Anthony Harvey Movies

When first released as Grace Quigley, this odd little black comedy proved too fey and quirky even for the most devoted fans of Katharine Hepburn. The star plays the title character, an old, worn-out woman with nothing to live for. Accordingly, she hires professional assassin Seymour Flint (Nick Nolte) to kill her, albeit gently. As she ponders the prospect of a peaceful death as opposed to a miserable life, Grace convinces Seymour to murder not only herself, but all other poor souls who have grown tired of life. As it turns out, there are several people who'd be willing to pay for this "courtesy," and soon Grace and Seymour, together with his ditsy girlfriend Muriel (Kit Le Fever), are conducting a land-office business! Entered into competition at the 1984 Cannes Film Festival, Grace Quigley made no impression whatsoever. Screenwriter A. Martin Zweibeck withdrew the film, recut it to his satisfaction, and reissued it as The Ultimate Solution of Grace Quigley. Though this version was a marked improvement over the original, the film was still not quite the Harold and Maude-like "cult favorite" that everyone hoped it would be. ~ Hal Erickson, All Movie Guide

Rosanna Arquette stars in this TV remake about a young deaf mute who is befriended by the town doctor. ~ Jason Ankeny, All Movie Guide

In this grim drama, a grieving widow finds herself seeking solace in the arms of her late husband's lover, a woman. ~ Sandra Brennan, All Movie Guide

Though made in Britain and Europe, Eagle's Wing qualifies as a Western. Easterner Pike (Martin Sheen) does a lot of growing up in a hurry when he becomes a trapper out-West. By mid-film, Pike is accomplished enough to compete with Comanche chief White Bull (Sam Waterston, there's a masterpiece of nontypecasting!) over possession of a white, wild stallion. The film contains subliminal pro-ecological and pro-tolerance messages, courtesy of its politically-minded stars and the screenplay by future Gandhi scrivener John Briley. Supporting Sheen and Waterston are such never-fail performers as Harvey Keitel and Stephane Audran. ~ Hal Erickson, All Movie Guide

In this historical drama based on actual events, Sweden's Queen Christina (Liv Ullmann) decides in 1654 to give up her throne in order to embrace Catholicism. However, as she studies the faith, she falls in love with Cardinal Azzolino (Peter Finch), a cleric being considered for the papacy. Greta Garbo previously played the same abdicating monarch in the film Queen Christina. Michael Dunn, who plays the dwarf in The Abdication, died during production, and several of his scenes had to be shot with another actor doubling for him. ~ Mark Deming, All Movie Guide

George C. Scott stars as Justin Playfair, a retired, widowed judge who labors under the delusion that he's Sherlock Holmes. Feigning concern, Playfair's greedy brother Blevins (Lester Rawlins) hires psychologist Dr. Mildred Watson (Joanne Woodward) to certify that Justin is insane--and in so doing gain control of the judge's millions. Instead, Dr. Watson is drawn into Playfair's dream world, accompanying the judge on his quest to find the elusive (and imaginary) Professor Moriarty. Reality rears its head when a group of vicious blackmailers, to whom Blevins is deeply in debt, attempt to assassinate brother Justin. In a sequence originally cut from the release version but restored for television, Playfair and Watson are rescued by a group of middle-aged eccentrics, who like the judge would give anything to live the lives of their literary favorites (the most poignant of these is librarian Jack Gilford, who "wishes to God" that he were the Scarlet Pimpernel). ~ Hal Erickson, All Movie Guide

The Whisperers stars Dame Edith Evans as a lonely old woman whose imagination is getting the better of her sanity. She insists that she hears "whisperers" plotting and planning against her at all times; she also believes that these imaginary entities are spying on her. So suspicious is Ms. Evans of her nonexistent whisperers that she fails to notice the very real predators around her. She is robbed of her life's savings by a nasty "friend" (Avis Brunnage), and is exploited by her estranged con-artist husband (Eric Portman) and her no-good son (Ronald Fraser) Even when she catches on to the duplicity of others, Ms. Evans is so far gone with her "whisperers" that the authorities refuse to believe her. Seedy and sordid though it may be, The Whisperers won Edith Evans the Best Actress award from the New York Critics' Circle. ~ Hal Erickson, All Movie Guide

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from "the cold" (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England "stand in" for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible. ~ Hal Erickson, All Movie Guide

"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, All Movie Guide

A beautiful and wealthy woman in the market for a husband believes she has found the right man -- only to discover he isn't especially interested, in this comedy based on a play by George Bernard Shaw. Epifania Parerga (Sophia Loren) is a woman who has inherited a vast fortune, making her the wealthiest woman on Earth. All Parerga really wants is a happy marriage, but her first stab at matrimony, with Alastair (Gary Raymond), is a disaster, and when she visits a psychiatrist in hopes of learning what she did wrong, her analyst, Dr. Adrian (Dennis Price), attempts to seduce her. Parerga is nearly ready to give up when she meets Dr. Ahmed el Kabir) (Peter Sellers), a shy and well-mannered Indian physician who operates a clinic for the underprivileged. While Kabir is personable, he seems to have no interest in Parerga's money and is unfazed by her beauty; convinced he can love her simply for who she is, Parerga decides Kabir is the man for her. However hard Parerga tries to throw herself at him, Kabir refuses to budge, and even after she bankrolls a new clinic for him, he does not respond to her advances. Eventually, Parerga offers Kabir a challenge -- she bets him that he can't triple his profits at his new clinic in three months, while he in turn wagers her that she cannot live without money for the same period of time. A spin-off of the The Millionairess was a novelty song called "Goodness Gracious Me", in which Sellers and Loren duetting as a doctor from India and his alluring patient; a recording of the tune became a hit single in the United Kingdom. ~ Mark Deming, All Movie Guide

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, All Movie Guide

This soft-pedalled British comedy was adapted from Quiet Wedding, a play by Esther McCracken that had previous been filmed in 1940. On the eve of their nuptials, David (Ian Carmichael) and Janet (Janette Scott) have a serious falling out. It isn't really the couple's fault, however; as usual, their relatives have messed things up with their well-intentioned meddling. Patching up their differences, David and Janet decide that the best strategy is to hide out until the wedding, and to that end they embark upon a long motor trip. Unfortunately, a zealous traffic cop nearly prevents the couple's appearance at the altar. ~ Hal Erickson, All Movie Guide