Michael Hastings Movies

Willem Dafoe stars as groundbreaking early 20th century American poet T.S. Eliot in this biopic focusing on Eliot's disastrous marriage. Young Tom Eliot meets the flamboyant Vivienne Haigh-Wood (Miranda Richardson) while they are both students at Oxford University in England in 1914. Eliot is studying under the famous writer and philosopher Bertrand Russell (Nickolas Grace). Tom and Viv elope after a very brief courtship, without the consent of her parents and against the advice of Viv's brother Maurice (Tim Dutton). On the honeymoon, Tom learns that Viv suffers from a severe hormonal imbalance which causes frequent menstruation. She is under the care of a doctor who calls her problems emotional and prescribes medications which worsen her condition. Viv is moody, often despondent, and frequently drunk. While Tom works as a bank clerk and tries to establish himself as a writer, Viv serves as his secretary and sometimes his muse, but more and more often she embarrasses them in public with her behavior. Yet her influence prevents Tom, who wants to become thoroughly British and a member of the Church of England, from becoming too staid. Eventually, Tom reluctantly commits his wife to a mental asylum and their troubled marriage continues to plague his life and color his work. ~ Michael Betzold, Rovi

Marlon Brando delivers a respectably creepy performance in the Michael Winner directed The Nightcomers -- a film inspired by the characters in Henry James' The Turn of the Screw. On a British country estate, two recently-orphaned children, Miles (Christopher Ellis) and Flora (Verna Harvey), live on their own with only a nurse, housekeeper, and gardener as companions. Miles and Flora are particularly fascinated by the gardener, Quint (Marlon Brando). In fact, fascinated to the point of obsession, the boy and girl model their young lives after him. When Quint becomes involved with the prim and proper nurse, Miles surreptitiously views their love-making and keeps it in mind for future reference. Gradually, Miles and Flora adopt the gardener and the nurse's love-hate relationship for their own, copying their adult behavior with child-like abandon. Finally, when the housekeeper finds out and decides to fire the gardener and the nurse, the children are thrown into a panic. Not wanting their two favorite subjects to be separated, the children decide to take things into their own hands. ~ Paul Brenner, Rovi