All Movie Guide

Gary Cooper added "producer" alongside "star" on his resume with this light-hearted Western about a mild-mannered cowboy (Cooper) who drifts into a small town with his sidekick (William Demarest). Naturally, he's mistaken for a notorious highway robber (Dan Duryea), although he can barely handle a gun. His impersonation of the menacing gunman falls apart when his skills are put to the test, and he faces certain doom when challenged by the returning gunman himself. In the end, however, our hero defeats the villain and even ends up with his girl (Loretta Young). A send-up of both Western clichés and Cooper's own heroic persona, Along Came Jones is brisk, amusing entertainment. ~ Don Kaye, All Movie Guide

Andrew Jackson is very happy to serve as the secretary of the society that honors his presidential namesake until he is arrested for embezzling from the town coffers. With no one to speak on his behalf, poor innocent Jackson is tossed into jail. There he finds himself haunted by several ghosts, including Presidents Andrew Jackson, George Washington, Benjamin Franklin, Thomas Jefferson and Supreme Court Justice John Marshall. Each of this sagacious specters offers his advice to the incarcerated Andrew. Then Jesse James shows up and helps Andrew, the only one who can see them, escape and with their help, bring the real crooks to justice. When not helping Andrew, the ghosts have great fun adjusting to the modern world. ~ Sandra Brennan, All Movie Guide

One of the eerier chillers of its period -- and one of the best ever to come out of Paramount -- Stuart Heisler's Among the Living is a strange and compelling mix of social drama, horror film, and suspense thriller. The story opens with the funeral of Maxim Raden, the patriarch who was pretty much responsible for building up the town that bears the family name, and which has been dominated for decades by the now-idle mill that he owned. Present at the funeral is Dr. Ben Saunders (Harry Carey Sr.), Raden's oldest friend, and the surviving Raden son John (Albert Dekker), who has been away for most of the last 25 years and recently married Elaine (Frances Farmer), a beautiful young woman from New York. John was one of a pair of twin boys; the other, Paul, died in an accident a quarter century ago, just after John was sent away to school. But Saunders and Maxim Raden had a secret between them -- that Paul Raden didn't die, but went dangerously insane, and has kept been alive all of this time, in a hidden room in the decaying Raden mansion, tended to by the doctor and the faithful family servant Pompey (Ernest Whitman). Paul was a victim of abuse by his overbearing father, and suffered brain damage from a beating he received while trying to protect his mother. He has never stopped "hearing" his father's threats or his mother's weeping, and they leave him prone to violent, potentially murderous outbursts of rage. Worse still, the death of his father has agitated him into a state where he is able to escape the mansion. Once freed and relieved of his quarter century of isolation, Paul is at once confused by and delighted with the company of people; he heads to the town and rents a room at a seedy boarding house, where he immediately attracts the attention of the landlady's frisky (and avaricious) daughter Millie (Susan Hayward) with his large bankroll, free-spending habits, and lost-puppy-dog demeanor. Meanwhile, the doctor reveals the truth about Paul to John, who wants to notify the authorities that his brother is loose and potentially dangerous -- but the doctor won't hear of it, fearing that news of the insane son will tarnish the Raden name and the reputation of the clinic that Maxim founded and funded on the doctor's behalf, in return for his covering up the son's existence.
The stakes get raised higher when the coroner reveals that a death the doctor tried to cover up was, in fact, a murder, and then a young woman is found strangled. While John is torn between sympathy for his brother, who never got the help or care he needed, and his feeling of responsibility to the town, the doctor tries to continue the cover-up by posting a 5,000-dollar reward for the capture of the killer. This sets off an orgy of assaults and destruction as the work-starved townspeople, led by Millie's ex-boyfriend Bill Oakley (Gordon Jones), begin rounding up anyone who looks even the least bit suspicious or out of place, trying to get the reward. Millie's greed is also brought to the fore and she persuades her new boyfriend, Paul, to go with her to the one place no one has searched yet -- the Raden mansion. Paul's veneer of calm unravels as he finds himself back in the location of his imprisonment, and in the course of the fight and the chase that ensues, John is caught and accused, by Millie and all of the other witnesses to Paul's outbursts, as the killer. Now it looks like a lynching is in the offing as hundreds of angry, drunken, greedy townspeople gather together to mete out justice -- and John must make them believe that he has a twin who is responsible for the murders. ~ Bruce Eder, All Movie Guide

The Biscuit Eater is what is known in Hollywood as a "sleeper"--a small, unpretentious film that catches on with the audience and turns into an unexpected hit. Child actor Billy Lee plays the son of southern bird dog trainer Richard Lane. Lee adopts a dog named Promise, who turns out to be a "biscuit eater"--a dog that refuses to hunt for anything but its own food. Ordered by his father to get the dog off his property, Lee and his African-American friend Cordell Hickman secretly train Promise, hoping to enter the pooch in the annual field trials. Just when Promise is on the verge of winning, Lee discovers that he's in direct competition with his own father--who, if he loses the trials, will lose his farm. Lee demoralizes Promise by calling him a no-good biscuit eater, thereby assuring that Lane's dog will win. Realizing the sacrifice his son has made, Lane apologizes to the boy; Lee in turn tearfully begs forgiveness from Promise, just before the dog dies from an accidental gunshot. This 1940 version of James Street's The Biscuit Eater is a genuinely moving experience; when remade by the Disney Studios in 1972, it became just another boy-and-his-dog yarn. ~ Hal Erickson, All Movie Guide