Howard Hawks Movies
One of the great American film directors, Howard Hawks was a craftsman who made tight, lean pictures during the studio era. Not confined to a particular genre, his filmography provides outstanding and influential examples of a variety of movies. His style was non-obtrusive and no-nonsense, with telling images (he's famous for narratively significant cigarette lighting) and rapid-fire dialogue. Lines in his work were delivered overlapping each other, resulting in unnaturally quick-paced conversations that added tension and a sense of urgency to the stories. In addition to being a good screenwriter himself, he had a tendency to work with some of the era's best writers, including Ben Hecht, William Faulkner, and Jules Furthman.Born in the Midwest in 1896, Hawks moved to California during the earliest days of Hollywood. After studying mechanical engineering at Cornell and serving in the U.S. Army Air Corps, he went to work at Famous Players-Laskey and started his own independent productions. By 1924, he was running the story department at Paramount and directing silent films for Fox. But he really began to make his mark with the advent of sound; his first talking pictures included the aviator adventure The Dawn Patrol, the prison film The Criminal Code, and sea adventure Tiger Shark. In 1932, he made the historically important Scarface, which, in many ways, defined the standard of gangster films. In 1938, he made the exemplary screwball comedy Bringing up Baby starring Katharine Hepburn and Cary Grant. This quick-talking duo was one of Hawks' many star pairings involving a tough wise guy and smart-mouthed heroine; another good team was Carole Lombard and John Barrymore in the comedy Twentieth Century.
Hawks also had a knack for helping to initiate the careers of major Hollywood stars. His 1939 macho adventure Only Angels Have Wings featured Rita Hayworth in a supporting role before she became a leading femme fatale. He made the romantic comedy touchstone His Girl Friday the following year, with Rosalind Russell as the embodiment of the smart-mouthed heroine. In 1944, the director helped start the career of newcomer Lauren Bacall by pairing her with Humphrey Bogart in the war romance To Have and Have Not. Their obvious chemistry and snappy repartee led to one of the most beloved screen duos in history, and to Hawks' 1946 mystery The Big Sleep. During the '40s, he made the powerful Western drama Red River with John Wayne and Montgomery Clift. He also had a hand in launching the iconic stardom of Marilyn Monroewith the '50s comedy Monkey Business and the musical Gentlemen Prefer Blondes. In a response to the Western High Noon, Hawks teamed up again with Wayne for the revisionist Western Rio Bravo. As age caught up with him during the '60s, Hawks' career slowed down -- and so did the pace of his films. He received his first Oscar in 1974, an honorary award from the Academy before his death in Palm Springs, CA, in 1977. ~ Andrea LeVasseur, All Movie Guide
- 1928
The rampant male chauvinism in A Girl in Every Port might be hard for contemporary audiences to stomach, but fans of director Howard Hawks will be delighted. Victor McLaglen and Robert Armstrong play Spike and Salami, two sailors who become close pals but only after dukeing it out over a dame. Together, Spike and Salami travel all of the world in search of women and adventure and women. Their friendship is sorely tested when Spike decides to settle down to marry French fortune hunter Marie (Louise Brooks), but eventually Salami convinces his pal that this "skirt" just ain't worth it. Famed exotic dancer Sally Rand co-stars as one of the heroes' many sexual conquests. A Girl in Every Port was remade two years later as Goldie, with Spencer Tracy, Warren Hymer and Jean Harlow. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor McLaglen, Robert Armstrong, (more)
- 1995
- Add A Personal Journey with Martin Scorsese through American Movies to QueueAdd A Personal Journey with Martin Scorsese through American Movies to top of Queue
In 1994, the British Film Institute commissioned a set of films to mark the centenary of the movies. They would trace the history of several national cinemas, and the BFI's choice for interpreting the history of American film fell to director Martin Scorsese, a longtime champion of film history and preservation. Scorsese's approach to his subject is director-centered, as he examines the tension inherent in the struggle of an artist wishing to make a personal statement against the collaborative nature of films and the commercial pressures of the Hollywood moviemaking factory. Segments of this series are devoted to the director as storyteller (examining narrative devices in the Western, gangster film, and musical), illusionist (technical tricks), smuggler (imbedding personal messages), and iconoclast (bucking the system to make films his own way). The series is replete with telling clips, not just snippets or shots, but entire scenes which illustrate Scorsese and co-director Michael Henry Wilson's points. Other filmmakers, including John Ford, Francis Ford Coppola, Billy Wilder, and Orson Welles, are seen in archival footage or interviews created for the series, offering their own take on the art of filmmaking. Scorsese doesn't discriminate between filmmakers with glossy reputations and those who always worked on the fringe of public awareness. If anything, he goes out of his way to champion mavericks like Samuel Fuller whose "visceral cinema" never enjoyed box-office success or awards. Personal Journey was first shown on British TV, released in limited fashion to theaters in the United States, and shown here on TV as well. A tie-in book was published in 1997 by Miramax Books; it contains the entire script for the series, excellent black-and-white stills, and dialogue from some of the clips. ~ Tom Wiener, All Movie Guide
A Song is Born is a musical remake of the 1941 comedy Ball of Fire, with the same producer (Sam Goldwyn) and director (Howard Hawks) at the helm. It will be recalled that the original film, co-scripted by Billy Wilder, was an amusing spin on "Snow White and the Seven Dwarfs," wherein seven pedantic professors, working on a dictionary of slang, "adopted" an authority on the subject, breezy burlesque dancer Sugarpuss O'Shea. In the remake, the septet of scholars are working on an encyclopedia of music, but they're held up on the subject of "swing." When nightclub singer Honey Swanson (Virginia Mayo), escaping from her gangster suitor Tony Crow (Steve Cochran), takes refuge in the professors' home, she offers to introduce them to the world of popular music. This proves to be quite a tuneful undertaking, since two of the professors are played by Danny Kaye and Benny Goodman! The tang and zest of original plotline has been muted to the point of harmlessness, but the film is saved by the presence of Goodman, his fellow bandleaders Charlie Barnet, Tommy Dorsey and Mel Powell, and specialty performers Louis Armstrong, Lionel Hampton and Buck & Bubbles. A Song is Born was Danny Kaye's final starring vehicle for Sam Goldwyn. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Virginia Mayo, (more)
On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide
- Starring:
- John Ridgely, Gig Young, (more)
- 1941
Ball of Fire is a delightful retelling (by Billy Wilder and Charles Brackett) of the "Snow White and the Seven Dwarfs" legend -- though strictly for grownups. Gary Cooper is the youngest of eight bookish professors authoring an encyclopedia. They find a perfect "research associate" in the curvaceous form of stripteaser Barbara Stanwyck, who (chastely) hides on the professors' domicile to escape her gangster boyfriend (Dana Andrews). As Stanwyck interprets various slang expression, she and the professors grow quite fond of one another; she brings out their sentimental sides, while they revive her essential decency. Naturally, Cooper is the one most smitten, though he hides his true feelings until the inevitable clinch. When gangster Andrews and his torpedo Dan Duryea show up to claim Stanwyck (Andrews wants to marry her so she can't testify against him), the professors save the day and it is Cooper who ends up with the beautiful Stanwyck. For the record, two of the "ancient" professors are Richard Haydn and O.Z. Whitehead, still in their mid-thirties (the others are S.Z. Sakall, Tully Marshall, Oscar Homolka, Leonid Kinskey and Aubrey Mather). Producer Sam Goldwyn later remade Ball of Fire as a Danny Kaye musical, A Song is Born (1948). ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Barbara Stanwyck, (more)
Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide
- Starring:
- Katharine Hepburn, Cary Grant, (more)
- 1935
Ceiling Zero is an adaptation of the Broadway play by Frank "Spig" Wead. James Cagney and Pat O'Brien are supremely typecast as, respectively, Dizzy Davis, a cocky civil aviator and Jake Lee, a sober-sided ground commander. Dizzy ducks out of a dangerous mission in order to dally with pretty Tommy Thomas (June Travis). Texas Clark (Stuart Erwin) takes Dizzy's place, and the unpolished young pilot dies in a fiery wreck. Disgraced in the eyes of his co-workers after Clark's death, Dizzy redeems himself by taking a crucial test flight in fog-laden "ceiling zero." Dizzy dies a hero, leaving behind his pal Jake to deliver the eulogy. Isabel Jewell co-stars as Clark's wife, given yet another opportunity to shake the rafters with her emotionally supercharged acting. Ceiling Zero was remade in a wartime setting as International Squadron (1940). ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Pat O'Brien, (more)
Set in the woodlands of Wisconsin, Come and Get It stars Edward Arnold as a logger-turned-lumber tycoon. In his rise to the top, Arnold loses out on a chance for lasting happiness by spurning earthy dance hall girl (Frances Farmer), who marries his best pal (Walter Brennan) on the rebound. Marrying for position rather than love, Arnold becomes a society leader in Milwaukee. His son (Joel McCrea) falls in love with the daughter of Arnold's first love (Frances Farmer plays both mother and daughter). Himself smitten by the daughter, Arnold battles with his son over the girl's affection, only to be shocked back into his senses when the girl reprimands his son, "Don't hit him! He's an old man!" Based on a novel by Edna Ferber, Come & Get It carries two directorial credits: William Wyler was dismissed early on by producer Sam Goldwyn, and when Howard Hawks took over, it was on the proviso that Wyler be given co-directing billing. For his performance as Edward Arnold's Scandinavian cohort, Walter Brennan won the first-ever "best supporting actor" Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Joel McCrea, (more)
- 1943
Randolph Scott was the star of Corvette K-225, a tribute to the World War II corvette escorts which guided Allied convoys through treacherous Atlantic waters. Scott plays the officer in charge of a Royal Canadian corvette cruiser, dedicated to keeping the troops safe from enemy submarine attack. The focus of the film is a danger-ridden journey from Halifax to Britain, the tension quotient heightened by the use of actual combat footage. Only the romantic triangle involving Scott, James Brown and Ella Raines bogs down this thrill-a-minute war picture. Corvette K-225 was produced by Howard Hawks, though the direction was credited to Richard Rosson. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, James Brown, (more)
- 1927
This first film version of the popular Russell Medcraft-Norma Mitchell stage farce The Cradle Snatchers is also one of the earliest directorial efforts of Howard Hawks. Tired of their husbands' philandering, three wealthy matrons decide to fight fire with fire by hiring three college boys to pose as their "young lovers." The boys do their job so well that, for a while, it looks like everybody's going to end up in divorce court. Fortunately, however, the wandering husbands see the error of their ways and return to their spouses. Long believed lost, The Cradle Snatchers was rediscovered by Howard Hawks aficionado Peter Bogdanovich in the mid-1970s; while only 5 1/2 reels of the 7-reel picture could be restored, it was enough to prove that even this early in the game, Hawks was a master farceur (interestingly, the original stage version of the play co-starred Humphrey Bogart, who later collaborated with Hawks on To Have and Have Not and The Big Sleep). The property was remade as the Broadway and Hollywood musical Let's Face It. ~ Hal Erickson, All Movie Guide
- Starring:
- Louise Fazenda, Ethel Wales, (more)
- 1925
While on leave of absence in Paris, American Air Force officer Billy Brent (Allan Forrest) meets Fifi (Leatrice Joy), a midinette, or dressmaker's apprentice. Although they are attracted to each other, Brent is suddenly called to the front and they lose touch. Years later, Brent is back home in Clarion, IL, and is the junior partner in the store owned by Angus McGregor (Ernest Torrence). He is engaged to McGregor's daughter, Joan (Mildred Harris), not realizing that she prefers Allan Stone (Larry Gray). While McGregor is out of town, Brent decides to stage a huge sale and a fashion show. When Fifi's company, now based in Chicago, receives the offer she accepts only because she sees Brent's picture on the letterhead. Brent is surprised to find the girl he knew in Paris in his small town. Trouble brews when some of the models wind up at a roadhouse and are the cause of a brawl. In the end, Brent discovers that his fiancée loves someone else, leaving him free to be with Fifi. The flimsy plot to this romance seems to exist purely for the opportunity to have a fashion show in mid-picture. This is too bad, considering some of the names attached to the production: Howard Hawks was one of the writers, Paul Bern directed, and the whole production was overseen by Cecil B. De Mille. ~ Janiss Garza, All Movie Guide
- Starring:
- Leatrice Joy, Ernest Torrence, (more)
Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Robert Mitchum, (more)
- 1928
Director Howard Hawks never attempted another Valentinoesque melodrama like Fazil. Beautiful Fabienne (Greta Nissen) is wooed and won by Arab sheik Fazil (Charles Farrell, who is a bit on the thin side for this role). He takes her off to his fabulous palace, where he holds her a virtual prisoner, refusing to let her see anyone else. Fabienne can't get over past loves -- nor can they get over her, as evidenced by their elaborate attempt to rescue her. Only when Fazil is mortally wounded by her rescuers does Fabienne realizes she's truly in love with him. She takes poison and dies by his side. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Farrell, Greta Nissen, (more)
- 1926
Fig Leaves is historically important as the earliest extant film of director Howard Hawks. A partial parody of the Cecil B. DeMille historical spectacles, the film opens in the Garden of Eden, where Adam (George O'Brien) tries to read his morning paper (a stone tablet, a la The Flintstones) while Eve (Olive Borden) complains that she has nothing to wear. As Adam goes to work on the 9:15 dinosaur, Eve is led down the road to perdition by a friendly snake. Flash forward to 1926: Eve Smith (Borden again) complains that she has no decent clothes, whereupon her best friend Alice (the "snake" counterpart, played by Phyllis Haver) suggests that the heroine take a job as fashion model, thereby securing herself a free wardrobe. Catching his wife in a state of dishabille at a fancy dress shop, Adam Smith (O'Brien again) angrily declares that he never wants to see her again. Adam forgives Eve after witnessing a cat-fight between his wife and the troublesome Alice. Critics in 1926 were amused by the "prehistoric" contraptions in the opening scenes and enthralled by the film's Technicolor fashion-show sequence. ~ Hal Erickson, All Movie Guide
- Starring:
- George O'Brien, Olive Borden, (more)
Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Marilyn Monroe, (more)
Hatari! is Swahili for "danger"--and also the word for action, adventure and broad comedy in this two-fisted Howard Hawks effort. John Wayne stars as the head of a daring Tanganyka-based group which captures wild animals on behalf of the world's zoos. Hardy Kruger, Gérard Blain and Red Buttons are members of Wayne's men-only contingent, all of whom are reduced to jello when the curvaceous Elsa Martinelli enters the scene. In tried and true Howard Hawks fashion, Martinelli quickly becomes "one of the guys," though Wayne apparently can't say two words to her without sparking an argument. The second half of this amazingly long (159 minute) film concerns the care and maintenance of a baby elephant; the barely credible finale is devoted to a comic pachyderm stampede down an urban African street, ending literally at the foot of Martinelli's bed. The other scene worth mentioning involves comedy-relief Red Buttons' efforts to create a fireworks-powered animal trap. Not to be taken seriously for a minute, Hatari is attractively packaged and neatly tied up with a danceable-pranceable theme song by Henry Mancini. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Hardy Kruger, (more)
The second screen version of the Ben Hecht/Charles MacArthur play The Front Page, His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin (Ralph Bellamy). Cary Grant plays Walter Burns, Hildy's editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter's sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams (John Qualen), a blatant example of political chicanery that Hildy can't pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter--right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you'll hear a couple of "in" jokes, one concerning Cary Grant's real name (Archie Leach), and another poking fun at Ralph Bellamy's patented "poor sap" screen image. Subsequent versions of The Front Page included Billy Wilder's 1974 adaptation, which restored Hildy Johnson's manhood in the form of Jack Lemmon, and 1988's Switching Channels, which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Rosalind Russell, (more)
- 1926
Howard Hawks' final effort as a screenwriter before becoming a full-time director was the trifling comedy Honesty -- The Best Policy. The hero, an author of comic stories who yearns to write mysteries, brings his latest work to a publisher. Said publisher agrees to buy the story if it is approved by a "jury" of office stenographers. The author relates his tale to his enthralled female audience, at which point the story proper begins. Because the plot is established as a figment of the hero's imagination, the characters are allowed to behave in an outrageous, lampoonish manner -- though contemporary reviews indicate that the yarn was strong enough to stand on its own two feet as a "straight" action thriller. Unfortunately, Honesty -- The Best Policy apparently no longer exists. ~ Hal Erickson, All Movie Guide
- Starring:
- Johnny Walker, Pauline Starke, (more)
Howard Hawks directed this classic farce about how love attempts to triumph over military red tape after the close of World War II. Capt. Henri Rochard (Cary Grant) is a French officer who is assigned to put a stop to a black market operation in occupied Germany with the help of Lt. Catherine Gates (Ann Sheridan), an American WAC. While their initial meetings are hardly harmonious, in time Rochard and Gates find that opposites really do attract, and they fall in love. The two decide to get married, which seems simple enough, but the moment Gates receives orders to return to the United States and Rochard wants to join her, they soon discover just how complicated the U.S. Army can make things. While the Army has a strict protocol for dealing with "war brides," there is no similar routine for men who marry female Army personnel, so in order to follow his new wife into the States, Rochard has to disguise himself as a WAC. From this moment on, nearly everything that happens to Rochard is an affront to his dignity and/or his patience, from his inability to share a bunk with his new bride to his discovery that Army regulations prevent him from driving a motorcycle (Gates has to take the handlebars, while her husband is forced to ride in a sidecar). As more than one writer has pointed out, while Grant gives a deft comic performance, it's a bit of a stretch to imagine that he's French (but probably no more than to imagine that anyone would really believe that he's a woman). ~ Mark Deming, All Movie Guide
- Starring:
- Cary Grant, Ann Sheridan, (more)
- 1939
In this drama, a remake of The Crowd Roars, two auto racing brothers become rivals on the racetrack when the older brother tries to keep his younger one from dropping out of school and becoming a driver too. The stubborn younger brother just gets behind the wheel of someone else's car and the race is on. During the reckless running of the race, the older brother's best friend is killed precipitating the beginning of the end for the older driver. The brother pulls himself out of his personal nose dive when he must take over for his younger brother during the Indy 500. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Ann Sheridan, (more)
"Nobody knew how a Pharaoh talked!" That's how producer/director Howard Hawks explained some of the sillier dialogue exchanges in the William Faulkner-Harry Kurnitz-Harold Jack Bloom script for Hawks' Land of the Pharaohs. Extravagantly produced with a cast of seeming millions (actually there were some 10,000 extras), the film speculates on the circumstances surrounding the construction of the Great Pyramids of Egypt. Jack Hawkins plays the Pharaoh, who orders enslaved architect James Robertson Justice to build a magnificent, thief-proof tomb for him. At first, the people of Egypt willingly pitch in to construct the huge pyramid. But as the years roll by and the work shows no signs of abating, the Pharaoh begins relying upon forced labor from lands he has conquered. He also plunders the coffers of his neighboring countries. Cyprus can't pony up the necessary gold, so the country sends luscious Joan Collins (complete with a jewel in her navel) as a "present" for the Pharaoh. Fascinated by the spitfire Collins, the Pharaoh makes her his second wife. What he doesn't know is that Collins is just as much a predator as she would be in the TV series Dynasty. Hoping to gain all of the Pharaoh's kingdom and the riches therein, she stage-manages her husband's death. After the funeral procession, the Pharaoh is sealed in his tomb by a series of sand-operated weights, levers and pulleys (this speculation as to how the Pyramids were closed is the most fascinating part of the film). Collins watches in barely controlled glee; she isn't yet privy to the Egyptian custom of entombing the Pharaoh's widow alive, along with her husband's body--but she soon will be. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Hawkins, Joan Collins, (more)
Roger Willoughby (Rock Hudson) is a super salesman of sporting goods who sells fishing equipment but knows nothing about the sport. Roger's boss Cadwalader (John McGiver) gets an idea from publicity director Abigail (Paula Prentiss) to enter him in a fishing contest, and the inept angler has a series of comic consequences before he wins the contest with some help from a bear. When Roger admits that his winning the event was merely luck, he turns in the prize and loses his job. Roger eventually wins Abigail's heart and gets his job back. Howard Hawks directs this slapstick comedy with his typical flair -- witty dialogue and effective sight gags included. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rock Hudson, Paula Prentiss, (more)
- 1929
Kenneth Hawks (Howard's brother) collaborated with Fox contractee David Butler on the direction of the late silent Masked Emotion. The story takes place along the seacoast of California, where sailboat skipper Brandlet Dickey (George O'Brien) stumbles upon a scheme to smuggle Chinese aliens into the country. Complicating matters is the fact that Dickey's younger brother Thad (played by crack stuntman David Sharpe) is sweet on Emily Goodell (Nora Lane), daughter of the captain (James Gordon) of the smuggling vessel. There's plenty of he-man action as Dickey simultaneously trounces the villains and guides his wounded brother back to shore. Ben Ames Williams' A Son of Anak was the source for this typically two-fisted O'Brien vehicle. ~ Hal Erickson, All Movie Guide
- Starring:
- George O'Brien, Nora Lane, (more)
Howard Hawks hoped to capture the screwball comic fervor of his 1938 film Bringing Up Baby with his 1952 comedy Monkey Business. As in the earlier film, Cary Grant stars as an absent-minded professor involved in a research project. This time he's a chemist seeking a "fountain of youth" formula that will revitalize middle-agers both mentally and physically. Though Grant's own laboratory experiments yield little fruit, a lab monkey, let loose from its cage, mixes a few random chemicals and comes up with just the formula Grant is looking for. This mixture is inadvertently dumped in the lab's water supply; the fun begins when staid, uptight Grant drinks some of the "bitter" water, then begins cutting up like a teenager. A harmless afternoon on the town with luscious secretary Marilyn Monroe rouses the ire of Grant's wife Ginger Rogers, but her behavior is even more infantile when she falls under the spell of the youth formula. Everyone remembers the best line in Monkey Business: foxy-grandpa research supervisor Charles Coburn hands the curvacious Monroe a letter and says "Get someone to type this". Even better is his next line: after Monroe sashays out of the room, Coburn turns to Grant and, with eyes atwinkle, murmurs "Anyone can type." Likewise amusing is Monkey Business's pre-credits gag, wherein Cary Grant opens a door and is about to step forward when director Hawks, off-camera, admonishes "Not yet, Cary." Among the co-conspirators on Monkey Business's carefree script are Ben Hecht, Charles Lederer and I.A.L. Diamond, with an original story by Harry Segall (Here Comes Mr. Jordan) as their source. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Ginger Rogers, (more)
This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Laughton, Marilyn Monroe, (more)
