Richard T. Heffron Movies

Millstone is the all-too-appropriate name of the Texas hometown of sophisticated career woman Martha (Loni Anderson). No sooner has Martha returned home after a 15-year absence than she witnesses a murder. Relating this information to her sisters, Martha is confused by their reaction. Only when it is nearly too late does the truth come out: The killer is Martha's own brother-in-law Eddie (Greg Evigan). This shock from the present only serves to dredge up long-buried secrets from the heroine's past--hence the title of this made-for-TV melodrama. First telecast by NBC on December 14, 1995, Deadly Family Secrets was based on Franklin Coen's novel Vinegar Hill--and also bears eerie echoes of the 1951 Ginger Rogers theatrical-movie vehicle Storm Warning. ~ Hal Erickson, Rovi

A disabled ex-Green Beret who served in Vietnam begins getting clues of his forgotten past via flashbacks and attempts to make sense of it. Apparently, he makes somebody uncomfortable in doing so, and soon is a target for a more complete cover-up. This story of intrigue and dangerous political games was made for cable TV. ~ Kristie Hassen, Rovi

Anthony Hopkins stars in this glossy TV adaptation of Graham Greene's The Tenth Man. The scene is Paris, during the Nazi occupation. Hopkins plays a French lawyer who is sentenced to be executed as a reprisal for the activities of the Resistance. To escape the firing squad, Hopkins arranges for another man to take his place. That man, played by Timothy Wilson, is an embittered soul with no desire to go on living. As part of his bargain with Hopkins, Wilson wills Hopkins' estate to his own heirs. At war's end, Hopkins, travelling incognito, takes a gardener's job at the estate he once owned. He gradually falls in love with Wilson's sister Kristin Scott Thomas. And then total stranger Derek Jacobi shows up--claiming to be the long-lost Hopkins! Produced in Britain by veteran TV-movie maven David Rosemont, The Tenth Man was first offered December 4, 1988, as a Hallmark Hall of Fame special. ~ Hal Erickson, Rovi

A made for TV movie in which Valerie Bertinelli portrays Florence Pancho Barnes, a bored socialite who decides to learn to fly. After receiving her pilot's license, even though her ambitions get in the way of her love life, she becomes a stunt pilot, barnstormer, and even forced Howard Hughes to change his mind about unions. Her career spanned such varied activities as racing against Amelia Earhart and training army pilots. Fine portrayal of one of the more interesting of the independent women from the 1920s. ~ Tana Hobart, Rovi

Dorian Harewood stars as real-life Texas engineer Lenell Geter, who in 1982 was accused of armed robbery. Beyond the fact that both he and the suspect are African-American, Geter looks nothing at all like the actual robber; still, he is identified as the culprit in a police lineup. Despite the testimony of six character witnesses, all of whom were with Geter at the time of the robbery, he is sentenced to life imprisonment. He very likely would have remained in prison had not the CBS investigative series 60 Minutes told Geter's story to millions of viewers. The authorities refuse to acknowledge the possibility that they have erred, and attempt to block a re-opening of the case. Even Geter's court-appointed attorney (Dabney Coleman) is unsympathetic to his client's plight. But Geter's somewhat ingenuous faith in the American justice system is eventually rewarded, and he is finally set free. Guilty of Innocence was originally telecast February 3, 1987. ~ Hal Erickson, Rovi

Based on a true story, the made-for-television Samaritan: The Mitch Snyder Story is the tale of a Washington, DC-based Vietnam veteran (Martin Sheen) who fights for America's homeless by staging hunger strikes and battling with various government agencies, eventually winning the attention of several city officials. ~ Stephen Thomas Erlewine, Rovi

The five-hour miniseries The Mystic Warrior began life in 1979 when producer David L. Wolper announced plans for a ten-hour adaptation of Hanta Yo, an epic historical novel by Ruth Beebe Hill. Using as her main source a full-blooded Sioux named Chunksa Yuha, Hill fashioned what amounted to a Native American version of Roots, chronicling the history of the Matho tribe of the Ogala Dakota Sioux. Although Hill was briefly the darling of the literary cognoscenti, her book was ultimately attacked and discredited by a veritable army of Indian historians, teachers, and activists, who accused her of distorting and falsifying truths in order to promote her own (and Yuha's) sociopolitical agenda. Suddenly, all of the Native American support that had been promised to the miniseries version of Hanta Yo evaporated; even the filming location had to be changed from New Mexico to Thousand Oaks, CA, so as not to offend the Indian tribes in the former state. When the project finally aired on May 20 through 21, 1984, its running time (and budget) had been cut in half, and the producer was obliged to qualify the credits by noting that the teleplay was based partially on Hill's book, but mostly on "other sources." Judging by the results, those sources would seem to have been such Hollywood fictional films as Cheyenne Autumn and A Man Called Horse. Set in the years 1802 to 1808, the finished film focused on a young brave named Ahbleza (Robert Beltran), the son of a Matho chief. Blessed with supernatural visionary powers by the ancient Mahto seer Wanagi (Ron Soble), Ahbleza set about to save his people from the devastations of the future, among them the invasion of the white man. After a lengthy, truth-seeking odyssey fraught with tragedy and sacrifice, Ahbleza assumed his rightful place as spiritual leader of his tribe. Mystic Warrior was entertaining enough, but failed to draw viewers away from such formidable competition as The Jeffersons, Alice, and One Day at a Time. ~ Hal Erickson, Rovi

Edward Asner stars as Saturday Review editor Norman Cousins in this made-for-TV biopic, which first aired May 15, 1984. Stricken with a degenerative spinal illness in 1964, Cousins refuses to accept the prognosis that he must spend the rest of his life as a virtual vegetable. He battles his illness by using the most potent weapons at his disposal--a healthy sense of humor, the love and support of his wife, and confidence that he will endure. This sort of spiritual battle is not that easy to film, and some of the scenes--Cousins laughing at the opening titles of a Marx Brothers film, for example--sorely test the acting skills of Ed Asner. But both Cousins and Asner emerge triumphant from Anatomy of an Illness, which was based on Norman Cousins' own book on the subject. ~ Hal Erickson, Rovi

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, Rovi

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, Rovi

The 1978 series pilot True Grit is based on the 1969 John Wayne film of the same name. Warren Oates brings his own characteristic touches to the old Wayne role of Rooster Cogburn, the "one-eyed fat man" (now a one-eyed thin man with a beard) who agrees to help headstrong orphaned teenage girl Mattie Ross (Lisa Pelikan). Mattie wants to get to her relatives in California, but she and Cogburn get off to a bad start when Rooster loses their train fare in a poker game. He tries to recoup their loss by mining for gold in Wyoming, then by riding shotgun on the gold shipments. Had the pilot sold, it would have detailed the further adventures of Cogburn and Mattie (as indicated by the original network title, True Grit: A Further Adventure). ~ Hal Erickson, Rovi

A musician discovers that there's no such thing as bad publicity when a murder charge makes him a star in this comedy-drama. Bobby Ogden (Peter Fonda) is an ex-con trying to go straight and build a career as a country and western singer. Bobby gets the opportunity to show off some of his tunes to Nashville star Garland Dupree (James Callahan), but Garland takes Bobby's best song, "Outlaw Blues," and puts his own name to it. Suddenly Bobby's tune is a hit, with the struggling writer getting no credit (and no royalties). An understandably angry Bobby confronts Garland, and when Garland is found shot dead shortly afterward, Bobby becomes the prime suspect. Bobby is innocent, but hardly anyone believes this outside of Garland's back-up singer Tina Waters (Susan St. James). Bobby and Tina hit the road together, and the wanted man becomes an underground hero as Bobby climbs both the Billboard charts and the "Most Wanted" list. Peter Fonda does his own singing in Outlaw Blues, and he croons half a dozen tunes, including three written for the film by Hoyt Axton. ~ Mark Deming, Rovi