Patricia Hayes Movies

In this comic British caper film, an LA computer whiz finds herself recruited by an eccentric British lawyer who wants her to use her skills to defraud a powerful London bank that has been using its money to exploit a Third World country for tourism. She accepts his offer and mayhem ensues. ~ Sandra Brennan, All Movie Guide

In A Fish Called Wanda, Jamie Lee Curtis plays an ambitious con artist who uses every ounce of her sexual wiles to obtain a fortune in jewels stolen by her gangster lover Tom Georgeson. First, she romances Georgeson's dimwitted but deadly henchman Kevin Kline (who won an Academy Award for his performance). Then, to clear the path for her getaway with Kline, Jamie woos Georgeson's starched-shirt attorney, John Cleese -- and it's Cleese whom she genuinely falls in love with. Michael Palin, Cleese's former Monty Python cohort, plays a stuttering mob flunkey who continually messes up his one big assignment: killing a little old lady (it isn't that he has any qualms about knocking off the old dear; it's just that her pet dogs keep getting in the way). A Fish Called Wanda was scripted by star John Cleese. ~ Hal Erickson, All Movie Guide

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

This comedy makes fun of teen comedies as it chronicles a Midwestern town's feverish preparations for a big weekend party. Much of the story centers around the mad scramble for both youngsters and adults to find appropriate dates. The story was penned by Saturday Night Live alumni Al Franken and Tom Davis. ~ Sandra Brennan, All Movie Guide

An old building falls victim to the wrecker's ball. When the dust clears, the demolition crew discovers the three-centuries-old remains of a satanic cult. Barbi Benton, Gareth Hunt and Brian Deacon (in a dual role) head the cast of this British TV movie. And the Wall Came Tumbling Down debuted in American over the USA cable network on January 5, 1985, in tandem with another British import, Last Video and Testament. ~ Hal Erickson, All Movie Guide

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, All Movie Guide

Singer, songwriter, and actor Anthony Newley produced, directed, co-wrote, scored, and starred in this bizarre autobiographical musical in which a famous entertainer takes a look back at the circumstances of his life. Legendary singing star Heironymus Merkin (Newley) stands by the sea, surrounded by a small mountain of souvenirs of his life and times, with his mother (Patricia Hayes) and children (Tara Newley and Alexander Newley, Newley's real life daughter and son) by his side. As Merkin shows his captive audience reel after reel of footage from the story of his life, the film crew making the movie grows impatient, wishing Merkin was more cooperative and waiting for an ending to the script. We learn that Merkin was raised without a father, and his Uncle Limelight (Bruce Forsyth) encouraged him to become an entertainer at a young age. As Merkin enjoys a hit with the tune "Piccadilly Lilly" that catapults him to fame, he becomes partners with Goodtime Eddie Filth (Milton Berle), a cheerful demon who introduces Merkin to the pleasures of women. As Merkin stumbles into a short-lived marriage with Filigree Fondle (Judy Cornwell) and enjoys a more successful relationship with Polyester Poontang (Joan Collins, Newley's spouse at the time), he finds it difficult to resist the temptation to bed nearly every attractive woman who crosses his path, and develops a lifelong obsession with the young, innocent, yet nubile Mercy Humppe (Connie Kreski). Meanwhile, Merkin is frequently visited by The Presence (George Jessel), who seems to hold the power of life and death as he cracks one old joke after another. Also starring Stubby Kaye, Victor Spinetti, and Margaret Nolan, Can Heironymus Merkin Ever Forget Mercy Humppe And Find True Happiness? was rated X for its original release in 1969, though a slightly edited R-rated version was soon shipped to theaters, though it didn't prevent the film from becoming a critical and financial flop. ~ Mark Deming, All Movie Guide

Ghost of a Chance is a whimsical "preservationist" comedy filmed in England. Three young children oppose the destruction of an historical landmark, but their pleas fall on deaf ears. Coming to the rescue is a coterie of friendly ghosts, who stave off the wrecking ball long enough for the authorities to reconsider. Veteran British character actor Graham Stark plays head ghost "Dogood". Ghost of a Chance premiered in the US over the weekly CBS Children's Film Festival in 1972. ~ Hal Erickson, All Movie Guide

The title character in this British sitcom was Jacquie Villiers (Moira Lister) who, after the death of her husband in a freak accident, discovered that she had inherited nothing but debts. To keep a roof over the heads of herself and her family, she tackled a variety of truly odd jobs, and also took in a boarder named Freddie Phillipson (Donald Hewlett). Debuting in 1967, The Very Merry Widow lasted until 1969, by which time its title had been adjusted to The Very Merry Widow and How. Of the series' 19 taped episodes, only two are presently known to exist. ~ Hal Erickson, All Movie Guide

In this crime drama, a Mafioso decides to go straight and turn states evidence against the mob. The mob retaliates by kidnapping the squealer's son. To get him back, the ex-gangster enlists the aid of a dancer, a worker for the American embassy, and Scotland Yard. At the end of it all, the boy is returned and the Mafia is temporarily destroyed. ~ Sandra Brennan, All Movie Guide

In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, All Movie Guide

Humphrey Bogart plays Martin Ferguson, a prosecutor about to put Albert Mendoza (Everett Sloane), the head of a murder-for-hire ring, on trial. But the night before the trial, his key witness, Joe Rico (Ted de Corsia), dies in a fall out of the window of the room in which he's been guarded, part of an abortive escape attempt to keep from testifying. His case in shambles, Ferguson and detective Captain Nelson (Roy Roberts) try to piece the entire four-year investigation back together from square one, trying to find something that might give them another way to prosecute Mendoza. The main body of the movie is told in flashback, starting when a small-time hood named Duke Malloy (Michael Tolan, then billed as Lawrence Tolan) walks into a police station to turn himself in for killing his girlfriend -- and says that someone made him kill her. He babbles to the bewildered detectives about "hits" and "contracts" and men nicknamed Philadelphia, Big Babe, and Smiley. The body isn't found, but they arrest Malloy, who hangs himself in his cell. That dead end leads, almost by accident, to Philadelphia Tom Zaca (Jack Lambert), an asylum inmate who has to be put under sedation at the mention of Malloy's name. They find another suspect's body burning in his building's incinerator, and then Big Babe Lazick (Zero Mostel), a two-bit hood, hiding in a church in mortal fear of his life. He begins weaving a tale of a murder-by-contract ring and its head operator, Joe Rico, of a murder contract that Duke Malloy never filled on a girl who had to change her name, of mistaken identity and the murder of the girl's cab-driver father, and the connection between that and a murder that they both witnessed eight years earlier. In the midst of all of those interlocking stories (spread across ten years), there's something Ferguson missed -- when he had Rico to testify -- that he has to sort out from the reams of testimony and evidence, and he has to figure it out before Mendoza does, or lose the last witness he has. ~ Bruce Eder, All Movie Guide