Alan Heim Movies

A temperamental musician is forced to learn a few things about family and responsibility in this comedy-drama from director David M. Rosenthal. Ethan Brand (Alessandro Nivola) is a veteran indie rock musician whose career is stuck in neutral, and his troubles with alcohol and bursts of anger aren't helping one bit. Before taking the stage one evening, Ethan gets an unexpected visitor -- his former girlfriend Mary Ann (Elisabeth Shue), who has brought along with her a 13-year-old girl, Janie (Abigail Breslin), who she claims is Ethan's daughter. Ethan is dubious about Mary Ann's claims, but Mary Ann takes off for a stay in rehab and leaves Janie with Ethan, forcing him to take the girl on the road with him. Ethan's manager Sloan (Peter Stormare) and his band are no happier than he is to have a young teen girl staying with them on the tour bus, and Ethan's initial relationship with the girl is chilly. But Ethan discovers the girl seems to have inherited some of his musical talent and has a real gift as a singer and songwriter. After an onstage tantrum causes Ethan to lose both his band and his record deal, he tries to salvage his concert tour by turning it into a father and daughter act, with Janie joining him on stage. Janie Jones includes original songs written for the character of Ethan by Eef Barzelay of the band Clem Snide, while Irish tunesmith Gemma Hayes wrote the songs for Janie. ~ Mark Deming, Rovi

Director Nick Cassavetes collaborates with screenwriter Jeremy Leven (The Notebook) for this drama about a pair of parents who resort to unorthodox methods in order to save their young daughter's life, only to find their decision coming back to haunt them in a manner neither could have ever foreseen. Sara (Cameron Diaz) and Brian (Jason Patric) are coasting through life with their young son and daughter when tragedy threatens to tear the family apart. Suddenly, their baby girl falls ill, and her only hope for survival rests in her parents' ability to find a compatible bone marrow donor. Desperate to save their daughter's life at any cost, Sara and Brian conceive another child in hopes that the baby will be a genetic match. But that decision raises a series of moral and ethical questions that rapidly begin to erode the foundation of the once-happy couple's relationship. Incensed upon learning that she was brought into this world for the singular purpose of prolonging the life of her ailing older sister, the young girl (Abigail Breslin) ultimately decides to sue her parents for the rights to her own body. Alec Baldwin, Sofia Vassilieva, and Joan Cusack co-star. ~ Jason Buchanan, Rovi

New Line Cinema founder Robert Shaye's directorial debut, the family-friendly science-fiction tale The Last Mimzy is an adaptation of a short story by Lewis Padgett. The story concerns a young brother and sister, Noah and Emma Wilder (Chris O'Neil and Rhiannon Leigh Wryn), who discover a strange box of artifacts one day while vacationing at the family's summer cottage. When the objects in the box begin to act in strange and mysterious ways, the pair decides to hide it from their mother (Joely Richardson) and workaholic father (Timothy Hutton). When Noah begins to display a previously unknown flair for advanced scientific concepts, the boy's teacher (Rainn Wilson) takes an interest in him. The two youngsters soon become the object of much interest from the government after their new discovery causes a large blackout. Eventually, the duo discovers that they are responsible for helping save the future of humankind, and Emma's precious stuffed rabbit might be something much more than it appears to be. ~ Perry Seibert, Rovi

Directed by Nick Cassavetes, this adaptation of author Nicholas Sparks's bestselling novel revolves around Noah Calhoun's (James Garner) regular visits to a female patron (Gena Rowlands) of an area nursing home. Rather than bore her with the inanities of everyday life, Calhoun reads from an old, faded notebook containing the sweeping account of a young couple (Ryan Gosling and Rachel McAdams) whose love affair was tragically put to a halt after their separation in the midst of World War II. Seven years later, the couple was reunited, and, despite having taken radically different paths, they found themselves unable to resist the call of a second chance. The Notebook also features Joan Allen, Sam Shepard, and Kevin Connolly. ~ Tracie Cooper, Rovi

Re-teaming Dennis Quaid with John Lee Hancock, the director of 2002's The Rookie, The Alamo retells the story of the historic 1836 battle in the Texan War of Independence. Facing 4,000 Mexican troops, 186 Texan soldiers and volunteers -- including William Travis (Patrick Wilson), Davy Crockett (Billy Bob Thornton), and Jim Bowie (Jason Patric) -- retreat within the walls of the Alamo, a Franciscan mission that was converted into a military fort. Once inside, the men prepare themselves for what will be a bloody battle to the death, as General Sam Houston (Quaid) leads the charge from the outside. Emilio Echevarria and Jordi Molla co-star. ~ Matthew Tobey, Rovi

In this supernatural horror story, Jenna (Angela Bettis), an unstable young woman, gives birth to a girl named Cody who proves to be autistic; unable to care for her properly, she turns Cody over to her sister, psychiatric nurse Maggie O'Connell (Kim Basinger). Maggie raises Cody as her own, but when the child (now played by Holliston Coleman) turns six, Jenna and her new husband Eric (Rufus Sewell) forcibly take back the child. Maggie believes Jenna and Eric are not fit parents, but when she takes the matter up with detective John Travis (Jimmy Smits), they discover that a number of children born on the same day as Cody have also been abducted recently. Even worse, it seems that Cody may now be in the hands of Satanists who, in accordance with Biblical prophecy, believe the little girl may be mankind's last line of defense against ultimate evil. Based on a novel by Cathy Cash Spellman, Bless the Child also stars Christina Ricci and Ian Holm. ~ Mark Deming, Rovi

Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race hatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." ~ Bhob Stewart, Rovi

Dr. Helen Hudson (Sigourney Weaver), a psychiatrist famous for her writings about serial murderers, is nearly killed by obsessed psychopath Daryll Lee Cullum (Harry Connick Jr.). As a result of this trauma, Helen becomes a drunken, pill-taking agoraphobic who can't leave her San Francisco apartment. After a series of bizarre murders, she calls the police suggesting that the murders were the work of a serial killer. Detective M.J. Monahan (Holly Hunter) and her assistant Ruben (Dermot Mulroney) believe Helen and discover, during the investigation, that the man is re-creating murders by the killers described in Helen's book: The Boston Strangler, Ted Bundy, Son of Sam and the Hillside Strangler. After Helen's secretary, Andy (John Rothmen) is murdered, Helen begins to fear for her own life. The film has a dramatic, terrifying conclusion as Helen confronts the killer and must overcome her own fears to save herself. ~ Linda Rasmussen, Rovi

In this film version of E. L. Doctorow's Billy Bathgate, Loren Dean plays the title character, a street-smart kid who inveigles his way into the confidence of 1930s gangster Dutch Schultz (Dustin Hoffman). Billy is ordered to look after Schultz' new moll, Drew Preston (Nicole Kidman), while Dutch fends off tax evasion charges and such up-and-coming rivals as Lucky Luciano (Stanley Tucci). Even though they know they're playing with dynamite, Billy and Drew fall in love. In attempting to escape Schultz' wrath, Billy succeeds only in putting himself in the thick of a gun battle between his boss and Luciano. When "Charley Lucky" emerges triumphant, Billy is forced once again to rely on his wits to escape being sent to the bottom of the briny in a cement overcoat. Bruce Willis shows up in an extended cameo as Dutch Schultz' former business associate. Billy Bathgate was adapted for the screen by British playwright Tom Stoppard. ~ Hal Erickson, Rovi

The third adaptation of Choderlos de Laclos' classic novel Les Liasons Dangereuses, Milos Forman's Valmont was released one year after Stephen Frears' more famous version of the de Laclos original, Dangerous Liaisons. The plot remains the same: two debauched, depraved 18th century French aristocrats, the Vicomte de Valmont (Colin Firth) and the Marquise de Merteuil (Annette Bening), conspire to destroy several innocent lives, just for the fun of it. But whereas Stephen Frears concentrated on the machinations of the marquise, Forman, per his film's title, devotes most of his screen space to Valmont (played in the Frears version by John Malkovich). In fact, Forman's film concludes with Valmont's conscience-stricken renunciation of his past sins, and his duel to the death, rather than de Meurteil's well-deserved comeuppance. Forman has chosen to set the story back some 50 years, de-emphasizing the opulence that was vital to Frears' vision; he has also utilized a younger cast. ~ Hal Erickson, Rovi

Chevy Chase stars as Andy Farmer, a sportswriter who moves with his schoolteacher wife Elizabeth (Madolyn Smith) to the country in order to write a novel in relative seclusion. Of course, seclusion is the last thing the Farmers find in the small, eccentric town, where disaster awaits them at every turn. The veteran production staff features the likes of composer Elmer Bernstein, cinematographer Miroslav Ondricek, production designer Henry Bumstead, and director George Roy Hill (The Sting, The World According to Garp). ~ Hal Erickson, Rovi

Never mind the title: Goodbye, New York mostly takes place in Israel. Julie Hagerty plays Nancy Callighan, a spoiled Irish-Jewish lass who decides to see the world after her husband has betrayed her. En route to Paris by plane, Nancy takes a few too many sedatives, and when she awakens, she's in Tel Aviv, minus money and luggage. Latching onto a cabdriver (Amos Kollek), Nancy settles in a Kibbutz, where she is subjected to traditional limitations on her freedom of choice and movement. Before long, however, she has adjusted to her new lifestyle. With the arrival of her husband, however, Nancy is faced with a momentous decision: should she give up all that she now holds near and dear, or should she return to New York. A darkly funny plot twist makes our heroine's mind up in record time. ~ Hal Erickson, Rovi