Michael Hausman Movies

The hard-partying son of L.A.'s most powerful media magnate realizes his true calling as a crime-fighting vigilante after his father perishes under suspicious circumstances in this big-screen adaptation of the popular radio serial, comic book, film, and television series originated by Lone Ranger creators Fran Striker and George W. Trendle. James Reid (Tom Wilkinson) single-handedly built a media empire, but unfortunately his industrious genes weren't passed down to his son, Britt (Seth Rogen). Irresponsible, slovenly, and frequently inebriated, Britt is shaken out of his drunken stupor upon receiving word that his father has died. Shortly after Britt learns that he has inherited the family business, he forges an unlikely alliance with Kato (Jay Chou), one of his father's star employees, and together the pair hatch a plan to pose as villains in order to get close to the city's most high-powered criminals. Outfitting their indestructible custom-made car, The Black Beauty, with the absolute latest in technology and high-tech weaponry -- and arming themselves to the teeth with an array of gadgets that would make Batman blush -- the masked duo hit the streets as The Green Hornet and Kato. As the public's fascination with the mysterious crime fighters hits an all-time high, Britt's resourceful secretary, Lenore Case (Cameron Diaz), helps them to gather intelligence on notorious underworld kingpin Benjamin Chudnofsky (Christoph Waltz), a criminal who holds the entire city in the palm of his hand, and represents everything that Britt's father fought against. Little do the Green Hornet and Kato realize that Chudnofsky is already on to them, and that he's not about to go down without a fight. Rogen and frequent writing partner Evan Goldberg provide the screenplay, with visionary Michel Gondry (Eternal Sunshine of the Spotless Mind) handling directing duties. ~ Jason Buchanan, Rovi

When a bumbling movie lover becomes magnetized while attempting to sabotage a local power plant and accidentally erases all of the videotapes in the small video store where his best friend works, the pair attempt to keep the store's loyal customer base by remaking as many of the top-renting movies as possible. Mike (Mos Def) is an employee at Be Kind Rewind, a modest mom and pop video store that is owned by Mr. Fletcher (Danny Glover). Mike's best friend Jerry (Jack Black) works in an auto garage/junkyard directly adjacent to a local power plant. Lately Jerry has become increasingly paranoid about the effects that the power plant is having on his health. Convinced that he has developed a brain tumor from working in such close proximity to the power plant, Jerry attempts to sabotage the plant. Unfortunately for Jerry, his brain is magnetized in the process. The next time Jerry goes to visit Mike at Be Kind Rewind, the powerful magnetization emanating from his brain erases every videotape in the store. Now the only way for Mike and Jerry to be sure that Be Kind Rewind stays in business is to remake every film on the shelves before the customers notice. But when word gets out that Mike and Jerry have remade such Hollywood classics as Back to the Future, Robocop, The Lion King, and Rush Hour without permission, the store is threatened with copyright violations and forced to close its doors. In the aftermath of the closing, Mr. Fletcher and his employees discover just how loyal their customers really are when the entire neighborhood pools their resources to transform the junkyard into a legitimate movie studio and produce an entirely original film detailing the incredible adventures of a local jazz legend. ~ Jason Buchanan, Rovi

Originally slated to make its Fox network bow on September 25, 2007, but held up due to production problems, New Amsterdam was rushed onto the network's schedule during the 2008 Hollywood writers' strike, with only eight of the propose thirteen episodes in the manifest. Nikolaj Coster-Waldau starred as John Amsterdam, an NYPD homicide detective who somehow always found himself assigned to cases involving supernatural or paranormal activity. Though most of his colleagues didn't know it, John came by his sensitivity for other-worldly manifestations honestly: He himself was an "immortal", and had been since 1642. At that time, John was a Dutch soldier serving in the colony of New Amsterdam; in the line of duty, he sacrificed his life to save a Native American girl whose tribe was being massacred. The grateful girl cast an ancient spell on John, allowing him to live forever; the spell could only be broken if John, in true "Flying Dutchman" fashion, were to find his One True Love. While this backstory explained the tinge of sadness in the modern-day John Amsterdam's eyes--after all, over the past 367 years he had outlived everyone whom he ever cared about--it did not quite explain how he'd been able to keep his immortality a secret for so long. At any rate, at the time of the series' premiere John had just experienced an epiphany, indicating that the end of his life was near and that he would soon find both closure and that elusive True Love--but not before a lot of traditional cop-show violence and Highlander-style special effects. Others in the cast included Stephen McKinley Henderson as all-wise jazz club owner Omar, the only person who knew the truth about John; Zuleikha Robinson as John's feisty NYPD partner Eva Marquez; and Alexie Gilmore as Dr. Sara Dillane, who spent much of her time trying to figure out why John had recovered so miraculously after she'd declared him dead of heart failure. Swedish film director Lasse Hallstrom, whose previous credits included What's Eating Gilbert Grape, The Cider House Rules and Chocolat, served as New Amsterdam's co-executive producer. ~ Hal Erickson, Rovi

Ang Lee's adaptation of E. Annie Proulx's story Brokeback Mountain stars Jake Gyllenhaal and Heath Ledger as young cowboys named Jack Twist and Ennis Del Mar. Each of them is hired to corral sheep on the title location and they soon bond very closely. Their platonic relationship explodes into a physical one, but eventually the two are separated when their job comes to an end. Although the two follow different life paths -- one becoming a father of two and the other marrying into a successful business -- they have a reunion years later. Each is affected profoundly by the rekindling of their old feelings for each other. Those feelings lead each to consider what continuing their hidden relationship would cost them. The screenplay was written by Pulitzer Prize-winning author Larry McMurtry and Diana Ossana. ~ Perry Seibert, Rovi

The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. ~ Mark Deming, Rovi

Comedian Andy Kaufman gave performances that were bizarre and difficult to categorize, in which he might do or say almost anything: show cartoons, impersonate Elvis Presley, play conga drums while singing children's songs, read aloud from The Great Gatsby, or take the audience out for milk and cookies. Written by Scott Alexander and Larry Karaszewski and directed by Milos Forman (the team behind The People vs. Larry Flynt (1996)), this biopic takes an in-depth look at Kaufman's life and art, with Jim Carrey as Kaufman, who could (and would) be any number of different people onstage: the quiet and childlike man, the little foreign guy, the overbearing showbiz "professional," the violently obnoxious wrestler, or the world's worst lounge singer. As Kaufman rose from comedy clubs to guest appearances on Saturday Night Live and a spot on the TV sitcom Taxi, his performances became more complex and dangerous -- so much so that when word got out in 1984 that he was suffering from lung cancer, many fans and associates thought it was just another bizarre stunt; the disease took his life later that year. Man on the Moon features Danny De Vito as Kaufman's manager George Shapiro, Courtney Love as his girlfriend Lynne Margulies, Paul Giamatti as his friend Bob Zmuda, and David Letterman, Judd Hirsch, Marilu Henner, Carol Kane, and Christopher Lloyd as themselves. ~ Mark Deming, Rovi

"If the First Amendment will protect a scumbag like me, then it'll protect all of you -- 'cause I'm the worst," declares Hustler Magazine publisher Larry Flynt (as played by Woody Harrelson) in the midst of one of his many court cases. Milos Forman's film follows Flynt from his childhood in Kentucky, where he made extra money for his dirt-poor family by selling the moonshine his father brewed, into adulthood as he manages a strip club in Cincinnati. While the club does middling business, the experience changes Flynt's life in two ways: he meets Althea (Courtney Love), an exotic dancer who becomes the love of his life, and he gets the bright idea of starting a magazine to promote the club. Marketed as a crasser, less pretentious alternative to Playboy or Penthouse, Hustler becomes a huge success after Flynt runs a photo series of Jacqueline Onassis sunbathing nude. However, while plenty of people are buying Hustler, there are also plenty of people who don't care for it, including Charles Keating (James Cromwell), leader of a watchdog group called Citizens For Decent Literature. Keating spearheads the first of many legal attacks on the magazine, one of which reaches the Supreme Court as Alan Isaacman (Edward Norton), Flynt's lawyer, debates the finer legal points of bad taste with the justices of the highest court in the land. Meanwhile, Flynt makes a fortune, loses the use of his legs after an attack by a sniper, embraces and than abandons Christianity, and eventually loses Althea, who succumbs to AIDS after a long addiction to drugs. Woody Harrelson's brother Brett Harrelson is well cast as Larry Flynt's brother Jimmy; Larry Flynt appears briefly as a judge who hands down a judgment against Larry Flynt. ~ Mark Deming, Rovi

Paul Newman earned an Oscar nomination (and won citations from the New York Film Critics Circle and the Berlin International Film Festival) for his performance in this well-drawn comedy-drama. Sully (Newman) is a 60-year-old man who emotionally seems to have never quite emerged from adolescence; scraping by on part-time work in construction, Sully has built a life around avoiding responsibility. He hasn't spoken with his ex-wife (Elizabeth Wilson) in years, he lives in a rooming house owned by his eighth-grade teacher Mrs. Beryl (Jessica Tandy), his best friend is a mildly retarded handyman, Rub (Pruitt Taylor Vince), and he has a crush on Toby (Melanie Griffith), who is half his age and married to Carl (Bruce Willis), who sometimes gives him work. One day, Sully nearly runs into his son Peter (Dylan Walsh) and discovers that he has a grandson he never knew about; for the first time, Sully finds himself thinking that he ought to start behaving like a grown-up -- or at least get to know his family before it's too late. Nobody's Fool also features Gene Saks as Sully's lawyer Wirf, and Philip Seymour Hoffman as the overly-enthusiastic Officer Raymer. ~ Mark Deming, Rovi

In this drama, based on the best-selling novel by John Grisham, Mitch McDeer (Tom Cruise) is a young man from a poor Southern family who has struggled through Harvard Law School to graduate fifth in his class. Mitch is entertaining offers from major firms in New York and Chicago, but when Memphis-based Bendini, Lambert, & Locke offer him a 20 percent higher salary than the best offer he's received, in addition to an enticing variety of perks and fringe benefits, he decides to sign on and remain in the South. Mitch's wife, Abby (Jeanne Tripplehorn), warns him that the deal sounds almost too good to be true, but it's not until after several weeks of working with Avery Tolar (Gene Hackman) that Mitch discovers that the vast majority of BL&L's business is tied to organized crime, with crime boss Joey Morolto (Paul Sorvino) using the firm to launder Mafia money. FBI agents Wayne Tarrance (Ed Harris) and F. Denton Voyles (Steven Hill) try to blackmail Mitch into helping them make a case against the firm, while BL&L's "security director" William Devasher (Wilford Brimley) is blackmailing him to do as he's told after Mitch foolishly allows himself to be seduced by a prostitute hired by the firm. The Firm was adapted for the screen by acclaimed playwright David Rabe and features performances by Hal Holbrook, Holly Hunter, and Gary Busey. ~ Mark Deming, Rovi

This directorial effort from Phil Joanou stars Sean Penn as an Irish-American undercover cop working the Hell's Kitchen beat. Penn is ostensibly on a sentimental journey to his old neighborhood. Actually he's been assigned to infiltrate a criminal gang led by Ed Harris, the brother of Sean's best friend Gary Oldman. Penn suffers the requisite honor vs. duty anguish when he renews his childhood romance with Harris' sister Robin Wright. State of Grace would have had more clout had it been more clear as to time and place: it's supposedly set in the 1990s, but the attitudes and behavior are pure 1970s. ~ Hal Erickson, Rovi

Perhaps it was his collaborator Shel Silverstein who said to screenwriter David Mamet "Lighten up. Do a comedy." Whatever the case, Things Change was a welcome change of pace for Mamet, both as scenarist and director. Don Ameche also goes against his usual grain by playing a downtrodden Chicago shoeshine boy (if one can call an 80-year-old a "boy") who is arrested for a crime he didn't commit. Not having much of a future anyway, Ameche has agreed--for a hefty sum--to take the rap for a gangland rubout. Mob henchman Joe Mantegna is assigned to keep an eye on Ameche over the weekend to make sure he doesn't try to weasel out of his agreement. Mantegna has been ordered to remain in Ameche's Lake Tahoe hotel, but the young guy takes a liking to the old loser. Like Jack Nicholson in The Last Detail, Mantegna takes Ameche on one last fling around Nevada. The location photography is terrific, and Ameche even more so. One would like Things Change to be equally as good, and while it never comes up to its potential, it remains a pleasant means to while away 100 minutes. ~ Hal Erickson, Rovi

Set in 1950, this is a convincing, well-acted drama about a young girl's growing up in Las Vegas amidst poverty and a turbulent home life. The 13-year-old Rose (Annabeth Gish) lives with her mother (JoBeth Williams), stepfather (Jon Voight), and two sisters in a working-class home. Trouble is brewing on several fronts: her stepfather is his usual abusive self but is dipping into the bottle more frequently, her glitzy Aunt Starr (Ellen Barkin) arrives for a six-week stay and causes an upheaval in the marriage, and an above-ground nuclear bomb is about to be exploded at the government test site (only 65 miles away). If Rose can survive all this with her health, her sanity, and her clear intelligence intact, it will not be due to her supportive environment. ~ Eleanor Mannikka, Rovi