Laurence Harvey Movies
Laurence Harvey was one of Hollywood's stranger success stories; never a major star, or even the subject of a cult following, his films were rarely hits, and those that were often seemed to achieve their popularity in spite of him. A cold, remote actor, he proved highly unsuited to the majority of the roles which came his way, and his performances were typically the subject of unanimous critical dismissal; even his co-stars frequently derided his abilities. At the same time, however, Harvey enjoyed a career much longer and more prolific than many of his more lauded contemporaries, and was one of the most prominent onscreen presences of the 1960s. Also to his credit, his resumé includes at least one certified classic, 1962's The Manchurian Candidate.Harvey was born Lauruska Mischa Skikne on October 1, 1928, in Joniskis, Lithuania. Raised in South Africa, he served in Egypt and Italy during World War II, and after performing in the army show The Bandoliers he returned to Johannesburg to begin his theatrical career. He later relocated to Britain, where he tenured with the Manchester Library Theater and also worked as a male prostitute. In 1948, Harvey made his feature debut in the horror thriller House of Darkness, and its success earned him a two-year contract with Associated British Studios, resulting in lead roles in 1949's Man on the Run and the following year's Cairo Road. Smaller turns in Landfall and The Black Rose followed before he appeared in a disastrous West End revival of Hassan.
Harvey continued to languish in B-movies like 1951's There Is Another Sun before appearing in 1953's Women of Twilight. The picture was not a success, but the studio Romulus was so impressed by his performance that they made his career a top priority and cast him in the comedy Innocents in Paris. Harvey then appeared for the 1952 season with the Memorial Theatre at Stratford, earning almost unanimously poor notices. He responded by giving interviews which claimed that regardless of the critics, he was in fact a great actor, a game of cat-and-mouse with the press that went on for years. Despite his disappointing Shakespearean performances, Harvey was cast in a 1954 film treatment of Romeo and Juliet, delivering a virtually expressionless portrayal of the title hero. He then starred in the Warner Bros. production of King Richard and the Crusaders.
Upon returning to Britain, Harvey again worked under the auspices of Romulus, where in 1955 he starred in The Good Die Young. Margaret Leighton, one of his co-stars in the picture, later became his wife. After starring in I Am a Camera, he appeared opposite popular television comedian Jimmy Edwards in 1957's Three Men in a Boat, which became Harvey's first real hit. However, a series of disappointments -- After the Ball, The Truth About Women, and The Silent Enemy -- were to follow before he could again taste success in 1959's Room at the Top. Hollywood again took interest in Harvey, and in 1960 he co-starred with John Wayne in The Alamo, followed by an appearance in the Elizabeth Taylor hit Butterfield 8. A role in the 1961 British production The Long and the Short and the Tall was next, trailed by a pair of Hollywood flops, Two Lovers and Summer and Smoke.
Harvey remained a frequent target of reviewers' derision in all of these films, and even co-star Jane Fonda criticized his performance in 1962's Walk on the Wild Side. Finally, in John Frankenheimer's masterful The Manchurian Candidate, he found a role perfectly suited to his talents, portraying a brainwashed assassin shorn of emotion; the performance was the best of his career, but in a cruel twist of irony the film was pulled from distribution by producer/star Frank Sinatra when its plot too closely foreshadowed the tragic death of President John F. Kennedy. With 1963's The Ceremony, Harvey turned screenwriter and director as well as star. The result was a critical lambasting even more severe than usual, with response to both 1964's Of Human Bondage and The Outrage not much better.
A small role in John Schlesinger's superb Darling followed in 1965, but both 1966's The Spy With the Cold Nose and 1967's A Dandy in Aspic (which Harvey finished directing upon the death of original helmer Anthony Mann) sank without a trace. He then filmed 1969's Rebus in Italy with Ann-Margret, remaining there to produce and star in L'Assoluto Naturale. Appearances in 1970's The Magic Christian and the next year's Paul Newman vehicle W.U.S.A. followed, but Harvey proved unable to revive his stalling career. After working with Elizabeth Taylor in 1972's Night Watch, he directed and starred in one final film, 1974's Welcome to Arrow Beach, but did not live to see its premiere; he died of cancer on November 25, 1973. ~ Jason Ankeny, All Movie Guide
- 1948
In this psychological thriller, an avaricious man covets his stepbrother's home. The greedy fellow knows that his stepbrother has a heart condition and so sets off a fatal attack by smashing a beloved violin. He then throws his wife and his other step-brother out of the house. But his actions do not come without a terrible price, and soon he begins to go mad. Thinking that he hears the plaintive songs of the broken violin, he runs to the piano and begins to loudly play hoping drown out the hellish sounds. A wild fear overtakes the man as the violin plays on and on until at last he crumples, face down upon the keyboard, a victim of a massive, fatal heart attack. ~ Sandra Brennan, All Movie Guide
- 1949
A man recently gone AWOL from the Army (Derek Farr) is arrested in a store robbery that occurred while he was shopping. With help from a beautiful lawyer (Joan Hopkins), he must prove his innocence. ~ John Bush, All Movie Guide
- Starring:
- Derek Farr, Joan Hopkins, (more)
- 1949
Written by John Gilling, The Man From Yesterday is an other-worldly melodrama in the same vein as J. B. Priestley's An Inspector Calls. The lion's share of the footage goes to Henry Oscar, playing an Indian mystic. Oscar arrives at the home of Marie Burke, who wants to contact the spirit of her dead fiance. When Marie subsequently dies herself, Oscar accuses jealous John Stuart of arranging both deaths, whereupon Stuart kills Oscar. That's when we find out the whole film has been a dream, and everyone in the household is still alive--but Oscar has died while en route to the house. Future film star Laurence Harvey shows up in a supporting role. ~ Hal Erickson, All Movie Guide
- 1949
Landfall takes place during the early portions of WWII. RAF pilot Rick (Michael Denison) is transferred to another squadron after sinking a British sub during a bombing raid. Disgraced, Rick has no one to turn to, save for sympathetic barmaid Mona (Patricia Plunkett). With her help, the pilot is able to find out the truth behind his "fatal error" and clear his name. Landfall was based on a novel by Nevil Shute, of On the Beach fame. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Plunkett, Edith Sharpe, (more)
- 1950
Cairo Road is a standard British "police precinct" drama with a twist; this precinct is located in Cairo, Egypt. Eric Portman plays an Egyptian police chief who takes on the seemingly routine matter of a murdered Arab. Portman deduces that this was no ordinary street killing, and that the Arab was mixed up with drug smuggling. The chief leaves the relative security of his office to set a trap for the murderers within the teeming streets of Cairo. Cairo Road was photographed by Oswald Morris and included in its supporting cast a young Lawrence Harvey--two worthies who wouldn't be working in British programmers much longer. ~ Hal Erickson, All Movie Guide
- Starring:
- Eric Portman, Laurence Harvey, (more)
Partly conceived as a follow-up to Prince of Foxes, 20th Century-Fox's The Black Rose, reunites the earlier film's two stars, Tyrone Power and Orson Welles. Filmed on location in England and Morocco, the story concerns 13th-century Saxon nobleman Walter of Gurnie (Tyrone Power), who, after sparking an unsuccessful rebellion against the Norman conquerors of his homeland, sets out to seek his fortune in the Far East. In the company of his friend Tristam (Jack Hawkins), Walter makes the acquaintance of megalomanic North African warlord Bayan (Orson Welles). Journeying farther, Walter and Tristam arrive in China, where they are treated with deference--so long as they never try to leave. Eventually escaping his Chinese hosts, Walter returns to his native country. Previously renounced by King Edward (Michael Rennie) because of his role in the a Saxon rebellion, Walter is welcomed back with open arms because of all the cultural and scientific wonders he's brought back from China (including gunpowder). The "Black Rose" of the title is the beauteous Maryam (Cecile Aubrey), with whom Walter fell in love while both were the prisoners of Bayan. A bit lacking in terms of spectacular adventure sequences, Black Rose scores points on its star power and splendid Technicolor photography. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Orson Welles, (more)
- 1951
Star-in-the-making Laurence Harvey receives third billing in the British There is Another Sun. Set in the rarefied world of fairground auto racing, the film stars Susan Shaw as Lillian, a stranded carny performer who attaches herself to a pair of young men. One of them, played by Maxwell Reed, is known only as "Racer," a suitable cognomen; the other is Maguire (Laurence Harvey), an aspiring boxer. Anxious to finance his racing activities, the desperate Racer pulls off a robbery, for which Maguire is held responsible. Torn between both men, Lillian finally chooses the "right" one -- at least so far as the script is concerned. There is Another Sun is better known by its American title, Wall of Death. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Shaw, Maxwell Reed, (more)
- 1951
In this British crime drama, a petty crook teams up with a gangster to steal some jewels, but somehow the robbery goes awry and an innocent man is fatally shot. The man later turns out to be the father of the crook's newest girl friend. ~ Sandra Brennan, All Movie Guide
- 1952
The Women of Twilight in this controversial British production are the unwed mothers living in a group home. Helen Alistair (Freda Jackson), owner of the shelter, uses a veneer of kindness and generosity to mask her true character: Helen exploits the young women as cheap labor, then farms out their babies to the black-market adoption market. The story concentrates on one of the young unfortunates (Rene Ray), whose tragic plight finally arouses the suspicions of the authorities. Considered raw meat in 1953, Women of Twilight seems to pull most of its punches today. The film was based on a play by Anatole de Grunwald. ~ Hal Erickson, All Movie Guide
- Starring:
- Freda Jackson, Renee Ray, (more)
- 1952
In this murder mystery, the trouble begins when one of two brothers kills his own grandmother so he can steal her fortune and use it to impress a sophisticated city girl. To make matters worse he frames his milque-toast sibling for his crime. ~ Sandra Brennan, All Movie Guide
- 1952
Inspired by the recent success of The Blue Lamp, I Believe in You is a multiplotted British drama about parole officers. Several short character vignettes pass our way as the film studies the various methods employed by the officers in dealing with their charges. The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down. ~ Hal Erickson, All Movie Guide
- Starring:
- Cecil Parker, Celia Johnson, (more)
- 1953
Innocents in Paris is a series of anecdotes bundled together by geography. First we see the efforts by British diplomat Alastair Sim to loosen up Soviet-agent Peter Illing long enough to forge an economic plan between Russia and England. Then we watch as dotty artist Margaret Rutherford purchases a copy of the Mona Lisa. Next we see British officer Jimmy Edwards go off on a toot in a Parisian bistro. The next vignette involves impressionable Claire Bloom, who is swept off her feet by a local rake (the human variety, not the garden implement). And so it goes for 102 minutes in the British version of Innocents in Paris, and 93 minutes in the American print. ~ Hal Erickson, All Movie Guide
- Starring:
- Alastair Sim, Ronald Shiner, (more)
- 1953
Black-market babies in a British boardinghouse provide the basis of this brutal crime drama. Though the landlady is outwardly upstanding and self-righteous, she is really the brains behind the operation. Her newest tenant is the pregnant lover of a convicted killer who has come there to avoid publicity. There the hapless girl is horribly mistreated as are all of the "guests." But despite the abuse, the young woman refuses to report it. Another boarder, who lost her baby due to the landlady's refusal to call a doctor, becomes the young woman's friend. Eventually things become so bad that a houseworker phones the police. Just before they arrive, the evil landlady shoves the pregnant woman down a flight of stairs and leaves her there to die. The wicked woman is then arrested and goes on to get her just desserts. This film received the very first British "X" rating. ~ Sandra Brennan, All Movie Guide
- 1953
After the Ball is a well-mounted (if turgidly paced) filmed biography of legendary British music hall entertainer Vesta Tilley. You may not have heard of Ms. Tilley, but if you've seen Victor/Victoria, you'll have some inkling of the nature of her act. At the peak of her fame at the turn of the century, Vesta was a male impersonator who pretended to be a female impersonator. Pat Kirkwood acquits herself nicely as Ms. Tilley, while Laurence Harvey makes a good early impression as Lord Walter de Frece, Vesta's manager and devoted husband. Other famous showbiz personalities represented in After the Ball include Tony Pastor (played by George Margo), Oscar Hammerstein I (Peter Carlisle), Dan Leno Jr. (Terry Cooke) and George M. Cohan (impersonated by future Dr. Who Tom Baker). ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Kirkwood, Laurence Harvey, (more)
- 1954
Roundly panned when it was first released, this CinemaScope film version of Sir Walter Scott's The Talisman can now be enjoyed on a "high camp" level. George Sanders plays King Richard the Lionhearted, while his arch-foe Saladin is over-acted by Rex Harrison. One of Richard's objectives during the Crusades is to reclaim the Holy Grail from Saladin's Mohammedan hordes. On the home front, Richard must contend with a group of conspirators dedicated to toppling him from his throne. In the middle of all this is the fictional Lady Edith,a British noblewoman played by Virginia Mayo in a manner that can best be described as overbaked. It is Ms. Mayo who delivers the film's classic line "Oh, fight, fight, fight! That's all you ever think of, Dickie Plantagenet!" In his American film debut, Laurence Harvey is as hammy as the rest of the cast as Sir Kenneth, Richard's right-hand man. ~ Hal Erickson, All Movie Guide
- Starring:
- Rex Harrison, Virginia Mayo, (more)
- 1954
The Good Die Young is a psychological crime yarn, exploring the motivations of four participants in an armed robbery. American ex-GI Joe (Richard Basehart) hopes to use his share of the haul to bring his British wife to the US. Professional boxer Mike (Stanley Baker) finds himself unable to work in his chosen profession when his hand is broken, while his life savings are stolen by his disreputable brother-in-law. American airman Eddie (John Ireland) has deserted upon discovering that his wife (Gloria Grahame) is unfaithful. And shabby aristocrat Rave (Laurence Harvey) needs to pay off his wife's gambling debts. In other words, all four amateur criminals would have been better off staying single, which may or may not be the subliminal message of The Good Die Young. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Gloria Grahame, (more)
- 1954
Generally forgotten today, Romeo and Juliet is a satisfactory, if perfunctory, adaptation of Shakespeare's immortal tragedy. Cast as the "star cross'd lovers" this time out are Laurence Harvey, who's quite good, and Susan Shentall, who isn't. Whether or not Shentall would have improved with experience is a moot point, since she retired from the screen to get married soon afterward. Director Renato Castellani was showered with praise for his decision to lens the story on location in Italy. Less popular was his decision to delete several of Shakespeare's more famous passages, arguing that they held up the progress of the story (sometimes whole scenes, including the one with the apothecary, were chopped out). The supporting cast includes Dame Flora Robson as Nurse, Mervyn Johns as Friar Laurence, Bill Travers as Benvolio, Norman Wooland as Paris, John Gielgud as the (unseen) Chorus, and Sebastian Cabot as Capulet; the rest of the major roles were filled by Italian actors. Though overshadowed by later film versions, this Romeo and Juliet was impressive enough in 1954 to win the Grand Prix at the Venice Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Susan Shentall, (more)
- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Laurence Harvey, (more)
- 1955
This fourth film version of A.E.W. Mason's adventure yarn The Four Feathers relies heavily on stock footage from the more famous 1939 adaptation (both were produced by Alexander Korda and codirected by Korda's brother Zoltan). Anthony Steel stars as 19th cntury British officer Harry Faversham, who begs off from serving with Kitchener's forces in the Sudan, preferring to stay in London with fiancee Mary Burroughs (Mary Ure). Almost immediately, Faversham receives the traditional "white feather" of cowardice from his three closest friends--and then is handed a fourth feather by Mary. Determined to prove that he is not a coward, Faversham heads off to the Sudan to fight shoulder-to-shoulder with his comrades. He also intends to return those dreaded feather to his three former friends, even resorting to native disguise at one point to do so. Laurence Harvey essays the old Ralph Richardson role of John Durrance, who is blinded by the sun and thus unaware of Faversham's true identity, while James Robertson Justice fills the shoes of Four Feathers' crusty C. Aubrey Smith ("War was war in my day, sir!") ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Steel, Laurence Harvey, (more)
- 1957
Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Jimmy Edwards, (more)
- 1958
The Silent Enemy is based on Commander Crabb, a book by Marshall Pugh. This is the true story of young Lieutenant Crabb (Laurence Harvey), who in 1941 arrives in Gilbaltar to learn the rudiments of deep-sea diving. Crabb isn't interested in recreation, however; there's a war on, and it is common knowledge that a band of Italian frogmen have been sabotaging the British naval forces. Without official permission, Crabb and a band of hardy volunteers take on the task of scuttling the enemy's guerilla activities. Silent Enemy is at its best during its underwater sequences, in which both British and Italian frogmen deploy an astonishing variety of deep-sea weaponry. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Dawn Addams, (more)
- 1958
In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet's many amours are a suffragette, a harem girl, the wife of a diplomat who "demands satisfaction", an American heiress, a bohemian artist and an army nurse. After all this, Tavistock finds lasting happiness with the first women he ever loved. The female cast of The Truth About Women features the illustrious likes of Julie Harris, Diane Cilento, Mai Zetterling and Eva Gabor, so it's little wonder that the hero has so many vivid memories to fall back on. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Julie Harris, (more)
- 1959
Season five of Alfred Hitchcock Presents gets under way with a darkly humorous character piece, directed by Hitchcock himself. Laurence Harvey heads the cast as Arthur Williams, a fairly prosperous New Zealand poultry farmer. Ever since he was jilted by his sweetheart, Helen (Hazel Court), Arthur has vowed to remain a bachelor. When the avaricious Helen comes back into his life, Arthur tries to explain that he is "set in his ways" and not interested in matrimony. Not long afterward, Helen vanishes without a trace, compelling the police to pay a visit Arthur's farm. Though the cops can find no signs of foul play, it is obvious to the viewer that a certain amount of "fowl" play has occurred. ~ Hal Erickson, All Movie Guide
In this witty music-business satire, Johnny Jackson (Laurence Harvey) is a talent agent down on his luck who thinks his tide may have turned when he spots a teenage rock & roll fan wailing away in a coffeehouse. Dubbing him "Bongo Herbert" (Cliff Richard, in a role the now knighted and born-again pop icon would probably prefer to forget), Johnny puts Herbert on the fast track to teenage stardom, using his record company and radio connections to make Herbert's first single a smash hit. Johnny then decides that a little image modification might make Herbert a bigger draw, so his follow-up is a treacly, inspirational tune, "The Shrine on the Second Floor," which hardly gibes with Herbert's newfound fondness for strippers and love-starved American actresses. But just when Johnny thinks he has a meal ticket for life, it's discovered that Herbert is really a minor, making his contract with Johnny null and void. Cliff Richard was at the height of his first wave of popularity as "The British Elvis" when Expresso Bongo was released, leading to a great deal of speculation about how closely it mirrored his own career (the answer probably is: not very much). ~ Mark Deming, All Movie Guide
- Starring:
- Laurence Harvey, Sylvia Syms, (more)
