Henry Hathaway Movies

This western drama from the team that made True Grit -- director Henry Hathaway, screenwriter Marguerite Roberts. and producer Hal B. Wallis -- stars Gregory Peck as a gunfighter who served a seven-year stretch in prison after his partner turned on him during a bank robbery. Shortly after his release, he's saddled with the responsibility of looking after a six-year-old girl while looking for his old sidekick with revenge on his mind. ~ Mark Deming, Rovi

In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, Rovi

Gilchrist (Stewart Granger) is a big-game hunter who loses his courage after his friend is killed by a charging elephant. Casey (Kaz Garas) is an American tourist who hires Gilchrist to guide him on a safari. Gilchrist refuses to take the job but elects to track down the animal in an attempt to regain his nerve. Instead, Casey gladly accompanies the guide on his quest to track down the animal. Face to face with the charging pachyderm Casey has the elephant in his sight, but realizes that Gilchrist is the one who must pull the trigger. The two men level their guns as the enraged elephant makes a final charge. The beauty of Kenya is captured in the outdoor scenes that include exotic wildlife in their natural environment in this routine jungle adventure. ~ Dan Pavlides, Rovi

Henry Hathaway directs the 1965 psychological Western The Sons of Katie Elder. Four sons reunite in their Texas hometown to attend their mother's funeral. John (John Wayne) is the gunfighter, Tom (Dean Martin) is the gambler, Matt (Earl Holliman) is the quiet one, and Bud (Michael Anderson Jr.) is the youngest. They soon learn that their father gambled away the family ranch, leading to his own murder. The brothers decide to find their father's killer and get back the ranch, even though they are discouraged to do so by local Sheriff Billy Wilson (Paul Fix). When the sheriff turns up dead, the Elder boys are blamed for the murder. Deputy Sheriff Ben Latta (Jeremy Slate) joins forces with the only witnesses of the murder: Morgan Hastings (James Gregory) and his son Dave (Dennis Hopper). A gunfight breaks out between the Hastings gang and the Elder gang. After his brother Matt is killed, John decides to settle the ranch dispute in a court of law with a judge (Sheldon Allman). However, Tom decides to take matters into his own hands by kidnapping Dave. After the final climactic gunfight, John and the wounded Bud retreat to a rooming house owned by Mary Gordon (Martha Hyer). ~ Andrea LeVasseur, Rovi

This third screen adaptation of Somerset Maugham's novel about the destructiveness of sexual obsession stars Laurence Harvey as Philip Carey, a club-footed artist who after two unsuccessful years in Paris decides to pursue a career in medicine instead. During his medical studies he falls in love with a waitress, Mildred Rogers (Kim Novak), who takes advantage of his attraction to her. When Mildred leaves him to marry another man, Philip falls in love with a writer (Siobhan McKenna), who encourages him to complete his studies. Under her tutelage, Philip excels in medical school. But when Mildred returns, pregnant and abandoned by her husband, Philip takes her in and cares for her, breaking off with the kind-hearted writer. Staying with Philip at his flat, Mildred has an affair with his best friend. Confronting her with her indiscretions, Mildred tells Philip how repulsed she is by his club foot and walks out on him. Philip once again throws himself into his studies, passing his examinations and taking an internship at a London hospital. There he hears Mildred has become a cheap prostitute. Philip travels to the brothel where she is living in poverty with her child and takes her under his wing once again. As before, Mildred walks out on Philip, trashing his apartment and taking to the streets. When Philip comes upon her again, he finds that her child has died and she is suffering from the advanced stages of syphilis. ~ Paul Brenner, Rovi

Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, Rovi

Discredited professor Edward G. Robinson organizes a seven-person criminal gang. Robinson plans to steal a fortune from the underground vaults of the Monte Carlo casino. Despite a few tense moments, the plot moves like clockwork. Alas, Robinson isn't around long enough to enjoy the fruits of his labors. As for the other criminals, they find that fencing their stolen booty is next to impossible. All they come away with is $3000--won legitimately at the gaming tables. Those not interested in the male contingent of Seven Thieves (Robinson, Rod Steiger, Eli Wallach et. al.) are advised to feast their eyes upon leading-lady Joan Collins, in her considerable prime. ~ Hal Erickson, Rovi

A spare, almost austere western, From Hell to Texas stars Don Murray as a carefree cowpoke. Accidentally killing the son of a powerful land baron (R. G. Armstrong), Murray runs for his life, pursued by the dead man's vengeful brothers. The fugitive is sheltered by Chill Wills, upon whose ranch Murray spends the bulk of his screen time. In love with Wills' daughter (Diane Varsi), Murray is concerned that he'll eventually have to leave when his pursuers catch up with him, but the boy is exonerated when he saves the life of the land baron's youngest son (Dennis Hopper). A superb piece of filmmaking, From Hell to Texas is barely worth watching unless seen in its original CinemaScope. ~ Hal Erickson, Rovi

Two brothers face their personal demons in this crime melodrama. Donald Martin (Van Johnson) is an alcoholic criminal who has escaped from prison and needs help crossing the Mexican border to freedom. Desperate, he arrives at the ranch of his lawyer brother Martin (Joseph Cotten). Martin has little respect for his brother and would prefer his neighbors not know he's housing a fugitive, so he tries to convince people that Donald is actually someone else. Donald is crushed by his brother's shame and rejection, and, after a drinking binge, he decides that he should try to make the journey into Mexico on his own. Martin's wife Nora (Ruth Roman), who has her own issues with Martin, convinces him to put his differences aside and help Donald however he can. ~ Mark Deming, Rovi

The CinemaScope process gets a rugged workout in Henry Hathaway's The Racers. Kirk Douglas stars as an Italian bus driver who dreams of entering the Grand Prix as a world-famous race car driver. Being Kirk Douglas, he achieves his goal, racing in all the major events around the globe. Dedicated to the philosophy of "winning is the only thing", Douglas alienates his fellow racers and everyone else with whom he comes in contact. Only when he is on the verge of losing his sweetheart Bella Darvi does our hero put his priorities in order. Adapted from a novel by Hans Ruesch, The Racers was remade in a 60-minute version as Men Against Speed, an entry in the weekly TV anthology The 20th Century-Fox Hour. ~ Hal Erickson, Rovi

Gary Cooper, Richard Widmark and Cameron Mitchell portray three somewhat disreputable 19th-century soldiers of fortune, en route to California to prospect for gold. Stopping over in a tiny Mexican village, the three men are hired by Susan Hayward to rescue her husband, who is trapped in a gold mine in hostile Indian territory. The threesome agree to the expedition, their interest piqued by the possibility of picking up some gold themselves. During the harrowing journey, the party's already frayed nerves are aggravated when the men become attracted to Hayward. The group arrives at the mine's location--the Garden of Evil, so named because the Indians regard it as the domain of evil spirits. During the escape, Hayward's husband (Hugh Marlowe) is killed by the Indians, as is Mitchell. Cooper and Widmark play cards to decide who will take Hayward to safety and who will cover them while they flee. Cooper wins--but later discovers that Widmark had cheated in order to sacrifice himself. Garden of Evil takes too long to get to its climax, but the Cinemascope photography and Bernard Herrmann's rich musical score make the wait worthwhile. ~ Hal Erickson, Rovi

This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, Rovi